What’s New

Listen to The Ben Joravsky ShowBen Joravskyon September 14, 2022 at 7:01 am

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

With support from our sponsors

Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


The choice is yours, voters

MAGA’s Illinois Supreme Court nominees are poised to outlaw abortion in Illinois—if, gulp, they win.


Hocus-pocus

All the usual TIF lies come out on both sides in the debate for and against the Red Line extension.


State of anxiety

Darren Bailey’s anti-Semitic abortion rhetoric is part of a larger MAGA election strategy. Sad to say, so far it’s worked.

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Listen to The Ben Joravsky ShowBen Joravskyon September 14, 2022 at 7:01 am Read More »

Annie Fish simulates her dream of 90s alt-rock stardomJ.R. Nelson and Leor Galilon September 14, 2022 at 3:44 pm

On Friday, September 16, Chicago singer, songwriter, and cartoonist Annie Fish will drop Weird Like Me, an album so steeped in classic alt-rock you’ll half believe Fish recorded it with Flood in 1993. Weird Like Me is a concept record about Fish’s childhood rock dreams, which she says she abandoned after seeing how the “powers that be” treated Billy Corgan and Courtney Love. She’s presenting it as the reissue of a long-lost album, for which she’s constructed an elaborate mythology, even posting an oral history about her fictional 90s alt-rock fame. Fortunately, you don’t need time travel to hear these songs live: on Saturday, September 17, Fish celebrates the album’s release at Cole’s Bar.

In the fictional 90s, Annie Fish were a band, but in real life, Fish recorded every instrument herself.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Gossip Wolf knows Nick Butcher and Nadine Nakanishi of multi-media studio Sonnenzimmer mostly for their top-notch concert posters and their clever releases of their own music (Butcher’s 2020 album Saccadic consists of two cassettes—one filled with music, the other with concrete). In 2020, Butcher and Nakanishi began working with local composer Ryan Norris, aka Coupler, on Cat Pose, which they call a “tone poem” or “audio-imaging exploration.” Its graphic score is based on 33 “slices” through an image of Norris’s late cat Jericho, which created loops analogous to audio loops. Through spoken word and drifting electronics, Cat Pose embodies a curious feline climbing and frolicking in an empty apartment. On Saturday, September 17, Butcher, Nakanishi, and Norris perform the piece twice at Sonnenzimmer’s studio (4045 N. Rockwell), at 11 AM and 4 PM. Pianist Mabel Kwan opens both shows. They’re free, but you must RSVP.

Making Cat Pose involved mapping audio loops onto ellipses created by imaginary cross sections of a cat.

Last week, Monobody bassist Steve Marek self-released the self-titled debut album by Holy Western Parallels, which fuses gentle electronics, arty prog, and hip-hop. Holy Western Parallels features contributions from his Monobody bandmates as well as V.V. Lightbody, Udababy members Davis and Joshua Virtue, and more!

Holy Western Parallels is Steve Marek’s project, but it involves a dozen musicians.

Got a tip? Tweet @Gossip_Wolf or email [email protected].

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Annie Fish simulates her dream of 90s alt-rock stardomJ.R. Nelson and Leor Galilon September 14, 2022 at 3:44 pm Read More »

Get this week’s issue in printChicago Readeron September 14, 2022 at 3:29 pm

This week’s issue

The latest print issue is the issue of September 15, 2022. It is the Fall Theater and Arts Preview special issue. Distribution began this morning, Wednesday, September 14, and will continue through tomorrow night, Thursday, September 15.

Distribution map

The Chicago Reader is published in print every other week and distributed free to the 1,100 locations on this map (which can also be opened in a separate window or tab). Copies are available free of charge—while supplies last.

Previous issue

The latest print issue of the Reader is the issue of September 1, 2022.

You can download the print issue as a free PDF.

Many Reader boxes including downtown and transit line locations will be restocked on the Wednesday following each issue date.

Never miss a copy! Paid print subscriptions are available for 12 issues, 26 issues, and for 52 issues from the Reader Store.

Chicago Reader 2022 print issue dates

The Chicago Reader is published in print every other week. Issues are dated Thursday. Distribution usually happens Wednesday morning through Thursday night of the issue date. Upcoming print issue dates through December 2022 are:

9/15/20229/29/202210/13/202210/27/202211/10/202211/24/202212/8/202212/22/2022

Download the full 2022 editorial calendar is here (PDF).

See our information page for advertising opportunities.

2023 print issue dates

The first print issue in 2023 will be published three weeks after the 12/22/2022 issue, the final issue of 2022. The print issue dates through March 2023 are:

1/12/20231/26/20232/9/20232/23/20233/9/20233/23/2023

Related


[PRESS RELEASE] Baim stepping down as Reader publisher end of 2022


Chicago Reader hires social justice reporter

Debbie-Marie Brown fills this position made possible by grant funding from the Field Foundation.


[PRESS RELEASE] Lawyers for Social Justice Reception

Benefitting The Reader Institute for Community Journalism,
Publisher of the Chicago Reader

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Get this week’s issue in printChicago Readeron September 14, 2022 at 3:29 pm Read More »

Fan-Controlled Hoops expects February launchon September 14, 2022 at 4:22 pm

ATLANTA — A new fan-controlled basketball league is expected to begin play in February.

Plans for a venture called Fan Controlled Hoops were unveiled Wednesday by the creators of a similar league — Fan Controlled Football, which is entering its third season.

There initially will be four teams in the new Atlanta-based basketball league, with two-time NBA All-Star Baron Davis as a co-owner of one of the clubs. The venture also brought in former National Basketball Players Association executive director Michele Roberts as a strategic advisor.

The format will be 4-on-4 and full-court, with real-time fan interactivity. It will be similar to the fan-controlled football venture, where fans can call offensive plays and vote on rules.

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Fan-Controlled Hoops expects February launchon September 14, 2022 at 4:22 pm Read More »

The U.S. and the Holocaust

Starting Sunday, for three consecutive nights, WTTW will air a new six-hour Ken Burns documentary series, The U.S. and the Holocaust.

Burns and his filmmaking partners, Lynn Novick and Sarah Botstein, based the series on a United States Holocaust Memorial Museum exhibit curated by Chicago-area native and current Newberry Library president, Daniel Greene.

From 2014 to 2019, Greene, an American history and immigration historian (and University of Chicago PhD), commuted to D.C. to work on the exhibit, titled “Americans and the Holocaust.”  It opened on the museum’s 25th anniversary in 2018 and will run there through 2024. Last fall, Rutgers University Press published a companion book of the same title, coedited by Greene.

The exhibition, book, and film are the result of research that sought the answers to two major questions: What did Americans know about Nazi Germany? When did they know it? And the followup questions: What did (or didn’t) America do about it, and why? Is it true, as is often (and comfortingly) claimed, that people in the U.S. didn’t know what was happening to Jews and others in Europe early enough to be able to do anything about it?  

Not exactly. One of the core revelations is that Americans had access to information about Nazi Germany and even about the persecution and murder of Europe’s Jews as it was happening, Greene told me last week. “In the media landscape of the time, which was newspapers and magazines, radio and newsreels, there was more coverage of Nazi Germany than people had assumed.”

Here, in one of many examples in the book, is what the Chicago Daily Tribune published on March 8, 1923, about Adolph Hitler’s admiration for American industrialist Henry Ford, then considered by some a possible presidential candidate:

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

“I wish that I could send some of my shock troops to Chicago and other big American cities to help in the elections,” the young leader of the Bavarian Fascisti party said grimly. “We look on Heinrich Ford as the leader of the growing Fascisti movement in America. We admire particularly his anti-Jewish policy which is the Bavarian Fascisti platform. We have just had his anti-Jewish articles translated and published. The book is being circulated to millions throughout Germany.”

Wait, Chicago? Henry Ford? Ten years before Hitler became chancellor?

That was part of the challenge of putting the exhibit together, Greene said. “We were trying to tell a story about Americans’ response to Nazism, but we had to continually remind visitors about the context in America at the time. That it’s America going through a Great Depression.  That it’s an isolationist America. That it’s an America dealing with its own racism and segregation and Jim Crow laws. That it’s a xenophobic America. Those conditions shaped our response to Nazism in large part. We needed to tell the specific stories we wanted to tell while also reminding people of that context.”    

Among the stories they wanted to tell were those about ordinary Americans who did help. “While you see, in the exhibition, that the United States government and, for the most part, Americans, did not prioritize or do enough to aid the Jews and other targeted groups in Europe, there are some who did take extraordinary risks to do so,” Greene said. “We tried to tell those stories so people don’t exit the encounter with this history feeling hopeless but can see that individual actions do make a difference.”

They’re also hoping something can be learned from it. “One of the difficult questions is why didn’t the United States do more? And, especially, why didn’t they let more refugees from Nazi Germany and other Nazi-occupied areas into the country? As an immigration historian I’ve always been interested in this fundamental tension: we are a nation of immigrants, and we often close our doors to immigrants.”

“This tension between the humanitarian ideal and political realities on the ground is one of the most fascinating stories in American history,” Greene said. “We debate it, generation after generation. Who’s included? Who’s excluded? Who gets to decide? The geography and the groups might change, but those questions get asked over and over again.”

Greene and Northwestern University professor emeritus (and eminent Holocaust historian) Peter Hayes, both of whom were advisers on the documentary, will preview and discuss it at an in-person event on Monday September 19, 6 PM, at the Illinois Holocaust Museum and Education Center, 9603 Woods Drive, Skokie. It’s free, but reservations are required at ilholocaustmuseum.org.

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The U.S. and the Holocaust Read More »

Revamp your career and plan your future at Building Wealth Today for Tomorrow Financial Empowerment Weekend

The City of Chicago Treasurer’s Office and BMO Harris Bank are proud to present the Building Wealth Today for Tomorrow Financial Empowerment Weekend. This two-day event is open to all Chicagoland residents, entrepreneurs, and small business owners and is free to attend. Join us at the UIC Forum on Friday, September 30 for the Financial Service Career Fair and on Saturday, October 1 for the Financial Empowerment Summit to improve your financial knowledge, kick start the next step in your education or career, and take the reins of your future.  

Financial Services Career Fair 

Friday, September 30, 2022 

10:00 AM – 3:00 PM

UIC Forum 1213 S Halsted St.

RSVP here

If you’ve been looking to launch or retool your career this fall, the Financial Services Career Fair is an excellent place to get started. More than 50 representatives from financial service companies (including some from Fortune 500 firms) and recruiting agencies will be onsite to answer questions about the financial services industry. They will also offer educational and career advice for a variety of industries including banking, asset management, investments, financial technology, and much more. After a prolonged period of pandemic isolation and, for many, remote work, this event is the perfect excuse to turn off the computer and connect with potential employers and peers in person, practice interview skills, revamp your resume, and make a true first impression. No matter your prior education or experience, you’re invited to attend and take your career to the next level in this exciting industry. And with some companies conducting interviews throughout the day, you could potentially walk away with the next chapter of your career on the horizon. 

Financial Empowerment Summit

Saturday, October 1, 2022 

10:00 AM – 3:00 PM

UIC Forum

Revamp your career and plan your future at Building Wealth Today for Tomorrow Financial Empowerment Weekend Read More »

Revamp your career and plan your future at Building Wealth Today for Tomorrow Financial Empowerment WeekendAyana Rollingon September 14, 2022 at 2:10 pm

The City of Chicago Treasurer’s Office and BMO Harris Bank are proud to present the Building Wealth Today for Tomorrow Financial Empowerment Weekend. This two-day event is open to all Chicagoland residents, entrepreneurs, and small business owners and is free to attend. Join us at the UIC Forum on Friday, September 30 for the Financial Service Career Fair and on Saturday, October 1 for the Financial Empowerment Summit to improve your financial knowledge, kick start the next step in your education or career, and take the reins of your future.  

Financial Services Career Fair 

Friday, September 30, 2022 

10:00 AM – 3:00 PM

UIC Forum 1213 S Halsted St.

RSVP here.

The Financial Empowerment Summit is a free, in-person event open to all Chicago residents, small business owners, and entrepreneurs who are looking to empower themselves, learn about current trends within the financial services industry, and rev up their financial future. Throughout the day you’ll be able to meet with financial service industry professionals, attend financial planning seminars and workshops, and learn from guest speakers including Daymond John from ABC’s “Shark Tank” and Bill Rancic, NBC’s first “Apprentice” winner. You can also get personalized advice on improving FICO scores and reducing debt from the Hope Inside initiative, which offers free credit and money management resources to all Chicagoans. In addition, you can visit the Financial Empowerment Exhibit Hall, which features more than 50 financial organizations, products, and services. Whether you’re interested in learning the basics of financial planning and investing, seeking to reduce debt and manage your credit scores, or preparing to purchase a home or expand your business, your road to financial success starts here.

To learn more about the Building Wealth Today for Tomorrow Weekend or register to attend, visit  www.chicagocitytreasurer.com/bwtt.

This content is sponsored by The City of Chicago Treasurer’s Office

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Revamp your career and plan your future at Building Wealth Today for Tomorrow Financial Empowerment WeekendAyana Rollingon September 14, 2022 at 2:10 pm Read More »

The U.S. and the HolocaustDeanna Isaacson September 14, 2022 at 2:20 pm

Starting Sunday, for three consecutive nights, WTTW will air a new six-hour Ken Burns documentary series, The U.S. and the Holocaust.

Burns and his filmmaking partners, Lynn Novick and Sarah Botstein, based the series on a United States Holocaust Memorial Museum exhibit curated by Chicago-area native and current Newberry Library president, Daniel Greene.

From 2014 to 2019, Greene, an American history and immigration historian (and University of Chicago PhD), commuted to D.C. to work on the exhibit, titled “Americans and the Holocaust.”  It opened on the museum’s 25th anniversary in 2018 and will run there through 2024. Last fall, Rutgers University Press published a companion book of the same title, coedited by Greene.

The exhibition, book, and film are the result of research that sought the answers to two major questions: What did Americans know about Nazi Germany? When did they know it? And the followup questions: What did (or didn’t) America do about it, and why? Is it true, as is often (and comfortingly) claimed, that people in the U.S. didn’t know what was happening to Jews and others in Europe early enough to be able to do anything about it?  

Not exactly. One of the core revelations is that Americans had access to information about Nazi Germany and even about the persecution and murder of Europe’s Jews as it was happening, Greene told me last week. “In the media landscape of the time, which was newspapers and magazines, radio and newsreels, there was more coverage of Nazi Germany than people had assumed.”

Here, in one of many examples in the book, is what the Chicago Daily Tribune published on March 8, 1923, about Adolph Hitler’s admiration for American industrialist Henry Ford, then considered by some a possible presidential candidate:

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

“I wish that I could send some of my shock troops to Chicago and other big American cities to help in the elections,” the young leader of the Bavarian Fascisti party said grimly. “We look on Heinrich Ford as the leader of the growing Fascisti movement in America. We admire particularly his anti-Jewish policy which is the Bavarian Fascisti platform. We have just had his anti-Jewish articles translated and published. The book is being circulated to millions throughout Germany.”

Wait, Chicago? Henry Ford? Ten years before Hitler became chancellor?

That was part of the challenge of putting the exhibit together, Greene said. “We were trying to tell a story about Americans’ response to Nazism, but we had to continually remind visitors about the context in America at the time. That it’s America going through a Great Depression.  That it’s an isolationist America. That it’s an America dealing with its own racism and segregation and Jim Crow laws. That it’s a xenophobic America. Those conditions shaped our response to Nazism in large part. We needed to tell the specific stories we wanted to tell while also reminding people of that context.”    

Among the stories they wanted to tell were those about ordinary Americans who did help. “While you see, in the exhibition, that the United States government and, for the most part, Americans, did not prioritize or do enough to aid the Jews and other targeted groups in Europe, there are some who did take extraordinary risks to do so,” Greene said. “We tried to tell those stories so people don’t exit the encounter with this history feeling hopeless but can see that individual actions do make a difference.”

They’re also hoping something can be learned from it. “One of the difficult questions is why didn’t the United States do more? And, especially, why didn’t they let more refugees from Nazi Germany and other Nazi-occupied areas into the country? As an immigration historian I’ve always been interested in this fundamental tension: we are a nation of immigrants, and we often close our doors to immigrants.”

“This tension between the humanitarian ideal and political realities on the ground is one of the most fascinating stories in American history,” Greene said. “We debate it, generation after generation. Who’s included? Who’s excluded? Who gets to decide? The geography and the groups might change, but those questions get asked over and over again.”

Greene and Northwestern University professor emeritus (and eminent Holocaust historian) Peter Hayes, both of whom were advisers on the documentary, will preview and discuss it at an in-person event on Monday September 19, 6 PM, at the Illinois Holocaust Museum and Education Center, 9603 Woods Drive, Skokie. It’s free, but reservations are required at ilholocaustmuseum.org.

Read More

The U.S. and the HolocaustDeanna Isaacson September 14, 2022 at 2:20 pm Read More »

Recent roster move signals a major advantage for the Chicago BearsRyan Heckmanon September 14, 2022 at 2:00 pm

The rain has settled and the Chicago Bears are now moving forward, getting ready to take on their bitter rival on Sunday Night Football.

Following a Week 1 loss to the Minnesota Vikings, Aaron Rodgers and the Green Bay Packers look to rebound against a team they have dominated under the quarterback’s tenure. Meanwhile, the Bears are hoping they have turned a page and can ride the momentum of an unforgettable Week 1 victory.

In an afternoon dubbed “The Rain Game,” the Bears came back in the second half to beat the San Francisco 49ers amidst monsoon conditions. Now, they have a tall task ahead of them: an angered Rodgers at Lambeau Field.

Going into Sunday night, though, the 1-0 Bears are looking to have a serious advantage against the 0-1 Packers. Against Minnesota, the Packers’ offensive line struggled due to missing a pair of key starters, and were eventually down three starters up front. That trend could be continuing.

On Sunday night, the Chicago Bears may see an advantage after the Green Bay Packers made a telling roster move this week.

Green Bay signed undrafted rookie offensive tackle Caleb Jones to the active roster this week, bolstering their depth at a position of need. In Week 1, starting tackles David Bakhtaran and Elgton Jenkins were both inactive due to knee injuries. According to Ian Rapoport, the Packers very well could be without those two again on Sunday night.

Not only that, but the Packers also lost starting guard Jon Runyan during Week 1 due to a concussion. If the Packers are down three starting offensive linemen, the Bears could have a feast up front.

Although Chicago traded Khalil Mack, Ryan Poles has put together a prominent front seven, with many guys who are more suited to rush the passer even on the inside.

Maybe no one had a better week, on the Bears’ defense, than rookie edge rusher Dominique Robinson. In his first start against the 49ers, the rookie tallied seven total tackles including five solo, along with 1.5 sacks and a tackle for loss.

But, Robinson isn’t the only one who could feast against Rodgers. The Bears have their single-season franchise record holder, Robert Quinn, back for another season as well. They also have Trevis Gipson, who broke out with 7.0 sacks last season in a reserve role. Let’s also not forget the other starter opposite Quinn, Al-Quadin Muhammad, who was a problem for Trey Lance and company on Sunday.

Green Bay does not have a legitimate alpha wide receiver yet, as they were without Allen Lazard against Minnesota and do not have another bona fide option at the moment. Should Lazard be out, yet again, the Packers very well could be at a serious disadvantage solely due to so many key injuries.

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Recent roster move signals a major advantage for the Chicago BearsRyan Heckmanon September 14, 2022 at 2:00 pm Read More »

Pioneering electronic producer Man Parrish reworks the music of his departed friend Kaus Nomi

You might expect an album of Klaus Nomi material to sound like Klaus Nomi, but Man Parrish’s Dear Klaus Nomiisn’t that. Instead, the New York producer has added highly technical musical accompaniments to archival recordings of the cult figure’s songs to give them fresh sounds and feelings. The result is a love letter from one openly homosexual musician who survived the AIDS epidemic of the 80s to one who did not. Man Parrish met Nomi—a German-born vocalist who trained as an opera singer and cut his teeth on avant-garde vaudeville and performance art—while the former was a gay runaway circulating in the New York downtown club scene of the late 1970s (the same one that birthed artists such as Keith Haring, David Wojnarowicz, and Jean-Michel Basquiat). 

Nomi inspired Parrish to pursue electronic music, and in 1982, Parrish provided the soundtrack for a gay porno. Shortly after the film came out, he discovered his beats being appropriated by club DJs, and the unexpected success of those songs prompted him to release his self-titled debut later that year (Nomi contributed vocals to the track “Six Simple Synthesizers”). Parrish has since been recognized as an early innovator in hip-hop, and he’s enjoyed a long and storied career as an unapologetically homosexual electronic artist and producer. Among his best-known tracks is the frenetic, pulsating “Male Stripper.” 

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

While Parrish and Nomi were cut from the same cloth in many ways, their music and personas stand in stark contrast. Nomi first pinged the pop-cultural radar when he and close confidante Joey Arias appeared as backup singers to David Bowie during the Starman’s 1979 appearance on Saturday Night Live. One of Bowie’s costumes on the show inspired what became Nomi’s signature look: a black triangular tuxedo that gave Nomi a comically hypermasculine torso, paired with form-fitting pants that highlighted his lithe, elegant legs. Nomi also wore pouty black lipstick and drawn-on eyebrows, and he sang in the countertenor register (equivalent to a “female” contralto or mezzo-soprano). 

Nomi’s career sped up after his SNL cameo. Record companies were excited by the beautiful, seemingly asexual alien with a sad heart, but they struggled to market his work—there just wasn’t a category for his mix of operatic vocals, new-wave synthesizers, and electric guitar, presented with theatrical elements and effete BDSM. Many fans understood the robust queerness of the way he visually and audibly played with gender and sexuality, but he was never publicly coded as the “threatening” kind of homosexual (the way Man Parrish was), in part because his music and stage show were softer and not especially about sex. When Nomi died of AIDS-related complications in 1983—one of the first high-profile deaths in New York in the early days of the epidemic—he’d released only two records. Music so-and-sos had been expecting his third to be his Ziggy Stardust

Dear Klaus Nomi is not an imagining of Nomi’s second act; it’s a merging of histories. The record is lush and energetic in a way that Nomi’s output isn’t—it’s a true headphones album, with its engrossing depth of sound and its tones that seem to shift through 360 degrees. It owes as much to modern recording technology as it does to modern electronic-music theory, and its levity and aggression feel truer to Man Parrish’s work than to Nomi’s. It’s not only designed to inspire a certain groove, but it also reflects a future Nomi never got to see. If you let go of your expectations, you might find something profound and beautiful about that—even though many Nomi fans still might want something else. Dear Klaus Nomi is a document of an unknowable kinship shared between two men of a very specific era.

Man Parrish’s Dear Klaus Nomi is available through the artist’s website.

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Pioneering electronic producer Man Parrish reworks the music of his departed friend Kaus Nomi Read More »