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Coming Full Circle in Adoptionon November 20, 2020 at 2:49 pm

Portrait of an Adoption

Coming Full Circle in Adoption

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I Got The Could It Be Covid Blueson November 20, 2020 at 2:52 pm

Getting More From Les

I Got The Could It Be Covid Blues

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Chicago Cubs: Three potential new jobs for Theo Epsteinon November 20, 2020 at 1:00 pm

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Chicago Bears have a clear blueprint to follow this offseasonon November 20, 2020 at 12:00 pm

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Chicago Bears have a clear blueprint to follow this offseasonon November 20, 2020 at 12:00 pm Read More »

It’s time for the younger Democratic party leaders to step up. But who are they?on November 20, 2020 at 12:00 pm

I’ve Got The Hippy Shakes

It’s time for the younger Democratic party leaders to step up. But who are they?

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It’s time for the younger Democratic party leaders to step up. But who are they?on November 20, 2020 at 12:00 pm Read More »

‘Dolly Parton’s Christmas on the Square’: The singer’s positively angelic in cozy Netflix musicalon November 20, 2020 at 10:00 am

We are a nation divided on so many fronts but I believe there are certain things upon which we can all agree, to wit:

Dolly Parton is a national treasure.

Who’s with me? Show of hands, please!

Ah. That’s what I thought. National. Treasure.

Netflix is churning out Christmas movies in volumes to rival those sheets of cookies your mom used to make that were shaped like trees and covered in red and green sprinkles, with the latest being “Dolly Parton’s Christmas on the Square,” with Dolly Parton not only playing a guardian angel but contributing 14 original songs, each one sweeter and more melodic and, yes, cornier than the one before. This is an unabashedly sentimental, family-friendly mashup of “A Christmas Carol” with “It’s a Wonderful Life,” sure to leave you smiling and maybe even a little teary-eyed. From the opening graphics that look like something out of the 1960s through the happily-ever-after ending, “Christmas on the Square” wants nothing more than to make you feel cozy, safe and warm.

Not a bad recipe for these troubled times.

Based on the play “Christmas on the Square,” the movie retains a deliberately stagey persona, with most of the story taking place in an old-fashioned town square, where everybody knows your name and there’s magic in the air because after all, it’s Christmas time! (The square in “Jingle Jangle” was more cinematically rich and fantastical, but this looks like a fun place to hang out as well.) In the opening number, we see Parton as someone who appears to be homeless, holding a cardboard box that says simply: “CHANGE.” (Hmmm, perhaps there’s a double meaning in store for us.) She sings:

Christmas is a time for caring, being at your best

Christmas is a time for sharing, knowing you’ve been blessed

Christmas is a time for giving, love is made of this

Cause that’s what Christmas is

That’s about as deep as the lyrics go, folks. When it comes to musicals set in the buildup to Christmas, this ain’t “Rent.”

In a rousing medley to kick off the story, we meet some of the friendlier friendly faces of the town of Fullerville, many of whom have small businesses in the town square. Right there in front of the general store and resale shop, say hello to Treat Williams’ Carl — and while Treat Williams is best known for playing cops and heavies, let’s not forget how great he was in the 1979 musical classic, “Hair,” and he sounds wonderful here. Carl’s neighbors in the square include Jenifer Lewis’ Margeline, a feisty spirit who runs Le Beauty Shop, and Pastor Christian Hathaway (Josh Segarra) and his wife Jenna (Mary Lane Haskell), who have a small shop featuring clothes and toys for infants and toddlers and have been trying to have a baby of their own for some time now. We’ll also soon meet Matthew Johnson’s Mack, a single father who runs the town bar, the Lamplighter Inn, and Mack’s adorable daughter Violet (Selah Kimbro Jones).

Everyone has their troubles and regrets, yet they’re all grateful to be living in a town such as Fullerville — but that’s about to change, if Christine Baranski’s Regina Fuller has her way. Regina left Fullerville as a young woman and never looked back as she made her fortune in the big city, but now that her father (who was essentially the town founder) has passed away and left her the deeds to the town properties, Regina wants to buy up every last business in the square, demolish them and build some sort of soulless mega-mall. Boooooooo! Hissssssss!

Back home and ready to demolish the business district, Regina (Christine Baranski) reconnects with shopkeeper Carl (Treat Williams).
Netflix

Jeanine Mason sparkles as Regina’s assistant, Felicity, who is in reality an angel-in-training a la Clarence Odbody in “It’s a Wonderful Life.” Although everyone can see Felicity, only Regina can see Dolly Parton’s Angel, who, like the ghosts of Christmas past, present and future, has made it her mission to show Regina the errors of her ways and melt her frozen heart. Why, there might even be a chance for Regina to revisit the romance she once shared with Carl, who has carried a torch for her all these years.

“Christmas on the Square” pulls out all the stops, from Christian and Jenna pledging their love for one another even if they never are gifted with a child, to the Tiny Tim-like Violet hospitalized with a life-threatening injury, to some expertly executed group song-and-dance numbers (thanks to the legendary Debbie Allen, who directs and choreographs) to the most welcome spectacle of a glowing, glimmering Dolly Parton watching over the town and its good people.

Ho ho hooray.

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‘Dolly Parton’s Christmas on the Square’: The singer’s positively angelic in cozy Netflix musicalon November 20, 2020 at 10:00 am Read More »

Roster decisions for Rule 5 Draft deadline due todayon November 20, 2020 at 11:05 am

Cubs Den

Roster decisions for Rule 5 Draft deadline due today

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Roster decisions for Rule 5 Draft deadline due todayon November 20, 2020 at 11:05 am Read More »

With no games of its own this fall, EIU staff relishes Northwestern successon November 20, 2020 at 11:30 am

Prairie State Pigskin

With no games of its own this fall, EIU staff relishes Northwestern success

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With no games of its own this fall, EIU staff relishes Northwestern successon November 20, 2020 at 11:30 am Read More »

DePaul cancels first three games of basketball season after positive coronavirus testson November 19, 2020 at 10:16 pm

DePaul has canceled the first three games of its men’s basketball season and paused all team activities after members of the program tested positive for the coronavirus. The university did not identify the people who tested positive.

“We have been able to sustain a level of productivity while facing the COVID-19 pandemic during the preseason, but unfortunately as positive cases have been increasing all around us, we now have to deal with it directly in our program,” coach Dave Leitao said in a statement. “We’ll return to the practice floor and competition after we complete all mandated protocols and procedures.”

The Blue Demons were to open the season on Nov. 25 against Chicago State. The Nov. 28 game against Alcorn State and the Northern Illinois game on Dec. 3 have also been canceled. The season is now set to begin Dec. 6 against Iowa State.

“Flexibility and patience will continue to be paramount this season as we navigate these unique times,” athletic director DeWayne Peevy said.

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Thanks and givingon November 19, 2020 at 8:45 pm

This unholy year is winding down (or so we’re told), and as we veer between images of poop emojis and dumpster fires to do it visual justice, it’s hard to remember that there are in fact things for which to be grateful. For me, that gratitude comes in the form of recognizing how many theater, dance, and performance companies have continued to create in the digital world–one that wasn’t a familiar home for many of them before COVID-19.

In the early days of the shutdown, companies turned to their vaults to put something, anything, online (usually free) for audiences stuck at home. Not all of it was of high technical quality–many companies, pre-COVID, weren’t thinking of performance videos as anything other than a training tool for understudies, a supplement to grant applications, or an in-house historical artifact.

But these offerings were still a way to catch up with shows I’d missed in the past, and for that I’m grateful, even if I do see the point of those who mourn the absence of audience and live-ness in these not-quite-theater events.

In some cases, it was a chance to watch different productions of shows I’d seen live several times, such as Chicago playwright Mickle Maher’s There Is a Happiness That Morning Is, originally produced with Theater Oobleck and then at Houston’s Catastrophic Theatre. It’s still available via the latter’s YouTube channel, and it’s still one of my very favorite plays. I can’t think of a better one to celebrate the fleeting nature of life and the stubborn persistence of love (along with the enraging perfidy of bureaucratic institutions) as this year winds down.

Albany Park Theater Project’s Feast is a show I’d kicked myself for missing live during its several incarnations, but thanks to APTP putting up a video (beautifully directed by Daniel Andries and Anne Northrup) of the show’s 2015 Goodman run, I can finally stop kicking. A show about food, community, family, and the essential workers who keep all of that running for us is a perfect choice for Thanksgiving viewing. (Unless you’re saddled with xenophobic relatives for the holiday, in which case consider it part of the deprogramming process for them.) You can watch Feast for free, but it’s also available for sale as a DVD. Purchasing it might be a nice way to show appreciation for a company that’s been building the next generation of theatermakers and truth tellers for 13 years.

As the shutdown continued, more and more companies began creating original content, to the point where, just as with live shows, it’s impossible for me to keep up with it all. (And yeah, I’m not gonna lie–I’ve been doing some bingeing on television goodies I’d missed the first time around. I just finished Succession, which one of my editors had been pestering me about for a year. I now imagine 45 and his minions engaged in a ferocious game of “Boar on the Floor” as this nightmare administration winds down.)

That content has sometimes taken the form of real-time dramas streamed live, as with Invictus Theatre’s recent ‘Night, Mother. Some companies leaned into the Zoom format to make you feel as if you’re in the middle of the action, as with Interrobang’s The Spin, a play about a queasy-making political damage control session, which closes this weekend. Lifeline Theatre found a way to make Jane Austen relevant for the era of social distancing with their online version of Pride and Prejudice, which is getting an encore presentation through November 29.

The shutdown hasn’t stopped brand-new companies like Token Theatre and Perceptions Theatre from producing online and telling stories from marginalized communities. The latter’s digital play, Black Magic, is still available. The lack of historical support for BIPOC voices in American theater came into sharp focus with the very welcome arrival of We See You White American Theater (We See You W.A.T.) and their collectively created BIPOC demands for ways that American theater can decolonize and dismantle white supremacy.

In the local dance and performance realm, the Dance Center of Columbia College Chicago just wrapped up its fall Dance Buffet digital series. And though live performances are still on hold, Links Hall is continuing its Co-MISSION residencies to support new work; in fact, they’ve expanded from four to six artists. In addition to rehearsal space and other in-kind contributions to developing new work, the residencies come with monthly stipends for the artists. Which seems like the sort of thing that, say, our government should be providing for struggling citizens in a pandemic-caused economic freefall.

So while I remain anxious about the state of the live arts this Thanksgiving, I’m also thankful for everyone who found a way to keep going. If you want to help the artists keep going, here are a few local funds to consider: the Chicago Theatre Workers Relief Fund, the Dancers’ Fund, Season of Concern, the Arts for Illinois Relief Fund, and the Chicago Artists Relief Fund.

And of course, donating to your favorite companies or buying swag from their online stores is also a welcome way to say “thanks for keeping the light on.” v






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