Cruise control

Margaret Knapp directs the world premiere of Martha Hansen’s first play (presented by Light and Sound Productions) about five women on an Alaskan cruise—each hoping to sight something other than a bunch of glaciers. Bailey (Hansen) is a chattering busybody looking for a first love late in life, Cora (Judi Schindler) is sliding into dementia and using the cruise as a last hurrah, Teresa (Millie Hurley) is freshly divorced and accompanying her cancer-survivor bestie, Audrey (Adrianne Cury), while cruise director Gloria (Stacie Doublin), there to make sure the ladies have a good time, winds up meeting some needs of her own.

Seven Days at Sea
Through 6/5: Thu-Sat 7 PM, Sun 3 PM; Edge Theater, 5451 N. Broadway, lightandsoundproductions.org, $40 ($30 seniors/$20 students).

These women are good company and the issues they grapple with ring true, but the structure of the play does them no favors. Comprised of what seem like dozens of five-minute-or-less scenes, it’s as if Hansen is afraid her audience will get bored if she lingers or leans in too much. The stage set (designed by Michelle Lilly) is dominated by three beds, the middle of which is stowed away under the ship deck, then brought back out about ten times. During several of these changes, the poor stagehand tasked with handling the bed struggled to jam it behind the decorative panel. I mention this not to point out a bit of opening-night jitters, or a rough spot to iron out, but as an emblem of a piece of drama that’s trying too hard. As she writes in the program, Hansen wants to give voice to older women, who are often not much heard from. She succeeds in that. Let’s hope next time she also lets them breathe a bit.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Cruise control Read More »

Diner dialogues

This is an impeccable production of a play whose weaknesses outweigh its considerable strengths. It’s the 1960s episode of August Wilson’s Pittsburgh Cycle, tracing a century of life in the African American Hill District, and urban renewal shadows everything. (Jack Magaw’s set presents this vividly.) The diner where the play takes place is nearly empty of customers but remains the community center for half a dozen men, each with his own fixed idea of how to get happy or rich or out of there. Their monologues suggest that the title’s “two trains” represent the material and spiritual worlds—the latter indomitable, while the former ebbs and flows in a pattern no one can understand.

Two Trains Running
Through 6/12: Wed-Fri 7:30 PM, Sat-Sun 2 and 7:30 PM; Court Theatre, 5535 S. Ellis, 773-753-4472, courttheatre.org, $37.50-$84.

So far, so fine. But as Chekhov says, if you bring a gun onstage in act one, you have to shoot it in act two. So Wilson’s decision to supply one character with an enormous gasoline can during a conversation about fire insurance seems ill-judged, unless this is a prose poem rather than a play. The happy ending is unearned. And the one woman (waitress Risa, played by Kierra Bunch) gets nothing to do and little to say: mostly she’s talked about instead of talking.  

But nothing can undermine the ensemble’s superb work under Ron OJ Parson’s sensitive direction. A.C. Smith and Alfred H. Wilson, two of Chicago’s foremost interpreters of the playwright’s work, handle the famously iterative dialogue with their trademark fluency. They are first among equals in a cast which wears its awesome skill lightly. But special laurels for Joseph Primes, who manages to make two lines of dialogue endlessly repeated into an entire life story.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Diner dialogues Read More »

Cruise controlDmitry Samarovon May 25, 2022 at 4:57 pm

Margaret Knapp directs the world premiere of Martha Hansen’s first play (presented by Light and Sound Productions) about five women on an Alaskan cruise—each hoping to sight something other than a bunch of glaciers. Bailey (Hansen) is a chattering busybody looking for a first love late in life, Cora (Judi Schindler) is sliding into dementia and using the cruise as a last hurrah, Teresa (Millie Hurley) is freshly divorced and accompanying her cancer-survivor bestie, Audrey (Adrianne Cury), while cruise director Gloria (Stacie Doublin), there to make sure the ladies have a good time, winds up meeting some needs of her own.

Seven Days at Sea
Through 6/5: Thu-Sat 7 PM, Sun 3 PM; Edge Theater, 5451 N. Broadway, lightandsoundproductions.org, $40 ($30 seniors/$20 students).

These women are good company and the issues they grapple with ring true, but the structure of the play does them no favors. Comprised of what seem like dozens of five-minute-or-less scenes, it’s as if Hansen is afraid her audience will get bored if she lingers or leans in too much. The stage set (designed by Michelle Lilly) is dominated by three beds, the middle of which is stowed away under the ship deck, then brought back out about ten times. During several of these changes, the poor stagehand tasked with handling the bed struggled to jam it behind the decorative panel. I mention this not to point out a bit of opening-night jitters, or a rough spot to iron out, but as an emblem of a piece of drama that’s trying too hard. As she writes in the program, Hansen wants to give voice to older women, who are often not much heard from. She succeeds in that. Let’s hope next time she also lets them breathe a bit.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Cruise controlDmitry Samarovon May 25, 2022 at 4:57 pm Read More »

Diner dialoguesKelly Kleimanon May 25, 2022 at 5:06 pm

This is an impeccable production of a play whose weaknesses outweigh its considerable strengths. It’s the 1960s episode of August Wilson’s Pittsburgh Cycle, tracing a century of life in the African American Hill District, and urban renewal shadows everything. (Jack Magaw’s set presents this vividly.) The diner where the play takes place is nearly empty of customers but remains the community center for half a dozen men, each with his own fixed idea of how to get happy or rich or out of there. Their monologues suggest that the title’s “two trains” represent the material and spiritual worlds—the latter indomitable, while the former ebbs and flows in a pattern no one can understand.

Two Trains Running
Through 6/12: Wed-Fri 7:30 PM, Sat-Sun 2 and 7:30 PM; Court Theatre, 5535 S. Ellis, 773-753-4472, courttheatre.org, $37.50-$84.

So far, so fine. But as Chekhov says, if you bring a gun onstage in act one, you have to shoot it in act two. So Wilson’s decision to supply one character with an enormous gasoline can during a conversation about fire insurance seems ill-judged, unless this is a prose poem rather than a play. The happy ending is unearned. And the one woman (waitress Risa, played by Kierra Bunch) gets nothing to do and little to say: mostly she’s talked about instead of talking.  

But nothing can undermine the ensemble’s superb work under Ron OJ Parson’s sensitive direction. A.C. Smith and Alfred H. Wilson, two of Chicago’s foremost interpreters of the playwright’s work, handle the famously iterative dialogue with their trademark fluency. They are first among equals in a cast which wears its awesome skill lightly. But special laurels for Joseph Primes, who manages to make two lines of dialogue endlessly repeated into an entire life story.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Diner dialoguesKelly Kleimanon May 25, 2022 at 5:06 pm Read More »

These senators have the blood of dead fourth graders on their hands

These senators have the blood of dead fourth graders on their hands

Mitt Romney (UT), $13,647,676

Richard Burr (NC), $6,987,380

Roy Blunt (MO), $4,555,722

Thom Tillis (NC), $4,421,333

Marco Rubio (FL), $3,303,355

Joni Ernst (IA), $3,124,773

Rob Portman (OH), $3,063,327

Todd C. Young (IN), $2,897,582

Bill Cassidy (LA), $2,867,074

Tom Cotton (AR), $1,968,714

Pat Toomey (PA), $1,475,448

Josh Hawley (MO), $1,391,548

Marsha Blackburn (TN), $1,306,130

Ron Johnson (WI), $1,269,486

Mitch McConnell (KY), $1,267,139

John Thune (SD), $638,942

Chuck Grassley (IA), $226,007

John Neely Kennedy (LA), $215,788

Ted Cruz (TX), $176,274

Lisa Murkowski (AK), $146,262

“Grief overwhelms the soul. Children slaughtered. Lives extinguished. Parents’ hearts wrenched. Incomprehensible.” Those were the words that Utah Senator Mitt Romney tweeted yesterday after the murders of nineteen fourth-grade children and two teachers. He’s made the same comments after previous school shootings. But, that hasn’t kept him from taking money from the National Rifle Association. So far it’s been almost fourteen million dollars. As long as he keeps voting against gun control legislation the money will keep coming. Talk one way, vote the other.

“Heidi & I are fervently lifting up in prayer the children and families in the horrific shooting in Uvalde.”  Those were the words of Texas Senator Ted Cruz after the shooting in his own home state of Texas. More thoughts, more prayers and more money from the NRA. $176, 274 to be exact. His talk is cheap; donations from the gun lobby to his political war chest are not. 

I can go on and on and on, but you get the point. These politicians try to say the right words, but their actions betray them. To them, cash over children’s lives. It’s despicable that they continue to take money from this organization. Their acceptance of the money makes them responsible, too. All of them have the blood of yesterday’s victims on their hands. Remember this in November and in every future election until this changes. 

Related Post: What is the fascination with guns?

Type your email address in the box and click the “create subscription” button. My list is completely spam free, and you can opt out at any time.


Filed under:
Uncategorized

Advertisement:
Advertisement:

Welcome to ChicagoNow.

Meet
our bloggers,

post comments, or

pitch your blog idea.

Meet The Blogger

Howard Moore

Every five years or so I decide to update this section. I can’t believe I’ve been doing this for close to ten years. The last time I did this I was close to sixty years old. Now I’m just a few months away from the big 7-ZERO. Scary AF!!! I’m pretty sure I won’t be doing an update when I hit 80, but you never know. But until then, lets just be grateful.

Subscribe by Email

Completely spam free, opt out any time.

Tags

Donald Trump (205)
Parkinson”s Disease (50)
Coronavirus (34)
Chicago Cubs (33)
Covid-19 (30)
Paul McCartney (28)
John Lennon (26)
Cancer (24)
Eric Clapton (24)
Melanoma (23)

Categories

Music (395)
Wellness (333)
News (325)
Health (266)
Satire (224)
humor (209)
Uncategorized (193)
Pop Music (184)
Parkinsons (159)
Entertainment:: Music (148)

Read these ChicagoNow blogs

Cubs Den

Chicago Cubs news and comprehensive blog, featuring old school baseball writing combined with the latest statistical trends

Pets in need of homes

Pets available for adoption in the Chicago area

Hammervision

It’s like the couch potato version of Mr. and Mrs. Smith.
Advertisement:

About ChicagoNow

FAQs

Advertise

Recent posts RSS

Privacy policy (Updated)

Comment policy

Terms of service

Chicago Tribune Archives

Do not sell my personal info

©2022 CTMG – A Chicago Tribune website –
Crafted by the News Apps team

Read More

These senators have the blood of dead fourth graders on their hands Read More »

Chicago doesn’t need more curfews and criminalization

There is a particular cruelty to political leaders placing the blame for structural problems that are well within their power to address on the victims. 

When Mayor Lori Lightfoot describes how the city will enforce a youth curfew by saying, “We don’t want to arrest children. If we have to, because they’re breaking the law, we will,” all I hear is a threat of more violence and a finger pointed at young people who deserve so much more freedom than our unequal city affords them.

Included in the list of goals 16-year-old Seandell Holliday wrote for himself in a mentorship program last year were pursuing his passion for music, taking care of his family, and living to age 21. Seandell, whose fatal shooting at Millenium Park last weekend sparked the mayor’s announcement of a new curfew for young people, had some level of personal understanding of a landscape of violence that was pervasive enough to question whether he would live just a few more years. 

That landscape is one that includes both the kind of interpersonal gun violence that ended Seandell’s life, and also the structural violence that keeps our city both segregated and profoundly unequal. It is not a coincidence that the neighborhoods experiencing the highest rates of gun violence are some of the city’s poorest, predominantly Black, and on the city’s south and west sides, impacted by massive economic divestment and neglect. 

At a rally and press conference about the city budget last August at Parkman Elementary in Fuller Park—which has sat empty since its closure in 2013—educator and CTU leader Tara Stamps gave an impassioned speech that has stuck with me. She referred to closed schools as “the physical manifestation of ‘I don’t give a fill-in-the-blank about you.’” 

The now-vacant school stands in painful contrast to the bustling police station across the street on 51st and Wentworth, where many of us have spent long nights waiting for the release of friends and loved ones. If “I don’t give a fill-in-the-blank about you” is the message an empty school conveys to young people, a fancy park with checkpoints and metal detectors underlines that message, and the police department empowered to criminalize youth drives it home.

Placing new restrictions on the freedom of young people—restrictions that will undoubtedly impact Black, Brown, and working-class families most—dramatically misses the mark. Curfews have been  shown to be ineffective as a violence prevention strategy, and they add to the overall problem by exposing young people to violent policing when enforced. Encouraged by the Clinton administration, juvenile curfew laws became popular in the mid-1990s as part of a tough-on-crime approach. The strategy sought to criminalize “superpredators,” a racist myth that did overtime to blame young Black people for social problems now exacerbated by decades of more divestment from public programs across the country. While Mayor Lightfoot’s rhetoric in 2022 may sound different than that of the architects of mass incarceration, imposing a curfew on top of pushing forward city budgets that underinvest in communities and overinvest in police ultimately supports the same status quo. 

At a balloon release for Seandell, one of his friends said, “Downtown was a place you go out and have fun. . . . Now you can’t go nowhere without having to fight for your life.” In addition to failing Seandell, who lost his life, and the young person facing incarceration for his murder, the city has failed Seandell’s friends and everyone in Chicago who feels there is nowhere for them to go. 

Criminalization as a response to violence shifts responsibility away from systems and places blame on those impacted by divestment, inequality, policing, and violence. It keeps people asking, “What’s wrong with young people or Black people?” and “Why are they breaking the law?” These questions hold the conversation about what to do back because they frame the problem as one of individual people’s actions and treat “crime” as a fixed category as opposed to something determined by political decision makers. 

Instead, we can frame the problem of violence as one that happens in a broader social, economic, and political context. We can ask, “What systems are making it that so many people are struggling? What investments do communities impacted by violence need in order to be OK?”

State Senator Robert Peters has led statewide violence prevention efforts that are rooted in the latter set of questions. “We need to provide for everybody,” he said. “And we need to see public safety not reliant on the old walls of segregation but a new public safety for all that says that Chicago belongs to everybody, Chicago belongs to the people.” 

Long-term solutions to violence look like uprooting racist inequality and ensuring young people and communities suffering from divestment have what they need to thrive. They look like reversing the budget priorities that have increased the police budget every year while money for social programs, schools, health services, and housing remain on the chopping block. 

One step would be investing in the Peace Book, a proposed ordinance driven by the vision of young people that would reinvest funds from police into youth jobs doing peacekeeping, restorative justice, and conflict mediation in neighborhoods most impacted by gun violence. Approaches to violence prevention that center offering young people community-oriented programming and jobs that provide some economic support have shown to be more effective than punishment and increased policing.

Miracle Boyd, a 20-year-old youth organizer with GoodKids MadCity, said, “A lot of people are in survival mode; they’re not living. We need to give life back into our youth and into the adults that are raising them.” Holistic and effective solutions to violence look like ensuring that Chicagoans of all ages have access not only to basic necessities to survive, but to the things communities need to live and be well: an abundance of places to gather, connect, heal, and engage with each other and the world around us. 

Another youth organizer, Assata Lewis, said, “Going to the parks on the north side versus the ones on the south side is like night and day.” An approach to public spaces and community programs that seeks to reduce community violence and structural racism would be one that values investing in neighborhoods like Englewood-—where life expectancy is a full 30 years younger than it is downtown—just as much as it does in tourist destinations like Millennium Park.

Harsh, sensational responses to violence may be politically convenient for city leaders like Lightfoot, who want to look like they are taking action, but it is this type of political opportunism that consistently presents us with false solutions. 

What we need to engage in is the long-term work of building an equitable city where everyone feels like Chicago belongs to them, and making it so that it truly does. What if the city poured resources into communities: well-funded schools, grocery stores, health centers, mental health care? What if the city funded thousands of jobs that hired counselors, health-care workers, violence interrupters, and other community-oriented public safety jobs instead of police? What would a community full of physical manifestations of the message that the city does belong to us look like?

Asha Ransby-Sporn was a co-founder of BYP100, an organization of young Black people, and has been deeply involved in organizing against criminalization and policing in Chicago since 2013.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Chicago doesn’t need more curfews and criminalization Read More »

Tyrant times

Steve Scott directs a storefront production of Shakespeare’s wallow into the nature of unadorned power-lust and demagoguery. With a minimal set—a couple benches, steps with a recess to indicate the space for a throne—and little in the way of choreography or any other theatrical gimmickry, Promethean Theatre Ensemble leaves the Bard’s words to work their hard magic. Cameron Feagin commands the stage in the titular role, playing Richard as a self-aware villain, profoundly flawed but unable to stop himself from conniving his way to the prize he’s convinced himself should be his, despite all evidence to the contrary.

Richard III
Through 6/25: Thu-Sat 7:30 PM, Sun 3 PM; Factory Theater, 1623 W. Howard, prometheantheatre.org, $30 ($25 seniors/$15 students).

Putting on a play about a tyrant at this moment may either be too on the nose or just timely, depending on your point of view, but in either case, I was moved listening to Feagin reciting words that simultaneously bring Richard his greatest triumph and seal his fate. The Richards of our time possess neither his self-awareness, nor are likely to get their just deserts, as he does. The rest of the cast acquits themselves just fine, but it is when Feagin speaks that the play comes alive. I sometimes wished it was a monologue because, like every monomaniac, Richard doesn’t truly see anyone else except for how they may be of use to him. They’re all mere shadows next to his engulfing need for complete control. Evil is vanquished in Shakespeare’s play, but I didn’t walk out onto Howard Street feeling things would be OK. I don’t think I was meant to. There’s no way back from where Richard takes us.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Tyrant times Read More »

Chicago doesn’t need more curfews and criminalizationAsha Ransby-Spornon May 25, 2022 at 4:15 pm

There is a particular cruelty to political leaders placing the blame for structural problems that are well within their power to address on the victims. 

When Mayor Lori Lightfoot describes how the city will enforce a youth curfew by saying, “We don’t want to arrest children. If we have to, because they’re breaking the law, we will,” all I hear is a threat of more violence and a finger pointed at young people who deserve so much more freedom than our unequal city affords them.

Included in the list of goals 16-year-old Seandell Holliday wrote for himself in a mentorship program last year were pursuing his passion for music, taking care of his family, and living to age 21. Seandell, whose fatal shooting at Millenium Park last weekend sparked the mayor’s announcement of a new curfew for young people, had some level of personal understanding of a landscape of violence that was pervasive enough to question whether he would live just a few more years. 

That landscape is one that includes both the kind of interpersonal gun violence that ended Seandell’s life, and also the structural violence that keeps our city both segregated and profoundly unequal. It is not a coincidence that the neighborhoods experiencing the highest rates of gun violence are some of the city’s poorest, predominantly Black, and on the city’s south and west sides, impacted by massive economic divestment and neglect. 

At a rally and press conference about the city budget last August at Parkman Elementary in Fuller Park—which has sat empty since its closure in 2013—educator and CTU leader Tara Stamps gave an impassioned speech that has stuck with me. She referred to closed schools as “the physical manifestation of ‘I don’t give a fill-in-the-blank about you.’” 

The now-vacant school stands in painful contrast to the bustling police station across the street on 51st and Wentworth, where many of us have spent long nights waiting for the release of friends and loved ones. If “I don’t give a fill-in-the-blank about you” is the message an empty school conveys to young people, a fancy park with checkpoints and metal detectors underlines that message, and the police department empowered to criminalize youth drives it home.

Placing new restrictions on the freedom of young people—restrictions that will undoubtedly impact Black, Brown, and working-class families most—dramatically misses the mark. Curfews have been  shown to be ineffective as a violence prevention strategy, and they add to the overall problem by exposing young people to violent policing when enforced. Encouraged by the Clinton administration, juvenile curfew laws became popular in the mid-1990s as part of a tough-on-crime approach. The strategy sought to criminalize “superpredators,” a racist myth that did overtime to blame young Black people for social problems now exacerbated by decades of more divestment from public programs across the country. While Mayor Lightfoot’s rhetoric in 2022 may sound different than that of the architects of mass incarceration, imposing a curfew on top of pushing forward city budgets that underinvest in communities and overinvest in police ultimately supports the same status quo. 

At a balloon release for Seandell, one of his friends said, “Downtown was a place you go out and have fun. . . . Now you can’t go nowhere without having to fight for your life.” In addition to failing Seandell, who lost his life, and the young person facing incarceration for his murder, the city has failed Seandell’s friends and everyone in Chicago who feels there is nowhere for them to go. 

Criminalization as a response to violence shifts responsibility away from systems and places blame on those impacted by divestment, inequality, policing, and violence. It keeps people asking, “What’s wrong with young people or Black people?” and “Why are they breaking the law?” These questions hold the conversation about what to do back because they frame the problem as one of individual people’s actions and treat “crime” as a fixed category as opposed to something determined by political decision makers. 

Instead, we can frame the problem of violence as one that happens in a broader social, economic, and political context. We can ask, “What systems are making it that so many people are struggling? What investments do communities impacted by violence need in order to be OK?”

State Senator Robert Peters has led statewide violence prevention efforts that are rooted in the latter set of questions. “We need to provide for everybody,” he said. “And we need to see public safety not reliant on the old walls of segregation but a new public safety for all that says that Chicago belongs to everybody, Chicago belongs to the people.” 

Long-term solutions to violence look like uprooting racist inequality and ensuring young people and communities suffering from divestment have what they need to thrive. They look like reversing the budget priorities that have increased the police budget every year while money for social programs, schools, health services, and housing remain on the chopping block. 

One step would be investing in the Peace Book, a proposed ordinance driven by the vision of young people that would reinvest funds from police into youth jobs doing peacekeeping, restorative justice, and conflict mediation in neighborhoods most impacted by gun violence. Approaches to violence prevention that center offering young people community-oriented programming and jobs that provide some economic support have shown to be more effective than punishment and increased policing.

Miracle Boyd, a 20-year-old youth organizer with GoodKids MadCity, said, “A lot of people are in survival mode; they’re not living. We need to give life back into our youth and into the adults that are raising them.” Holistic and effective solutions to violence look like ensuring that Chicagoans of all ages have access not only to basic necessities to survive, but to the things communities need to live and be well: an abundance of places to gather, connect, heal, and engage with each other and the world around us. 

Another youth organizer, Assata Lewis, said, “Going to the parks on the north side versus the ones on the south side is like night and day.” An approach to public spaces and community programs that seeks to reduce community violence and structural racism would be one that values investing in neighborhoods like Englewood-—where life expectancy is a full 30 years younger than it is downtown—just as much as it does in tourist destinations like Millennium Park.

Harsh, sensational responses to violence may be politically convenient for city leaders like Lightfoot, who want to look like they are taking action, but it is this type of political opportunism that consistently presents us with false solutions. 

What we need to engage in is the long-term work of building an equitable city where everyone feels like Chicago belongs to them, and making it so that it truly does. What if the city poured resources into communities: well-funded schools, grocery stores, health centers, mental health care? What if the city funded thousands of jobs that hired counselors, health-care workers, violence interrupters, and other community-oriented public safety jobs instead of police? What would a community full of physical manifestations of the message that the city does belong to us look like?

Asha Ransby-Sporn was a co-founder of BYP100, an organization of young Black people, and has been deeply involved in organizing against criminalization and policing in Chicago since 2013.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Chicago doesn’t need more curfews and criminalizationAsha Ransby-Spornon May 25, 2022 at 4:15 pm Read More »

Tyrant timesDmitry Samarovon May 25, 2022 at 4:46 pm

Steve Scott directs a storefront production of Shakespeare’s wallow into the nature of unadorned power-lust and demagoguery. With a minimal set—a couple benches, steps with a recess to indicate the space for a throne—and little in the way of choreography or any other theatrical gimmickry, Promethean Theatre Ensemble leaves the Bard’s words to work their hard magic. Cameron Feagin commands the stage in the titular role, playing Richard as a self-aware villain, profoundly flawed but unable to stop himself from conniving his way to the prize he’s convinced himself should be his, despite all evidence to the contrary.

Richard III
Through 6/25: Thu-Sat 7:30 PM, Sun 3 PM; Factory Theater, 1623 W. Howard, prometheantheatre.org, $30 ($25 seniors/$15 students).

Putting on a play about a tyrant at this moment may either be too on the nose or just timely, depending on your point of view, but in either case, I was moved listening to Feagin reciting words that simultaneously bring Richard his greatest triumph and seal his fate. The Richards of our time possess neither his self-awareness, nor are likely to get their just deserts, as he does. The rest of the cast acquits themselves just fine, but it is when Feagin speaks that the play comes alive. I sometimes wished it was a monologue because, like every monomaniac, Richard doesn’t truly see anyone else except for how they may be of use to him. They’re all mere shadows next to his engulfing need for complete control. Evil is vanquished in Shakespeare’s play, but I didn’t walk out onto Howard Street feeling things would be OK. I don’t think I was meant to. There’s no way back from where Richard takes us.

Want more stories like this one? Sign up to our daily newsletter for stories by and for Chicago.

Success! You’re on the list.
Whoops! There was an error and we couldn’t process your subscription. Please reload the page and try again.
Processing…

Read More

Tyrant timesDmitry Samarovon May 25, 2022 at 4:46 pm Read More »

British government approves sale of Chelsea soccer club

LONDON — Roman Abramovich’s 19-year ownership of Chelsea is ending after the British government approved the sale of the Premier League club by the sanctioned Russian oligarch to a consortium fronted by Los Angeles Dodgers part-owner Todd Boehly.

The government had to be sure that Abramovich, who was sanctioned over his links to Russian President Vladimir Putin after the invasion of Ukraine, did not profit from the enforced sale of the club that his investment turned into one of the most successful in European football.

The reigning FIFA Club World Cup winners and 2021 European champions will be sold for 2.5 billion pounds ($3.1 billion) — the highest price ever for a sports team — with Premier League approval already granted on Tuesday.

Chelsea has been operating under a government license since Abramovich’s assets were frozen in March and it expires on May 31.

“Given the sanctions we placed on those linked to Putin and the bloody invasion of Ukraine, the long-term future of the club can only be secured under a new owner,” British Culture Secretary Nadine Dorries said. “We are satisfied the proceeds of the sale will not benefit Roman Abramovich or other sanctioned individuals.”

There were weeks of discussions between officials from Chelsea and the government over securing the guarantee Abramovich could not gain financially. The sale proceeds will initially go into a frozen account before going to charity.

“We will now begin the process of ensuring the proceeds of the sale are used for humanitarian causes in Ukraine, supporting victims of the war,” the British government said in a statement. “The steps today will secure the future of this important cultural asset and protect fans and the wider football community.”

Delays approving the sale centered on the fate of 1.6 billion pounds ($2 billion) loaned to Chelsea by Abramovich since 2003 that provided the funding to build a men’s squad that won 21 trophies during his ownership. Government assurances were needed from Abramovich, who has not condemned Russia’s war in Ukraine, about writing off the debt that was linked to companies he controlled.

Boehly has already started attending Chelsea games in recent weeks since the club approved the sale to the consortium that also features Dodgers principal owner Mark Walter, Swiss billionaire Hansjorg Wyss, and funding from private equity firm Clearlake Capital.

It was a hotly contested sale process, with four groups in the final running, before Boehly’s group was chosen on May 7 after guaranteeing 1.75 billion pounds ($2.2 billion) of investment in the team. The Ricketts family, owners of MLB’s Chicago Cubs, dropped their bid for Chelsea last month.

Chelsea fans have become accustomed to lavish spending under Abramovich, with more than $1 billion net spending on players.

Chelsea’s ability to sell match tickets and commit to new player spending has been curbed by the sanctions but now the new ownership is set to provide investment to manager Thomas Tuchel to strengthen the squad.

The certainty is that Chelsea will be playing in the Champions League next season after finishing third in the Premier League last Sunday despite the off-field turmoil. The women’s team won a league and cup double with a squad funded by Abramovich’s investment.

Chelsea had won the men’s championship only once — in 1955 — when Abramovich bought the club in 2003. Helped by expensive signings, the club won the Premier League two years later and has added four more since then, most recently in 2017.

Investment is needed in Stamford Bridge. Chelsea has the smallest and most dated stadium of the Premier League’s most successful clubs, with plans for a rebuild of the 41,000-capacity venue put on hold by Abramovich in 2018 when British-Russian diplomatic tensions deepened.

The $3.1 billion cost of Chelsea eclipses the $2.3 billion paid in 2018 for the NFL’s Carolina Panthers.

As well as being part owner of the MLB’s Dodgers, Boehly also has minority stakes in the NBA’s Los Angeles Lakers and WNBA’s Los Angeles Sparks.

Read More

British government approves sale of Chelsea soccer club Read More »