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Olive — Petraits RescueChicagoNow Staffon July 1, 2020 at 1:22 pm

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PHOTOS: Renovated River North penthouse loft: $1.3MChicagoNow Staffon July 1, 2020 at 1:23 pm

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PHOTOS: Renovated River North penthouse loft: $1.3M

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The Chosen Few Picnic & Festival comes to everybody’s backyardsLeor Galilon June 30, 2020 at 11:00 pm

The Chosen Few DJs. Top row, left to right: Tony Hatchett, Terry Hunter, Wayne Williams, and Mike Dunn. Bottom row, left to right: Alan King, Jesse Saunders, and Andre Hatchett. - PARRISH LEWIS

Now in its 31st year, the Chosen Few Picnic & Festival has been one of the largest house-music events in the world for more than a decade, but it started as an informal Fourth of July barbecue. In the late 1980s, brothers Tony and Andre Hatchett would join their family at a holiday picnic behind the Museum of Science and Industry. Tony and Andre have belonged to pivotal house-music DJ collective the Chosen Few since 1978 and 1981, respectively, and in 1990, they invited the rest of their crew–at the time Wayne Williams, Jesse Saunders, and Alan King–to spin at the Hatchett family picnic. Somewhere between 30 and 40 guests showed up.

The Chosen Few, later joined by Terry Hunter and Mike Dunn, have reconvened to DJ every Fourth of July weekend since then, building their gathering into a beloved tradition that defines summertime for thousands of Chicago house heads and their families. In 2015, President Barack Obama sent a video congratulating the crew on their festival’s 25th anniversary.

In an ordinary year, around 40,000 people–the great majority of them Black–would gather in Jackson Park for the Chosen Few Picnic. But this is far from an ordinary year. On April 24, the Chosen Few canceled their 30th-anniversary festival due to the pandemic–in their public statement, they also announced that they’d host a free virtual version on Saturday, July 4, called the Chosen Few In-House Picnic & Festival.


Chosen Few In-House Picnic & Festival
Featuring DJ Deon Cole, Byron Stingily, Carla Prather, DJ Wayne Williams, DJ Jesse Saunders, DJ Tony Hatchett, DJ Alan King, DJ Andre Hatchett, DJ Terry Hunter, and DJ Mike Dunn.
Sat 7/4, noon-9 PM, livestream at chosenfewdjs.com/live, twitch.tv/chosenfewdjs, youtube.com/user/ChosenFewDJs, or mixcloud.com/chosenfewdjs, free, all ages


Unlike the architects of most big summertime music fests, the Chosen Few are well positioned to adapt to the constraints of a digital event. This is in large part because the bill at the Chosen Few Picnic doesn’t vary much from year to year–the attraction is the community it creates as much as the performers it showcases.

At a typical Chosen Few picnic, you can spend the entire day surrounded by loved ones, eating and relaxing to the sound of classic house cuts, without ever leaving your little patch of Jackson Park to catch a glimpse of the stage. The organizers have preserved the feel of an informal family reunion even as they’ve professionalized the event (they began charging an entry fee a decade ago), and a big part of the experience is still throwing your own cookout on-site. Families, fraternities, sororities, and neighborhood dance crews haul in tents the size of Brooklyn studio apartments and huge grills made from 55-gallon steel barrels. Even though large gatherings are still a very bad idea this summer, you can create a version of that same experience in your yard or on your porch–listening to the Chosen Few DJs through a computer that you aren’t really watching isn’t all that different from hearing them from a stage that’s too far away to see.

“We’re encouraging people to go out in their backyards, go on their deck, go on the rooftop, fire up the barbecue grill, and partake in the experience that way,” says Alan King. Because Chicago moved into phase four of the state’s reopening plan last Friday, public-health guidelines now permit gatherings of up to 50 people. Even if you’re only comfortable relaxing as far as phase-three guidelines, you can still host a group of ten–and if you stay outdoors, the risk of COVID-19 transmission is lower. Provided you’ve got a big enough yard and a solid speaker system, you can create something similar to the very first Chosen Few Picnic.

It’d be ill-advised to duplicate too much about that first picnic, though–back then, the DJs balanced their turntables on garbage cans and powered their gear with a finicky generator. Thankfully the setup for this year’s virtual celebration is much more professional. All seven members of the Chosen Few will livestream their sets from a stage at Uptown nightclub Le Nocturne Chicago, which will be closed to the public.

“We looked at some outdoor locations too,” King says. “But we felt like, as soon as people figured out where we were–if we were outdoors–next thing you know, there’d be five or ten thousand people showing up.” Even inside a shuttered club, the collective will be taking COVID-19 precautions: limiting the number of people in the space at once, practicing social distancing, wearing masks when not performing, and sanitizing equipment between sets.

Almost two months ago, Le Nocturne hosted another big digital house-music event: a daylong livestreamed fundraiser to buy a headstone for the Springfield grave of foundational Chicago house DJ Ron Hardy, who died in 1992. Chosen Few members Andre Hatchett, Mike Dunn, Terry Hunter, and Wayne Williams were among the DJs on Le Nocturne’s stage. The digital broadcast, viewable on the club’s YouTube, Twitch, and Facebook pages, used its automated “intelligent” lighting rig and three cameras, including one providing a bird’s-eye view of the stage. The Chosen Few partnered with the Frankie Knuckles Foundation on a GoFundMe campaign that’s so far raised $8,500, more than three times the $2,500 goal.

King helped plan and produce the Hardy fundraiser. Though he didn’t perform at it, he’s comfortable livestreaming: since the arrival of the pandemic, he’s been hosting his own weekly DJ sessions on Twitch. “I’ve been doing every Saturday night, starting at eight o’clock, and really been doing like six or seven hours of livestream,” he says. “It’s nice to have the opportunity to stretch out as a DJ. Especially when you’re an old guy like me and you’ve got, like, four or five decades of music swimming around in your head.”

The lone guest DJ at this year’s Chosen Few Picnic will be comedian, actor, and screenwriter Deon Cole, who plays Charlie Telphy on Black-ish. “During the shutdown he has actually been DJing for the first time–he has a Sunday-afternoon show on Instagram Live, and it’s really caught fire,” King says. “He will tell you that he’s not a DJ at all, but he actually is–he’s not a bad one, and he’s getting better and better. He’s also close with a lot of us in the Chosen Few, so we thought it would be really cool to have him join us this year.” The Chosen Few have also invited two guest singers: Carla Prather, who’s collaborated with Poi Dog Pondering and Mr. A.L.I., and Byron Stingily, lead vocalist of 80s and 90s deep-house group Ten City.

The Chosen Few Picnic hasn’t been a seat-of-the-pants operation for ages now, but this year, for the first time in its three-decade history, it’s getting an official boost from the City of Chicago. The Department of Cultural Affairs and Special Events began promoting the festival last week, including it in a bundle of virtual Fourth of July events sponsored by the city.

“As so many things have changed this year, the City of Chicago wanted to support the city’s July Fourth traditions and provide new ways for Chicagoans to celebrate the holiday while prioritizing health and safety,” says DCASE commissioner Mark Kelly. “When DCASE heard that the Chosen Few DJs planned to continue their commitment to the community with free online programming, we quickly decided to highlight and support this important and meaningful celebration of Chicago music.”

The Chosen Few will host the livestream from noon till 9 PM on their website (chosenfewdjs.com) as well as on their Twitch, YouTube, and Mixcloud channels. The stream is free to watch, but King says the Chosen Few will ask for donations to cover production costs and to benefit a couple charities–they haven’t decided which charities yet, but they want to find one combating COVID-19 and another focused on racial justice and criminal-justice reform. The collective will be accepting money via PayPal (paypal.me/chosenfewdjs), Cash App ($chosenfewdjs), and Venmo (@chosenfewdjs).

In recent years, one of the pieces of leveled-up equipment the Chosen Few have paid to bring to Jackson Park has been a big mobile LED screen, which often displayed images and video of attendees dancing. King says the Chosen Few will edit footage from previous picnics into the livestream, to parallel the function of that screen. He hopes those old clips will make the virtual picnic seem a little more like the real thing. “We’re gonna have things that we’re showing that will enhance the feeling,” he says. “Like we’re almost together in Jackson Park.” v

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The Chosen Few Picnic & Festival comes to everybody’s backyardsLeor Galilon June 30, 2020 at 11:00 pm Read More »

The American Writers Museum creates a digital experience during COVID-19Arionne Nettleson June 30, 2020 at 5:10 pm

When you first walk into the American Writers Museum, you walk right into a timeline of American writers that spans more than 400 years. You take that long hallway to reach an open space often used for talks with authors debuting new books. Throughout each and every space, there’s something to learn–with great quotes from great writers like Octavia Butler lining the walls.

But since March, walking through those rooms hasn’t been an option. The museum, like others across the U.S., closed its doors as COVID-19 has changed our relationship with physical spaces. The museum, however, was quick to change with it, implementing new versions of exhibits and adding virtual events.

“We had been hoping to get to a point where we could put more of our content online,” says Carey Cranston, the American Writers Museum’s president, “when it became apparent that we were going to need to shut down. What I wanted to be able to do was to redirect our staff’s energies into projects that would keep people occupied.”


The museum’s “My America: Immigrant and Refugee Writers Today” exhibit, which explores the influence of modern immigrant and refugee writing, was created in 2019 to be an in-person, interactive experience. Because of how it was designed, it became the first exhibit that museum staff converted to online.


“There was so much rich content there, in video and and other materials, to sit down and scope out a way to put it online, to take the curriculum pieces we had for schools and make them available for download, and to just make it as interactive and engaging as possible in the spirit of the exhibit that we’d put together,” Cranston says.


The exhibit includes more than 30 writers from various immigrant backgrounds. In previously recorded content, the writers talk about their own experiences and answer questions about identity such as “Have you ever felt like an outsider?”


Misa Sugiura is one of those featured writers interviewed for the exhibit. She was born and raised near Chicago to parents from Japan, and is the author of two books: It’s Not Like It’s a Secret and This Time Will Be Different.


“I really loved the questions–that got me excited about the whole project,” Sugiura says, “this focus on what it means to be an American writer.”


Sugiura says the exhibit counteracts previous notions about whose voices get to be identified and seen as American.


“So many of these issues have come to the forefront in a way that they haven’t before,” Sugiura says. “Now is a great time to take advantage of mainstream America’s rising awareness of who we include and who we honor, who we believe to be worthwhile in our society, and who deserves a voice.”


In June, the museum rolled out a second virtual experience for another exhibit, “Frederick Douglass: Agitator.” In addition to transforming content from the original exhibit, in its online form, a descendant of Douglass joins writers, scholars, and activists in reading his 1845 memoir, Narrative of the Life of Frederick Douglass, an American Slave.


The museum’s reach and coverage is national–it opened in 2017 and is the first museum of its kind in the country.


The museum’s event calendar may have remained booked, but that national focus during COVID-19 brings additional challenges: the unknown safety of travel and canceled book tours. Although a virtual book talk gives the opportunity to introduce new works, it is still a very different experience for audiences–and book sales.


“When you bring in 100 people and have somebody in your space, the author comes in and [attendees] get their book signed afterwards, there’s that interaction with the writer that’s very personal and intimate,” Cranston says. “And that’s something that we’re not able to provide right now.”


For in-person author discussions, the museum partners with local bookstore Seminary Co-op to sell books. Now, it’s difficult to track resulting sales, but Cranston encourages book lovers to still support those authors and stores.


“When [readers buy books] from a local bookstore, they’re supporting an institution that usually tries very hard to connect to their community and also may provide forums and opportunities for writers that wouldn’t get them at a national scale,” Cranston says.


And to help museums, Cranston says consider buying memberships.


“We need it; we’ve definitely taken a hit from revenue,” Cranston says. “Because of COVID, we didn’t have our normal annual spring fundraiser. It’s been tough on everybody.”


The American Writers Museum reopens this week for a limited number of visitors with modified safety precautions–to members on July 1 and then to the general public on July 3–but will continue to expand its online and interactive programming to include resources that schools can use next school year, including virtual field trips and guided tours. It will also convert its “American Voices” timeline exhibit into an online format for the fall.


“We’re building those platforms right now because we recognize that even if schools are open, no school is going to put kids on a bus and bring them down to a museum until there’s a vaccine,” Cranston says. “So this could be a long haul through into next year.” v


This story was produced in partnership with the Pulitzer Center. For more stories about the effect of COVID-19 on museums, please visit the Prairie State Museums Project at PrairieStateMuseumsProject.org.






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The American Writers Museum creates a digital experience during COVID-19Arionne Nettleson June 30, 2020 at 5:10 pm Read More »

Western Exhibitions invites a Cincinnati art center to ChicagoS. Nicole Laneon June 30, 2020 at 5:50 pm

It’s storming heavily outside as I ring the buzzer for Western Exhibitions. It’s my first gallery experience since the pandemic locked us down months ago and I feel like I’m breaking some sort of rule. Am I supposed to be here? Is my mask on tight? Where’s my sanitizer? I remember the last opening I was at in the building. Bodies were packed so incredibly close, we had to leave early to catch a breath of fresh air. Ah, the before times, I think to myself.

By appointment only, folks can visit Western Exhibitions–which shares a building with DOCUMENT, Paris London Hong Kong, and Volume Gallery–to view the newest exhibition, “Visionaries + Voices.” The group show features paintings, drawings, ceramics, books, and sculptures from Cincinnati-based art studio, Visionaries + Voices (V+V). The studio is a nonprofit that provides studios, supplies, and support, and organizes exhibitions, for 125 visual artists with disabilities. The works exemplify the active arts community in Cincinnati and how everyday tools and materials like colored poster boards, pencils, and other ordinary objects can be transformed into a fine arts practice. Text is a huge component of the exhibition, whether it’s to explain an image, accompany an illustration, or complete a piece.

I love Cincinnati. Anyone who says they think it’s a garbage town or that Ohio sucks or whatever other weak opinions has just never been there. Like, really been there. I spent a few summers there wandering the streets and falling in love with the grit. When I look up and see Courttney Cooper’s expansive and elaborate maps of Cincy at Western Exhibitions, I’m glued to the details. Cooper works from memory, ballpoint pens, and found paper. His maps go beyond the traditional landmarks and extend into seasonal events that make up the city’s history. The first map I see says “Cincinnati USA” on the top portion with text reading, “OK-TO-BER-FEST,” “IT’S Oktober Fest Time Today Batman,” and “OKTOBERFEST zinzinnati Authentically German.” Below the top text is a sea of buildings, winding streets, and homes. Cooper will sometimes go in and update the drawings if a building has been torn down or constructed. These works are incredibly layered with texture, description, words, and labyrinths of lines. Staring into the abyss that is Cooper’s work is like getting lost on purpose.

Many of the artists in the show utilize text and poetry in their work. For example, Jenny Crowe’s double-sided journal entries are made with magic markers. The text bleeds together to create patterns and illegible words which ultimately take up the entirety of the paper. Viewers can either choose to attempt to read the text or simply experience the visual result that the text creates. I chose the latter.

Other pieces incorporating words are Dale Jackson’s loud and expressive works on colored poster board–they cover an entire wall in the gallery. The brightly colored yellow, red, orange, green, and pink paper greets you when you walk into the space. The stream-of-consciousness text, written in Sharpie, makes associations between Oldsmobile, Delta Air Lines, Nike, Michael Jackson, and a Mercury Marquis. Reading the text is fun. Seeing references to memory and noting the recurring themes creates a dizzying effect. I tried to connect the dots–why the continuous references to airlines and cars?–and soon realized that there might not be an answer. “THE END” is written on the bottom of each poster board. A large stack of posters sits on the gallery’s front desk, creating a rainbow of sincere storytelling and poetry.

Trip Huggins’s works reference historical moments and current events. Jim Jones is a double-sided drawing made with crayon and graphite. Drawing a figure of the cult leader, Huggins directly explains how Jones poisoned his followers. In the center of the text are the large black numbers that read “666.” Displayed in double-sided frames, Huggins’s works are created with crayons and colored pencils, and are torn from a sketchbook.


The pieces in “Visionaries + Voices” are sincere and humble. The creative works of these Cincinnati artists breathe life back into the art scene of Chicago. v

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Western Exhibitions invites a Cincinnati art center to ChicagoS. Nicole Laneon June 30, 2020 at 5:50 pm Read More »

Chicago Ideas Week Goes Virtual for 2020Nishat Ahmedon June 26, 2020 at 6:57 pm

While usually a fall event, Chicago Ideas is following in the footsteps of many summer Chicago events and festivals and moving Chicago Ideas Week into a virtual space for 2020. The festival will be easily accessible to anyone with a working internet connection. The festival will run in its virtual space from October 26th to October 30th later this fall.


Photo Credit: Starved Rock

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2020 chicago ideas week
Photo Credit: Chicago Ideas Twitter Page

Chicago Ideas is a nonprofit platform engineered to inspire and motivate people to action through entertainment, accessible events, grassroots initiatives, and content that opens up the mind to curiosity. The idea is that cross-industry connectivity and collaboration across social boundaries will be the spark to ignite ideas into true action.

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2020 marks the 10-year anniversary for the flagship festival and despite the change of going virtual, Brad Keywell, CEO of Uptake and founder of Chicago Ideas, said the following in regards to the virtual pivot: “We’re excited to evolve our format this year to meet our current needs, but also achieve a goal we’ve been working towards these past 10 years of expanding our reach to truly be an ideas platform for everyone.”

In addition to that, Keywell finds the switch to a virtual festival more in line with the overall goal of Chicago Ideas. “Ideas are meant to travel. By going virtual, we’re propelling the innovative thinking, empowering conversations, and personal connections well beyond our city to reach more curious people than we ever have before.”

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2020 chicago ideas week
Photo Credit: Chicago Ideas Twitter Page

The list of speakers featured for events for the year is available on their website, with some notable names being Grammy-winning artist Alicia Keys, best-selling authors Paris Rosenthal and Sam Irby, and Val Warner, the Emmy Award-winning host of Windy City LIVE. The stacked list comes as no surprise, given that past speakers have included Jonathan Van Ness, Alec Baldwin, George Lucas, Bill and Hillary Clinton, Lene Waithe, Taraji P. Henson, and a whole host of other amazing speakers. With the festival moving online and the current state of Chicago in flux, many events have been postponed or will be altered. The list of speakers for Ideas Week will be released in full in the fall.

Photo Credit: Chicago Ideas Twitter Page

While the official schedule and further details on how the mode of access to the festival will be released in the fall, Chicago Ideas has a free virtual event coming up on Wednesday, July 1st titled “The New Normal—Be Our Guest: Reviving Tourism in Chicago,” which will feature a conversation from “Chicago’s tourism and hospitality industries to examine how COVID-19 will impact the stream of visitors into the city.” This event will hopefully give newcomers and veterans alike a chance to feel out what a whole virtual Chicago Ideas Week could feel like.

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Have you attended Chicago Ideas Week before? Do you prefer it going virtual? We’d love to know about your experience; let us know in the comments below!

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Featured Image Credit: Chicago Ideas Twitter Page

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Chicago Ideas Week Goes Virtual for 2020Nishat Ahmedon June 26, 2020 at 6:57 pm Read More »

Catch a Trippy Laser Light Show at Whiskey Business Rooftop BarNishat Ahmedon June 30, 2020 at 8:37 pm

Ever since the middle of March and the start of the COVID-19 lockdown, concerts and events have been postponed, canceled, or moved online left and right. Even though venues might find themselves opening on a smaller scale as Illinois continues moving through Phase 4 of its recovery process, many companies relying on these events are finding themselves without any business. Laser artist, Will Kent, and his company, Coherent Designs, fall into that unfortunate category, forcing him to get creative. Now his company runs a brilliant laser light show at the Whiskey Business rooftop bar in Wicker Park. 


Photo Credit: Ras Dashen Yelp Page

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whiskey business laser light show
Photo Credit: Coherent Designs Facebook Page

In an attempt to drum up business and interest in an eventless time, Kent contemplated setting up his rig throughout the city’s mostly vacant parking lots, and doing his laser light shows pop-up-style, much like themed bars or in the vein of other street artists. It was during this time of pop-up contemplation that Kent came into contact with the owners of Whiskey Business, one of our favorite rooftop bars located in Wicker Park. With the city’s green light for bars’ and restaurants’ outdoor spaces to reopen to the public (and now, indoor, as well), the owners were seeking a way to add some more extravagance and flair to the Whiskey Business rooftop. 

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So, why would Will Kent and Coherent Designs be the exact diamond in the rough Whiskey Business is looking for? Perhaps it’s because Kent and company are the same minds behind designing brilliant displays of lights and lasers for artists among the ranks of Illenium, Porter Robinson, and Aerosmith.

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The front of Whiskey Business’s rooftop is now crowned with eight laser projectors (for you folks who played with laser pointers when you were young or even use them now, this is along the lines of 27,600 conventional use laser pointers), leading to a dazzling array of lights and colors braiding and twisting overhead of attending guests. The lights all end at the back wall of the rooftop, ensuring no guests of Whiskey Business or other area bars find themselves with an eyeful of lasers.

whiskey business laser light show
Photo Credit: Whiskey Business Instagram Page

The laser light show set-up is the main attraction for Neon Reef Nights, Whiskey Business’s newest rooftop party running on Thursday, Friday, Saturday, and Sunday nights. Reservations will be required to snag a table; groups cap at 10 people. A $50 deposit will be added to the table’s bill and Friday and Saturday nights will come with a $15 cover charge. Note that a time limit of 2.5 hours comes with each table, so don’t plan on getting lost in the lasers forever.

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The lasers themselves have been synced up to tracks from artists like Justin Bieber, Zeds Dead, Walk the Moon, Journey, Kaskade, and more. Kent also has plans to operate the lights manually to give a live show in tandem with a tropical house music soundtrack. This last weekend marked the start of the show (June 26th), so head to Tock to make your reservations in the future. 

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Catch a Trippy Laser Light Show at Whiskey Business Rooftop BarNishat Ahmedon June 30, 2020 at 8:37 pm Read More »

Respectful disagreement with black lives matterDennis Byrneon June 30, 2020 at 2:03 pm

The Barbershop: Dennis Byrne, Proprietor

Respectful disagreement with black lives matter

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Respectful disagreement with black lives matterDennis Byrneon June 30, 2020 at 2:03 pm Read More »