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Chicago Bears: Ryan Pace needs to be fired before 2021on November 18, 2020 at 2:00 pm

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Chicago Bears: Ryan Pace needs to be fired before 2021on November 18, 2020 at 2:00 pm Read More »

Chicago Bulls Rumors: Wendell Carter to Warriors for no. 2 pick?on November 18, 2020 at 2:24 pm

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Chicago Bulls Rumors: Wendell Carter to Warriors for no. 2 pick?on November 18, 2020 at 2:24 pm Read More »

Chefs for Change: Thanksgiving Editionon November 18, 2020 at 1:22 pm

Medium Rare

Chefs for Change: Thanksgiving Edition

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Chefs for Change: Thanksgiving Editionon November 18, 2020 at 1:22 pm Read More »

Tan and Jonathan — Petraits Rescueon November 18, 2020 at 1:35 pm

Pets in need of homes

Tan and Jonathan — Petraits Rescue

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Tan and Jonathan — Petraits Rescueon November 18, 2020 at 1:35 pm Read More »

PHOTOS: Glenview 4-bedroom home overlooking golf course: $2.05Mon November 18, 2020 at 1:36 pm

ChicagoNow Staff Blog

PHOTOS: Glenview 4-bedroom home overlooking golf course: $2.05M

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PHOTOS: Glenview 4-bedroom home overlooking golf course: $2.05Mon November 18, 2020 at 1:36 pm Read More »

My Evolving Relationship with Adoptionon November 18, 2020 at 11:32 am

Portrait of an Adoption

My Evolving Relationship with Adoption

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Veteran pedal steel guitarist Susan Alcorn releases her first album as a bandleaderon November 17, 2020 at 2:00 pm

No one else plays the pedal steel guitar like Susan Alcorn. She combines a command of the instrument’s orchestral range with an improvisational fluency that lets her take the instrument far beyond its usual idiomatic settings. She began playing professionally in Chicago country bars in the mid-1970s, then went on to hone her chops in Texas western-swing and country bands. But in 1990 she tapped into another Lone Star sound–the “deep listening” philosophy of Houston-born composer Pauline Oliveros–and she’s been courting unpredictability ever since. Since the late 90s, Alcorn has worked mainly in jazz and freely improvised settings, though in 2015 she recorded an album of Astor Piazzolla’s tangos. She’s added lush harmonies to the rigorously arranged music of the Mary Halvorson Octet, and on 2019’s Invitation to a Dream she spontaneously generated intricate structures with horn players Joe McPhee and Ken Vandermark. One thing Alcorn hasn’t done is put together a band to play her compositions, but that changes with her new album, Pedernal. The crack group on the record–guitarist Halvorson, bassist Michael Formanek, violinist Michael Feldman, and drummer Ryan Sawyer–ably negotiates her music’s sudden shifts in style, mood and structure. “R.U.R.” starts out with a zigzagging theme worthy of Anthony Braxton, then slingshots into a passage of fleet, swinging bebop. The title piece moves abruptly between a stately melody and passages of free-falling chaos. And “Northeast Rising Sun” transforms a phrase Alcorn learned from qawwali singing into a loping, country-tinged celebration. v

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Veteran pedal steel guitarist Susan Alcorn releases her first album as a bandleaderon November 17, 2020 at 2:00 pm Read More »

Minsk postpunks Molchat Doma transform gloom into resilience on Monumenton November 17, 2020 at 6:00 pm

Like many Americans, I was awestruck by images of the historic Belarusian protests against President Alexander Lukashenko (“Europe’s last dictator”) that exploded after the country’s August elections. But reports of police brutality from Belarus–and the growing chorus of international academics and reporters warning that Americans could soon find themselves in a similar spot–added sinister, unsettling overtones to those inspiring photos of mass rallies standing against corruption. In late August, Minsk postpunk trio Molchat Doma joined 23 other artists from various countries on the compilation For Belarus, a Bandcamp-only benefit for the Belarus Solidarity Foundation, and on their new third album, Monument, they maintain their indefatigable spirit, threading together influences from Russian rock and Western groups such as Joy Division and Depeche Mode. Molchat Doma recall the tradition of 80s Iron Curtain rock bands, who united people across political and geographical lines by offering hope, escape, and a form of civil disobedience you could dance to (and who sometimes found ingenious ways to distribute their music). Molchat Doma’s Russian-language lyrics are rarely overtly political–they focus more on sadness, relationships, and observations of everyday life–but the band are nonetheless clearly subversive, if sometimes also fatalistic. On the relatively sunny “Discoteque,” which pays homage to Depeche Mode’s “I Just Can’t Get Enough,” vocalist Egor Shkutko sings, “I don’t give a damn about what will happen to me later / I dance like a god because tomorrow will not be the same.” Tracks such as “Obrechen” (“Doomed”) and “Udalil Tvoy Nomer” (“Deleted Your Number”) feel forlorn and despairing, but the uptempo “Zvezdy” (“Stars”) seems to twinkle like its namesake, and the guitar line that bounces through “Leningradsky Blues” even adds a hint of fun. Molchat Doma aren’t reinventing the wheel, but they’ve expanded their turf on Monument with fresh songwriting and sticky hooks. Belarus and the U.S. are hardly the only countries wrestling with cultural and political reckonings, so let’s hope that as Molchat Doma continue to build an audience around the world, their music powers dance parties–and revolutions–for years to come. v

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Minsk postpunks Molchat Doma transform gloom into resilience on Monumenton November 17, 2020 at 6:00 pm Read More »

What’s in a name?on November 17, 2020 at 9:11 pm

Star Gazing

What’s in a name?

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What’s in a name?on November 17, 2020 at 9:11 pm Read More »

Thanksgiving Dinner 2020on November 17, 2020 at 9:29 pm

A Bite of Chicago

Thanksgiving Dinner 2020

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Thanksgiving Dinner 2020on November 17, 2020 at 9:29 pm Read More »