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High school basketball: Aurora Christian honors Davidson family in emotional ceremony

Aurora Christian’s game against Chicago Christian earlier this month was a night of celebration. But it was also one that brought a whole lot of emotion.

Just before the game, the school and basketball program recognized the first family of Aurora Christian basketball: the Davidsons.

Aurora Christian basketball coach and athletic director Dan Beebe stood at a podium and introduced Marc Davidson as the first inductee of the newly-formed Aurora Christian Hall of Fame.

Beebe read through the accomplishments of the former all-stater: the stats and records, the leadership and faith, and his courage in battling cancer.

Davidson, who played two years for Lou Henson at Illinois before finishing his career at Trinity International where he was a NAIA All-American and had his number retired, lost his battle with cancer last May at the age of 49.

Beebe highlighted Davidson’s achievements as a player and high school coach, which included eight professional seasons in France out of college and most recently coaching Blackhawk Christian in Fort Wayne, Indiana, to state titles in 2019 and 2021. Just as Beebe concluded his speech a banner was unfurled from the rafters with Marc Davidson’s name and favorite bible verse: Colossians 3:23.

“It was a really powerful moment,” said Matt Davidson, Marc’s older brother and a 1989 Aurora Christian graduate.

Beebe, who said he purposely avoided looking at the Davidson family during his speech to help keep his own emotions in check, said there was an “electrifying atmosphere and buzz in the gym.”

Following a standing ovation, Beebe then announced the inaugural Hall of Fame class would also include Don Davidson, the legendary coach who started the Aurora Christian program, and Matt Davidson, a star player in the late 1980s.

“Don Davidson started athletics at Aurora Christian and both Matt and Marc put Aurora Christian on the map,” Beebe said. “We wanted to honor Marc in a way that is meaningful, with a long-lasting impact on the family. We decided what better way than Marc being our initial Hall of Fame inductee?”

Beebe, who took over the program in 2010, says the impact and affect the Davidson family has had on Aurora Christian “is immeasurable.” The words in describing the influence Don Davidson and his two sons had on Aurora Christian barely do it justice.

“I don’t even know how you would measure it,” Beebe said. “The impact Don Davidson alone has had on the school and the people that have walked those hallways is impossible to quantify.”

Don Davidson, an IBCA Hall of Famer, started up the Aurora Christian basketball program in the late 1970s. Over three decades he turned the program from a start-up to one of the most successful small school programs in the state.

Davidson won 549 games in 31 seasons at Aurora Christian, including two trips to the Elite Eight where the Eagles finished fourth in 1990 and as a state runner-up in 1995. He finished his coaching career, which included stops at Yorkville and Parkview Christian in Yorkville, with 723 career wins.

While he retired from coaching following the 2019-20 season, Don Davidson still teaches at Parkview Christian every day at the age of 77.

As Don Davidson took in everything Friday night, there were a wave of emotions as three decades worth of memories at Aurora Christian came flooding back, including those years coaching his two sons.

“The heaviest emotion came those weeks and that first month after Marc died, but things like this do bring it all back,” Don Davidson said. “It was a very emotional night. So many thoughts were running through my head.

“But as I listened, throughout the ceremony, I just thought about all those days we were all together.”

He also thought about the evolution of the program, building it, sustaining it and all that went into it over three decades.

“I was thinking about those first few years where we didn’t have a whole lot of players or athletes in the school,” Don Davidson said. “Then Matt and Marc, along with their friends and teammates, came along and had success which then inspired other kids in the program. Then there were the younger ones who wanted to be like them and be a part of it and do what they saw them do.”

Matt Davidson, who has been superintendent at Timothy Christian for the past 13 years, said the family has been a part of several ceremonies and memorials honoring his late brother. This one was different.

Aurora Christian coach Don Davidson, right, gives direction to Andrew Smith during their supersectional game against Bureau Valley in 2000.

“First, Dan Beebe did a wonderful job with his speech and capturing all that Marc meant,” Matt Davidson said. “And having so many people back from yesteryear was really neat. But this was probably the best ceremony or memorial — and we’ve been to several since Marc passed — because we were all a part of it and shared in it together.”

Matt said because of that — honoring and recognizing all three Davidsons — there was less crying and sadness during Friday night’s ceremony than previous ones that solely focused on his late brother.

“Those were all about Marc, so there were a lot of tears and a whole lot of getting choked up,” Matt said. “This one brought us all together, with dad and I also a part of the same ceremony. There weren’t as many tears.”

Marc Davidson was dealt a harsh hand. He was diagnosed with renal epithelioid angiomyolipoma, a rare form of cancer, in October of 2020. But his faith was steadfast, unwavering.

He continued to coach while taking on the very aggressive cancer. He rarely ever missed a practice and missed only one game during his cancer fight. And just as he was before the cancer, he was a state championship coach after the diagnosis.

Marc Davidson led Blackhawk Christian to an Indiana state championship in 2019 behind Purdue recruit Caleb Furst. His son, Frank Davidson, one of seven Davidson children of Marc and his wife, Lisa, had a big season and went for 20 points and 12 rebounds in the state championship game.

The pandemic wiped out the 2020 state tournament in Indiana, but Blackhawk Christian and Davidson won their second title in 2021 with two more sons, senior Marcus in the starting lineup and sophomore Jimmy on the bench.

Over the years both Don Davidson and Marc Davidson, with all their successful seasons as coaches, would together remind anyone who asked what success truly looked like and how it was determined.

“What I have said — and I know Marc always said this as a coach when asked how was your season — is we’ll wait 15 or 20 years and see what kind of success we had,” Don said of their joint reflection on success. “We will see what kind of men, husbands and fathers they become and then we will see how successful we were.”

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High school basketball: Aurora Christian honors Davidson family in emotional ceremony Read More »

Cubs add catching depth, sign Luis Torrens to minor-league deal with spring training invite

The Cubs bolstered their catching depth by signing catcher Luis Torrens to a minor-league contract with a spring training invitation, a deal the club announced Thursday.

Torrens’ offensive production slipped this past season, his OPS dropping from .730 in 2021 to .581 last year. The Mariners non-tendered him in November, but their president of baseball operations, Jerry Dipoto, told reporters then that the club would extend Torrens a non-roster invite to spring training if he didn’t sign with another team.

Since then, Torrens has put together a strong showing in the Venezuelan Winter League, slashing .387/.484/.600.

The Cubs already have their regular starting catchers, with Yan Gomes entering the second year of his contract and Tucker Barnhart signing this winter. But the club also knows the importance of depth at the position. Two years ago, the Cubs cycled through eight backup catchers in one season.

Torrens is the most proven of the group behind Gomes and Barnhart. The Cubs also signed Dom Nu?ez to a minor-league deal with a spring training invite earlier this month.

Prospect Miguel Amaya is working back from a Lisfranc fracture in his left foot, which he sustained as he was coming back from Tommy John surgery. But president of baseball operations Jed Hoyer said a couple weeks ago that Amaya was on track to be fully cleared by the end of March.

The Cubs lost backup catcher PJ Higgins to free agency after designating him for assignment to make room for Barnhart on the roster in late December. Higgins cleared waivers but rejected his outright assignment to Triple-A Iowa. He signed a minor-league deal with the Diamondbacks last week.

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Cubs add catching depth, sign Luis Torrens to minor-league deal with spring training invite Read More »

Dan O’Conor, the Great Lake Jumper

Dan O’Conor is best known as the Great Lake Jumper, but he’s also a Chicago-based artist and owns T-shirt company Dtox Designs. Raised in the north suburbs, O’Conor began going to concerts in the city in the early 80s, and his passion for live music led him to a career in the music and media industry. Over the years he’s worked for Spin, Grooveshark, Chris Schuba’s long-running national ad-sales firm, and others. 

During lockdown O’Conor rode his bike from Lincoln Square to Lake Michigan and jumped in. It felt so good that he came back and did it again. And again. Eventually, his morning jumps became a local phenomenon, especially as local musicians—among them Jon Langford, Mucca Pazza, and Mute Duo—joined him by the lake to play a song or two, helping raise money for O’Conor’s organization of choice, the Chicago Independent Venue League (CIVL).

Lockdown is long over, but O’Conor is still making daily treks to the lake. He likes to wear the Motörhead shorts he got at a concert years ago, and before he jumps in, he shares bits of music trivia from his enormous record collection. This summer, he’ll reach his third anniversary as the Great Lake Jumper. I caught up with O’Conor between jumps to find out more.

As told to Jamie Ludwig

When I started jumping in the lake during the pandemic, it had nothing to do with music. It was just that I was hungover, and my wife wanted me out of the house. I went to the lake, jumped in, and it felt good. With the politics and protests and the pandemic, it felt like something positive I could do to clear my mind. It just felt good. I could go down to the lake, have a 20-minute ride down there, listen to my music with no commercials, no other static, just me and my bike.

I wasn’t videotaping the jumps at first, because I couldn’t figure out how to record while playing music, so I just chose to play the music. I was wearing the Motörhead shorts I’d gotten at South by Southwest years before. On the SpongeBob soundtrack, there’s a Motörhead song called “You Better Swim,” so I was trying to figure out a way to soundtrack a jump, but I don’t think I’ve ever figured it out. 

My friend tipped off Block Club that this guy from Lincoln Square had been jumping in the lake for 150 straight days. That’s when WGN Radio and reporters started interviewing me, and they’re like, “When are you going to stop this? You can’t possibly go through the winter.” I had no plans to go through the winter. But why not? 

It was [January 2021], and my wife suggested that I have bands and artists serenade me as I jumped into the lake, which sounded like a strange idea. But I love Jon Langford, and so I asked him, and he said, “Sure.” He had this [Mekons] song from, like, 1985, called “Shanty”—a sea shanty that somehow got on TikTok and had gone viral. So he came out and sang that, and it was wonderful. I started inviting other musicians, and that’s kind of where it took off. There were no stages to play—I think for these artists to come down and play one or two songs, it kind of gave them a stage or venue.

we serenaded the #greatlakejumper @therealdtox with a song from the Wasteland Radio New Archives— pic.twitter.com/ALJrxhwGCS

— AIR CREDITS (@AIR_CREDITS)

February 22, 2021

Air Credits perform for Dan O’Conor in February 2021 as he climbs into a hole he cut into lake ice with a shovel.

I started having people ask me how they could donate to support me, but it wasn’t about me. The venues were the first to close and the last to reopen [during the pandemic]. So on WGN, I announced, “Hey, anyone that wants to donate, please donate to CIVL.” I think that helped the momentum. I’d invite an artist, and their friends would reach out and say, “Hey, I saw Lawrence Peters played for you. Can I play for you?” Ninety percent of that was over Instagram or Twitter DM. I had a little pitch written out saying, “Hey, this is why I’m doing it. I’d love to have you out.” 

From that January to June, I had four to five artists a week. But I was a moving target. I never knew when I was going to be there, because I was driving a bus at the time. I was driving a limo and juggling whatever stuff I had with the kids. It’s amazing that all of these artists showed up. Weekends were easier, because there were less conflicts. So that’s when I’d try to spread the word on Twitter and Instagram. 

I got mostly positive feedback from the artists, and I think there was a certain amount of, “I’m a musician, and I haven’t performed.” Even if it was in front of 20 people, that’s a buzz. Also around that time, there were several music photographers who started coming out. Ministry’s photographer, Derick Smith, and I became friends during the pandemic because he started shooting me out there. 

By March, I was like, “I’m over the hump. I’m going to have a party on day 365.” The night before that, they relaxed capacity restrictions. My buddy cooked 60 pounds of pulled pork, another one donated 50 pounds of sausage. We went through the pork in two hours. It just turned into something a lot bigger. I had wanted to aim high, so I asked Jeff Tweedy to come out, and he said, “Yeah, I’ll be there.” So that was amazing in its own right. I asked Steve Albini; the last band I had seen before the pandemic was his band Shellac. And Jon Langford came out. And that was really cool, because he was the first artist [to play the jumps] and kind of the last. By the time he got there, it was raining buckets. And there were two ten-by-ten tents. He stood on a cooler in a tent and played four songs—it was really special.

Day 365- Jeff Tweedy #greatlakejumper @civl pic.twitter.com/aZpJrKl4wz

— Great Lake Jumper (@TheRealDtox)

June 13, 2021

Jeff Tweedy plays along as Dan O’Conor makes his 365th consecutive daily jump in June 2021.

I took a family vacation that July. So I was like, “OK, what can I do on the way out?” So I did two of the Great Lakes on the way out to Massachusetts—I jumped in Lake Erie in Buffalo, New York, and then I jumped in Lake Ontario in Rochester, New York. And I did a bunch of stuff in Massachusetts and Rhode Island, and then I came back. 

[Jumping in the lake] just continues to feel good. I still get that cleansing feeling. It’s a great way to start the day. It did become easier when they opened the lakefront. Now I can drive my car out. I’ve needed a shovel at times to break the ice, though I really haven’t had to use the shovel much this year so far. I also started wearing water shoes, because my feet were all beat up from 800 days of jumping off the cement. My wife got me some foot balm for Christmas, and it’s amazing. I also have a flotation coat that I wear some days, when it’s rough, to keep me afloat. I know that it’s a dangerous situation, especially during the winter. You’ve got to get down there and block everything else out, and get in the water and get back to the ladder. 

It’s really been a huge positive impact in my life. I was depressed during the pandemic, and when I started this I realized I could go down [to the lake] and find a little Zen and a little peace. And I love Lake Michigan. I just asked my Web guy to update my website, because I’m going to have a third annual party this summer. In October, I went up to Lake Superior and Lake Huron to complete the Great Lakes. And last summer, when we were in Massachusetts, I did the six New England states in one day—I jumped in a river, a pond, a lake, and the ocean. I’m not going out chasing artists anymore, but if someone wants to come play for me, I’m happy to host. 

Dan O’Conor Credit: Derick Smith

About a year ago, I started thinking it was getting boring for people just seeing me, the guy in the Motörhead shorts, jump in the lake. I happened to be wearing my “A Boy Named Sue” shirt, which had something to do with Shel Silverstein—Johnny Cash made that song famous, but it was written by Shel Silverstein, who’s a Chicagoan. So I dedicated the jump to Shel Silverstein that day.

I wanted to tie in my albums—just because I think the visual of a big album is way better than a CD. Ninety percent of the time, it’s the day of or the night before, and I’m just googling what happened that day in music and trying to find something that I have some vinyl for, whether it’s my dad’s Frank Sinatra 78s or my older siblings’ Beatles or Stones records. Most of the stuff is not really about me, though I’ve done a few—like I used my Johnny Cash ticket stub as a visual because I’d gotten a guitar pick at the show, and when I flipped the ticket over the guitar pick was on the back. 

I try to keep it short. There were three women who jumped in with me today. They reached out through Instagram, like, “Hey, we’ve been wanting to jump in. Is tomorrow OK?” I’m always all for it. It’s a big lake—you won’t get in my way. It’s always fun to see others have that excitement of that bone-chilling cold and that endorphin rush. 

I brought out a Rod Stewart record. I find it hard to believe, but he has the Guinness world record [for the biggest crowd at a free concert] for playing for 4.2 million people on Copacabana Beach in Rio in New Year’s ’94. I couldn’t spit all that out, so I just mentioned that he had 32 solo records. Which is an incredible amount of records. When you look up music trivia, there’s Beatles and Elvis stuff almost every day, because those two have been documented as much as anyone, but I try to mix it up and bring something new. 

Tues January 10,2023 #Chicago …40 Degree Air & 35 Degree Water #GreatLakeJumper #LakeMichigan Dedicated to Sir Rod Stewart -Happy 78th Birthday @rodstewart @RodStewartFC @RodStewartSong @RodStewartLive @martylennartz @robertloerzel @LinBrehmer pic.twitter.com/WRMrATravD

— Great Lake Jumper (@TheRealDtox)

January 10, 2023

Dan O’Conor dedicates a jump to Rod Stewart on January 10, 2023.

[Now that venues are open,] it’s always nice to see a musician who came and played for me. I get recognized a little bit more, though it’s mostly by my joker friends, who haven’t seen me in a while. I see them at the show, and they have a new nickname for me. 

Music takes you to a time and place. It’s very subjective. Someone’s favorite show might be another person’s worst show. And you can bond with someone over these amazing shows. But to bring it back [to the venues], I think it’s like, “Hey, I was there. I had an incredible time, and I wouldn’t have had that without that venue being open.” So I think people are very supportive of their favorite venues, and for live music fans, I think this is an amazing time.


Why won’t City Hall fight for Chicago’s homegrown music scene?

The Chicago Independent Venue League shouldn’t have to push back against the Live Nation handouts in the Lincoln Yards development—but the city doesn’t protect its own treasures.


Keep reading


Chicago music venues lean on grassroots fundraisers as they wait for federal aid

COVID relief grants are taking their time arriving, but the compilation Situation Chicago 2 benefits CIVL’s SAVE Emergency Relief Fund right now.


Keep reading


Music workers’ jobs disappeared, but their bills didn’t

With federal aid to venues only now arriving, how are tour managers, stagehands, bookers, and their colleagues in the concert business making ends meet?


Keep reading


Billy Helmkamp, co-owner of the Whistler and Sleeping Village

“This is gonna devastate our industry. We were the first to close; we’re gonna be the last to reopen. A lot of venues aren’t gonna make it.”


Keep reading


Read More

Dan O’Conor, the Great Lake Jumper Read More »

Dan O’Conor, the Great Lake Jumper

Dan O’Conor is best known as the Great Lake Jumper, but he’s also a Chicago-based artist and owns T-shirt company Dtox Designs. Raised in the north suburbs, O’Conor began going to concerts in the city in the early 80s, and his passion for live music led him to a career in the music and media industry. Over the years he’s worked for Spin, Grooveshark, Chris Schuba’s long-running national ad-sales firm, and others. 

During lockdown O’Conor rode his bike from Lincoln Square to Lake Michigan and jumped in. It felt so good that he came back and did it again. And again. Eventually, his morning jumps became a local phenomenon, especially as local musicians—among them Jon Langford, Mucca Pazza, and Mute Duo—joined him by the lake to play a song or two, helping raise money for O’Conor’s organization of choice, the Chicago Independent Venue League (CIVL).

Lockdown is long over, but O’Conor is still making daily treks to the lake. He likes to wear the Motörhead shorts he got at a concert years ago, and before he jumps in, he shares bits of music trivia from his enormous record collection. This summer, he’ll reach his third anniversary as the Great Lake Jumper. I caught up with O’Conor between jumps to find out more.

As told to Jamie Ludwig

When I started jumping in the lake during the pandemic, it had nothing to do with music. It was just that I was hungover, and my wife wanted me out of the house. I went to the lake, jumped in, and it felt good. With the politics and protests and the pandemic, it felt like something positive I could do to clear my mind. It just felt good. I could go down to the lake, have a 20-minute ride down there, listen to my music with no commercials, no other static, just me and my bike.

I wasn’t videotaping the jumps at first, because I couldn’t figure out how to record while playing music, so I just chose to play the music. I was wearing the Motörhead shorts I’d gotten at South by Southwest years before. On the SpongeBob soundtrack, there’s a Motörhead song called “You Better Swim,” so I was trying to figure out a way to soundtrack a jump, but I don’t think I’ve ever figured it out. 

My friend tipped off Block Club that this guy from Lincoln Square had been jumping in the lake for 150 straight days. That’s when WGN Radio and reporters started interviewing me, and they’re like, “When are you going to stop this? You can’t possibly go through the winter.” I had no plans to go through the winter. But why not? 

It was [January 2021], and my wife suggested that I have bands and artists serenade me as I jumped into the lake, which sounded like a strange idea. But I love Jon Langford, and so I asked him, and he said, “Sure.” He had this [Mekons] song from, like, 1985, called “Shanty”—a sea shanty that somehow got on TikTok and had gone viral. So he came out and sang that, and it was wonderful. I started inviting other musicians, and that’s kind of where it took off. There were no stages to play—I think for these artists to come down and play one or two songs, it kind of gave them a stage or venue.

we serenaded the #greatlakejumper @therealdtox with a song from the Wasteland Radio New Archives— pic.twitter.com/ALJrxhwGCS

— AIR CREDITS (@AIR_CREDITS)

February 22, 2021

Air Credits perform for Dan O’Conor in February 2021 as he climbs into a hole he cut into lake ice with a shovel.

I started having people ask me how they could donate to support me, but it wasn’t about me. The venues were the first to close and the last to reopen [during the pandemic]. So on WGN, I announced, “Hey, anyone that wants to donate, please donate to CIVL.” I think that helped the momentum. I’d invite an artist, and their friends would reach out and say, “Hey, I saw Lawrence Peters played for you. Can I play for you?” Ninety percent of that was over Instagram or Twitter DM. I had a little pitch written out saying, “Hey, this is why I’m doing it. I’d love to have you out.” 

From that January to June, I had four to five artists a week. But I was a moving target. I never knew when I was going to be there, because I was driving a bus at the time. I was driving a limo and juggling whatever stuff I had with the kids. It’s amazing that all of these artists showed up. Weekends were easier, because there were less conflicts. So that’s when I’d try to spread the word on Twitter and Instagram. 

I got mostly positive feedback from the artists, and I think there was a certain amount of, “I’m a musician, and I haven’t performed.” Even if it was in front of 20 people, that’s a buzz. Also around that time, there were several music photographers who started coming out. Ministry’s photographer, Derick Smith, and I became friends during the pandemic because he started shooting me out there. 

By March, I was like, “I’m over the hump. I’m going to have a party on day 365.” The night before that, they relaxed capacity restrictions. My buddy cooked 60 pounds of pulled pork, another one donated 50 pounds of sausage. We went through the pork in two hours. It just turned into something a lot bigger. I had wanted to aim high, so I asked Jeff Tweedy to come out, and he said, “Yeah, I’ll be there.” So that was amazing in its own right. I asked Steve Albini; the last band I had seen before the pandemic was his band Shellac. And Jon Langford came out. And that was really cool, because he was the first artist [to play the jumps] and kind of the last. By the time he got there, it was raining buckets. And there were two ten-by-ten tents. He stood on a cooler in a tent and played four songs—it was really special.

Day 365- Jeff Tweedy #greatlakejumper @civl pic.twitter.com/aZpJrKl4wz

— Great Lake Jumper (@TheRealDtox)

June 13, 2021

Jeff Tweedy plays along as Dan O’Conor makes his 365th consecutive daily jump in June 2021.

I took a family vacation that July. So I was like, “OK, what can I do on the way out?” So I did two of the Great Lakes on the way out to Massachusetts—I jumped in Lake Erie in Buffalo, New York, and then I jumped in Lake Ontario in Rochester, New York. And I did a bunch of stuff in Massachusetts and Rhode Island, and then I came back. 

[Jumping in the lake] just continues to feel good. I still get that cleansing feeling. It’s a great way to start the day. It did become easier when they opened the lakefront. Now I can drive my car out. I’ve needed a shovel at times to break the ice, though I really haven’t had to use the shovel much this year so far. I also started wearing water shoes, because my feet were all beat up from 800 days of jumping off the cement. My wife got me some foot balm for Christmas, and it’s amazing. I also have a flotation coat that I wear some days, when it’s rough, to keep me afloat. I know that it’s a dangerous situation, especially during the winter. You’ve got to get down there and block everything else out, and get in the water and get back to the ladder. 

It’s really been a huge positive impact in my life. I was depressed during the pandemic, and when I started this I realized I could go down [to the lake] and find a little Zen and a little peace. And I love Lake Michigan. I just asked my Web guy to update my website, because I’m going to have a third annual party this summer. In October, I went up to Lake Superior and Lake Huron to complete the Great Lakes. And last summer, when we were in Massachusetts, I did the six New England states in one day—I jumped in a river, a pond, a lake, and the ocean. I’m not going out chasing artists anymore, but if someone wants to come play for me, I’m happy to host. 

Dan O’Conor Credit: Derick Smith

About a year ago, I started thinking it was getting boring for people just seeing me, the guy in the Motörhead shorts, jump in the lake. I happened to be wearing my “A Boy Named Sue” shirt, which had something to do with Shel Silverstein—Johnny Cash made that song famous, but it was written by Shel Silverstein, who’s a Chicagoan. So I dedicated the jump to Shel Silverstein that day.

I wanted to tie in my albums—just because I think the visual of a big album is way better than a CD. Ninety percent of the time, it’s the day of or the night before, and I’m just googling what happened that day in music and trying to find something that I have some vinyl for, whether it’s my dad’s Frank Sinatra 78s or my older siblings’ Beatles or Stones records. Most of the stuff is not really about me, though I’ve done a few—like I used my Johnny Cash ticket stub as a visual because I’d gotten a guitar pick at the show, and when I flipped the ticket over the guitar pick was on the back. 

I try to keep it short. There were three women who jumped in with me today. They reached out through Instagram, like, “Hey, we’ve been wanting to jump in. Is tomorrow OK?” I’m always all for it. It’s a big lake—you won’t get in my way. It’s always fun to see others have that excitement of that bone-chilling cold and that endorphin rush. 

I brought out a Rod Stewart record. I find it hard to believe, but he has the Guinness world record [for the biggest crowd at a free concert] for playing for 4.2 million people on Copacabana Beach in Rio in New Year’s ’94. I couldn’t spit all that out, so I just mentioned that he had 32 solo records. Which is an incredible amount of records. When you look up music trivia, there’s Beatles and Elvis stuff almost every day, because those two have been documented as much as anyone, but I try to mix it up and bring something new. 

Tues January 10,2023 #Chicago …40 Degree Air & 35 Degree Water #GreatLakeJumper #LakeMichigan Dedicated to Sir Rod Stewart -Happy 78th Birthday @rodstewart @RodStewartFC @RodStewartSong @RodStewartLive @martylennartz @robertloerzel @LinBrehmer pic.twitter.com/WRMrATravD

— Great Lake Jumper (@TheRealDtox)

January 10, 2023

Dan O’Conor dedicates a jump to Rod Stewart on January 10, 2023.

[Now that venues are open,] it’s always nice to see a musician who came and played for me. I get recognized a little bit more, though it’s mostly by my joker friends, who haven’t seen me in a while. I see them at the show, and they have a new nickname for me. 

Music takes you to a time and place. It’s very subjective. Someone’s favorite show might be another person’s worst show. And you can bond with someone over these amazing shows. But to bring it back [to the venues], I think it’s like, “Hey, I was there. I had an incredible time, and I wouldn’t have had that without that venue being open.” So I think people are very supportive of their favorite venues, and for live music fans, I think this is an amazing time.


Why won’t City Hall fight for Chicago’s homegrown music scene?

The Chicago Independent Venue League shouldn’t have to push back against the Live Nation handouts in the Lincoln Yards development—but the city doesn’t protect its own treasures.


Keep reading


Chicago music venues lean on grassroots fundraisers as they wait for federal aid

COVID relief grants are taking their time arriving, but the compilation Situation Chicago 2 benefits CIVL’s SAVE Emergency Relief Fund right now.


Keep reading


Music workers’ jobs disappeared, but their bills didn’t

With federal aid to venues only now arriving, how are tour managers, stagehands, bookers, and their colleagues in the concert business making ends meet?


Keep reading


Billy Helmkamp, co-owner of the Whistler and Sleeping Village

“This is gonna devastate our industry. We were the first to close; we’re gonna be the last to reopen. A lot of venues aren’t gonna make it.”


Keep reading


Read More

Dan O’Conor, the Great Lake Jumper Read More »

White Sox’ Yo?n Moncada, Luis Robert among MLB players selected for Cuban national team

HAVANA — The White Sox’ Yo?n Moncada and Luis Robert are among the players signed with Major League Baseball organizations and other foreign clubs who will for the first time join domestic stars on the Cuban national team, officials announced Wednesday evening. The team will play in this year’s World Baseball Classic.

The Cuban Baseball Federation long defended the idea of amateurism and punished those who left the island to seek their fortunes in professional baseball.

But that changed when a program on state television announced the roster of 30 players for Cuba’s national team that will play in the international tournament that begins March 8 in Taiwan.

In addition to third baseman Moncada and center fielder Robert, three players from Triple-A rosters were selected: infielder Andy Ib??ez of the Detroit Tigers’ Toledo Mud Hens, right-hander Miguel Romero of the Oakland Athletics’ Las Vegas Aviators and right-hander Ronald Bola?os of the Kansas City Royals’ Omaha Storm Chasers.

Moncada and Robert will be absent from parts of spring training to participate.

“In the end, we all want what’s best for Major League Baseball,” general manager Rick Hahn said this month. “We’ve all seen the excitement and the energy, the attention that brings to baseball from the World Baseball Classic. So we all support it.”

New manager Pedro Grifol views the players’ participation as motivators for them to arrive at camp in good shape and a good experience playing under pressure.

“Selfishly, in a manager’s first year, you don’t love the idea of him having full-time access — or primarily a new coaching staff having full-time access for those six, seven weeks,” Hahn said. “But in the end, the more important thing is the advancement of the game on a global basis, and we will obviously play our part in whatever we need to do to help. It’s a nice testament to the organization that we do have so many players who are participating.”

Eloy Jimenez is playing for the Dominican Republic and Tim Anderson and Lance Lynn for the U.S.

“Only two of [the teams] can go all the way, so we’ll get some guys back over the course of the first few weeks and just meet that challenge accordingly,” Hahn said.

Also on the team will be former New York Mets outfielder Yoenis C?spedes, a 37-year-old two-time All-Star who last played in the major leagues in 2018.

Two Cubans who play in Japan were picked, outfielder Yurisbel Gracial of the Pacific League’s Fukuoka SoftBank Hawks and catcher Ariel Mart?nez of the Central League’s Chunichi Dragons.

To arrange participation of the MLB players, Cuba had to get special permission from the United States because Washington maintains sanctions on Cuba. Under the agreement, those players are barred from coming to Cuba to work with the team.

Baseball is the national sport in Cuba but economic difficulties, the philosophy of restricting the movement of athletes and the temptations of professional contracts abroad has decimated the game on the island.

Contributing: Daryl Van Schouwen

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High school football: Portal opens door to Illini for Glenbrook North’s Patrick Mahoney

The rise of the transfer portal in college football has been the bane of many high school prospects’ existence.

Most college coaches, impatient in a win-now world, jump at the chance to fill a roster spot with a proven college player rather than a prep prospect.

That’s bad news for high school players who aren’t four- or five-star prospects — which is obviously most of them.

But there are exceptions such as Glenbrook North long snapper Patrick Mahoney, whose recent commitment to Illinois actually was facilitated by the portal.

“Obviously, being a specialist, everything is kind of weird,” said Mahoney, a 6-2, 205-pound senior. “So I knew everything was going to happen pretty late.”

He was talking to schools anywhere from NCAA Division I to Division III, where he could double as an offensive lineman and long snapper. Then, fate dealt him a winning hand.

Greg Froelich, a special teams analyst at Illinois the past two seasons, left to become special teams coordinator and running backs coach at Charlotte. Going along with him via the portal was Illini long snapper Nico Crawford.

“So that kind of opened it up for me at Illinois and I reconnected with them after their bowl game,” Mahoney said. “It’s funny because the whole time I kind of felt like the transfer portal was gonna hurt me. But it ended up really helping me.”

What makes the scenario even better is Mahoney liked Champaign as a destination no matter what.

“Illinois was a place I wanted to go regardless of football,” he said. “My state school, I really like what their College of Media has to offer. As somebody who wants to be a broadcasting major, I think that their program is really enticing.”

He felt similarly about long snapping after taking over the job during his sophomore year at Glenbrook North when the incumbent was sidelined by injury. He went to a camp at Maine South in the spring of 2021 and had an epiphany: “That’s when I started working really hard towards — ‘I think this is my best option for playing elite level football.'”

Mahoney played basketball, baseball and football growing up. But he really fell in love with the latter sport when his dad Pat was athletic director at Loyola and Patrick was a ball boy for the Ramblers.

That’s also when he first starting long snapping at a camp. His teacher was John Shannon, the Loyola grad who went on to win the 2019 Patrick Mannelly Award as the nation’s top long snapper at Notre Dame.

Now Mahoney gets the chance to be a Power Five long snapper himself. And he owes it all to the portal.

Christian Bentancur picks Clemson

Marian Central tight end Christian Bentancur, the No. 3 junior in Illinois in the 247Sports composite rankings, committed to Clemson earlier this month.The Tigers rarely venture to Chicago to recruit. But Bentancur was too good not to chase, according to Rivals analyst Clint Cosgrove.”At the tight end position there’s so few guys that are of that elite caliber,” Cosgrove said of the 6-5, 240-pounder. “He’s got high level of athleticism and ball skills.”

Offers pile up for Marquise Lightfoot

Recruiting is heating up for Kenwood edge rusher Marquise Lightfoot, the No. 6 Illinois junior. The 6-5, 215-pounder recently added offers from Ohio State, Miami and Wisconsin.Cosgrove sees a high ceiling for Lightfoot as he gets bigger and stronger.”It’s kind of like watching a baby giraffe growing into that body,” Cosgrove said. “Great length, extremely athletic, great kid.”Lightfoot, whose stock rose after he won defensive MVP honors at an elite prospects in Atlanta, has more than 30 offers.”He’s a kid who could wind up being a five-star [prospect],” Cosgrove said.

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The afterlives of Lawrence Steger

“What could be worse than not finding the right story?”

Lawrence Steger, a Chicago performance artist, stated those words to audiences in his final performance work, Draft (1998). The same sentiment infuses the lively spirit of Gallery 400’s “Reckless Rolodex,”the first comprehensive retrospective of Steger’s massive body of work. Where else could one find a fruit cake, the death of Elizabeth Taylor, and mattresses bent and broken by storms of flesh? Steger’s artistic legacy not only tells these stories but explains how truth tends to live in the corners of life that closely resemble fiction.

The show’s title is both inspired by one of Steger’s performances and a descriptor of the exhibition’s structure; the show features a muscular lineup of artists responding to Steger’s work and impact on late 20th-century art history. The exhibition includes work by Devin T. Mays, John Neff, Betsy Odom, Derrick Woods-Morrow, Cherrie Yu and a performance series.

Betsy Odom, Wusthoff Knives, 2013, carved graphite, fur. 14 x 10 in.Courtesy the artist

Curated by Matthew Goulish, Lin Hixson, and Caroline Picard, “Rolodex” does something extraordinary in its examination of Steger’s brief life, one taken by complications from the AIDS virus. The exhibition imparts urgency and impresses intimacy upon Steger’s legacy and honors the artistic communities that continued in his absence. There is a type of magic that occurs when one is dislocated in time and place. It is in these moments that one can join something bigger than the self. This magic is what “Rolodex” offers viewers. 

“Reckless Rolodex”Through 3/18: Tue-Fri 10 AM-5 PM, Sat noon-5 PM, Gallery 400, 400 S. Peoria, gallery400.uic.edu

In Performance: the mortal passions of Lawrence Steger

The summer before last, on the day Lawrence Steger’s performance piece The Swans (re-mix) was scheduled to open, the show’s writer, director, and star lay gasping for breath in a tuberculosis isolation ward at Northwestern Memorial Hospital. He hadn’t mounted an evening-length piece for nearly five years, and he’d spent almost a year developing this…


We keep us safe

This exhibition is a much needed reminder of our interconnectedness in the face of the toxic individualism touted by much of contemporary American culture. It explores the increasing overlaps between artistic practice, mutual aid, and political activism. The title, “For Each Other,” references the ways the included artists “consider care in their work and in…

Brilliant Demise

The Swans Lawrence Steger at Randolph Street Gallery, through July 1 The 14th trump card in the modern tarot deck depicts the Angel of Temperance. She holds a gold cup, the conscious, in one hand and a silver cup, the unconscious, in the other. With an expression of utter serenity, she pours water from one…


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The afterlives of Lawrence Steger

“What could be worse than not finding the right story?”

Lawrence Steger, a Chicago performance artist, stated those words to audiences in his final performance work, Draft (1998). The same sentiment infuses the lively spirit of Gallery 400’s “Reckless Rolodex,”the first comprehensive retrospective of Steger’s massive body of work. Where else could one find a fruit cake, the death of Elizabeth Taylor, and mattresses bent and broken by storms of flesh? Steger’s artistic legacy not only tells these stories but explains how truth tends to live in the corners of life that closely resemble fiction.

The show’s title is both inspired by one of Steger’s performances and a descriptor of the exhibition’s structure; the show features a muscular lineup of artists responding to Steger’s work and impact on late 20th-century art history. The exhibition includes work by Devin T. Mays, John Neff, Betsy Odom, Derrick Woods-Morrow, Cherrie Yu and a performance series.

Betsy Odom, Wusthoff Knives, 2013, carved graphite, fur. 14 x 10 in.Courtesy the artist

Curated by Matthew Goulish, Lin Hixson, and Caroline Picard, “Rolodex” does something extraordinary in its examination of Steger’s brief life, one taken by complications from the AIDS virus. The exhibition imparts urgency and impresses intimacy upon Steger’s legacy and honors the artistic communities that continued in his absence. There is a type of magic that occurs when one is dislocated in time and place. It is in these moments that one can join something bigger than the self. This magic is what “Rolodex” offers viewers. 

“Reckless Rolodex”Through 3/18: Tue-Fri 10 AM-5 PM, Sat noon-5 PM, Gallery 400, 400 S. Peoria, gallery400.uic.edu

In Performance: the mortal passions of Lawrence Steger

The summer before last, on the day Lawrence Steger’s performance piece The Swans (re-mix) was scheduled to open, the show’s writer, director, and star lay gasping for breath in a tuberculosis isolation ward at Northwestern Memorial Hospital. He hadn’t mounted an evening-length piece for nearly five years, and he’d spent almost a year developing this…


We keep us safe

This exhibition is a much needed reminder of our interconnectedness in the face of the toxic individualism touted by much of contemporary American culture. It explores the increasing overlaps between artistic practice, mutual aid, and political activism. The title, “For Each Other,” references the ways the included artists “consider care in their work and in…

Brilliant Demise

The Swans Lawrence Steger at Randolph Street Gallery, through July 1 The 14th trump card in the modern tarot deck depicts the Angel of Temperance. She holds a gold cup, the conscious, in one hand and a silver cup, the unconscious, in the other. With an expression of utter serenity, she pours water from one…


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It’s been an up-and-down season for the Chicago Bulls.

Just when they show a bit of promise and begin playing good ball again, the Bulls revert right back to a team that looks lost. There’s no better example than the loss to Indiana a couple days ago, where Chicago gave up a 21-point lead in the second half.

The idea of “blowing it up” has been tossed around at times this season, and right now might be the perfect time for Chicago to do so, starting with trading Zach LaVine, who’s playing the best basketball he’s played all year.

If the Bulls wanted to take advantage of LaVine’s great stretch, a few trades make sense, starting with New York.

The Chicago Bulls could trade Zach LaVine to the New York Knicks and bring a familiar face home

For years now, fans have dreamt of the day where Derrick Rose comes back home, In this first trade, Rose comes back to Chicago while LaVine heads to the Knicks.

Bulls Get
G Evan Fournier
G Derrick Rose
F Cam Reddish
Two future 1st Round Picks
Knicks Get
G Zach LaVine

The biggest part of this deal, money-wise, is the fact that Chicago takes on Evan Fournier’s contract, which is guaranteed through the 2023-2024 season and has a team option in 2024-2025. At roughly $18 million annually, the Bulls would be stuck with that for at least a season.

Chicago would also get young forward Cam Reddish, who will have been traded for the second time early in his career. The former no. 10 overall pick has yet to truly pan out in the NBA, but worst case scenario, Chicago moves on after this season.

The Bulls also get two first-round picks in exchange for LaVine, which ends up being well-worth ridding themselves of his contract. With LaVine’s salary reaching over $40 million starting next season, his play simply doesn’t warrant the Bulls keeping him.

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Chicago rapper Mugen! the Human flirts with pop melody on For Her Consideration

Chicago rapper Mugen! the Human grew up in Prince George’s County, Maryland, but on the new “Wanted” he raps with the speed and rhythmic fluency of someone who spent his youth in Chatham watching footwork dancers face off at Battlegrounds. The track kicks off his new self-released EP, For Her Consideration, with a live-wire flow that Mugen adapts to the instrumental’s odd pulse. He shifts the speed of his rapping like he’s leaping carefully through an interlocking nest of rotating fire bars in Super Mario Bros., so that his words slide between and tie together a hiccuping vocal sample and a palpitating bass thump. Mugen, born Armand Rome, moved to Chicago in 2016 to study guitar at Columbia College, and he’s since found a community here. He’s a member of Mp3dotcom, a hip-hop collective formed in late 2021 whose dozen or so members include rising MCs such as Aubry of Stranded Civilians. Mugen has a dry, husky voice and a love for the kind of sample-based underground hip-hop whose spacious instrumental architecture requires an MC with a strong personality—a love that comes through on his brief 2021 album, Ghost. The deluxe version of his bubbly new EP adds songs that emphasize Mugen’s range on the mike and adaptable ear for melody. His woebegone, syllable-smearing rap-singing on “Okay!” brings a bittersweet feel to the groaning, murmuring synths in its bass-heavy backing track—the instrumental reminds me of Lil Yachty’s viral “Poland,” but Mugen’s delivery makes the song’s dystopian melody distinctively his own.

Mugen! the Human Heavy Crownz headlines, Mugen! the Human, Neph & Nigel, and Aero Austaire open. Tue 1/31, 8:30 PM, Golden Dagger, 2447 N. Halsted, $12. 21+


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