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Hats off to the hatsIsa Giallorenzoon May 25, 2022 at 5:49 pm

At the end of April, The Curio and the Chicago Fashion Coalition joined forces to promote a networking event for the local fashion crowd at Chop Shop in Wicker Park. The turnout was truly impressive; so many recognizable names in the fashion scene were there: accessory designer and SAIC faculty member Gillion Carrara; luxury boutique owner Robin Richman; the Chicago Fashion Incubator executive director Anna Hovet Dias; entrepreneur Amanda Harth; and on and on and on. The party room was packed, the music was blasting, and the spirits were high. There was an obvious post-COVID excitement in the air, filled with hope, plans, and plenty of number exchanges. 

The main orchestrator of the gathering was New York transplant Ian Gerard, the co-founder and principal of The Curio. According to Gerard, the goal of his recently launched enterprise is to “bring people together around their passions for fashion, art, film, food, and music.” “We are starting by showcasing the best Chicago fashion talent for both Chicagoans and for a national consumer audience, as well as elevating the Chicago fashion community in the eyes of the city and nation. We are working in collaboration with most existing Chicago fashion organizations, and hopefully soon [local officials themselves], to successfully achieve this,” explains Gerard, who intends to throw a large-scale fashion show this fall. 

The Curio
curioexperience.com and Instagram
Chicago Fashion Coalition
chicagofashioncoalition.org and Instagram

Christopher Reavley Credit: Isa Giallorenzo

With so many guests dressed to impress, two young fashion designers stood out thanks to their dashing style topped off by colorful wide-brimmed hats: Estefania Galvan, 28, and Christopher Reavley, 27. Galvan is a petite powerhouse hailing from Colombia, whose brand MŌS she accurately describes as “elegant but never boring.” Her clothes have a classic and tailored feel, but always with a fun extra detail—such as the printed lining of her jacket, or her versatile trousers with an optional fastening at the hem. Reavley is a precocious talent who started sewing in his mid-teens, when he was given a sewing machine by one of his father’s employees. “I flew off from there, self-taught,” he says. Six years ago he started his own line—CR Collection—and now designs for a glitzy clientele from Chicago and New York.

Both designers will be showcasing their collections next month. Galvan will be celebrating the first anniversary of her brand with Garden of the Elements, which she calls “a multi-sensorial immersive fashion show.” The event, scheduled for June 25, will feature not only her creations, but also mixed media arts, live music and performances, augmented reality, and more. As for Reavley, his annual fashion show (this year titled “The Art of Wealth”) is scheduled for June and will feature 30 pieces in which, according to him, “classy meets edgy.” Reavley’s customized tuxedo jacket, with ripped sleeves and a rhinestone Chanel brooch on the lapel, says it all.

MŌS presents Garden of the Elements, Sat 6/25, 8 PM, 1010 W. 35th, Suite 500, $35-$120, tickets and more information at themosbrand.com and Instagram
CR Collection presents The Art of Wealth, Fri 6/17, 6 PM, Chicago Hotel Collection, 166 E. Superior, $60-$105, tickets at rebelity.com, more information at christopherreavley.com and Instagram

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Hats off to the hatsIsa Giallorenzoon May 25, 2022 at 5:49 pm Read More »

Tatum wants ‘some rules’ around All-NBA votingon May 25, 2022 at 7:39 pm

MIAMI – Boston Celtics star Jayson Tatum has said repeatedly over the past year that he felt disrespected by being left off of last year’s All-NBA teams — a decision that cost Tatum tens of millions of dollars on his current contract.

After Tatum was selected to the All-NBA first team Tuesday evening, he said Wednesday ahead of Game 5 of the Eastern Conference finals against the Miami Heat that there should be some sort of criteria for voters to follow in making their selections.

“What’s the saying, a day late and a dollar short?” Tatum asked with a wry smile following Boston’s shootaround at FTX Arena. “Obviously, I’m thankful. First team All-NBA, that’s a big deal. So I’m grateful for that recognition.

“It wasn’t really incentivized for me [to make it last year] with the money and all of that. It was more just I felt kind of disrespected, and I talked about this quite a bit, just on the criteria and how it’s voted is just so wide open … there’s not really set rules on who should qualify.

“I think that was the frustrating part. But it happened. Did I think I was one of the best 15 players last year? One thousand percent. But that’s behind me now, and I made it this year and now we’re trying to win a championship.”

Being left off the list last year caused Tatum to miss out on a provision in his contract that would have bumped his salary up to the next level of a max contract – 30 percent of the salary cap – as opposed to the 25 percent that typically falls under rookie extensions under a rule in the NBA’s collective bargaining agreement named after Derrick Rose.

This year, Atlanta Hawks guard Trae Young qualified for that same bump by making third team All-NBA, while Phoenix Suns guard Devin Booker and Minnesota Timberwolves center Karl-Anthony Towns both are now eligible to sign massive four-year supermax contract extensions this summer because they made it.

While Tatum said he wasn’t sure exactly what the criteria should be for voters, he did say he thinks it should go from being by positions (guard, forward and center) to positionless, and made his point by saying it didn’t make much sense that Philadelphia 76ers center Joel Embiid, who finished second to Denver Nuggets center Nikola Jokic in MVP voting, should be a second-team All-NBA player.

The irony is that had the league been positionless with its ballot this year, Tatum would’ve been second team, and Embiid would’ve been first.

“There just should be some rules in place,” Tatum said. “I don’t know exactly, but maybe you should have to play a certain amount of games, or maybe you’re a playoff team or not.

“I think it should just be like the 15 best players. Obviously with some guys in a contract year, supermax deals involved, that’s tough. I’m sure that’s tough on the voters as well. So I think there’s a lot that could be changed in that area, in that regard.”

After Boston disappointed last year, finishing with a .500 record in the COVID-shortened 2020-21 regular season, Tatum finished just out of the voting. He said the biggest reason for his inclusion this year, besides Boston playing better, was his improved playmaking.

“We won more games than last year,” he said. “But I think playmaking, just being able to read the game a lot better slowed it down for me in a lot of ways. And I think that has shown just with my playmaking ability and running the offense at times.”

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Tatum wants ‘some rules’ around All-NBA votingon May 25, 2022 at 7:39 pm Read More »

Cruise control

Margaret Knapp directs the world premiere of Martha Hansen’s first play (presented by Light and Sound Productions) about five women on an Alaskan cruise—each hoping to sight something other than a bunch of glaciers. Bailey (Hansen) is a chattering busybody looking for a first love late in life, Cora (Judi Schindler) is sliding into dementia and using the cruise as a last hurrah, Teresa (Millie Hurley) is freshly divorced and accompanying her cancer-survivor bestie, Audrey (Adrianne Cury), while cruise director Gloria (Stacie Doublin), there to make sure the ladies have a good time, winds up meeting some needs of her own.

Seven Days at Sea
Through 6/5: Thu-Sat 7 PM, Sun 3 PM; Edge Theater, 5451 N. Broadway, lightandsoundproductions.org, $40 ($30 seniors/$20 students).

These women are good company and the issues they grapple with ring true, but the structure of the play does them no favors. Comprised of what seem like dozens of five-minute-or-less scenes, it’s as if Hansen is afraid her audience will get bored if she lingers or leans in too much. The stage set (designed by Michelle Lilly) is dominated by three beds, the middle of which is stowed away under the ship deck, then brought back out about ten times. During several of these changes, the poor stagehand tasked with handling the bed struggled to jam it behind the decorative panel. I mention this not to point out a bit of opening-night jitters, or a rough spot to iron out, but as an emblem of a piece of drama that’s trying too hard. As she writes in the program, Hansen wants to give voice to older women, who are often not much heard from. She succeeds in that. Let’s hope next time she also lets them breathe a bit.

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Diner dialogues

This is an impeccable production of a play whose weaknesses outweigh its considerable strengths. It’s the 1960s episode of August Wilson’s Pittsburgh Cycle, tracing a century of life in the African American Hill District, and urban renewal shadows everything. (Jack Magaw’s set presents this vividly.) The diner where the play takes place is nearly empty of customers but remains the community center for half a dozen men, each with his own fixed idea of how to get happy or rich or out of there. Their monologues suggest that the title’s “two trains” represent the material and spiritual worlds—the latter indomitable, while the former ebbs and flows in a pattern no one can understand.

Two Trains Running
Through 6/12: Wed-Fri 7:30 PM, Sat-Sun 2 and 7:30 PM; Court Theatre, 5535 S. Ellis, 773-753-4472, courttheatre.org, $37.50-$84.

So far, so fine. But as Chekhov says, if you bring a gun onstage in act one, you have to shoot it in act two. So Wilson’s decision to supply one character with an enormous gasoline can during a conversation about fire insurance seems ill-judged, unless this is a prose poem rather than a play. The happy ending is unearned. And the one woman (waitress Risa, played by Kierra Bunch) gets nothing to do and little to say: mostly she’s talked about instead of talking.  

But nothing can undermine the ensemble’s superb work under Ron OJ Parson’s sensitive direction. A.C. Smith and Alfred H. Wilson, two of Chicago’s foremost interpreters of the playwright’s work, handle the famously iterative dialogue with their trademark fluency. They are first among equals in a cast which wears its awesome skill lightly. But special laurels for Joseph Primes, who manages to make two lines of dialogue endlessly repeated into an entire life story.

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Cruise controlDmitry Samarovon May 25, 2022 at 4:57 pm

Margaret Knapp directs the world premiere of Martha Hansen’s first play (presented by Light and Sound Productions) about five women on an Alaskan cruise—each hoping to sight something other than a bunch of glaciers. Bailey (Hansen) is a chattering busybody looking for a first love late in life, Cora (Judi Schindler) is sliding into dementia and using the cruise as a last hurrah, Teresa (Millie Hurley) is freshly divorced and accompanying her cancer-survivor bestie, Audrey (Adrianne Cury), while cruise director Gloria (Stacie Doublin), there to make sure the ladies have a good time, winds up meeting some needs of her own.

Seven Days at Sea
Through 6/5: Thu-Sat 7 PM, Sun 3 PM; Edge Theater, 5451 N. Broadway, lightandsoundproductions.org, $40 ($30 seniors/$20 students).

These women are good company and the issues they grapple with ring true, but the structure of the play does them no favors. Comprised of what seem like dozens of five-minute-or-less scenes, it’s as if Hansen is afraid her audience will get bored if she lingers or leans in too much. The stage set (designed by Michelle Lilly) is dominated by three beds, the middle of which is stowed away under the ship deck, then brought back out about ten times. During several of these changes, the poor stagehand tasked with handling the bed struggled to jam it behind the decorative panel. I mention this not to point out a bit of opening-night jitters, or a rough spot to iron out, but as an emblem of a piece of drama that’s trying too hard. As she writes in the program, Hansen wants to give voice to older women, who are often not much heard from. She succeeds in that. Let’s hope next time she also lets them breathe a bit.

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Cruise controlDmitry Samarovon May 25, 2022 at 4:57 pm Read More »

Diner dialoguesKelly Kleimanon May 25, 2022 at 5:06 pm

This is an impeccable production of a play whose weaknesses outweigh its considerable strengths. It’s the 1960s episode of August Wilson’s Pittsburgh Cycle, tracing a century of life in the African American Hill District, and urban renewal shadows everything. (Jack Magaw’s set presents this vividly.) The diner where the play takes place is nearly empty of customers but remains the community center for half a dozen men, each with his own fixed idea of how to get happy or rich or out of there. Their monologues suggest that the title’s “two trains” represent the material and spiritual worlds—the latter indomitable, while the former ebbs and flows in a pattern no one can understand.

Two Trains Running
Through 6/12: Wed-Fri 7:30 PM, Sat-Sun 2 and 7:30 PM; Court Theatre, 5535 S. Ellis, 773-753-4472, courttheatre.org, $37.50-$84.

So far, so fine. But as Chekhov says, if you bring a gun onstage in act one, you have to shoot it in act two. So Wilson’s decision to supply one character with an enormous gasoline can during a conversation about fire insurance seems ill-judged, unless this is a prose poem rather than a play. The happy ending is unearned. And the one woman (waitress Risa, played by Kierra Bunch) gets nothing to do and little to say: mostly she’s talked about instead of talking.  

But nothing can undermine the ensemble’s superb work under Ron OJ Parson’s sensitive direction. A.C. Smith and Alfred H. Wilson, two of Chicago’s foremost interpreters of the playwright’s work, handle the famously iterative dialogue with their trademark fluency. They are first among equals in a cast which wears its awesome skill lightly. But special laurels for Joseph Primes, who manages to make two lines of dialogue endlessly repeated into an entire life story.

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Diner dialoguesKelly Kleimanon May 25, 2022 at 5:06 pm Read More »

These senators have the blood of dead fourth graders on their hands

These senators have the blood of dead fourth graders on their hands

Mitt Romney (UT), $13,647,676

Richard Burr (NC), $6,987,380

Roy Blunt (MO), $4,555,722

Thom Tillis (NC), $4,421,333

Marco Rubio (FL), $3,303,355

Joni Ernst (IA), $3,124,773

Rob Portman (OH), $3,063,327

Todd C. Young (IN), $2,897,582

Bill Cassidy (LA), $2,867,074

Tom Cotton (AR), $1,968,714

Pat Toomey (PA), $1,475,448

Josh Hawley (MO), $1,391,548

Marsha Blackburn (TN), $1,306,130

Ron Johnson (WI), $1,269,486

Mitch McConnell (KY), $1,267,139

John Thune (SD), $638,942

Chuck Grassley (IA), $226,007

John Neely Kennedy (LA), $215,788

Ted Cruz (TX), $176,274

Lisa Murkowski (AK), $146,262

“Grief overwhelms the soul. Children slaughtered. Lives extinguished. Parents’ hearts wrenched. Incomprehensible.” Those were the words that Utah Senator Mitt Romney tweeted yesterday after the murders of nineteen fourth-grade children and two teachers. He’s made the same comments after previous school shootings. But, that hasn’t kept him from taking money from the National Rifle Association. So far it’s been almost fourteen million dollars. As long as he keeps voting against gun control legislation the money will keep coming. Talk one way, vote the other.

“Heidi & I are fervently lifting up in prayer the children and families in the horrific shooting in Uvalde.”  Those were the words of Texas Senator Ted Cruz after the shooting in his own home state of Texas. More thoughts, more prayers and more money from the NRA. $176, 274 to be exact. His talk is cheap; donations from the gun lobby to his political war chest are not. 

I can go on and on and on, but you get the point. These politicians try to say the right words, but their actions betray them. To them, cash over children’s lives. It’s despicable that they continue to take money from this organization. Their acceptance of the money makes them responsible, too. All of them have the blood of yesterday’s victims on their hands. Remember this in November and in every future election until this changes. 

Related Post: What is the fascination with guns?

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Chicago doesn’t need more curfews and criminalization

There is a particular cruelty to political leaders placing the blame for structural problems that are well within their power to address on the victims. 

When Mayor Lori Lightfoot describes how the city will enforce a youth curfew by saying, “We don’t want to arrest children. If we have to, because they’re breaking the law, we will,” all I hear is a threat of more violence and a finger pointed at young people who deserve so much more freedom than our unequal city affords them.

Included in the list of goals 16-year-old Seandell Holliday wrote for himself in a mentorship program last year were pursuing his passion for music, taking care of his family, and living to age 21. Seandell, whose fatal shooting at Millenium Park last weekend sparked the mayor’s announcement of a new curfew for young people, had some level of personal understanding of a landscape of violence that was pervasive enough to question whether he would live just a few more years. 

That landscape is one that includes both the kind of interpersonal gun violence that ended Seandell’s life, and also the structural violence that keeps our city both segregated and profoundly unequal. It is not a coincidence that the neighborhoods experiencing the highest rates of gun violence are some of the city’s poorest, predominantly Black, and on the city’s south and west sides, impacted by massive economic divestment and neglect. 

At a rally and press conference about the city budget last August at Parkman Elementary in Fuller Park—which has sat empty since its closure in 2013—educator and CTU leader Tara Stamps gave an impassioned speech that has stuck with me. She referred to closed schools as “the physical manifestation of ‘I don’t give a fill-in-the-blank about you.’” 

The now-vacant school stands in painful contrast to the bustling police station across the street on 51st and Wentworth, where many of us have spent long nights waiting for the release of friends and loved ones. If “I don’t give a fill-in-the-blank about you” is the message an empty school conveys to young people, a fancy park with checkpoints and metal detectors underlines that message, and the police department empowered to criminalize youth drives it home.

Placing new restrictions on the freedom of young people—restrictions that will undoubtedly impact Black, Brown, and working-class families most—dramatically misses the mark. Curfews have been  shown to be ineffective as a violence prevention strategy, and they add to the overall problem by exposing young people to violent policing when enforced. Encouraged by the Clinton administration, juvenile curfew laws became popular in the mid-1990s as part of a tough-on-crime approach. The strategy sought to criminalize “superpredators,” a racist myth that did overtime to blame young Black people for social problems now exacerbated by decades of more divestment from public programs across the country. While Mayor Lightfoot’s rhetoric in 2022 may sound different than that of the architects of mass incarceration, imposing a curfew on top of pushing forward city budgets that underinvest in communities and overinvest in police ultimately supports the same status quo. 

At a balloon release for Seandell, one of his friends said, “Downtown was a place you go out and have fun. . . . Now you can’t go nowhere without having to fight for your life.” In addition to failing Seandell, who lost his life, and the young person facing incarceration for his murder, the city has failed Seandell’s friends and everyone in Chicago who feels there is nowhere for them to go. 

Criminalization as a response to violence shifts responsibility away from systems and places blame on those impacted by divestment, inequality, policing, and violence. It keeps people asking, “What’s wrong with young people or Black people?” and “Why are they breaking the law?” These questions hold the conversation about what to do back because they frame the problem as one of individual people’s actions and treat “crime” as a fixed category as opposed to something determined by political decision makers. 

Instead, we can frame the problem of violence as one that happens in a broader social, economic, and political context. We can ask, “What systems are making it that so many people are struggling? What investments do communities impacted by violence need in order to be OK?”

State Senator Robert Peters has led statewide violence prevention efforts that are rooted in the latter set of questions. “We need to provide for everybody,” he said. “And we need to see public safety not reliant on the old walls of segregation but a new public safety for all that says that Chicago belongs to everybody, Chicago belongs to the people.” 

Long-term solutions to violence look like uprooting racist inequality and ensuring young people and communities suffering from divestment have what they need to thrive. They look like reversing the budget priorities that have increased the police budget every year while money for social programs, schools, health services, and housing remain on the chopping block. 

One step would be investing in the Peace Book, a proposed ordinance driven by the vision of young people that would reinvest funds from police into youth jobs doing peacekeeping, restorative justice, and conflict mediation in neighborhoods most impacted by gun violence. Approaches to violence prevention that center offering young people community-oriented programming and jobs that provide some economic support have shown to be more effective than punishment and increased policing.

Miracle Boyd, a 20-year-old youth organizer with GoodKids MadCity, said, “A lot of people are in survival mode; they’re not living. We need to give life back into our youth and into the adults that are raising them.” Holistic and effective solutions to violence look like ensuring that Chicagoans of all ages have access not only to basic necessities to survive, but to the things communities need to live and be well: an abundance of places to gather, connect, heal, and engage with each other and the world around us. 

Another youth organizer, Assata Lewis, said, “Going to the parks on the north side versus the ones on the south side is like night and day.” An approach to public spaces and community programs that seeks to reduce community violence and structural racism would be one that values investing in neighborhoods like Englewood-—where life expectancy is a full 30 years younger than it is downtown—just as much as it does in tourist destinations like Millennium Park.

Harsh, sensational responses to violence may be politically convenient for city leaders like Lightfoot, who want to look like they are taking action, but it is this type of political opportunism that consistently presents us with false solutions. 

What we need to engage in is the long-term work of building an equitable city where everyone feels like Chicago belongs to them, and making it so that it truly does. What if the city poured resources into communities: well-funded schools, grocery stores, health centers, mental health care? What if the city funded thousands of jobs that hired counselors, health-care workers, violence interrupters, and other community-oriented public safety jobs instead of police? What would a community full of physical manifestations of the message that the city does belong to us look like?

Asha Ransby-Sporn was a co-founder of BYP100, an organization of young Black people, and has been deeply involved in organizing against criminalization and policing in Chicago since 2013.

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Tyrant times

Steve Scott directs a storefront production of Shakespeare’s wallow into the nature of unadorned power-lust and demagoguery. With a minimal set—a couple benches, steps with a recess to indicate the space for a throne—and little in the way of choreography or any other theatrical gimmickry, Promethean Theatre Ensemble leaves the Bard’s words to work their hard magic. Cameron Feagin commands the stage in the titular role, playing Richard as a self-aware villain, profoundly flawed but unable to stop himself from conniving his way to the prize he’s convinced himself should be his, despite all evidence to the contrary.

Richard III
Through 6/25: Thu-Sat 7:30 PM, Sun 3 PM; Factory Theater, 1623 W. Howard, prometheantheatre.org, $30 ($25 seniors/$15 students).

Putting on a play about a tyrant at this moment may either be too on the nose or just timely, depending on your point of view, but in either case, I was moved listening to Feagin reciting words that simultaneously bring Richard his greatest triumph and seal his fate. The Richards of our time possess neither his self-awareness, nor are likely to get their just deserts, as he does. The rest of the cast acquits themselves just fine, but it is when Feagin speaks that the play comes alive. I sometimes wished it was a monologue because, like every monomaniac, Richard doesn’t truly see anyone else except for how they may be of use to him. They’re all mere shadows next to his engulfing need for complete control. Evil is vanquished in Shakespeare’s play, but I didn’t walk out onto Howard Street feeling things would be OK. I don’t think I was meant to. There’s no way back from where Richard takes us.

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Chicago doesn’t need more curfews and criminalizationAsha Ransby-Spornon May 25, 2022 at 4:15 pm

There is a particular cruelty to political leaders placing the blame for structural problems that are well within their power to address on the victims. 

When Mayor Lori Lightfoot describes how the city will enforce a youth curfew by saying, “We don’t want to arrest children. If we have to, because they’re breaking the law, we will,” all I hear is a threat of more violence and a finger pointed at young people who deserve so much more freedom than our unequal city affords them.

Included in the list of goals 16-year-old Seandell Holliday wrote for himself in a mentorship program last year were pursuing his passion for music, taking care of his family, and living to age 21. Seandell, whose fatal shooting at Millenium Park last weekend sparked the mayor’s announcement of a new curfew for young people, had some level of personal understanding of a landscape of violence that was pervasive enough to question whether he would live just a few more years. 

That landscape is one that includes both the kind of interpersonal gun violence that ended Seandell’s life, and also the structural violence that keeps our city both segregated and profoundly unequal. It is not a coincidence that the neighborhoods experiencing the highest rates of gun violence are some of the city’s poorest, predominantly Black, and on the city’s south and west sides, impacted by massive economic divestment and neglect. 

At a rally and press conference about the city budget last August at Parkman Elementary in Fuller Park—which has sat empty since its closure in 2013—educator and CTU leader Tara Stamps gave an impassioned speech that has stuck with me. She referred to closed schools as “the physical manifestation of ‘I don’t give a fill-in-the-blank about you.’” 

The now-vacant school stands in painful contrast to the bustling police station across the street on 51st and Wentworth, where many of us have spent long nights waiting for the release of friends and loved ones. If “I don’t give a fill-in-the-blank about you” is the message an empty school conveys to young people, a fancy park with checkpoints and metal detectors underlines that message, and the police department empowered to criminalize youth drives it home.

Placing new restrictions on the freedom of young people—restrictions that will undoubtedly impact Black, Brown, and working-class families most—dramatically misses the mark. Curfews have been  shown to be ineffective as a violence prevention strategy, and they add to the overall problem by exposing young people to violent policing when enforced. Encouraged by the Clinton administration, juvenile curfew laws became popular in the mid-1990s as part of a tough-on-crime approach. The strategy sought to criminalize “superpredators,” a racist myth that did overtime to blame young Black people for social problems now exacerbated by decades of more divestment from public programs across the country. While Mayor Lightfoot’s rhetoric in 2022 may sound different than that of the architects of mass incarceration, imposing a curfew on top of pushing forward city budgets that underinvest in communities and overinvest in police ultimately supports the same status quo. 

At a balloon release for Seandell, one of his friends said, “Downtown was a place you go out and have fun. . . . Now you can’t go nowhere without having to fight for your life.” In addition to failing Seandell, who lost his life, and the young person facing incarceration for his murder, the city has failed Seandell’s friends and everyone in Chicago who feels there is nowhere for them to go. 

Criminalization as a response to violence shifts responsibility away from systems and places blame on those impacted by divestment, inequality, policing, and violence. It keeps people asking, “What’s wrong with young people or Black people?” and “Why are they breaking the law?” These questions hold the conversation about what to do back because they frame the problem as one of individual people’s actions and treat “crime” as a fixed category as opposed to something determined by political decision makers. 

Instead, we can frame the problem of violence as one that happens in a broader social, economic, and political context. We can ask, “What systems are making it that so many people are struggling? What investments do communities impacted by violence need in order to be OK?”

State Senator Robert Peters has led statewide violence prevention efforts that are rooted in the latter set of questions. “We need to provide for everybody,” he said. “And we need to see public safety not reliant on the old walls of segregation but a new public safety for all that says that Chicago belongs to everybody, Chicago belongs to the people.” 

Long-term solutions to violence look like uprooting racist inequality and ensuring young people and communities suffering from divestment have what they need to thrive. They look like reversing the budget priorities that have increased the police budget every year while money for social programs, schools, health services, and housing remain on the chopping block. 

One step would be investing in the Peace Book, a proposed ordinance driven by the vision of young people that would reinvest funds from police into youth jobs doing peacekeeping, restorative justice, and conflict mediation in neighborhoods most impacted by gun violence. Approaches to violence prevention that center offering young people community-oriented programming and jobs that provide some economic support have shown to be more effective than punishment and increased policing.

Miracle Boyd, a 20-year-old youth organizer with GoodKids MadCity, said, “A lot of people are in survival mode; they’re not living. We need to give life back into our youth and into the adults that are raising them.” Holistic and effective solutions to violence look like ensuring that Chicagoans of all ages have access not only to basic necessities to survive, but to the things communities need to live and be well: an abundance of places to gather, connect, heal, and engage with each other and the world around us. 

Another youth organizer, Assata Lewis, said, “Going to the parks on the north side versus the ones on the south side is like night and day.” An approach to public spaces and community programs that seeks to reduce community violence and structural racism would be one that values investing in neighborhoods like Englewood-—where life expectancy is a full 30 years younger than it is downtown—just as much as it does in tourist destinations like Millennium Park.

Harsh, sensational responses to violence may be politically convenient for city leaders like Lightfoot, who want to look like they are taking action, but it is this type of political opportunism that consistently presents us with false solutions. 

What we need to engage in is the long-term work of building an equitable city where everyone feels like Chicago belongs to them, and making it so that it truly does. What if the city poured resources into communities: well-funded schools, grocery stores, health centers, mental health care? What if the city funded thousands of jobs that hired counselors, health-care workers, violence interrupters, and other community-oriented public safety jobs instead of police? What would a community full of physical manifestations of the message that the city does belong to us look like?

Asha Ransby-Sporn was a co-founder of BYP100, an organization of young Black people, and has been deeply involved in organizing against criminalization and policing in Chicago since 2013.

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Chicago doesn’t need more curfews and criminalizationAsha Ransby-Spornon May 25, 2022 at 4:15 pm Read More »