Videos

Bardo: False Chronicle of a Handful of TruthsDmitry Samarovon December 9, 2022 at 5:58 pm

In Alejandro G. Iñárritu’s hallucinatory trip to the land between life and death, Amazon is buying Baja California, and you can have a philosophical discussion with the conquistador Hernán Cortés atop a hillock of corpses. You meet your long-gone father in the bathroom of a large hall filled to capacity with your peers who want to give you an important prize and shrink down to the size of a boy while retaining middle-aged features. Your dead infant son keeps reappearing, often from between your wife’s legs, still very much alive.

These and dozens of other dream images are filmed in a seamless wide-screen format that fish-eyes toward its outer edges. They are what Silverio Gama, a stand-in for the director, sees in his last days after suffering a massive stroke on a subway train in LA. 

Whether you will be entranced, confused, or put off by Iñárritu’s latest deep dive into his own subconscious depends on whether you prefer your movies logical or lyrical, as well as how high your tolerance for unlikable and unrelatable protagonists is. Gama is a self-absorbed narcissist, and his visions are mostly self-serving, but I can’t deny their sweep and all-pervasive ambition. As long as you don’t think too long about some of the implications of what flashes past your eyeballs, this is a film to be dazzled by and lost in. In Spanish with subtitles. R, 159 min.

Netflix

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Bardo: False Chronicle of a Handful of TruthsDmitry Samarovon December 9, 2022 at 5:58 pm Read More »

Thanks for the Best of Chicago nominations!Chicago Readeron December 9, 2022 at 6:11 pm

Make your nominations on the ballot below!

Up until the nominating period ends at noon on Friday, December 9th, you can return to your ballot here at chicagoreader.com/best to nominate in additional categories or change your nominations.

Voting on the most nominated finalists will begin on January 18, 2023.

Best of Chicago is presented by

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Thanks for the Best of Chicago nominations!Chicago Readeron December 9, 2022 at 6:11 pm Read More »

Beyond The NutcrackerJT Newmanon December 9, 2022 at 6:33 pm

December is obviously the time when dance companies dust off the old chestnut that, according to a 2017 Dance/USA survey, accounts for around 48 percent of their annual revenues. If you’re interested in The Nutcracker, we’ve got a round-up here. But there’s also more afoot in Chicago dance this month than the beloved Tchaikovsky ballet (based on E. T. A. Hoffmann’s 1816 story, “The Nutcracker and the Mouse King”).

For movement aficionados, there’s no better way to cap off the Year of Chicago Dance than visiting with some local companies and artists for their year-end productions. With so many selections to choose from, you’re sure to find something to suit your taste and leave you feeling full of holiday cheer.

For Nutcrackeroptions, there’s always the Joffrey version by Christopher Wheeldon, set during the construction of the 1893 Chicago World’s fair. (The Joffrey moved to the Lyric, 20 N. Wacker, last year after years of residency at the Auditorium.) The Nutcracker is running through 12/27; tickets at joffrey.org. Ballet Chicago takes over the mainstage at the Athenaeum for the 20th year, running 12/9-12/18; see balletchicago.org. If your plans take you out to the suburbs, Salt Creek Ballet’s Nutcracker runs 12/17-12/18 at McAninch Arts Center at College of DuPage; tickets at saltcreekballet.org. Or if you’re heading north, Ruth Page’s The Nutcracker (long a local favorite originally created by the legendary dancer and choreographer, whose name lives on in the Ruth Page Center for the Performing Arts on North Dearborn) runs two performances on 12/17 at the James Lumber Center at College of Lake County in Grayslake; visit ruthpage.org.

Two versions of The Nutcracker with a slightly different approach are happening this weekend; Hyde Park School of Dance combines ballet, modern dance, and hip-hop, as well as a new African dance section this year for their performance at Mandel Hall, running 12/9-12/10; see hydeparkdance.org. And Music Institute of Chicago returns with its annual presentation of Duke It Out!, which combines Tchaikovsky with the jazz score created by Duke Ellington and Billy Strayhorn. That’s happening tomorrow at 2 PM at Nichols Concert Hall in Evanston; tickets at musicinst.org.

And now for the nontraditional:

Jessica Kick presents Read to Me, a dance performance that explores “our early childhood literacy experiences and the effects they have on our relationship with reading in adulthood” at the Athenaeum. Through 12/11: Fri- Sat 7:30 PM, Sun 2 PM, Athenaeum Theater, 2936 N Southport, 312-820-6250; $10 children, $25 adults, athenaeumcenter.org.

Opening this weekend is Christmas Pageant, a performance devised by the Hot Kitchen Collective, “celebrating the overindulgence and mass-produced joy of the biggest holiday over the year and the sadness that lies underneath.” The collective, which is known for its edgy takes on “exploring stupidity at its core,” dedicates this show to everyone “who feels alone in a roomful of family members during the holiday season.” Through 12/17: Thu-Sat 7:30 PM, Ravenswood Fellowship United Methodist Church, 4511 North Hermitage. Tickets on Eventbrite, or Hotkitchencollective.com, $25.

Priestess of Twerk Credit Paula Court

Also this weekend is Nia Witherspoon’s Priestess of Twerk series at Links Hall. Priestess of Twerk is a work in progress from Witherspoon, a National Theater Project Award-winning theatermaker, vocalist, and composer. Hailed as a “Black feminist temple of pleasure,” the pieces are inspired by the “bad bitches” of hip-hop, the reproductive justice movement, and sacred sex workers of Egyptian temples. 

Performers include DREEEMY (aka Reem Abdou), Jenn Freeman (aka Po’Chop), Shelley Nicole, and Witherspoon, along with cellist/performer Serena Ebony Miller. With music and sound by Jack Fuller and Justin Hicks and costumes by Brandi Holt, the experience promises both ritual concerts and immersive temple experiences devised in collaboration between creatives from New York and Chicago and sponsored by both Links Hall and the Ragdale Foundation. 12/9 8 PM, 12/10 3 and 8 PM, Links Hall, 3111 N. Western, 773-281-0824, linkshall.org, $10-$40 (12/10 performances limited to ten participants).

On Monday, 12/12, the Chicago Human Rhythm Project brings you Holiday Rhythms 2022 at the Jazz Showcase in the South Loop. This one-night-only performance features live jazz music with The Jazz Hoofing Quintet, featuring Isaiah Spencer on drums, Marlene Rosenberg on bass, Brent Griffin Jr. on alto saxophone, Justin Dillard on piano, and Jumaane Taylor on taps. Special guests include vocalist Amyna Love, Stone Soup Rhythms, and more. The event benefits The Mayfair Art Center, a new arts incubator space on the south side. Mon 12/12 7 PM, Jazz Showcase, 806 South Plymouth Ct., 312-360-0234, chicagotap.org or jazzshowcase.com, $50-$75.

Mary, a Holiday Dansical Credit Jordyn A. Bush

Coming up on 12/18 at the Reva and David Logan Center is Mary, a Holiday Dansical, brought to you by Black Girls Dance, a company that empowers Black girls to pursue professional dance. Choreographed, written, and directed by founder Erin Barnett, Mary, A Holiday Dansical is a modern twist on Langston Hughes’s Black Nativity, told through ballet, hip-hop, tap, and contemporary dance. Sun 12/18 7 PM, Reva and David Logan Center for the Arts, 915 E. 60th Street, 773-702-2787, blackgirlsdance.org or arts.uchicago.edu/explore/reva-and-david-logan-center-arts, $20 kids, $40 adults.

And finally, we already previewed and reviewed this show, but we have to give yet another nod to The Buttcracker: A Nutcracker Burlesque. With its naughty premise and featuring some of the hottest burlesque, drag, and performance artists in Chicago, this send-up of the traditional Nutcracker breaks all stereotypes with its sex- and body-positive spin on the Tchaikovsky classic. Through 12/31: Thu-Sat 8 PM, Sun 3 PM; also Sat 12/31 9 PM, no performances Sat-Sun 12/24-12/25; Greenhouse Theater Center, 2257 N. Lincoln, 773-404-7336, thebuttcrackerburlesque.com or greenhousetheater.org, $30-$50 general admission (industry and SRO $20, VIP $75-$100, which includes stageside table, private VIP bar, meet and greet with artists, and show merchandise); NYE $60-$100 general admission, $150-$200 VIP. 18+ (21+ to drink) with a “pole booty drop” at midnight.

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Beyond The NutcrackerJT Newmanon December 9, 2022 at 6:33 pm Read More »

Chicago rapper Philmore Greene levels up with Detroit producer Apollo Brown on Cost of LivingLeor Galilon December 9, 2022 at 6:00 pm

West-side rapper Philmore Greene has been crafting a catalog of mature, unfussy boom-bap since he dropped his 2018 debut, Chicago: A Third World City. His new fourth full-length, Cost of Living (released by esteemed hip-hop indie Mello Music Group), builds on his established elements—relaxed, sample-based instrumentals and thoughtful ruminations about the systemic unfairness that has historically afflicted Black people (and the frustrating new ways it manifests itself thanks to modern technology). But the album also feels rejuvenated, as though Greene’s creativity has been reborn and he’s newly excited to be doing the same work. This is no doubt in part because he’s found a collaborator who can supersize his vision: veteran Detroit beat maker Apollo Brown, who’s also worked with established MCs such as Guilty Simpson, Skyzoo, and Ghostface Killah. The producer populates Cost of Living with tracks built from lightly dusty samples that accentuate the crispness in his understated percussion. This music has a self-consciously throwback feel, but as much as Greene shows his deference to hip-hop history, he doesn’t let it distract him from focusing his songs on the present. He’s an unflashy rapper who delivers frank descriptions with a workingman’s confidence and care. His voice functions as a sturdy element in the album’s instrumentation; he ends his lines with exclamation points, so that each one lands like a rim shot in a drum break, and he smooths out the flow of his songs with a subtly soulful, melodic touch. On “Steep Life,” Greene reflects on the bleak socioeconomic outlook for young Black men, delivering his lyrics with his whole chest—he raps like he wants you to believe that even when the world blocks your path, you can make your own way where no one expects it.

Philmore Greene & Apollo Brown’s The Cost of Living is available through Bandcamp.

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Chicago rapper Philmore Greene levels up with Detroit producer Apollo Brown on Cost of LivingLeor Galilon December 9, 2022 at 6:00 pm Read More »

Something From Tiffany’sAlani Vargason December 9, 2022 at 6:35 pm

Looking at the promo poster alone—airbrushed and very winter-in-New-York-City—Something From Tiffany’s is striving for that classic romantic comedy feel. And the movie, at times, does hold some of the feel-good, memorable vibes of rom-coms past. It is pretty predictable, even if guessing what comes next in a movie isn’t your strong suit, but that doesn’t take away from the fact that Something From Tiffany’s is a cozy, comforting holiday watch.

As is appropriate based on the title, the movie starts at a New York Tiffany’s, with the locale not being the only nod to Breakfast at Tiffany’s. The two sides to the story are established right away: There’s single dad Ethan Greene (Kendrick Sampson) and his young daughter Daisy (Leah Jeffries), in search of the perfect engagement ring for Ethan’s fiance, Vanessa (Shay Mitchell). They briefly come in contact with the other side, which includes tattoo artist and lame boyfriend Gary (Ray Nicholson), who’s at Tiffany’s to find a small and fast gift in a well-known blue box for his upbeat girlfriend Rachel (Zoey Deutch). To top it off, Terri (Jojo T. Gibbs), Rachel’s restaurant business partner, steals scenes often thanks to her ability to be hilariously honest. 

Even though it’s taking notes from While You Were Sleeping in more ways than one, Something From Tiffany’s doesn’t exactly have the same effortless flow and authentic sweetness, but it does lean into its corny bits and heartfelt plot points. “Chemistry” is often thrown around, but the whole cast seems to have it in this one. The acting isn’t over-the-top or cheesy, and the romance that blossoms between Rachel and Ethan is sweet. It’s not overly Christmas-oriented—Rachel is Jewish, by the way—which makes for a pleasant winter rom-com perfect for a chill, holiday movie night. PG

Prime Video

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Something From Tiffany’sAlani Vargason December 9, 2022 at 6:35 pm Read More »

Thanks for the Best of Chicago nominations!Chicago Readeron December 9, 2022 at 6:11 pm

Make your nominations on the ballot below!

Up until the nominating period ends at noon on Friday, December 9th, you can return to your ballot here at chicagoreader.com/best to nominate in additional categories or change your nominations.

Voting on the most nominated finalists will begin on January 18, 2023.

Best of Chicago is presented by

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Thanks for the Best of Chicago nominations!Chicago Readeron December 9, 2022 at 6:11 pm Read More »

White NoiseDmitry Samarovon December 9, 2022 at 6:35 pm

It’s been said that bad books make good movies. Adapting a celebrated book for the screen is often a recipe for disaster because if the writer is doing their job, the picture a reader makes in their mind trumps anything the greatest filmmaker can come up with. Happily for Noah Baumbach, he’s chosen a flawed novel by a great writer and added a joyful sensibility absent from Don DeLillo and most of his previous films.

I reread the book just before seeing the movie and found the book disjointed. After the Airborne Toxic Event—the disaster at its center—the story paradoxically loses steam and never recovers. In 2022 it’s impossible to watch or read anything with a cataclysmic event and not relate it to COVID. Baumbach reportedly read and reread the book during lockdown. While the rest of us baked bread or quit our shitty jobs, he made this movie. 

All his films are about family dysfunction in one way or another, and the Gladneys certainly don’t lack issues. But they’re somehow not doomed, despite a worldwide disaster, a serious betrayal, and a collection of tics and eccentricities that would send a therapist screaming. 

The structural problems remain: there’s a campus comedy, a disaster flick, and a crime caper that never cohere, but I liked Baumbach’s Gladney family much more than DeLillo’s. The story is still about the hollowness of American consumerism, but there’s nothing in the book that rivals the joyful supermarket dance sequence that goes on and on and on as the credits roll. Perhaps if DeLillo had published his book post-plague, he’d have imbued it with a similar sense of relief. R, 136 min.

Music Box Theatre, streaming on Netflix December 30

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White NoiseDmitry Samarovon December 9, 2022 at 6:35 pm Read More »

High school basketball: Kenwood’s Mike Irvin explains his brash, outspoken style

Kenwood has long been lauded as a sleeping giant in Public League basketball.

It appears coach Mike Irvin is the one who is set to awaken it — in more ways than one.

Irvin’s first year as a high school coach was the abbreviated Covid season played without a state tournament. He followed that up last year with Kenwood’s first-ever sectional championship last March. The Broncos’ season ended with a loss to Young in the supersectional.

Now Kenwood and its coach have made the biggest and boldest headlines in this young season.

On opening night the Broncos played a high-profile foe in Young and came away with a win. They added another monster victory in last weekend’s Chicago Elite Classic over a highly-ranked and hyped team, beating Joliet West and the Fears brothers.

With the way this team is constructed — there is Division I talent up and down the roster — and with how it has played, the second-ranked Broncos are unbeaten and nipping on the heels of No. 1 Simeon.

And they’re playing without one of their top players, junior star Chris Riddle, a power-packed 6-5 wing who transferred back to Chicago after spending last season at a prep school. Riddle is expected back soon from injury.

On paper, Irvin has arguably the most talented team in the state, one that is capable of playing in Champaign in March and capturing a state championship. But there is still plenty of basketball to be played. There are minutes to manage and a blending of youth and experience. There is a lot more to learn about this Kenwood team.

“With this team, we are not even close to being there yet in terms of what we can be,” Irvin said. “How much better can we get from December to March? I think it will be scary, especially since we are out there now without Chris Riddle.”

The college-level talent and depth, along with the early-season wins and high ranking, have generated a buzz. But so, too, has Irvin. It’s all made Kenwood basketball newsworthy in the high school basketball world.

Irvin’s own headlines and the buzzworthy news and notes he provides are a result of his actions, both in the flamboyant actions on the bench and in the large and loud words he speaks.

When it comes to the roster, the team was immediately built with an influx of incoming freshmen and some transfers. Irvin is quick to note promising players like juniors Chris Riddle and Calvin Robins, highly-regarded sophomore Aleks Alston and current freshman star Noah Mister walked through the doors as freshmen.

Kenwood basketball coach Mike Irvin looks on from the sidelines of the football game between Morgan Park and Kenwood.

Kirsten Stickney/For the Sun-Times

But in today’s basketball world where transfers have become the norm, it’s bound to happen. And it’s to be expected to some degree.

Kenwood, after all, was considered a sleeping giant for a reason. The academics are strong and the location of the school is opportunistic; the school and, as a result, the basketball program, are attractive and a draw for players and their parents. In a recent survey conducted among city coaches, both current and retired, Kenwood ranked as the third-best basketball coaching job in the Public League.

Add the fact that Irvin has name recognition — he’s the head of the influential Mac Irvin Fire club program and comes from one of the most familiar basketball families in the city — the players were bound to show up.

But Irvin hasn’t been bashful about who he is as a coach and where he believes his team and program are headed.

Some of Irvin’s greatest hits include stating, “We have the best coach in the city, we have the best players in the city and I’m going to show everybody,” following the win over Young. He also doesn’t hide his emotions, beating his chest at center court following the win.

In the closing seconds of the win over Joliet West at UIC last Saturday night, Irvin screamed repeatedly to anyone who would listen, “There is a new sheriff in town.”

In his postgame comments, Irvin had a few more zingers, stating, “They need to understand that I’m a genius at this. I’ve been putting teams together all my life. … We can compete with anyone and we are ready to win the city and state championship.”

Maybe calling Mike Irvin “the Don King of Illinois high school basketball” is a bit too far. But his brother, former Morgan Park coach Nick Irvin, who won four state championships before heading off to the college coaching world, knows his brother is — and always has been — a performer.

“The thing people don’t understand about Mike is that Mike is an entertainer,” Nick said. “He likes to entertain. If he didn’t have a good heart, I would be like, ‘Ahh, Mike, come on.’ But I know him as a brother and I know him as a coach, and I know he means no harm when he says some of those things. He’s doing it for entertainment and entertainment sells tickets. But he has a good heart and doesn’t mean any harm.”

When I told Mike Irvin he reminds me of his brother, the personable and fun Nick Irvin, but Nick Irvin on steroids, he chuckled.

So did Nick Irvin when told the same thing.

“He took what I did and said and bumped it up another level,” Nick said with a laugh.

Basically, Mike Irvin the AAU coach — and all that comes with it in terms of his personality, bravado and brash confidence — has infiltrated high school basketball. What many have seen and heard for years in the spring and summer months in the AAU world is now on full display for everyone in the winter months.

It will often leave basketball fans to simply shake their collective heads in either amusement or disdain.

Yes, Mike Irvin does it a different way. He knows it, has his reasons for it and truly enjoys all that goes into coaching in a specific way that lights up social media while infuriating some. When I mentioned to him some of his quotes and actions aren’t the norm among high school coaches, he simply replied, “I don’t want to be normal.”

“I didn’t come here to coach and not show my personality,” Irvin said. “Coaching brings out my personality, and I love that. I don’t want to be the coach that just sits there.”

He points to the brazen and sometimes over-the-top personality of Deion Sanders as an example and model for him as a coach.

“I love how he coaches and how he does things and what he says to inspire,” Irvin said of the NFL legend turned college football coach. “He makes coaching fun. I don’t want to show up for work, show up for practice and coach in these games like it’s just another day. I want to make it fun and entertaining. That entertainment leads to exposure.”

And at the end of the day the exposure for his kids, he says, is what it’s all about. Anything that brings people to see his team and offers exposure to them is a good thing.

“I love the show,” he admits. “But I am here to help showcase the kids, so there has to be a show to showcase them. I feel like if we can give people a show, that that’s a good way to help get these kids to go to college for free. And that’s what we are trying to do, get them to college.”

But does he believe or fear his loud words put a target on his team’s back? Does he worry it places more pressure on his players? And is there any concern whether others in the basketball industry, including high school coaches, are rubbed the wrong way by his words?

After all, it’s not as if Irvin takes a less-than-subtle way of reminding everyone how good his team is.

When it comes to his players and team, Irvin doesn’t believe it impacts them. He doesn’t think there is any added pressure when he proclaims he has the best team.

“I think it gives my kids more confidence,” Irvin said. “I am a players’ coach, and it’s all about instilling confidence in the players. They are going to get that confidence from me. They’re going to run through a brick wall. They’re going to think they can jump 15 feet high — and actually think that — if I keep telling them over and over again. That is my strategy as a coach, to give kids confidence.”

He says he learned that from his late father, Mac Irvin, an iconic name in the Chicago basketball community. Irvin says his dad taught him the importance of motivating players and setting the bar high.

“It’s all about motivation,” Irvin reiterated. “If you watch how all of us coach, my dad, my brothers, myself, it’s all about motivation. It’s about giving these players more confidence.

“This is how I feel about you. No one else may think you’re the best, but I think you’re the best.”

The confidence in this team and in these players shows. In the very early going, it appears they are playing with a chip on their shoulder. They play hard and compete. They play an attacking style. It’s very reminiscent of how Nick Irvin’s Morgan Park teams played.

Nick Irvin still follows Chicago basketball closely from 1,700 miles away, where he’s now on Bobby Hurley’s staff at Arizona State. He especially keeps tabs on Kenwood and had a word with his brother following last weekend’s big win.

“I told him yesterday after the Joliet West win, and I said as long as your players know where you’re coming from that’s all that matters,” Irvin said. “At the end of the day he’s in it for the kids and to help them get noticed and get scholarships. He’s also there to help Kenwood. And as long as his players and principal understand it, that’s all that matters.”

Irvin doesn’t intend to tone anything down. He believes what he believes, and he’s going to let people know. How they take it or whether it bothers them is up to the individual. But Irvin doesn’t want to be mistaken, either.

“I don’t want to rub anyone the wrong way,” Irvin said. “I don’t want people to take it as arrogance. I don’t want people to confuse confidence for arrogance. I don’t want to rub people the wrong way and they mistake it for arrogance. No, it’s confidence. And don’t allow my confidence to offend your insecurity. I’m in my purpose.”

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High school basketball: Kenwood’s Mike Irvin explains his brash, outspoken style Read More »

High school basketball: Kenwood’s Mike Irvin explains his brash, outspoken style

Kenwood has long been lauded as a sleeping giant in Public League basketball.

It appears coach Mike Irvin is the one who is set to awaken it — in more ways than one.

Irvin’s first year as a high school coach was the abbreviated Covid season played without a state tournament. He followed that up last year with Kenwood’s first-ever sectional championship last March. The Broncos’ season ended with a loss to Young in the supersectional.

Now Kenwood and its coach have made the biggest and boldest headlines in this young season.

On opening night the Broncos played a high-profile foe in Young and came away with a win. They added another monster victory in last weekend’s Chicago Elite Classic over a highly-ranked and hyped team, beating Joliet West and the Fears brothers.

With the way this team is constructed — there is Division I talent up and down the roster — and with how it has played, the second-ranked Broncos are unbeaten and nipping on the heels of No. 1 Simeon.

And they’re playing without one of their top players, junior star Chris Riddle, a power-packed 6-5 wing who transferred back to Chicago after spending last season at a prep school. Riddle is expected back soon from injury.

On paper, Irvin has arguably the most talented team in the state, one that is capable of playing in Champaign in March and capturing a state championship. But there is still plenty of basketball to be played. There are minutes to manage and a blending of youth and experience. There is a lot more to learn about this Kenwood team.

“With this team, we are not even close to being there yet in terms of what we can be,” Irvin said. “How much better can we get from December to March? I think it will be scary, especially since we are out there now without Chris Riddle.”

The college-level talent and depth, along with the early-season wins and high ranking, have generated a buzz. But so, too, has Irvin. It’s all made Kenwood basketball newsworthy in the high school basketball world.

Irvin’s own headlines and the buzzworthy news and notes he provides are a result of his actions, both in the flamboyant actions on the bench and in the large and loud words he speaks.

When it comes to the roster, the team was immediately built with an influx of incoming freshmen and some transfers. Irvin is quick to note promising players like juniors Chris Riddle and Calvin Robins, highly-regarded sophomore Aleks Alston and current freshman star Noah Mister walked through the doors as freshmen.

Kenwood basketball coach Mike Irvin looks on from the sidelines of the football game between Morgan Park and Kenwood.

Kirsten Stickney/For the Sun-Times

But in today’s basketball world where transfers have become the norm, it’s bound to happen. And it’s to be expected to some degree.

Kenwood, after all, was considered a sleeping giant for a reason. The academics are strong and the location of the school is opportunistic; the school and, as a result, the basketball program, are attractive and a draw for players and their parents. In a recent survey conducted among city coaches, both current and retired, Kenwood ranked as the third-best basketball coaching job in the Public League.

Add the fact that Irvin has name recognition — he’s the head of the influential Mac Irvin Fire club program and comes from one of the most familiar basketball families in the city — the players were bound to show up.

But Irvin hasn’t been bashful about who he is as a coach and where he believes his team and program are headed.

Some of Irvin’s greatest hits include stating, “We have the best coach in the city, we have the best players in the city and I’m going to show everybody,” following the win over Young. He also doesn’t hide his emotions, beating his chest at center court following the win.

In the closing seconds of the win over Joliet West at UIC last Saturday night, Irvin screamed repeatedly to anyone who would listen, “There is a new sheriff in town.”

In his postgame comments, Irvin had a few more zingers, stating, “They need to understand that I’m a genius at this. I’ve been putting teams together all my life. … We can compete with anyone and we are ready to win the city and state championship.”

Maybe calling Mike Irvin “the Don King of Illinois high school basketball” is a bit too far. But his brother, former Morgan Park coach Nick Irvin, who won four state championships before heading off to the college coaching world, knows his brother is — and always has been — a performer.

“The thing people don’t understand about Mike is that Mike is an entertainer,” Nick said. “He likes to entertain. If he didn’t have a good heart, I would be like, ‘Ahh, Mike, come on.’ But I know him as a brother and I know him as a coach, and I know he means no harm when he says some of those things. He’s doing it for entertainment and entertainment sells tickets. But he has a good heart and doesn’t mean any harm.”

When I told Mike Irvin he reminds me of his brother, the personable and fun Nick Irvin, but Nick Irvin on steroids, he chuckled.

So did Nick Irvin when told the same thing.

“He took what I did and said and bumped it up another level,” Nick said with a laugh.

Basically, Mike Irvin the AAU coach — and all that comes with it in terms of his personality, bravado and brash confidence — has infiltrated high school basketball. What many have seen and heard for years in the spring and summer months in the AAU world is now on full display for everyone in the winter months.

It will often leave basketball fans to simply shake their collective heads in either amusement or disdain.

Yes, Mike Irvin does it a different way. He knows it, has his reasons for it and truly enjoys all that goes into coaching in a specific way that lights up social media while infuriating some. When I mentioned to him some of his quotes and actions aren’t the norm among high school coaches, he simply replied, “I don’t want to be normal.”

“I didn’t come here to coach and not show my personality,” Irvin said. “Coaching brings out my personality, and I love that. I don’t want to be the coach that just sits there.”

He points to the brazen and sometimes over-the-top personality of Deion Sanders as an example and model for him as a coach.

“I love how he coaches and how he does things and what he says to inspire,” Irvin said of the NFL legend turned college football coach. “He makes coaching fun. I don’t want to show up for work, show up for practice and coach in these games like it’s just another day. I want to make it fun and entertaining. That entertainment leads to exposure.”

And at the end of the day the exposure for his kids, he says, is what it’s all about. Anything that brings people to see his team and offers exposure to them is a good thing.

“I love the show,” he admits. “But I am here to help showcase the kids, so there has to be a show to showcase them. I feel like if we can give people a show, that that’s a good way to help get these kids to go to college for free. And that’s what we are trying to do, get them to college.”

But does he believe or fear his loud words put a target on his team’s back? Does he worry it places more pressure on his players? And is there any concern whether others in the basketball industry, including high school coaches, are rubbed the wrong way by his words?

After all, it’s not as if Irvin takes a less-than-subtle way of reminding everyone how good his team is.

When it comes to his players and team, Irvin doesn’t believe it impacts them. He doesn’t think there is any added pressure when he proclaims he has the best team.

“I think it gives my kids more confidence,” Irvin said. “I am a players’ coach, and it’s all about instilling confidence in the players. They are going to get that confidence from me. They’re going to run through a brick wall. They’re going to think they can jump 15 feet high — and actually think that — if I keep telling them over and over again. That is my strategy as a coach, to give kids confidence.”

He says he learned that from his late father, Mac Irvin, an iconic name in the Chicago basketball community. Irvin says his dad taught him the importance of motivating players and setting the bar high.

“It’s all about motivation,” Irvin reiterated. “If you watch how all of us coach, my dad, my brothers, myself, it’s all about motivation. It’s about giving these players more confidence.

“This is how I feel about you. No one else may think you’re the best, but I think you’re the best.”

The confidence in this team and in these players shows. In the very early going, it appears they are playing with a chip on their shoulder. They play hard and compete. They play an attacking style. It’s very reminiscent of how Nick Irvin’s Morgan Park teams played.

Nick Irvin still follows Chicago basketball closely from 1,700 miles away, where he’s now on Bobby Hurley’s staff at Arizona State. He especially keeps tabs on Kenwood and had a word with his brother following last weekend’s big win.

“I told him yesterday after the Joliet West win, and I said as long as your players know where you’re coming from that’s all that matters,” Irvin said. “At the end of the day he’s in it for the kids and to help them get noticed and get scholarships. He’s also there to help Kenwood. And as long as his players and principal understand it, that’s all that matters.”

Irvin doesn’t intend to tone anything down. He believes what he believes, and he’s going to let people know. How they take it or whether it bothers them is up to the individual. But Irvin doesn’t want to be mistaken, either.

“I don’t want to rub anyone the wrong way,” Irvin said. “I don’t want people to take it as arrogance. I don’t want people to confuse confidence for arrogance. I don’t want to rub people the wrong way and they mistake it for arrogance. No, it’s confidence. And don’t allow my confidence to offend your insecurity. I’m in my purpose.”

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Bulls slow start puts the organization in the rumor mill crosshairs

Even wins aren’t very impressive for the Bulls these days.

Barely beating the Bradley Beal-less Wizards on Wednesday in front of the home crowd, doesn’t exactly scream contender.

What it did was keep the Bulls in the rumor mill crosshairs. That’s where underachieving teams usually reside in mid-December, leaving the fan base and media to decipher fact from fiction.

So while the Lakers might be looking to make an impactful trade and have their eyes on the Bulls roster, the feeling wasn’t mutual. According to a source, executive vice president of basketball operations Arturas Karnisovas had no interest in acquiring Russell Westbrook and his expiring contract, even if it meant adding draft picks.

Could that change by the Feb. 9 trade deadline? With Karnisovas, everything is usually on the table. But as of right now, the Bulls were still set on continuing to monitor the rehabilitation of Lonzo Ball and his surgically-repaired knee in hopes of his return giving them a glimpse of what this team will look like whole.

A glimpse that could carry a lot of weight on how much belief they want to keep in this roster.

The issue? Ball still hasn’t even started running, cutting or jumping – all pretty important steps to take in playing in an NBA game.

It’s a time crunch and also a test of patience.

Karnisovas has proven to be very deliberate in the way he handles his business, so playing the waiting game was in his wheelhouse.

If Ball, however, can’t return this season – or at least by the deadline – and the Bulls continue to underachieve, deliberate can become aggressive very quickly.

Karnisovas set the bar at reaching the second round of the playoffs back in the preseason, and there’s no backing down from those expectations now.

The unknown is would that take a tweak or an all-out blockbuster to get done? Here’s some players and teams to monitor:

Jae Crowder – PF – With an expiring $10-million contract and the Suns waiting for the best offer to move the veteran, Crowder would be the perfect mentor for Patrick Williams and the toughness this starting unit has lacked the last two seasons.

The problem was there’s more than a handful of contending teams that will be in on Crowder, and have better assets to give than the Bulls. A package that would include a Coby White wouldn’t move the needle.

Myles Turner – C – The Pacers have been looking to move Turner since last season, but have been very adamant in getting players and draft capital in return. That’s where the Bulls fall very short. Does Nikola Vucevic for Turner work from a money standpoint? Sure, but the Pacers would never send one expiring contract for another, and not have draft picks included.

Like a Crowder deal, there’s just teams with more to offer than the Bulls.

Atlanta – Like the Bulls, the Hawks have been muddling through the first third of the regular season, and have done so with growing issues. Trae Young could be developing into a problem child, while power forward John Collins always seems to be a trade candidate.

Would Karnisovas even entertain a blockbuster package of max contracts, sending Zach LaVine to Atlanta for Young? LaVine and Dejounte Murray do share Seattle roots, while Young would give the Bulls a legit high-volume three-point shooter.

This would seem more fantasy basketball league than reality, however.

New York – The Knicks want to make a splash, have young talent – see Cam Reddish – and draft capital to give. Would a DeMar DeRozan or a LaVine deal play well in the Garden? Absolutely, but that would mean that Karnisovas would have to feel this Bulls roster has hit rock bottom. It’s not even close to that yet.

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