Sound artists Oren Ambarchi and Crys Cole have both had thrilling careers. Ambarchi has run experimental label Black Truffle for more than a decade, and he’s collaborated with a wide array of avant-garde luminaries, including Sunn O))), Keiji Haino, and Keith Rowe and John Tilbury (both veterans of long-running UK improvising group AMM). Last year, the Australian musician released the resplendent solo LP Simian Angel (on Austrian label Editions Mego) right in the middle of summer, which felt like perfect timing: its two long-form pieces invoke hot, humid weather. “Palm Sugar Candy” weaves conga, guitar, and gauzy synths into a meditative tableau, inviting listeners to soak in every curious melody and texture. Crys Cole, born in Canada and based in Berlin, has also taken part in impressive collaborations over the past decade, including the duo Ora Clementi with Australian composer James Rushford, but her solo albums are some of her most exciting. Like Simian Angel, her upcoming Beside Myself (Students of Decay) features two pieces that each take up a full side of an LP. “The Nonsuch” is inspired by aural hallucinations and conjures its queasy atmosphere with squabbling electronics, field recordings, ASMR-like vocalizing, and unidentifiable noises, all of which combine to give it a hypnotic, inscrutable mystique. The artists will each play a solo set to kick off Chicago’s annual Frequency Festival, booked by former Reader music critic Peter Margasak as an extension of his year-round series. Ambarchi will improvise with a guitar, a Leslie cabinet (an amplifier that uses rotating horns or drums to produce tremolo with a literal Doppler effect), and other electronics; Cole will present an electroacoustic set combining live and prerecorded elements. Her goal, she says, is to induce listeners to focus deeply on the music, such that their perceptions of space and time are altered. Given that Frequency Festival is known for highlighting the most exciting artists in forward-thinking music, it couldn’t have chosen two better acts to kick off its 2020 edition. v
Trumpeter Jacob Wick grew up in the Chicago area and now lives in Mexico City. Like his contemporaries Birgit Ulher, Peter Evans, Axel Dorner, and Nate Wooley, he employs extended techniques that enable him to produce sounds very different from conventional brass playing. His vocabulary encompasses coarse-grained ribbons of frayed wind, rhythmic puffs that resemble a steam engine in action, fluttering snatches of nascent melody, and the occasional brazen trad-jazz lick; with his command of circular breathing, he can keep a steady stream of sound going for upwards of 20 minutes. But he’s not interested in merely wowing people with musical prowess; particularly in solo performances, such as those captured on the 2019 LP Feel (Thin Wrist), he invites audiences to step into his shoes and experience things queerly. In the LP’s liner notes, he describes his ideal performance as a process: “queer sound–>queer time–>queer space.” By challenging received ideas (about how a trumpet sounds, about how long a phrase can last), he also invites listeners to develop an awareness that everything around them needs to be understood on its own terms, not according to assumptions about what’s expected. For his first Chicago appearance in almost two years, Wick will first play solo, then with drummer Phil Sudderberg. Their 2019 collaborative tape, Combinatory Pleasures (Astral Spirits), engages pithiness as rigorously as the trumpeter’s solos do duration. One prescription guides their otherwise wide-open improvisations: as soon as the music they’re playing approaches definition, they stop. This concert is part of the 2020 Frequency Festival, booked by former Reader music critic Peter Margasak as an extension of his year-round series. v
There’s a difference between surf and instrumental rock–not every rock ‘n’ roll tune without a vocal is surf. The likes of Duane Eddy, Link Wray, and even Booker T. & the MGs have all been mistaken for surf artists, but none of them have had that “wet” reverb sound favored by west-coast guitarists such as Dick Dale and Dave Myers. However, Man or Astro-Man?–who emerged out of Auburn, Alabama, in the 90s–blur the line that divides those two traditions (and they’ve occasionally used vocals too). Taking cues from classic surf and the Ventures’ echo-effect-laden 1964 album The Ventures in Space, they go far beyond retro nostalgia, incorporating punk attitude, modern synths and sound-effect machines, and dramatic samples (including snippets of Spider-man storybook records and “control room” dialogue from science-fiction serials). At their shows, the band members wear space suits and assume extraterrestrial identities, and they’ve been known to send other musicians out on the road as their “clones.” Except for a brief hiatus in the early 2000s, Man or Astro-Man? have remained in orbit, continuing to find new angles without stagnating or bastardizing their sound. Their most recent album, 2013’s Steve Albini-produced Defcon 5. . . 4. . . 3. . . 2. . . 1, prominently features hard power chords and often recalls Davie Allan’s soundtracks to 1960s biker movies. All props to any band who would dare take a Harley-Davidson into outer space. v
Since moving here from Cincinnati in 2009, drummer Jeremy Cunningham has anchored several local ensembles, including orchestral jazz squad Resavoir and a crack quartet with guitarist Jeff Parker, bassist Paul Bryan, and saxophonist Josh Johnson–which is also the core group on most of his solo album The Weather Up There, due Friday, February 28, via Northern Spy. The album celebrates his brother Andrew, killed in a home invasion robbery in 2008; in a short documentary about the project, Cunningham says, “It’s helpful to reconnect with the whole of a person’s life, and not just the worst thing.” The Weather Up There creates a nuanced portrait of Andrew as it drifts between soulful, loping grooves and recordings of family members discussing the effects of gun violence. On Saturday, February 22, Cunningham’s quartet plays a release show at Constellation; also on the bill are poet Mykele Deville and a duo of Resavoir members Akenya Seymour and Will Miller.
The video art of genderqueer punk performer and artist Vaginal Davis is showing at the Art Institute of Chicago until April, and the local Black, Brown, and Indigenous Crew are throwing a BIPOC punk show at the Art Institute’s Chicago Stock Exchange Trading Room that testifies to Davis’s legacy in another, equally powerful way! On Friday, February 21, Blacker Face, the Breathing Light, Mermaid N.V., the Uhuruverse, and YGSLRHSTFUT will tear the roof off; admission is free, but you must preregister via the Art Institute’s website.
Gossip Wolf first heard local singer, songwriter, multi-instrumentalist, and Intonation Music Workshop instructor Wyatt Waddell last year. He’d posted a few songs on Bandcamp and Soundcloud, and his debut single, 2018’s “Cyber Eyes,” uses a knockout combo of languid guitar riffs, flamboyant bass, funky keys, and relaxed soul vocals. On Thursday, February 20, he plays a free show upstairs at Schubas as part of the monthly Behind the Scene series. v
Got a tip? Tweet @Gossip_Wolf or e-mail [email protected].
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ARTIST: Frank Okay
SHOW: The Footlight District, the Million Reasons, and Bubbles Erotica at Martyrs’ on Fri 2/21
MORE INFO: Through their 120 Free Posters project, Frank Okay is offering Chicago bands and DIY venues the chance to get a free gig poster designed by Frank. All the posters will be shown in an exhibition later this year.
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This morning Pitchfork announced the lineup for its 15th annual music festival, headlined by mope masters the National, rap superduo Run the Jewels, and New York hipster-rock darlings the Yeah Yeah Yeahs. Pitchfork the website originally built its reputation by covering the indie music world that gave birth to these headliners, and even though Pitchfork the festival has grown big enough to book them now that they’re stars, it hasn’t lost sight of that mission–which lends extra significance to its crystal anniversary.
Run the Jewels sets have become as routine at Chicago summer festivals as sightings of Matthew Churney (aka “hacky-sack guy”), but El-P and Killer Mike nonetheless help make the 2020 Pitchfork lineup as eclectic and distinctive as the ones that preceded it. It’s expanded well beyond its indie-rock comfort zone, and other big names invigorating this year’s roster include art-rock royal Kim Gordon, funk oddball Thundercat, and rising dance star Yaeji. Chicago indie rockers Fiery Furnaces, who took most of the past decade off, will return to the stage the first night of the fest.
If you’re a Pitchfork regular, chances are you’ve seen several acts on this year’s lineup at previous editions. Danny Brown will rap at Pitchfork for the fifth time, and all told 17 of its 42 acts are repeaters–at least if you count Caroline Polachek’s set with Chairlift in 2013, Jehnny Beth’s appearances with Savages in 2013 and 2016, and Kim Gordon’s performance with Sonic Youth in 2007. If you were at Pitchfork Paris in 2017, this lineup might feel particularly repetitive–the National and Run the Jewels headlined there that year.
As usual, the lineup’s highlights include some acts who’ve never played Pitchfork. Emo bands Oso Oso and Dogleg likely owe thanks for their bookings to the Hotelier, who in 2016 became the first group from that often-maligned genre to play the festival (Oso Oso front man Jade Lilitri also played guitar in the Hotelier during that set). Joining them as first-timers are emo-tinged indie rockers Hop Along, Atlanta R&B singer Mariah the Scientist, London jazz unit the Ezra Collective, and extraordinary LA singer-songwriter Phoebe Bridgers.
The nine Chicago acts playing this year’s Pitchfork are some of the most exciting, though that number is a hair below the average the fest has established in recent years. Among them are soul-leaning singer-songwriter Kaina, hip-hop storyteller Femdot, and footwork experimentalist DJ Nate. (Angel Olsen could be considered number ten, but she moved away in 2013.)
The Pitchfork Music Festival runs Friday, July 17, through Sunday, July 19, in Union Park. Last year, ComplexCon and the Silver Room Block Party took place the same weekend as Pitchfork, and while the Silver Room event will do so again, it doesn’t look like ComplexCon is returning this summer. Given that the Silver Room Block Party is always free, at least that means nobody has to worry about finding the money for two simultaneous big-ticket events!
Single-day tickets are $75, three-day passes are $185, and three-day Pitchfork Plus passes will set you back $385 (one-day Plus passes are $160). You can also buy tickets at slightly cheaper early-bird prices ($150 for a three-day pass, $325 for Pitchfork Plus) tonight and tomorrow at the Chicago Athletic Association’s parties celebrating the festival’s 15th anniversary. The Cool Kids, DJ Spinn, and Kaina perform tonight; Ohmme, Dehd, and Spencer Tweedy play tomorrow night. Both events have already sold out.
The daily lineup is below, with links to past Reader coverage where applicable:
Friday, July 17
Saturday, July 18
Sunday, July 19
Even before Alicia Greco moved from Buffalo, New York, to Chicago in November 2017, she knew she wanted to start a party series that centered women and nonbinary DJs. She was already DJing herself, under the name Leesh, but she figured she wouldn’t be able to launch an event and simultaneously find her bearings in a new city. After she arrived, she decided to pursue the same goal–spotlighting contemporary dance artists from marginalized gender communities–with a podcast instead. That way she could involve people from anywhere in the world, instead of needing to rely exclusively on a Chicago network that she was still developing. And in theory, building a name for her podcast would make the transition into throwing actual parties seamless.
In January 2018, Greco launched the weekly podcast Daisychain. She started organizing Daisychain parties that summer, but even now, the podcast is the regular event–the parties remain sporadic. “It’s funny, the podcast actually became the thing,” Greco says. “The parties are just something that happen in support of the podcast, when it was supposed to be flip-flopped.”
Every Tuesday, Greco posts a new episode to Daisychain‘s Soundcloud page. It’s not a talking podcast–each episode consists entirely of a single mix by a guest contributor, typically about an hour long (though nonbinary producer Acid Daddy, from Chicago’s Naughty Bad Fun Collective, made a mix for May 2019 that runs nearly an hour and 45 minutes). Every episode’s individual Soundcloud page identifies the contributor (name, alias, pronouns, home base) and includes a list of influences, a favorite quote, and advice for queer, POC, nonbinary, and woman-identifying DJs.
Many episodes also include a link to a track list, which Greco posts on the Daisychain Facebook page. Greco interviews every Daisychain guest, and when the corresponding episode goes live, she publishes a thoughtful profile derived from that interview (though it appears on her personal Facebook page, not the Daisychain page). She takes great care to describe each guest’s personal history and connection to dance music. “It’s like, ‘Yes, they’re DJs, but they’re people–they have a story, they have something that’s pushing them and making them want to do this,'” Greco says. “I think that that is just as important as the tracks that are coming through.”
Greco has posted 110 mixes from 112 different producers–episode 73 features three members of New York collective Working Women. Greco knows she’ll never run out of potential subjects, and she says she’s planned out every week of Daisychain through July. Only about a fifth of the guests live in Chicago; others have been from Mexico, Canada, Ukraine, Australia, Peru, Norway, Portugal, Uganda, and Malaysia. And Daisychain matches this diversity in points of origin with diversity in sound: in December 2018, Brooklyn DJ Vicki Siolos offered a mix made entirely out of sylvan ambient tracks from Canadian label Silent Season, which might as well have come from a different universe than the hyperactive, face-melting blitz submitted in December 2019 by Pittsburgh artist W00dy (who headlines a dance-friendly installment of the Hideout’s experimental Resonance series on Saturday, February 29).
Elena Colombi, Leesh, Higgy
Sat 2/22, 10 PM, Smart Bar, 3730 N. Clark, $20, $15 in advance, 21+
W00dy, Machine Listener, Kona FM
The experimental Midnight Resonance series takes over the Hideout Dance Party. Sat 2/29, 11:59 PM, Hideout, 1354 W. Wabansia, $7, 21+
Daisychain‘s most popular episode, with renowned Brooklyn-based producer Octo Octa, has nearly 20,000 Soundcloud plays, but many mixes have fewer than 1,000. Those numbers may not seem impressive, but the podcast has attracted an active and engaged listener base–Greco has already noticed instances where it’s helped create the positivity she’d hoped it would. “There’s been a few people that have told me how it’s affected them as a DJ, the way they throw parties,” she says. “Even just people, listeners, have been super touched by it–it’s helped them in some way.”
Earlier this month, dance historian and critic Michaelangelo Matos profiled Daisychain for globally minded UK dance-music outlet Mixmag, calling it “one of the most consistent in the game.” Each new episode not only unfolds another story of a marginalized voice in dance music but also adds a new artist to the growing community involved in Daisychain.
“I can’t even quite wrap my head around how many awesome people are in so many different places, doing so many different things, and Daisychain‘s become this little home that people come to,” Greco says. “It makes me cry–it’s so touching and heartwarming. I feel really grateful to be that in-between to get people to know that they can do this too.”
Greco got hooked on IDM, drum ‘n’ bass, and dubstep just before she started college in Buffalo in the late 2000s, then immersed herself in underground house and techno. She studied journalism at Canisius College, graduating in 2013, and in 2015 she decided to express her love of writing and dance music with a blog called Sequencer. “That was when I really started to get to know DJs on a very personal level and forming this narrative of what it is they’re doing, why they’re doing it, and that symbiotic connection between music, DJ, and dancer,” she says.
In her first year running Sequencer, Greco interviewed Chicago DJ Sam Kern, better known as Sassmouth. “Hearing her story, I was like, ‘This woman is amazing–she’s a mom, she’s a flight attendant, she’s traveling the world, DJing,'” Greco says. The Sequencer interview doubled as a preview of a Sassmouth DJ set in Rochester that was part of a series called Signal > Noise; Greco drove an hour and a half to be there.
“Alicia has incredible energy that you feel when you meet her in person–and through everything she does, it’s a true genuine enthusiasm for music,” Kern says. “She came up and introduced herself before I DJed. In some ways it reminded me of seeing a younger version of myself.”
Kern grew up in the Pacific Northwest, and her day job relocated her to Chicago in 2000. By going to clubs such as Crobar and Smart Bar (where she’s now a resident), she connected with scene regulars who inspired her to give DJing a try. She didn’t come to them for pointers, though–instead she taught herself, largely in private.
“I was afraid to ask stupid questions, or not look like I knew what I was doing, because I was really one of the few women that I knew that was doing it,” she says. “The women that I did know that were doing it–DJs like Heather and Lady D–were already touring around, and to me, they were superstars. They weren’t really people I could approach, so I figured it out on my own over the years.”
The fact that Kern felt she had no choice but to learn the mechanics of the craft in isolation was a big part of what inspired her to team up with fellow DJ Elly “Kiddo” Schook in 2017 to launch the workshop and mentorship program Walking & Falling. “We decided to start working on a program, and it was all the idea of volunteering our time–and whoever else wanted to could volunteer their time as well–to teach and accelerate the process for women and nonbinary folks that want to learn,” Kern says. “Hopefully, if we start teaching folks, then they can go on and teach folks.”
Kern and Schook had already spent a lot of time as mentors when they held the first formal Walking & Falling in March 2017. It included DJing workshops, parties at Smart Bar and Gramaphone Records, drop-ins at WNUR and WLUW, and a potluck. Kern invited Greco, who was still living in Buffalo, to stay with her for the week.
“I was like, ‘Oh my God, there’s so many women here, there’s so many queer people here, everybody’s working so hard and such an individual and doing their thing,'” Greco says. “That just opened my eyes big-time to all that could be.” Eight months later, she sold off most of her belongings, packed the few that were left into her Toyota Corolla, and drove to Chicago.
Greco had posted guest mixes on Sequencer, but that series wasn’t as ambitious as what she dreamed up for Daisychain. “I remember talking to Elly–Kiddo–about my idea,” Greco says. “She was like, ‘It’s a good idea–how frequently?’ I’m like, ‘One a week.’ She’s like, ‘That’s so aggressive.’ She still says that to me, all the time. And it is, it’s super aggressive, but the idea of doing one a month isn’t enough–there’s too many people out there to do it just once a month.”
Greco drew on her growing network of friends to help fine-tune the podcast. Acid Daddy, aka Jarvi Schneider (who would later appear on episode 69), recorded the chain-clattering sounds that open each Daisychain mix. In-demand Chicago DJ Sold, aka Glenna Fitch (episode 12), transformed Greco’s sketch for a logo into a digitized design–a daisy with a smiley face at its center, surrounded by a circle of link chain. Greco enlisted San Francisco producer Experimental Housewife, aka Evelyn Malinowski, for the inaugural mix. “I’ve studied Evelyn’s DJ sets,” Greco says. “I really just went for people who were friends of mine that I’ve connected with over time, and then it really snowballed from there–I kept meeting more and more people, making friends with new people, and finding out that they’re really awesome DJs.”
At first, Greco would “cold call” DJs through Facebook or Instagram messages, explaining the podcast and asking them to contribute. “It’s been funny, ’cause usually their response is, ‘Oh my God, I love it,'” she says. “I still am in the state of mind that people don’t know it. It’s wild that a lot of people are already aware of it, and they’re super excited about it.” At the end of 2018, Greco put out an open call for Daisychain submissions, which has helped increase her list of contacts.
Whenever a DJ signs on, Greco has to find a good time to run the mix–she uses spreadsheets to keep tabs on everyone’s progress through the process. She likes to give contributors plenty of time to finesse their mixes, and she usually sends DJs a reminder message a couple weeks before an episode is set to go live. “I get it, being a DJ–it’s dates, mixes, and gigs,” she says. “It gets kind of wild at times, so I’m happy to be the organizer. I like it. It’s thrilling.”
Greco says she hasn’t had much trouble maintaining Daisychain‘s weekly schedule. And she’s been happy with the mixes she’s received–she’s never asked a DJ to fix anything but sound quality. “I’ve had DJs ask me if they think I should put it out, or if it’s good enough,” she says. “I’m like, ‘This is you. I like it, but my opinion also doesn’t totally matter. This is your space to be yourself and do your thing.'”
“The care that Alicia expresses towards each and every person who does a mix on Daisychain is completely unparalleled in any other mix series that I’ve seen,” says Seattle DJ Livwutang, who goes by Liv and made the podcast’s 68th mix. Greco reached out to her to contribute at the suggestion of Liv’s friend Ceci, who DJs as CCL and did the 41st Daisychain episode. “I was stoked to see a mix series that was explicitly focused on women and nonbinary people,” Liv says. “I was new to playing dance music–I still am–but I can’t think of any other mix series that is operating with that explicit focus besides Daisychain.”
Liv says she spent about a month working on her mix, including rehearsing the final version live about a half dozen times in her studio–which is inside a vault in the former Old Rainier Brewery. “My mixes are the main creative output that people will have to remember me by, and I want them to be perfect,” Liv says. “Alicia’s put out so many mixes–I have no idea how she’s had the time to do all of it–but she’s very conscious that not everything she records or plays out is perfect. She taught me how to be really gentle with myself, and that people can sense when you’re being kind to yourself, whether that’s in a recording or if that’s in a live DJ set.”
After Liv’s Daisychain episode went live in April 2019, it helped her land a gig in Vancouver. She and Greco have also become close–they’ll talk before one of them has a performance, ask each other for advice about a mix, or commiserate about their personal lives. They’ve met in person only briefly, in September at Sustain-Release, a four-day underground dance festival in the Catskills. But their connection means a lot to both of them. “I haven’t met a lot of people who’ve done Daisychains,” Liv says. “But I feel like we’re all intricately connected now, because we’ve all had the experience of feeling cared for and invested in by Alicia.”
Greco isn’t interested in using Daisychain to further her own aspirations as a DJ, and so far she hasn’t contributed a mix to the series. “It’s not about me,” she says. “A lot of people think it’s a team of people, which is really funny–like, ‘No, it’s just me.’ It’s helped me foster my own little sense of community here and abroad.”
That community–at least the Chicago part of it–has helped support Greco’s Daisychain parties, which also celebrate woman-identifying and nonbinary DJs. The first was a private Fourth of July event in 2018, but since then they’ve been increasingly public. In fall 2018 she hosted a party in Buffalo, and last year she had three: a one-year anniversary at an underground space in March, a patio session in July, and a free afternoon of music in Humboldt Park (in collaboration with the Humboldt Arboreal Society’s dance series) in August.
Greco hasn’t used the podcast to promote herself or her gigs, but working on it has made her a better DJ. Talking to Daisychain contributors and listening to their mixes has spurred her to challenge herself creatively. “I’ve been playing more aggressive, which is something I’ve always liked and something I’ve always cared about. Now that I’m starting to find more confidence and my voice, I’m not as nervous to play those tracks out and take risks,” she says. “That ties back into the inspiration of all these DJs that are just doing the thing and doing it well. That pushes me too.” v
Illinois has seen surrounding states like Iowa and Indiana open up their sportsbooks throughout the state for the legalization of gambling. Meanwhile, residents here have been waiting for the day where it will finally be legal.
That day should soon be coming.
Illinois Governor J.B Pritzker expects that the sportsbooks in the state will be ready to open just in time for the start of March Madness which begins on March 17th. His press secretary, Jordan Abudayyeh, released this statement:
“The governor is pleased that Illinois sportsbooks will open for business by March Madness, generating revenue to rebuild universities, hospitals, and other facilities across the state,” said Jordan Abudayyeh, Pritzker’s press secretary, ahead of Tuesday’s Joint Committee on Administrative Rules in which the Phase 2 sports rules will be addressed after their inclusion into the state’s registry.
“Illinois’ largest-ever capital plan, with investments in every part of the state, Rebuild Illinois was supported by Democrats and Republicans alike because it will create and support over half a million jobs over the next six years,” Abudayyeh added.
This is big news for bettors in the state of Illinois as it not only means that gambling will finally be legal but it will be ready for one of the biggest gambling events of the year as well as the start of baseball season.
Just last month, the Illinois Gaming Board received applications for sports betting licenses from three casinos in the state: Rivers Casino in Des Plaines, the Argosy Casino in Alton, and Elgin Riverboat Resort, which runs Grand Victoria Casino. Per USBets.com, it appears as if Argosy will be the first one to open with Grand Victoria and Rivers set to be ready for March Madness as well.
It sounds like it’s finally happening, folks.
Chicago, The Windy City, is filled with incredible and exciting things to. There are fun things to do with kids this weekend and always concerts in Chicago tonight. Whatever it is you might be seeking at any point in time, there is a very good chance it is happening somewhere in Chicago.
Our very helpful Chicago Travel Guide can be of assistance as you determine what you want to do and perhaps hotels near me in Chicago and the best restaurants. It’s always best to check out any great city with a travel guide and a game plan for your action!
Chicago has tons of attractions. Some of those include Navy Pier, Lincoln Park Zoo, and Millennium Park. There is also Grant Park and the Museum of Science and Industry. Don’t forget Shedd Aquarium and the immensely incredible views from 360Chicago.
What are some top attractions in Chicago?
Chicago has tons of attractions. Some of those include Navy Pier, Lincoln Park Zoo, and Millennium Park. There is also Grant Park and the Museum of Science and Industry. Don’t forget Shedd Aquarium and the immensely incredible views from 360Chicago.
Chicago is simply overflowing with arts and culture. Take your kids to the Chicago Children’s Museum or the Chicago History Museum. You can also check out the Art Institute Of Chicago and the Chicago Cultural Center.
If you are seeking performing arts then Chicago is the place for you. Chicago is home the Hamilton Chicago and of course the Joffrey Ballet. There is also the Chicago Symphony Orchestra and the Chicago Opera.
The city is also a huge sports town. You can always find the upcoming events and schedules at ThingsToDoInChicago.co. We have the Bears Schedule, Northwestern Football Schedule, and of course all the hockey action with the Blackhawks and Chicago Wolves.
Check out some live action of a recent concert in Chicago:
Getting To Chicago
Chicago is a favorite tourist destination. It is one of the best cities in the US with world-class museums and restaurants and it is home to Jazz and comedy. It is known as the Windy City. Of course, getting there first is most important, so it is helpful to know a few things about the airports.
Midway can handle all of the major airlines and is one great option for flying to Chicago. If you charter your bus beforehand can save valuable time and produce your journey a lot more pleasant. The rental car buses depart with just a few folks. When travelling in a bigger group, the typical taxi or limo services are not able to cater for such parties within a car.
The airport provides a number of shops to pass the moment. Smaller airports are not going to provide that sort of exposure. O’Hare International Airport provides an assortment of choices for vehicle rentals. Midway International Airport is in the middle of a large dining overhaul. If you’re planning to fly into Chicago Midway International Airport (MDW), you’ve got ten car rental companies to pick from.
Based on the pick up location and destination of your journey, an alternate taxicab service may be the best option for you. Chicago Destinations While traveling to Chicago learns more about the region and the places you may visit when you remain in the region. Chicago Destinations Your visit to the Windy City is certain to be fun and full of excitement.
Chicago Growth And Development – Entertainment and Living Options
To stay on top of all the best things to do in Chicago or any city, you must be aware of all the new development and amazing places being constructed to lure in residents and give people a nice quality of life. There is a mammoth new development in Chicago called The 78. It’s a $7 Billion plus mega-project that will include entertainment options and venues. In fact, the entire city is under an immense new construction boom. It truly is remarkable how much new development is going on for a major, established city. Just check out the new digs around the Northwestern campus as well. Incredible.
Chicago 2020 Broadway Season Is Something Special
Broadway In Chicago really did it big time in 2020. Some true smash hits from Broadway are coming to town. Dear Evan Hansen is returning to the Windy City after a super successful run in 2019. Sensational musicals Mean Girls, Frozen, and Come From Away will also be in Chicago this coming season. It’s a power packed year for theatre lovers in Chicagoland.
Shedd Aquarium is located at 1200 South Lake Shore Drive in Chicago, zip code 60605.
It is possible to re-enter the Aquarium if you maintain your ticket. You only have to go to Shedd Aquarium! In general, Shedd Aquarium is a good location for families to devote an enjoyable weekend at. If you prefer to be part of the Shedd Aquarium’s workforce, you can volunteer for sure positions. Shedd Aquarium is among the world’s biggest indoor aquariums, housing around 32,000 creatures. Shedd Aquarium is among the most fascinating areas to visit when in the Chicago region. You can’t tour the complete Shedd Aquarium in simply a day so instead join their membership to visit it frequently. Perhaps check out the Shedd Aquarium for catching a concert at the Aragon Ballroom.
You can leave and return inside if you maintain your ticket. When you purchase your tickets, make certain that you reserve your time for any shows you would love to see as you will require a ticket to enter. Buying tickets early is almost always a fantastic idea. They can be purchased exclusively at the front gate of Dollywood and cannot be pre-purchased. If you wish to find discounted tickets, take a look at the discount section above.
Hotels In Chicago
When visiting Chicago of course it is imperative to check out all the hotels in Chicago so you can make the best choice for what you want. There are hundreds and hundreds of great hotels to choose from. The Centrally Situated Palmer House Hotel – The Palmer House, a Hilton Hotel Has Been a great stay for our family . This Hilton hotel is centrally situated and just two blocks from the Art Institute and Millennium Park. We walked to almost anything we did. We got tired, Lyft and Uber automobile services delivered us as taking public transportation, about the same cost. Named after its proprietor his hotel burned from the Great Chicago Fire.
Today, the hotel is a popular place to go for social gatherings in its spectacular lobby. This could be a great option for after a Thalia Hall Concert or after a long drive back from a Notre Dame Football game. This hotel takes you back with ceilings offering guests of business conferences and weddings both hospitality and old world charm. Our loved using the Executive Floor Lounge. For everyone remaining floors, the lounge provides evening hor doeuvres and breakfast. The lounge is an upgrade in the fun element and a family. To give you a notion of how Hilton Palmer Parker House is at Chicago, here’s the distance from the hotel and a list of Chicago restaurants and nearby attractions. We walked to all except the Museum of Industry and Science.
Chicago Attractions – The Art Institute along with Millennium Park – Willis Tower – Field Museum of Natural History – John Hancock – Water Tower Place – John G Shedd Aquarium – Adler Planetarium – Lincoln Park Zoo – Museum of Science and Industry – Chicago restaurants – Als Beef – Giordanos – Lou Malnatis – Xoco – The Purple Pig – Portillos – Self Guided Walking Chicago Food Tour – I Really like to sample food in Various cities, but there’s never Appear to be sufficient meals. Thats where food tours come in. Rather than joining one, we created our very own Chicago food tour with the aid of knowledgeable friends.
Who says you need to eat a whole meal at one restaurant? These innovative meals work when there are plenty of great restaurants within walking distance. Map them out on Google Maps along with make your very own Chicago food tour. Appetizer: Charcuterie in The Purple Pig – First Course: hotdogs At Portillos – Second Course: An Italian sandwich in Als Steak – Dessert: Churros with chocolate in Xoco – Chicago Deep Dish Pizza – Im not going to get into that the Chicago Deep Dish pizza wars. They’re all Chicago classics in their very own right.