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Virtual camps, workshops and more to keep kids active and engaged this summerGo 2 Mommyon May 24, 2020 at 2:41 pm

Go 2 Mommy

Virtual camps, workshops and more to keep kids active and engaged this summer

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Virtual camps, workshops and more to keep kids active and engaged this summerGo 2 Mommyon May 24, 2020 at 2:41 pm Read More »

Book review: SoccermaticsDan Santaromitaon May 23, 2020 at 6:10 pm

Soccer Obsessive

Book review: Soccermatics

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Book review: SoccermaticsDan Santaromitaon May 23, 2020 at 6:10 pm Read More »

Don’t Just Sit ThereSheri McIntoshon May 23, 2020 at 9:19 pm

Spiritual and Physical Wellness

Don’t Just Sit There

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Don’t Just Sit ThereSheri McIntoshon May 23, 2020 at 9:19 pm Read More »

My Breast Cancer Journey Part 22: My Twin Sister’s First Infusion of T-DM1 at Mayo Clinic (Breast cancer chemotherapy-lite)Sister Christianon May 23, 2020 at 8:50 pm

A Daily Miracle

My Breast Cancer Journey Part 22: My Twin Sister’s First Infusion of T-DM1 at Mayo Clinic (Breast cancer chemotherapy-lite)

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My Breast Cancer Journey Part 22: My Twin Sister’s First Infusion of T-DM1 at Mayo Clinic (Breast cancer chemotherapy-lite)Sister Christianon May 23, 2020 at 8:50 pm Read More »

Chicago Blackhawks: Every team is scared of Patrick KaneVincent Pariseon May 23, 2020 at 11:00 am

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Chicago Blackhawks: Every team is scared of Patrick KaneVincent Pariseon May 23, 2020 at 11:00 am Read More »

Memorial Day Weekend Chicago: What’s open what’s not in 2020Carole Kuhrt Breweron May 23, 2020 at 2:26 pm

Show Me Chicago

Memorial Day Weekend Chicago: What’s open what’s not in 2020

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Memorial Day Weekend Chicago: What’s open what’s not in 2020Carole Kuhrt Breweron May 23, 2020 at 2:26 pm Read More »

Chicago saxophonist Dave Rempis releases a second record with his all-star quintetBill Meyeron May 22, 2020 at 5:41 pm

When you want to put together an improvising ensemble whose interactions will be unpredictable as well as satisfying, it helps to recruit someone who has your back and someone else who isn’t afraid to push the music somewhere you didn’t think it would go. For one night in December 2018, Chicago alto, tenor, and baritone saxophonist Dave Rempis convened a personal dream team, full of musicians who can play both roles: Norwegian drummer Paal Nilssen-Love is Rempis’s long-standing collaborator in the ferociously aggressive trio Ballister, but his attention to detail and textural variety comes in just as handy for nurturing slow-building tension. Cellist Tomeka Reid and double bassist Brandon Lopez have each worked with Rempis in combos that mix classical sonorities with mercurial shifts of mood. And multi-instrumentalist Joe McPhee, who turned 79 one month before the concert, can transform the emotional tenor of an entire performance with a few grave notes. This splendid CD, which follows an LP-only first volume recorded at the same show, contains plenty of high-energy blowing, but it’s often the quiet, contrasting gestures hidden with the storms that make it so compelling. v

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Chicago saxophonist Dave Rempis releases a second record with his all-star quintetBill Meyeron May 22, 2020 at 5:41 pm Read More »

Harvey rapper Ty Money bids adieu to the career-defining mixtape series Cinco de MoneyLeor Galilon May 22, 2020 at 5:38 pm

On May 5, Harvey rapper Ty Money released the fifth and final entry in his career-defining mixtape series, Cinco de Money, which he launched in 2015. Each volume has showcased what makes Money stand out: his vivid narratives of street life, freighted with pathos, delivered in a rush of syllables that cuts through the instrumentals like a souped-up car racing through a mountain tunnel. Cinco de Money 5 (self-released via SBMG LLC) highlights Money’s grasp of pop music: he dabs his clean, straightforward hooks with Auto-Tune, and on “Whoa Whoa” he delineates the honeyed sung chorus from the burly rapped verses with a precision that confirms the enduring magic of the old-school industry approach to pop songwriting. Money’s pop proclivities bear great fruit: his half-sung hook on “Whateva” manages to sound triumphant and sullen by turns, and these dueling moods create a strange, magnetic euphoria that only Money can capably deliver. v

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Harvey rapper Ty Money bids adieu to the career-defining mixtape series Cinco de MoneyLeor Galilon May 22, 2020 at 5:38 pm Read More »

Chicago experimental electronic producer K-Rad makes serenity nowLeor Galilon May 22, 2020 at 5:02 pm

Since 1996, Chicago electronic producer Christopher Grabowski has experimented with IDM under the name K-Rad. The name initially represented a small, loose collective with Grabowski, Joe Hahn, and Mark Hardy at its center; all three producers worked on K-Rad’s debut for the Someoddpilot label, 2002’s Deli Mood Spot. Since then Grabowski has made K-Rad his solo project, and while he’s sometimes issued collaborations with other producers as K-Rad singles or full-lengths, in recent years he’s made all the material on his own. Grabowski began recording 127When on March 26, about a week after Illinois began sheltering in place, and he wrapped it up two days before its May 1 release. He intended the album to be an immersive experience, and he gave himself a running time of more than two hours to achieve that goal; he uses modular synthesizers to build serene moods, adding an ever-shifting matrix of fizzy, delicate percussion to provide a constant hum of energy. Grabowski also brought back original K-Rad collaborator Hardy to play sitar on “127_PouringOutDrumulation,” and its reverberating strings send gentle ripples through the track’s tight, rubbery bass loops and brittle percussive chatter. With any luck, the constantly evolving arrangements on 127When will occupy enough of your mind to shut out the hellscape that inspired Grabowski to make the album in the first place. v

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Chicago experimental electronic producer K-Rad makes serenity nowLeor Galilon May 22, 2020 at 5:02 pm Read More »

Chicago indie-pop upstart Damacy fits the serene vibe of the city’s young rock scene on Sun Spot EPLeor Galilon May 22, 2020 at 4:42 pm

Multi-instrumentalist Yuto Winston Kanii moved to Chicago a couple years ago, and he’s kept busy with his easygoing solo indie-pop project, Damacy. He grew up in the Louisville area, where he began playing in bands in high school, and by his early 20s he’d achieved a smidgen of local popularity as the front man for a good-natured indie-rock band called Ranger; their recordings are endearingly rough around the edges, and they assembled their 2013 debut album, The Bard, out of jam sessions recorded in an abandoned candy factory. Now 28, Kanii hasn’t found any Chicago collaborators since settling in Logan Square, but Damacy’s recent debut, Sun Spot EP (on his own Tanuki label), fits comfortably into the city’s contemporary indie-rock landscape: his laid-back, tropical vibes mesh well with the serene style loosely mapped out by the likes of Paul Cherry, Whitney, and Divino Nino. Kanii’s gentle vocals and sweet slacker guitar riffs on “Gvn n’ Lvn” feel like a gentle ocean breeze–and given that actual ocean breezes are out of reach for most us now, Sun Spot is the next best thing. v

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Chicago indie-pop upstart Damacy fits the serene vibe of the city’s young rock scene on Sun Spot EPLeor Galilon May 22, 2020 at 4:42 pm Read More »