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Clippers honor L.A. in latest Statement Edition uniformon September 29, 2022 at 5:45 pm

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The 2022-23 NBA season might still be a ways off, but that doesn’t mean we can’t start mentally preparing by feasting our eyes upon some swoon-worthy new threads.

First introduced in 2016, the City Edition jerseys are updated each year. While some teams have stuck with the same design for multiple seasons, others continually switch it up. Or, if you’re the Utah Jazz, you do a little bit of both. At least one team (s/o Washington Wizards) coordinated with its MLB counterpart on the aesthetic.

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In addition to the much-ballyhooed City Edition looks, some teams, such as the San Antonio Spurs, are throwing it back next season. Cue the Classic Edition jerseys, which pay homage to the franchise’s origins.

Here is a look at the latest uniform updates as they’re released by the teams.

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Purple power

The Charlotte Hornets stay in purple with their Statement Edition uniforms. The design on the shorts is made to look like a stinger.

It’s all in the details

The Los Angeles Lakers have joined the Statement Edition uniform party. The Lake Show might be making a statement, but they’re still staying on brand with their aesthetic, as their new jerseys are purple and, you guessed it, gold.

Not your traditional Timberwolves

On Thursday, the Minnesota Timberwolves revealed their 2022-23 Statement Edition look. According to the team, the uniform, which features a green and grey colorway, was “inspired by a wolfpack’s nighttime journey under the eye and vibrancy of the Northern Lights.”

We can dig it.

Fans will get a first look at the uniform in action on Oct. 21 when the team hosts the Utah Jazz. Minnesota will don the Statement Edition uniform at home 18 times throughout the upcoming season.

Back in black

The Brooklyn Nets understood the Statement Edition assignment. The franchise revealed a new 2022-23 black-on-black look that is entirely on brand with the fashion aesthetic of Brooklynites.

New-look Pistons

The Pistons are making a statement with a new design inspired by a fan’s voicemail to the organization.

35 years in the 305

The Miami Heat entered the NBA in 1988. Now, 35 years and three NBA titles later, the Heat are bringing back their original uniforms.

From San Diego to Houston

Marking 55 years since the team was founded, the Houston Rockets are bringing back their green, gold and white uniforms from their time as the San Diego Rockets.

Future legend Pat Riley was the franchise’s first-ever draft pick. The team played in Southern California until moving to Houston in 1971.

Sunbursts, stars and stripes

The Phoenix Suns dipped into the Charles Barkley era with the return of the purple sunburst uniforms.

Read more about them.

The Brooklyn Nets are also bringing back a classic look. One from across the state lines when they played in New Jersey.

Vintage-look Lakers

The Los Angeles Lakers are celebrating their 75th season by revisiting their Minneapolis roots. The MPLS uniforms were worn from 1948 to 1958 and used as throwbacks in the 2001-02 and 2017-18 seasons.

The powder blue will make its return this upcoming season.

Welcome back, Run TMC

Tim Hardaway, Mitch Richmond and Chris Mullin only played two seasons together on the Golden State Warriors, but their 1990-91 campaign as the highest-scoring trio in the league earned them the “Run TMC” nickname.

Now, the uniform from their era is set to return and even received a stamp of approval from Stephen Curry.

Statement made

San Antonio Spurs

San Antonio released its fifth uniform for the 2022-23 season with its Statement Edition combination.

The jersey features a new “SATX” wordmark and a Texas outline containing the Spurs’ logo is displayed on the shorts. Modern patterns inspired by traditional Mexican serapes and saddle blankets run down the sides of the uniform.

“Our new Statement Edition uniform embodies the evolution of our team’s roots while celebrating fans across the entire region,” said Becky Kimbro, VP of brand engagement for Spurs Sports & Entertainment. “Through the intricate serape pattern, we’re blending our 50-year legacy with our vibrant culture that we celebrate on and off the court.”

Revival of a classic

Detroit Pistons

The Pistons are bringing back the teal era in the 2022-23 season with their “Classic Edition” uniforms. Detroit wore a seemingly identical combination from 1996 to 2001.

The uniform’s primary color is teal, and a horse with a multicolored flame as a mane is prominently displayed on the jersey. Detroit announced the news with a video featuring several tweets from fans who called for the design’s return.

The clean design in Cleveland

The Cleveland Cavaliers might have an advantage in the uniform game. In 2020, the team hired artist Daniel Arsham as creative director. Arsham is a contemporary artist who works as a sculptor and designer. He helped redesign the team’s uniforms and lettering.

“It’s a very clean, reductive, modern design that pays homage to all of the players and fans that have been a part of our team’s remarkable journey in becoming who we are today,” Arsham told the team’s website.

They put on for their city

Washington Wizards

For the Wiz Kids, it’s all about the cherry blossoms. The Wizards unveiled their tribute to the iconic flowers of the nation’s capital back in March but won’t debut their pink alternate uniforms until the 2022-23 season.

The team’s MLB counterpart, the Washington Nationals, revealed a similar City Edition uniform set, as the franchises collaborated to create a unified alternative look across sports. The Nike collaboration marks the first uniform campaign between MLB and NBA teams from the same market.

Hopefully the cherry blossom look bodes better for the Wizards — as of Monday, the Nationals were in last place in the NL East (30-58).

Keeping it classic

San Antonio Spurs

The Spurs are going back to the beginning. In recent years, the Spurs’ City Edition jerseys had featured a camouflage pattern and, most recently, a white canvas with the iconic “fiesta stripe” on the sides based on the team’s popular warm-ups from the 1990s.

Now, in honor of San Antonio’s 50th season, the team is rolling out Classic Edition uniforms that pay homage to the team’s storied legacy. The look, made popular by Spurs legend George Gervin, features “San Antonio” across a black-on-black jersey chest.

“The Spurs Classic Edition uniform is a symbolic way for us to honor our legacy, players and loyalty to the city of San Antonio while giving our fans what they’ve been asking for — we hear you,” said Becky Kimbro, VP of brand engagement for Spurs Sports & Entertainment.

Old school meets new school

Utah Jazz

New uniforms but make it ’90s. The Jazz are switching things up while simultaneously throwing things back. Utah revealed its primary colors for next season will be black, yellow and white. But the team also announced three purple jerseys, two of which won’t be worn until 2023-24.

The Jazz enlisted the help of a video to tease its new purple mountain uniform set coming back for the 2022-23 season. Utah also teased a new purple mountain uniform for the following year, along with a classic jersey reminiscent of the original Jazz jersey design from when the team first moved to Utah from New Orleans.

If it seems like the Jazz are rolling out a lot of ensembles, it’s because they are.

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Clippers honor L.A. in latest Statement Edition uniformon September 29, 2022 at 5:45 pm Read More »

High school football: Week 6’s top games

No. 4 Glenbard West at No. 6 York, 7:30 p.m. Friday

This was the matchup last year that showed York had arrived. TheDukes won 12-10 in Glen Ellyn, earning their first victory in the series since 2007 and clinching their first IHSA playoff berth since 2011. Dual-threat quarterback Matt Vezza, who had 245 total yards in that win, is back and is one of a number of offensive difference makers for York (5-0, 3-0). And don’t forget the Dukes’ defense, which has allowed 38 points all season. Junior back Julius Ellens of Glenbard West (5-0, 3-0) has been one of theseason’s breakout stars, running behind a big, experiencedoffensive line. The Hilltoppers are the third straight unbeaten opponent for York, which beat Downers North in overtime and then knockedoff Lyons last week.

No. 2 Loyola at No. 11 Marist, 7:30 p.m. Friday

It’s round two for the CCL/ESCC Blue and the spotlight here could be on a pair of senior quarterbacks. Colgate recruitJake Stearney of Loyola (5-0, 1-0) has a 135.6 QB rating with 1,035 yards and 18 TDs to go along with a 73% completion rate. Declan Forde leads a deep receiving corps with 16 catches for 349 yards and seven TDs. Dermot Smyth of Marist (3-2, 0-1), a starting receiver last season, has completed 67% of his passes for 881 yards and eight TDs with a 118.8 rating. Mike Donegan has caught five of those touchdowns.

No. 1 Mount Carmel at Brother Rice, 7 p.m. Friday

The top-ranked Caravan (5-0, 1-0 CCL/ESCC Blue) have allowed only 27 points all season, including 17 vs. St. Ignatius last week. Two Division I recruits — lineman Asher Tomaszewski (Kansas State) and edge rusher Danny Novickas (Ohio) — set the tone on defense. Quarterback Blainey Dowling leads the Mount Carmel offense, which averages 40 points a game. Brother Rice (3-2, 0-1), whose losses are to St. Rita and Loyola, is mostly young but has senior Roderick Pierce, a Wisconsin recruit, anchoring the defensive line.

No. 20 Homewood-Flossmoor at No. 10 Bolingbrook, 6 p.m. Friday

This is part of a pivotal two-game stretch for Homewood-Flossmoor (4-1, 1-0), which has won four straight since a season-opening loss to Naperville North. The Vikings are looking to get back into the Southwest Suburban Blue conversation after having a string of 10 straight IHSA playoff berths snapped last season. Good showings here and next week vs. Lincoln-Way East could help the cause for H-F, whose defense is led by Miami (Ohio)-bound linebacker Christian McKinney. Bolingbrook (3-2, 1-1) has three lopsided wins along with competitive losses to unbeatens Simeon and Lincoln-Way East. Freshman quarterback Jonas Williams has been putting up big numbers all season.

No. 14 Maine South at No. 21 Glenbrook South, 7 p.m. Friday

Maine South is 3-2 (1-0 in the CSL South) with a 19-17 loss to Warren and a 42-41 defeat to Prospect. Hawks quarterback Jack DeFillippis is coming off a three-touchdown game against Glenbrook North. Maine South has won 26 straight conference games dating back to 2016. Glenbrook South (5-0, 1-0) has been on the right side of its two close games, edging Sandburg 15-14 and Palatine 43-42.

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Chicago Blackhawks: The future was on display in DetroitVincent Pariseon September 29, 2022 at 4:31 pm

The Chicago Blackhawks will be a terrible team in 2022-23. The main focus of the year will be following the prospect’s journeys throughout all the leagues in the world. A few of them have been on display in the preseason already.

On Wednesday night, the Blackhawks headed up to Michigan to take on the Detroit Red Wings. It was a great game for them as they beat them 4-2. Chicago mostly used their non-NHL players and went up against a Detroit Red Wings team with a lot of regulars playing.

The highlight of the game was the second goal for Chicago. At the time of the game, it put them ahead 2-1 which made it look like they actually could compete in this game which they did. The goal was scored by Lukas Reichel and assisted by Kevin Korchinski.

For the Blackhawks, this is the future of the team as of right now. They are certainly hoping to add a big piece of their future in the 2023 NHL Draft but these two are also very important.

The Chicago Blackhawks had a nice look into the future on Wednesday night.

Korchinski is a very gifted defenseman that can make amazing plays using his speed and offensive abilities. He found Lukas Reichel for a breakaway here and he didn’t miss on his opportunity. It was amazing to see these two connect for a great chance and a goal.

Korchinski is probably going to be sent back to the WHL soon. He may get into a few NHL games to start but he will play in no more than nine games so they don’t burn a year on his entry-level deal yet. He will dominate all season there and be ready for when the team needs him.

As for Reichel, the AHL is an option for him which can’t be said for Korchinski. Reichel already burned a year of his deal already, however, so there is no reason for him to play anywhere else but Chicago.

He is one of their nine best forwards so he should be playing. There will be growing pains but that is all a part of it. He has the skills to be a part of this team and help them grow back into a playoff team.

Aside from this beautiful goal, there is another young player to be excited about and that is goaltender Arvid Soderblom. He might be the best goalie in the organization and that means he could be the full-time starter one day.

However, there is absolutely no reason for him to play behind this horrid team in 2022-23. It would be in his best interest to play for the Rockford Ice Hogs with a few NHL appearances in there. On Wednesday, with his brother skating for the other team, he made 31 saves on 33 shots.

The Blackhawks have Alex Stalock and Petr Mrazek to take on the workload this season. That also probably makes them a worse team and we know that deep down inside, the lottery is the Blackhawks’ biggest concern this year.

All of these young guys are going to make 2022-23 worth it in the end. They didn’t have as bright of a future going into the offseason as they do right now which speaks to Kyle Davidson’s work as a GM so far. This win over Detroit was a look into the future and that’s exciting.

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Chicago Blackhawks: The future was on display in DetroitVincent Pariseon September 29, 2022 at 4:31 pm Read More »

Showing up for one another

For decades, Chicago’s spoken-word poetry community has made influential waves across the city and country. Open-mike nights are a proving ground for young creatives to discover their voices and hone their crafts. One of the unsung architects of this community is JazStarr, who is now venturing on her path and stepping into her own spotlight as a musician—one who also works tirelessly behind the scenes.

“I came up in the poetry scene under my mentors,” JazStarr recently told me. “They really showed me that community can actually be a part of your everyday life if you make it that way, whether that be showing up for a fundraising event or organization, or it be organizing yourself to provide resources for people around you. I don’t see myself ever being an artist that could choose one or the other. It has to be both together. I have to both be an artist and be an activist.”

JazStarr credits her grandmother and the west-side block she grew up on with instilling within her an appreciation for the importance of building solidarity within communities. In addition to actively helping to create spaces for young Black and queer creatives, she also organized interventions between Black and Latinx gang members when racial tensions rose following the 2020 protests that were sparked by George Floyd’s murder by Minneapolis police officers. 

“I felt like everybody around me was doing something and I was just in my own area feeling crazy, because it felt like my brother couldn’t walk down the street,” she recalled. “This is just not the time for us to be busting each other. We need to be focused on the bigger issue at hand. Let’s come together because what happened to George Floyd is happening to both [Black and Brown people], and as minorities and POC we should be able to come together to make a bigger push.”

CREDIT: ThoughtPoet

JazStarr helped organize a coalition of people from both Black and Brown communities along the south and west sides. The coalition led multiple peace walks in which residents and gang members from predominantly Black neighborhoods would walk into Latino neighborhoods and join their respective residents hand in hand, and vice versa.

After pouring so much of herself into filling the cups of those around her, JazStarr came to a point in her life when she realized she needed to do something for herself. She’s spent the better part of the decade supporting others, whether it be through her contributions as an organizer or as a backup singer. With the release of her debut project Ambrosia, she’s finally ready to step into her own spotlight.

“It took a lot for me to get to the point of trusting myself to put out music, trusting the process and a lot of growing pains,” she lamented. “We were just making music, and making music, and I didn’t really have a theme for it. At first, I was just like, ‘I do want to see myself complete something for myself.’ That’s really the energy of this project: showing up for myself, and the execution of starting things and finishing them with intention.”

The same way JazStarr showed up for her community for so many years, her community showed up for her to assist in the creation of Ambrosia, namely key collaborators Freddie Old Soul and _stepchild. The project is a nostalgic eight-piece of smooth and seductive neo-soul with subtle hip-hop influences. JazStarr embarks listeners on a nearly 22-minute journey of love, vulnerability, and spirituality that is easy to relate to. After finally accomplishing something for herself, she intends to continue celebrating as a multidimensional Black woman, and helping give those around her the proper tools to improve themselves and their community.

CREDIT: ThoughtPoet

“It gives a very gratifying feeling to know that you could very much change somebody else’s life with music. I want to be able to see people younger than us take this and then keep going until it becomes the culture of Chicago for people to grab their bags and put them to work,” she said. “Let’s keep the youth productive, hold ourselves accountable, and be emotionally sound Black people in the city of Chicago. That’s the goal.”

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Bigger than basketball

The end of the Chicago Sky’s 2022 season came as quick as an end-of-summer downpour—unexpected, and, for fans, heart-wrenching. The team had carried a ten-point lead heading into the fourth quarter in a closeout game five against the Connecticut Sun, moments from securing a spot in the WNBA Finals. 

Instead, in a matter of minutes, the defending champions inexplicably crumbled. 

The sold-out crowd inside Wintrust Arena watched agape. A season ending in disaster may be a familiar feeling to many Chicagoans, but not to Sky fans, whose last two seasons have been marked by Candace Parker’s dominant return and a championship culture known across the league. As the seconds wound down, the realization rippled through the crowd, as Chicago’s veteran roster went completely scoreless for the final four minutes and 45 seconds of the game. In section 115, just behind the Sky bench, season ticket holders Crispin Torres and Kaaren Fehsenfeld felt their stomachs flip. 

“I just kept thinking: what happened?” said Torres, who had been ready to celebrate another Finals berth. 

Until those final four minutes, the Sky’s season had been electric. 

After the team’s 2021 championship run, “you couldn’t talk about women’s basketball without talking about Chicago,” said Sky head coach James Wade. The franchise took on that responsibility with pride.

In the summer of 2022, the team registered their best record in franchise history and hosted the city’s first-ever WNBA All-Star Game. Chicago—or Skytown, as fans call it—became the center of the women’s basketball world, and, game after game, thousands streamed into Wintrust Arena to watch the defending champs hit the court.

The Sky’s die-hard fan base is growing, and the culture is distinctive from traditional professional sports. “For a long time, I’ve felt very quiet about being a sports fan,” Torres said. “But the WNBA just feels so different. As a politically minded person, as a leftist, a queer person, and a trans person, it’s probably the most eclectic and open-minded group of sports fans I’ve ever been a part of.” 

This year’s WNBA season was bigger than basketball itself: it was the year this boldly political and often openly queer fan base was confronted with injustice of a new kind. Long before the first tip-off, through the regular season and playoffs, and even now, WNBA superstar Brittney Griner has been wrongfully detained in Russia, where she’s lived in a prison cell for over 220 days.  

For many in the Sky organization, Griner’s detainment is personal. A number of the team’s players have competed alongside Griner, including Courtney Vandersloot and Allie Quigley, who last saw their friend in Russia playing for UMMC Ekaterinburg. In February, Vandersloot and Quigley returned to Ekaterinburg after traveling abroad during a two-week break from the season. But Griner wasn’t there. Players grew increasingly alarmed as the reality of her detainment set in. 

On March 1, all remaining Americans were evacuated from Russia as its invasion of Ukraine intensified. Later Vandersloot would tell The Athletic magazine, “I can’t even explain the feeling that it was. We were all sick to our stomachs about it. It’s really hard to be there and know that your friend, your teammate, is in a situation like that and you can’t do anything to help her. It’s a continuous feeling.”

And so the Chicago Sky—its players, coaches, and front-office staff—kept Griner’s plight front and center throughout the season. “It gave us a perspective of the things that are really important,” said Coach Wade. He said the coaching staff even made the decision to relax rules around when players’ family members could be present. 

The franchise also used the WNBA season as a platform for fans to lift up Griner’s name, grieve her absence, and demand her return. 

Throughout the Sky’s season at Wintrust Arena, you could feel the collective outcry in support of Griner. On Day 78 of her ordeal—soon after Griner was officially declared by the Biden administration as “wrongfully detained,” a human bargaining chip arrested to leverage concessions from the United States during wartime—that Friday night, when the Sky dropped its first regular season home game in overtime, was also the debut of a floor decal that read “BG, 42” and would remain on the court all season long. On Day 143, the day of the WNBA All-Star Game in Chicago, when every player returned from halftime to honor Griner, every single one wore her jersey. Day 171, after Griner was sentenced to ten years in a Russian prison, fans at the Sky’s at-home win over the Washington Mystics brought T-shirts, pins, and homemade signs pleading for the return of the basketball superstar. 

Beneath Griner’s case is the alarming reality of inequity in professional sports, something Coach Wade pointed out as well. When Griner was wrongfully detained in Russia, she was in the midst of “making the ultimate sacrifice, spending time away from her family in order to provide,” Wade said. The reality remains that, for women’s professional basketball players, there really is no “off-season.” Instead, as of last year, nearly half of the WNBA’s players spent their time “off” playing abroad, earning up to ten times what they do in the United States. 

Perhaps the unresolved end to the Sky’s season in Chicago was appropriate, in some way: it forces fans, players, and coaches to grapple with a world bigger than basketball. As Coach Wade said, “We know this isn’t life or death. Griner’s situation gave us the perspective of the things that are really important.” 

On September 16, President Biden met with Cherelle Griner, reportedly giving her insight into what the White House is doing to bring her wife home. This kind of public display of assurance is somewhat unprecedented in wrongful detainment cases. And it may encourage families of the other more than 70 Americans wrongfully detained abroad to speak louder with renewed hope. Whereas the government has long urged wrongful detainment families to keep their loved ones’ story out of the public eye, Griner’s case helps to push in an opposite direction. Alongside efforts like the Bring Our Families Home Campaign, organized by the families of people wrongfully detained overseas, Griner’s case shows that making noise may in fact be a powerful force to help bring Americans home. 

In that sense, Griner is now a game changer for the issue of wrongful detainment. “She has literally elevated the issue more in the past six months than anyone in the history of the issue,” said Jonathan Franks, a wrongful detainment expert who has been part of several successful negotiations to bring detainees home. “And she hasn’t even gotten to speak for herself yet. Imagine what she’ll do once she has her voice.” 

As of publication, Brittney Griner has been wrongfully detained in Russia for more than 220 days. Credit: Haley Tweedell

When the Sky lost in catastrophic fashion on September 8, ending their season, it was Day 203 of Griner’s detainment. When the buzzer sounded, players and fans walked dejectedly from the court, but I couldn’t quite digest or make sense of this being the end: not for the Sky, nor for Chicago fans’ support of Brittney Griner.

So I decided to fly to Las Vegas for a Sky-less WNBA Finals and a last chance to grapple with the unknown.

I arrived in Vegas for game two between the Las Vegas Aces and the Connecticut Sun. Throughout the season, the Aces had snatched a few close games from Chicago, but now, I hoped to see them dominate the Sun. I wanted catharsis, at least on the basketball court. 

Mandalay Bay Resort and Casino, where the Aces play, is a world away from Wintrust Arena. To get to Michelob Ultra Arena within the casino, you must first cross a dizzying floor of slot machines, fine dining restaurants, and frozen slushie bars. Inside the arena, I scoured the crowds for a flash of Sky blue or a Candace Parker jersey, but there were none to be found. Instead, I bought an Aces T-shirt (all A’ja Wilson shirts were sold-out, of course, after she was announced as the league’s MVP a week before) and sat undercover next to a group of season ticket holders. 

The Aces had no mercy for the Sun, keeping them muffled throughout the game. Unlike the Chicago Sky, a team whose roster was built around the steadiness of its veterans, the Aces are a young team, an emergent force. They played with ferocious athleticism and a single-minded determination to bring the first-ever professional sports championship home to Vegas. And the crowd was ecstatic, absorbed in a show of smoke machines, a pyrotechnic display, and a halftime performance by Lil Jon. 

At the final buzzer marking the Aces’ win, the crowd screamed, and I screamed with them. It was an important reminder that, as a sports fan, every disappointing loss is followed by the potential for revival. A few days later, I spoke to Coach Wade, who echoed a similar sentiment: “The last game was very tough for me personally,” he said. “It’s hard for me to describe because I just want to make the fans happy. I know they’re ride or die for us.”

The Sky’s story is one of a powerful turnaround from years of low attendance to sold-out crowds. The coaching staff knows it, too. As the seconds dwindled down in that final game, Coach Wade and his staff turned to the crowd, thanking them. “As we were walking off the floor, they’re cheering us even though we lost one of the most disappointing games,” Wade said. “And they just cheered us like we were winners in their eyes. And that says a lot to me about the fans in Chicago.”

After the game in Vegas, amidst the stream of Aces fans, I ran into someone wearing a “Free Brittney Griner Now” pin, one of the very pins I had helped to pass out during All-Star Weekend.

“You were at the All-Star game in Chicago!” I said. 

“Yes,” the woman said, “how did you know?”

“I helped to pass out those pins,” I told her. “My friend Jade made them.” 

“I wear it all the time,” she said. “I wear it to every single game.”  

Our brief conversation reminded me of how effortlessly WNBA fans had come together around Brittney Griner. More than anything else, the season will be remembered for this: “It was the BG year,” as Sky fan Crispin Torres told me. “More than anything else, I think when people look back at this season, that’s what they will remember.” 

Back home after my quick trip to Vegas, I watched one last WNBA game in Chicago. For game four of the finals, I searched for a local sports bar willing to play the game with sound. I was nervous, a feeling I’m all too familiar with from years of being a WNBA fan in public. But far more quickly than I’d expected, a bartender at a Logan Square watering hole checked with their manager, then agreed. He was happy to play the game on the patio, sound on.

And so we descended upon the bar, ten or so Sky fans in total: my partner and I, along with Torres, Fehsenfeld, Skyhook Podcast co-host Chris Pennant, and a group of people who’d also called the very same bar asking if they too could watch the WNBA finals. Our city is now home to the kind of WNBA community that many of us have been waiting nearly a lifetime to be part of. 

Chicago Sky basketball is a success story, and it’s here to stay. But Brittney Griner is not yet home. Until she’s free, the women’s basketball community will keep wearing their “Free BG” merch everywhere. And we’ll continue to count the days, demand action, and hold governments accountable. 

“This is bigger than basketball,” affirmed Coach Wade. “We can’t let the message fall on deaf ears because our basketball season is over.” 

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Showing up for one anotherAlejandro Hernandezon September 29, 2022 at 3:06 pm

For decades, Chicago’s spoken-word poetry community has made influential waves across the city and country. Open-mike nights are a proving ground for young creatives to discover their voices and hone their crafts. One of the unsung architects of this community is JazStarr, who is now venturing on her path and stepping into her own spotlight as a musician—one who also works tirelessly behind the scenes.

“I came up in the poetry scene under my mentors,” JazStarr recently told me. “They really showed me that community can actually be a part of your everyday life if you make it that way, whether that be showing up for a fundraising event or organization, or it be organizing yourself to provide resources for people around you. I don’t see myself ever being an artist that could choose one or the other. It has to be both together. I have to both be an artist and be an activist.”

JazStarr credits her grandmother and the west-side block she grew up on with instilling within her an appreciation for the importance of building solidarity within communities. In addition to actively helping to create spaces for young Black and queer creatives, she also organized interventions between Black and Latinx gang members when racial tensions rose following the 2020 protests that were sparked by George Floyd’s murder by Minneapolis police officers. 

“I felt like everybody around me was doing something and I was just in my own area feeling crazy, because it felt like my brother couldn’t walk down the street,” she recalled. “This is just not the time for us to be busting each other. We need to be focused on the bigger issue at hand. Let’s come together because what happened to George Floyd is happening to both [Black and Brown people], and as minorities and POC we should be able to come together to make a bigger push.”

CREDIT: ThoughtPoet

JazStarr helped organize a coalition of people from both Black and Brown communities along the south and west sides. The coalition led multiple peace walks in which residents and gang members from predominantly Black neighborhoods would walk into Latino neighborhoods and join their respective residents hand in hand, and vice versa.

After pouring so much of herself into filling the cups of those around her, JazStarr came to a point in her life when she realized she needed to do something for herself. She’s spent the better part of the decade supporting others, whether it be through her contributions as an organizer or as a backup singer. With the release of her debut project Ambrosia, she’s finally ready to step into her own spotlight.

“It took a lot for me to get to the point of trusting myself to put out music, trusting the process and a lot of growing pains,” she lamented. “We were just making music, and making music, and I didn’t really have a theme for it. At first, I was just like, ‘I do want to see myself complete something for myself.’ That’s really the energy of this project: showing up for myself, and the execution of starting things and finishing them with intention.”

The same way JazStarr showed up for her community for so many years, her community showed up for her to assist in the creation of Ambrosia, namely key collaborators Freddie Old Soul and _stepchild. The project is a nostalgic eight-piece of smooth and seductive neo-soul with subtle hip-hop influences. JazStarr embarks listeners on a nearly 22-minute journey of love, vulnerability, and spirituality that is easy to relate to. After finally accomplishing something for herself, she intends to continue celebrating as a multidimensional Black woman, and helping give those around her the proper tools to improve themselves and their community.

CREDIT: ThoughtPoet

“It gives a very gratifying feeling to know that you could very much change somebody else’s life with music. I want to be able to see people younger than us take this and then keep going until it becomes the culture of Chicago for people to grab their bags and put them to work,” she said. “Let’s keep the youth productive, hold ourselves accountable, and be emotionally sound Black people in the city of Chicago. That’s the goal.”

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Showing up for one anotherAlejandro Hernandezon September 29, 2022 at 3:06 pm Read More »

Bigger than basketballMaya Goldberg-Safiron September 29, 2022 at 3:18 pm

The end of the Chicago Sky’s 2022 season came as quick as an end-of-summer downpour—unexpected, and, for fans, heart-wrenching. The team had carried a ten-point lead heading into the fourth quarter in a closeout game five against the Connecticut Sun, moments from securing a spot in the WNBA Finals. 

Instead, in a matter of minutes, the defending champions inexplicably crumbled. 

The sold-out crowd inside Wintrust Arena watched agape. A season ending in disaster may be a familiar feeling to many Chicagoans, but not to Sky fans, whose last two seasons have been marked by Candace Parker’s dominant return and a championship culture known across the league. As the seconds wound down, the realization rippled through the crowd, as Chicago’s veteran roster went completely scoreless for the final four minutes and 45 seconds of the game. In section 115, just behind the Sky bench, season ticket holders Crispin Torres and Kaaren Fehsenfeld felt their stomachs flip. 

“I just kept thinking: what happened?” said Torres, who had been ready to celebrate another Finals berth. 

Until those final four minutes, the Sky’s season had been electric. 

After the team’s 2021 championship run, “you couldn’t talk about women’s basketball without talking about Chicago,” said Sky head coach James Wade. The franchise took on that responsibility with pride.

In the summer of 2022, the team registered their best record in franchise history and hosted the city’s first-ever WNBA All-Star Game. Chicago—or Skytown, as fans call it—became the center of the women’s basketball world, and, game after game, thousands streamed into Wintrust Arena to watch the defending champs hit the court.

The Sky’s die-hard fan base is growing, and the culture is distinctive from traditional professional sports. “For a long time, I’ve felt very quiet about being a sports fan,” Torres said. “But the WNBA just feels so different. As a politically minded person, as a leftist, a queer person, and a trans person, it’s probably the most eclectic and open-minded group of sports fans I’ve ever been a part of.” 

This year’s WNBA season was bigger than basketball itself: it was the year this boldly political and often openly queer fan base was confronted with injustice of a new kind. Long before the first tip-off, through the regular season and playoffs, and even now, WNBA superstar Brittney Griner has been wrongfully detained in Russia, where she’s lived in a prison cell for over 220 days.  

For many in the Sky organization, Griner’s detainment is personal. A number of the team’s players have competed alongside Griner, including Courtney Vandersloot and Allie Quigley, who last saw their friend in Russia playing for UMMC Ekaterinburg. In February, Vandersloot and Quigley returned to Ekaterinburg after traveling abroad during a two-week break from the season. But Griner wasn’t there. Players grew increasingly alarmed as the reality of her detainment set in. 

On March 1, all remaining Americans were evacuated from Russia as its invasion of Ukraine intensified. Later Vandersloot would tell The Athletic magazine, “I can’t even explain the feeling that it was. We were all sick to our stomachs about it. It’s really hard to be there and know that your friend, your teammate, is in a situation like that and you can’t do anything to help her. It’s a continuous feeling.”

And so the Chicago Sky—its players, coaches, and front-office staff—kept Griner’s plight front and center throughout the season. “It gave us a perspective of the things that are really important,” said Coach Wade. He said the coaching staff even made the decision to relax rules around when players’ family members could be present. 

The franchise also used the WNBA season as a platform for fans to lift up Griner’s name, grieve her absence, and demand her return. 

Throughout the Sky’s season at Wintrust Arena, you could feel the collective outcry in support of Griner. On Day 78 of her ordeal—soon after Griner was officially declared by the Biden administration as “wrongfully detained,” a human bargaining chip arrested to leverage concessions from the United States during wartime—that Friday night, when the Sky dropped its first regular season home game in overtime, was also the debut of a floor decal that read “BG, 42” and would remain on the court all season long. On Day 143, the day of the WNBA All-Star Game in Chicago, when every player returned from halftime to honor Griner, every single one wore her jersey. Day 171, after Griner was sentenced to ten years in a Russian prison, fans at the Sky’s at-home win over the Washington Mystics brought T-shirts, pins, and homemade signs pleading for the return of the basketball superstar. 

Beneath Griner’s case is the alarming reality of inequity in professional sports, something Coach Wade pointed out as well. When Griner was wrongfully detained in Russia, she was in the midst of “making the ultimate sacrifice, spending time away from her family in order to provide,” Wade said. The reality remains that, for women’s professional basketball players, there really is no “off-season.” Instead, as of last year, nearly half of the WNBA’s players spent their time “off” playing abroad, earning up to ten times what they do in the United States. 

Perhaps the unresolved end to the Sky’s season in Chicago was appropriate, in some way: it forces fans, players, and coaches to grapple with a world bigger than basketball. As Coach Wade said, “We know this isn’t life or death. Griner’s situation gave us the perspective of the things that are really important.” 

On September 16, President Biden met with Cherelle Griner, reportedly giving her insight into what the White House is doing to bring her wife home. This kind of public display of assurance is somewhat unprecedented in wrongful detainment cases. And it may encourage families of the other more than 70 Americans wrongfully detained abroad to speak louder with renewed hope. Whereas the government has long urged wrongful detainment families to keep their loved ones’ story out of the public eye, Griner’s case helps to push in an opposite direction. Alongside efforts like the Bring Our Families Home Campaign, organized by the families of people wrongfully detained overseas, Griner’s case shows that making noise may in fact be a powerful force to help bring Americans home. 

In that sense, Griner is now a game changer for the issue of wrongful detainment. “She has literally elevated the issue more in the past six months than anyone in the history of the issue,” said Jonathan Franks, a wrongful detainment expert who has been part of several successful negotiations to bring detainees home. “And she hasn’t even gotten to speak for herself yet. Imagine what she’ll do once she has her voice.” 

As of publication, Brittney Griner has been wrongfully detained in Russia for more than 220 days. Credit: Haley Tweedell

When the Sky lost in catastrophic fashion on September 8, ending their season, it was Day 203 of Griner’s detainment. When the buzzer sounded, players and fans walked dejectedly from the court, but I couldn’t quite digest or make sense of this being the end: not for the Sky, nor for Chicago fans’ support of Brittney Griner.

So I decided to fly to Las Vegas for a Sky-less WNBA Finals and a last chance to grapple with the unknown.

I arrived in Vegas for game two between the Las Vegas Aces and the Connecticut Sun. Throughout the season, the Aces had snatched a few close games from Chicago, but now, I hoped to see them dominate the Sun. I wanted catharsis, at least on the basketball court. 

Mandalay Bay Resort and Casino, where the Aces play, is a world away from Wintrust Arena. To get to Michelob Ultra Arena within the casino, you must first cross a dizzying floor of slot machines, fine dining restaurants, and frozen slushie bars. Inside the arena, I scoured the crowds for a flash of Sky blue or a Candace Parker jersey, but there were none to be found. Instead, I bought an Aces T-shirt (all A’ja Wilson shirts were sold-out, of course, after she was announced as the league’s MVP a week before) and sat undercover next to a group of season ticket holders. 

The Aces had no mercy for the Sun, keeping them muffled throughout the game. Unlike the Chicago Sky, a team whose roster was built around the steadiness of its veterans, the Aces are a young team, an emergent force. They played with ferocious athleticism and a single-minded determination to bring the first-ever professional sports championship home to Vegas. And the crowd was ecstatic, absorbed in a show of smoke machines, a pyrotechnic display, and a halftime performance by Lil Jon. 

At the final buzzer marking the Aces’ win, the crowd screamed, and I screamed with them. It was an important reminder that, as a sports fan, every disappointing loss is followed by the potential for revival. A few days later, I spoke to Coach Wade, who echoed a similar sentiment: “The last game was very tough for me personally,” he said. “It’s hard for me to describe because I just want to make the fans happy. I know they’re ride or die for us.”

The Sky’s story is one of a powerful turnaround from years of low attendance to sold-out crowds. The coaching staff knows it, too. As the seconds dwindled down in that final game, Coach Wade and his staff turned to the crowd, thanking them. “As we were walking off the floor, they’re cheering us even though we lost one of the most disappointing games,” Wade said. “And they just cheered us like we were winners in their eyes. And that says a lot to me about the fans in Chicago.”

After the game in Vegas, amidst the stream of Aces fans, I ran into someone wearing a “Free Brittney Griner Now” pin, one of the very pins I had helped to pass out during All-Star Weekend.

“You were at the All-Star game in Chicago!” I said. 

“Yes,” the woman said, “how did you know?”

“I helped to pass out those pins,” I told her. “My friend Jade made them.” 

“I wear it all the time,” she said. “I wear it to every single game.”  

Our brief conversation reminded me of how effortlessly WNBA fans had come together around Brittney Griner. More than anything else, the season will be remembered for this: “It was the BG year,” as Sky fan Crispin Torres told me. “More than anything else, I think when people look back at this season, that’s what they will remember.” 

Back home after my quick trip to Vegas, I watched one last WNBA game in Chicago. For game four of the finals, I searched for a local sports bar willing to play the game with sound. I was nervous, a feeling I’m all too familiar with from years of being a WNBA fan in public. But far more quickly than I’d expected, a bartender at a Logan Square watering hole checked with their manager, then agreed. He was happy to play the game on the patio, sound on.

And so we descended upon the bar, ten or so Sky fans in total: my partner and I, along with Torres, Fehsenfeld, Skyhook Podcast co-host Chris Pennant, and a group of people who’d also called the very same bar asking if they too could watch the WNBA finals. Our city is now home to the kind of WNBA community that many of us have been waiting nearly a lifetime to be part of. 

Chicago Sky basketball is a success story, and it’s here to stay. But Brittney Griner is not yet home. Until she’s free, the women’s basketball community will keep wearing their “Free BG” merch everywhere. And we’ll continue to count the days, demand action, and hold governments accountable. 

“This is bigger than basketball,” affirmed Coach Wade. “We can’t let the message fall on deaf ears because our basketball season is over.” 

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Bigger than basketballMaya Goldberg-Safiron September 29, 2022 at 3:18 pm Read More »

Rebecca Gilman achieves milestone at Goodman Theatre with politically charged ‘Swing State’

Shakespeare? O’Neill? Chekhov? Were you to make apie chart of all the playwrights the Goodman Theatre has produced over the past quarter-or-so century, the circle wouldn’t be dominated by any of the above. That honor goes instead to Alabama-born Rebecca Gilman.

“Swing State,” her politically-fueled drama opening Oct. 7, marks her 10th production at the Goodman since 1999, and the sixth helmed by artistic director Robert Falls.

Gilman vividly recalls her first meeting with Falls in the late 1990s. He hadn’t seen her first produced play, a drama about a serial killer and the girl he used to help him target prey. But when “The Glory of Living” landed on Falls’ desk after a short 1996 run at Forest Park’s tiny (and now defunct) Circle Theatre, Falls wanted to hear more from its author.

“We had lunch at some really fancy restaurant, at the end he asked me what I was doing for the rest of the day. And I was like ‘I’m going back to register at the temp agency.’ I’d been working as an administrative assistant. That afternoon, I got my first commission from the Goodman,” Gilman recalled during a recent chat.

“Swing State” is set in summer, 2021, in a tiny Wisconsin town, not wholly unlike the one Gilman calls home in a rural area near New Glarus. The plot follows neighbors on opposite ends of the political spectrum, all trying to survive in a post-pandemic world where something as small as a bumper sticker can spark vicious, futile discord — or worse.

In mere synopsis, “Swing State” sounds — as do many of Gilman’s plays when abbreviated to plot points — heavy, potentially grim and more about provoking thought than providing entertainment. Gilman’s earlier works at have taken on racism (“Spinning into Butter”), stalking (“Boy Gets Girl”), natural disasters (“A True History of the Johnstown Flood”), meth addiction (“Luna Gale”) and police corruption (“Blue Surge”). But time and again, Gilman infuses humor and humanity into even the most corrupt characters.

“When I write, I try to work through things that are really bugging me, making me angry or sad. And then I try to make it as funny as I can,” Gilman said.

“I feel like we’re all experiencing some collective trauma from the pandemic,” she continued. “And from the threats to our democracy. And climate change. Obviously, these are huge topics. You can’t take them all on in a play. So I decided to look at one person’s attempt to reconcile her anxiety and grief at a specific, really difficult time,” she said.

In “Swing State,” that person is Peg, a high school counselor (Mary Beth Fisher, in her fourth Gilman production at the Goodman). Gilman won’t divulge plot details, save that an early twist puts Peg and her ex-con neighbor on a collision course with the local sheriff (Kirsten Fitzgerald).

“Swing State” was borne in part from Gilman’s own experiences trying to navigate rural Wisconsin after decades of living in Chicago.

“When I write, I try to work through things that are really bugging me, making me angry or sad. And then I try to make it as funny as I can,” says Rebecca Gilman.

Pat Nabong/Sun-Times

“I live kind of in the middle of nowhere. There’s four houses on my road. It’s personal, but impersonal. We don’t talk about politics, but I think we can all guess where each other stands,” she said.

“But this thing happens when there’s so few of you and you need to help each other — somebody has to help get that tree out of the middle of the road. Or if the power goes out, if there’s a blizzard that closes the roads, you have to be able to rely on each other. You know you need each other, even if you’re violently opposed ideologically,” she said.

“Wisconsin is so evenly divided,” she continued. “It’s been like that for a while but over the past four years it’s become even more so. You find yourself wondering. Should I even make eye-contact with that person at the gas station? If I put this bumper sticker on my car, is someone going to say something, could it provoke something? I was talking about this to Bob (Falls) during the pandemic and he was like, ‘I think you need to write a play.’ “

Gilman’s passion for conservation also plays into “Swing State.” An avid bird watcher and a board member for the Wisconsin Society for Ornithology, Gilman and once spent a sabbatical year living in North Dakota cabin built during the Civilian Conservation Corps as a volunteer for the U.S. Fish and Wildlife Service.

“One of the women I’ve been bird-watching with for years calls what we’re seeing — or not seeing — ‘a different kind of silent spring,’ ” Gilman said. “I think with the pandemic, the environment, the political divisiveness — people are trying to find ways to save what they love. That’s what I wanted to explore with the play. How do you save the things you love? How do you even begin?”

“Swing State” is one of two productions Falls directs this season, his final as artistic director at the Goodman. He’ll be succeeded by Susan V. Booth, who brought the “Glory of Living” script to Falls when she was working as the Goodman’s literary development office.

“I was taken, immediately,” Falls said of Gilman’s writing. “I think our voices merged in some ways. We didn’t plan for her to become the most produced playwright at the Goodman. But we formed a truly unique theatrical partnership.”

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Shooting ourselves in the foot

Gun violence across the nation, and especially here in Chicago, seems to be all we see on the news.

Politicians like Darren Bailey, the Republican nominee for Illinois governor, would have you believe that gun violence is right outside your door. But gun violence is not evenly distributed across the entire city. Instead, it is concentrated in neighborhoods that experience many forms of disadvantage, from poverty to segregation, food and job deserts, and rampant unemployment. 

Would it surprise you to know that Illinois has some of the strictest firearms laws in the country? According to Everytown USA, Illinois is the sixth-strongest state for gun laws, due to its state-mandated background checks, laws keeping guns away from domestic abusers, and “red flag” laws. And the state’s firearm-enhancement penalties can add 15 to 25 years to sentences. I fail to see how our gun laws could get much tougher.

For decades, American policies have been driven by the idea that bad behavior is caused by bad people. This led to the tough-on-crime politics of the 1990s, which in turn led to the construction of the world’s largest prison system. The United States incarcerates more of its citizens than any other country. This legacy comes at a ruinous cost to our society, especially in Black and Brown communities.

In 2006, while sentencing William Lang to seven years for aggravated unlawful use of a weapon, a Cook County Circuit Court trial judge said, “I don’t understand what I or society gains by putting you in prison for possession of a weapon. If I thought it was going to deter you or anybody else, it might make sense. But I’m fully aware that what I do to you is going to be zero effect on anyone else out there carrying a weapon.”

In 2016, dozens of organizations signed onto a report entitled Building a Safe Chicago: Calling for a Comprehensive Plan, which noted, “In recent years, our state has increased penalties for firearm possession six times, instituting new mandatory minimum sentences. As a result, the number of Illinoisans incarcerated for possessing a weapon in violation of licensing laws tripled, while arrests remained flat. Consistent with research showing that sentence severity is unlikely to deter violent crime, homicide rates fell no faster here than they did in states which had not increased such sentences—and seem to have increased at a faster pace.” 

Obviously, being more punitive doesn’t work.

As a crime prevention measure, firearm enhancements are useless—and a colossal waste of taxpayer money. Harsher penalties are reactive, and they’re lazy politics. There is, however, a growing concern about what, if anything, can be done. 

Shootings are rare on the more affluent north side, but not on the poorer west and south sides. Black and Brown Chicagoans are most likely to be the victims of shootings, and poverty can explain part of the disparity. But make no mistake, individual poverty is not the full explanation. Exclusionary housing policies and discrimination have pushed Black and Brown people into segregated neighborhoods, and segregation remains significant in Chicago. Both the government and the private sector have neglected Black and Brown neighborhoods, leaving people without good schools, banks, grocery stores, and other neighborhood institutions.

The government tends to disengage from urban issues, and respond with punitive policies that exacerbate the problems therein. This approach is characterized by abandonment, disinvestment, and punishment. “That’s no coincidence,” says Alex Kotlowitz, author of There Are No Children Here, a 1992 book about the lives of two boys in the now-demolished Henry Horner Homes, and producer of The Interrupters, a documentary about violence-mediation workers. “That’s no coincidence. We’ve got to recommit ourselves to finding ways to fortify and rebuild these communitieseasy—all the obvious things, which is affordable housing, accessible health care, better schools, community centers. That’s the part that drives me crazy. All the things we already know but we’re unable or unwilling to address it in a really robust manner.”

In 2019, Mayor Lori Lightfoot announced the creation of a Memorial Day violence-reduction program called Our City, Our Safety, which she expanded in 2020 to year-round citywide gun-violence reduction. However, South Side Weekly reported that in May 2020, the Chicago Police Department began using the city’s gun-violence prevention center to surveil political demonstrations against everything from police brutality to gun violence itself, and since then the Our City, Our Safety initiative has apparently existed as little more than an online dashboard.

Our national urban policy cannot be neglect and disinvestment; it must be investment and help. You don’t often hear this from today’s politicians-—they take the easy way out and scream about punishment. Politicians love the status quo: it favors them, gives them a platform and agenda, while seemingly allowing them to actually accomplish next to nothing for their constituents. Punishment has been the most consistent response to the challenges of urban crime, violence, and poverty. All you have to do is look at your news every night to see that it has been a failure.

Harsh penalties such as eliminating parole, so-called truth in sentencing, and mandatory gun-enhancement penalties, combined with more aggressive policing and prosecution, trap more and more Black and Brown people into the criminal legal system.

Instead of punishment, the focus has to shift to the fundamental root causes—poverty, segregation, disinvestment, and the widespread availability of guns to people who shouldn’t have them.

I freely admit that I don’t come armed with all the answers to this complex problem. However, I have eyes, and even I can see that if Illinois’s tough gun laws do not help, punishment is a failed strategy. And I can also see some of the answers, such as addressing root problems like poverty and disinvestment, that could help. How is it that our elected officials can’t think of any answers to address one of the biggest issues in the state? 

We must demand real answers from those who want our vote. Stricter penalties do not work, as we can all plainly see. If politicians can’t come up with honest answers and solutions to the root problem of violence, don’t give them your vote! The status quo only helps them. We must demand more.

Anthony Ehlers is a writer incarcerated at Stateville Correctional Center who contributes a regular column to the Reader.

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