Videos

Chicago music photographer Marty Perez’s new book’s photos, from Led Zeppelin to Liz Phair to Nirvana

Name a concert in Chicago over the past four decades, and the odds are good Marty Perez was there with his camera.

As a high-schooler in Beverly, Perez started bringing his camera to stadium shows by groups like Queen and Led Zeppelin. Soon, it became a life capturing the onstage and offstage moments of musicians, from blues legends like Muddy Waters and Tail Dragger to Mudhoney and Lou Reed.

Perez’s new book “Kill a Punk For Rock & Roll” ($34.99), published by Chicago’s HoZac Books, reflects many of those moments, with more than 200 pages of his photographs, spanning 1976 to 2019.

Perez says he’s still motivated to photograph new bands, but making a living at it has become harder due to the decline in print media and explosion in phone technology that puts a camera in everyone’s pocket.

“There’s definitely new folks coming up through the ranks keeping the music alive and the drive to capture it still resides in me,” he says. “But having it put money on the table nowadays has dried up.”

Here, Perez tells the stories behind seven of the book’s photos, each which captured a moment of life on the big stage. The photos also offer a look at long-shuttered music venues including the Chicago Stadium, Lounge Ax and B.L.U.E.S. on Halsted.

Led Zeppelin guitarist Jimmy Page playing the Chicago Stadium in 1977.

Marty Perez

Jimmy Page of Led Zeppelin (1977)

Perez: “For me, a junior in high school at the time, it was a huge moment. No band was bigger than Led Zeppelin. It was the height of their ‘Golden God’ period.

“A friend and I took off Easter weekend, and we lined up Friday afternoon and sat the whole weekend with a bunch of other people in the parking of the Chicago Stadium, waiting for tickets to go on sale Monday. All hell broke loose in that first half hour before tickets went on sale. But we got tickets, and I was able to take photos from the 20th row.

“This shot was the product of luck. If the Instamatic camera held by the person in the front row didn’t flash, the shot would have been unusable. But it did, and you can see the dynamic of Jimmy Page and the light blinding the security guard. It’s a one-in-a-million type shot.”

Blues musician Lefty Dizz at B.L.U.E.S. on Halsted in December 1980.

Marty Perez

Lefty Dizz (1980)

Perez: “I was living in Seattle but returned to Chicago on Christmas. That was a traditional thing we’d do back then. There was nothing like the blues clubs in Chicago in the 1980s.

“That shot of Lefty was on a cold December night but at a hot show at B.L.U.E.S. on Halsted. It didn’t seem like he was on the larger blues radar. He was more of a hometown secret treasure. He was a showman. Stevie Ray Vaughan seemed to mimic Lefty’s mannerisms and showmanship. If Lefty had the long guitar chord, he was out in the audience just doing the guitar slinger thing. The popular version of the blues at the time was Robert Cray and that wimpy-sounding porno-movie soundtrack-type music. But in Chicago, you’d see Lefty Dizz and get punched in the face with the real Chicago style.”

This blur of hair and flannel is Nirvana frontman Kurt Cobain onstage when Nirvana opened for Eleventh Dream Day at Metro in 1989.

Marty Perez

Nirvana (1989)

Perez: “This was my claim to fame. In the ’90s, if you were a music photographer, Nirvana was the band that you hoped to shoot. This was one of their earlier tours. They were still with the original drummer” — Chad Channing. “They had been on the East Coast and were headed back to Seattle. They were all sick.

“Frankly, they really didn’t impress me that night. They were scheduled to open for Eleventh Dream Day at Metro. They had just released their first record. There was a big word of mouth. And, after they played, the place almost emptied out.

“They didn’t do that much for me at the time. I didn’t overextend myself to get shots of Kurt [Cobain] and the band. That shot is the best one I have. It perfectly sums up that pre-grunge thing. You have the hair, and he’s in the moment with the freak flag flying. And he happens to be wearing a flannel shirt.”

Freakwater members (from left) Janet Bean, David Gay and Catherine Irwin after a soundcheck at the Cubby Bear in 1989.

Marty Perez

Freakwater (1989)

Perez: “Anybody who knows Chicago knows that intersection” — Clark and Addison streets — “no longer looks like that. Freakwater was an offshoot of Eleventh Dream Day. I had shot Eleventh Dream Day before, and the word of mouth around town was about this band that EDD drummer Janet [Bean] is playing in, and it’s a country band.

“It was a couple of months before their first record. The whole [1990s alt-country movement] hadn’t set in yet. Janet Bean and Catherine Irwin were digging deep into the country music catalogue that hadn’t been exploited. The harmonies between the two of them were unique and refreshing for that time. It was a hot afternoon right after their soundcheck. They were gracious to do a quick pose on that homemade foyer that the Cubby Bear had back then.”

Teenage fans lined up outside Metro to see the Cramps in 1990.

Marty Perez

Fans outside Metro (1990)

Perez: “It was a Cramps show early in their career. I was photographing the opening band, which was the Flat Duo Jets. I got there early and had some time to kill.

“In those days, just like now, people started lining up for the show. Look at their faces. Anyone would have been captivated by that group. The guy on the right was the brother of one of those girls. Ten years later at the Vic, I was photographing the Cramps again for a publication. As I was leaving, a guy comes up and says, ‘Remember me?’ It was the same guy, but this time he was the road manager for the Cramps. It shows you how small of a world it is.

“He said he moved to California after that Metro show and somehow ingratiated himself into their organization as a roadie, and he was good enough they made him the road manager. If I’m not mistaken, he continued working with the band after [lead singer] Lux [Interior] died [in 2009], and they called it quits. That’s what can happen when you’re a fan of rock ‘n’ roll — you can join the beast.”

Liz Phair opeining for Antenna at now-closed Lounge Ax in 1993.

Marty Perez

Liz Phair (1993)

Perez: “She was opening for Antenna at Lounge Ax. It was just her and a guitar. It was very early on, and it was a decent draw, but it wasn’t packed.

“That shot was in the middle of the performance. Hopefully, I wasn’t distracting her. When she was done with a song, she surveyed the house, and we happened to lock eyes. She was a small woman with a guitar with strong songs, and she held her own. And she took the stage and kicked ass.

“You kind of thought, ‘This woman’s so talented there’s a good likelihood that she was going to go somewhere.’ You never realized in nine months how far she’d take it. After that, she played a headlining record release show at Metro for ‘Exile in Guyville.’ And that show was packed.”

Iggy Pop playing a Stooges reunion show at Lollapalooza in 2007.

Marty Perez

Iggy Pop (2007)

Perez: “The stuff that Iggy has done to his body over the years is legendary. And watching Iggy age is like watching how rock music has aged. He looks pretty good for a guy in his late 60s and early 70s.

“My reason for shooting him that way was to show the toll that Iggy put on his body. He’s still up there jumping around gyrating, and it doesn’t look too bad. In a silly way, I framed his body so his chest looks like the ‘sorting hat’ from the ‘Harry Potter’ movies.

“That was the first Stooges reunion at Lollapalooza. At least 100 people or more were up on stage with him by the end of the show.”

Read More

Chicago music photographer Marty Perez’s new book’s photos, from Led Zeppelin to Liz Phair to Nirvana Read More »

Chicago cop avoided being fired after arrest in drunken Milwaukee bar fight. He was later hired by a suburban police department

Chicago’s police oversight agency sought the dismissal of a Chicago police officer who lost his loaded gun during a drunken fight at a Milwaukee bar, but he was suspended instead and later left for a suburban police department.

Officer Robert Pet had traveled to Milwaukee nine days before Christmas in 2018, according to a report made public this week by the Civilian Office of Police Accountability. After having dinner, going to a concert and hanging out at a bar — all while toting a loaded gun — he went to another tavern.

That’s where he pointed a bullet magazine against a man’s chest during an argument and was quickly pummeled by a group of patrons, one of whom wrestled the gun away, the report states.

Former Chicago Police Officer Robert Pet was captured in surveillance footage pointing a bullet magazine at someone at a Milwaukee bar on Dec. 16, 2018. He was given a 180-day suspension before taking a job with the Wauconda Police Department.

Civilian Office of Police Accountability

Pet, who was arrested, struggled to recall the incident during interviews with investigators.

COPA called for the officer’s dismissal, saying “his dangerously poor judgment is not befitting of a sworn officer and renders him ill-suited to continue to serve in his capacity as a police officer.”

Ultimately, though, the city reached a settlement with Pet in August 2021, handing down a 180-day suspension instead.

Despite COPA’s findings, Pet was hired by the police department in northwest suburban Wauconda last September — a day before the Chicago Police Department listed him as “inactive,” according to a CPD spokeswoman and state law enforcement records.

Wauconda Police Sgt. Heather Cognac said Pet’s hiring hinged on the final determination of his disciplinary case. Cognac claimed “COPA was advised of this agreement and responded that they had no objections.”

“Officer Pet was reinstated to full duty status by [the] Chicago Police Department prior to his employment with [the] Wauconda Police Department,” Cognac said.

A COPA spokeswoman didn’t immediately respond to a request for comment.

Pet had been hired by the CPD in June 2017, according to the Illinois Law Enforcement Training and Standards Board. His parents were both Chicago police officials, and his mother presented him with his late father’s star in a ceremony late that December, the department wrote on Twitter at the time.

COPA’s report raised serious questions about his fitness as an officer, warning that his behavior that night in December 2018 amounted to “a profound lapse in judgment.”

“What should not be deemed mitigating is that no one was injured,” COPA said. “Officer Pet’s actions surely put that possibility in motion.”

When Milwaukee police officers arrived at the Rogue’s Galley bar, they confronted Pet about “another altercation earlier in the night” and he initially refused to answer questions or submit to sobriety testing, according to the report.

When police obtained a warrant to draw his blood four hours later, Pet’s blood alcohol content was 0.11%, higher than the 0.08% limit to drive in Wisconsin.

During his arrest, Pet said he was a Chicago cop and “his firearm was missing,” the report states. His gun had been handed over to police after he was disarmed during the melee.

In an interview with COPA in April 2020, Pet acknowledged he had a spotty recollection of the night and couldn’t say how much liquor he had consumed. He also didn’t remember pulling out the magazine, being punched or exactly what happened to the gun.

He was charged with a misdemeanor count of operating a firearm while intoxicated, but the charge was amended to disorderly conduct, a non-criminal municipal offense, the report and court records show. He pleaded no contest and was fined $250.

COPA also sustained three disciplinary allegations, finding he had become intoxicated while off the clock, took an unnecessary verbal altercation and displayed the magazine.

“Officer Pet’s actions were criminal in nature and brought significant discredit to the Department,” the agency said in pressing unsuccessfully for his dismissal.

Read More

Chicago cop avoided being fired after arrest in drunken Milwaukee bar fight. He was later hired by a suburban police department Read More »

The Bulls and their Big Three: A grand idea that doesn’t work

Some teams work as a grand idea, as a theory, as a vision in someone’s fevered imagination, but don’t work in real life. The Bulls are one of those teams.

Put Zach LaVine, DeMar DeRozan and Nikola Vucevic together and you have dynamite. That was the belief, at least. It takes a Big Three to win in the NBA, and the Bulls had theirs. What team vice president Arturas Karnisovas apparently failed to consider was that a trio of talented players would be incapable of bringing out the best in each other and creating a team that was greater than its parts.

LaVine gets 30 points anytime he wants. So does DeRozan. Vucevic gets a double-double anytime he wants. They don’t get victories anytime they want. The Bulls are every bit an under-.500 team.

This is a two-year working draft that has gone nowhere and is going nowhere.

It gets worse: There are no good solutions.

The first option is to try to add talent before the Feb. 9 trade deadline. That would imply that a new player or two can put an end to the up-and-down cycle the Bulls have been on all season, a cycle the Big Three and coach Billy Donovan seem incapable of stopping. Who is this magical player and why would another team want to give him up?

The second option is starting over. That would be an extremely tough sell to a fanbase that was told several years back that a rebuild would bring success. It’s midway through Year 3 of the Karnisovas era, and the guy wants to go back to Square 1? If so, he must really be into inflicting pain on himself and others.

The third option is standing pat and hoping things get better. Hope is not a strategy. It’s a prayer. If you’ve watched the Bulls this season, you know that no one up there is listening.

A season and a half of evidence suggests this team is missing the unquantifiable something that great teams have. Last year’s group was good (46-36) but couldn’t beat opponents with better records, a weakness that was perfectly illustrated by a 30-point home loss to the Bucks in the first round of the playoffs. Milwaukee won the series 4-1.

This year’s team (22-26) is having trouble beating opponents with worse records. You have to give the Bulls credit for mixing it up in the how-to-lose category. After a loss to the lowly Hornets on Thursday night, Donovan talked about the character of his players. Character: the last refuge of a losing team.

“There’s too much substance of good guys that want to do the right things and care,” he said.

If this team was as chock full of character as Donovan thinks it is, he and the players would not be talking about the need for “desperation” and “the right mentality,” as they were after Thursday’s loss. Tough players don’t have an on/off switch for those things. To them, every game is desperate, even if that game is Go Fish. To them, the right mentality isn’t a choice. It doesn’t need to be conjured up. It doesn’t require a team meeting or a seance. It’s always there.

The Bulls have three very good players who can’t be great together. That’s almost hard to do. It’s almost as if the team is working not to meld on the court. Karnisovas, the man who put this together, has to answer for that.

If there’s one culprit on the court, it’s LaVine. He’s a product of his basketball upbringing. He’s every kid who came up through the summer basketball circuit and was told he had to get his shots, his touches. He’s every kid who was told he needed to showcase his talents. That’s what his game looks like. It’s very hard to build a winner around that. See James Harden.

You can’t argue with LaVine’s statistics this season (23.6 points, 4.7 rebounds, 4.2 assists, 37.3% three-point shooting). You can argue with the lack of team success. He’s making $37 million, as part of the five-year, $215.2 million contract Karnisovas gave him last summer. That’s supposed to translate into victories. It hasn’t, no matter who’s on the floor with him.

(Whoever says, “If only the Bulls had a healthy Lonzo Ball,” will be asked what they want for their last meal.)

This is The Team That Doesn’t Work. You can say no one could have envisioned three such talented players not succeeding together, but envisioning is kind of Karnisovas’ job, isn’t it? Building a team isn’t just about amassing talent. It’s about assessing it. There’s nuance involved. This Bulls team has none of it. They hit you over the head with exciting individual efforts and very little in the way of substance.

Some big ideas work. Some don’t.

Read More

The Bulls and their Big Three: A grand idea that doesn’t work Read More »

Georgis Catering: Fire guts ‘mom and pop’ catering firm that made meals for the elderly, served Bulls, Blackhawks

Georgis Catering has been around for nearly 80 years, its business ranging from providing meals to the elderly to serving Chicago Bulls and Blackhawks on their private planes.

On Thursday night, a fire destroyed the company’s building at 6339 S. Central Ave., just blocks from Midway Airport.

“It’s gutted, it’s done,” said Becky Walowski, an employee. “Thankfully the building was empty, it happened after everyone left … The last I heard, the roof collapsed. We don’t know how it started.”

Walowski said half of Georgis’ business was serving 2,000 meals a day for the elderly in their homes or at centers across the Chicago area. The other half was providing in-flight meals on private planes.

“We’ve done presidents, we do the Bulls, we do the Blackhawks, we do the Milwaukee Bucks,” she said. “We deliver right to their planes. If Warren Buffet is flying out of Palwaukee Airport, we take care of him.”

Walowski described the business as a “mom and pop shop.” It has 35 employees and the chef has been there for 30 years.

She was unsure what the business will do now. “You don’t know what to say, you don’t know what to do.”

Read More

Georgis Catering: Fire guts ‘mom and pop’ catering firm that made meals for the elderly, served Bulls, Blackhawks Read More »

Grimm and surreal

This surrealistic production of Engelbert Humperdinck’s 1893 opera version of the Brothers Grimm fairy tale—seen twice before at Lyric—should probably be a Christmas show. But since Joffrey became Lyric’s roommate, we’re getting it now. Visually it’s nightmarish, claustrophobic, and monochromatic as a gray January day—but also striking: think fish-headed dream-scene maitre d’ overseeing a troop of charmingly grotesque winged chefs (sets and costumes are by John Macfarlane). The Wagner-lite orchestral score is as delicious as the gingerbread house that emerges from what’s either a giant mouth or, just possibly, a vagina dentata. (What? Misogyny in Grimm?) Revival director Eric Einhorn has the plucky duo of mezzo-soprano Samantha Hankey, as Hansel, and soprano Heidi Stober, as Gretel, going big on the comically juvenile body language, while mezzo-soprano Jill Grove’s witch—not well served by her nice-lady street-clothes costume—is underplayed.

Hansel and GretelThrough 2/5: Fri 7 PM, Sun 2 PM, Wed 2 PM; audio description Sun 1/29; Lyric Opera House, 20 N. Wacker, 312-827-5600, lyricopera.org, $40-$330 (student discounts available). In German, with projected English titles.

On opening night the witch was also, surprisingly, undersung—the Lyric Opera orchestra, under the baton of newly announced music director emeritus Sir Andrew Davis, overpowering her. Alfred Walker, in a Lyric debut, brings a rich bass-baritone to the father role; soprano Alexandra LoBianco is the exasperated mother who sends her starving kids into a dangerous forest. Silvery soprano Denis Vélez neatly pulls off the double role of Sandman and Dew Fairy, and the Chicago Children’s Choir, now known as Uniting Voices Chicago (regrettable, but there must be a reason), are a delight as the gingerbread children. 


Read More

Grimm and surreal Read More »

Veteran local percussionist Avreeayl Ra celebrates the release of a new documentary

Avreeayl Ra is quite literally a driving force in Chicago jazz. He’s an enduring member of the Association for the Advancement of Creative Musicians (AACM) who’s spent decades drumming for countless local and visiting eminences, including Ernest Dawkins, Ari Brown, Fred Anderson, and Nicole Mitchell. While he can be counted upon to bring emphatic, surging energy to any setting, he can also throttle back and supply a gentle pulse when that’s all the situation requires. In recent times he’s also stepped out as a bandleader. Last February local nonprofit Homeroom, which fosters new arts production, sponsored a weekly residency at Elastic Arts for Ra’s ensemble Dream Stuff, which includes pianist and synthesist Jim Baker, bassist Jason Roebke, reedist and didgeridoo player Edward Wilkerson Jr., and guitarist, violinist, and mandolinist Peter Maunu. The group performed winding, set-length improvisations, which were also streamed over the Internet. Mexican film collective Rhizomes Films later combined excerpts from those four performances with archival footage and voice-overs by Ra to create an impressionistic portrait of the artist titled TUNING Into the Moment. That documentary will screen tonight as a prelude to a set by Ra and Dream Stuff.

Avreeayl Ra’s Dream Stuff The evening opens with a screening of TUNING Into the Moment, a 40-minute documentary about Avreeayl Ra. Thu 2/2, 8:30 PM, Elastic Arts, 3429 W. Diversey #208, $15. [all ages]


Read More

Veteran local percussionist Avreeayl Ra celebrates the release of a new documentary Read More »

Grimm and surreal

This surrealistic production of Engelbert Humperdinck’s 1893 opera version of the Brothers Grimm fairy tale—seen twice before at Lyric—should probably be a Christmas show. But since Joffrey became Lyric’s roommate, we’re getting it now. Visually it’s nightmarish, claustrophobic, and monochromatic as a gray January day—but also striking: think fish-headed dream-scene maitre d’ overseeing a troop of charmingly grotesque winged chefs (sets and costumes are by John Macfarlane). The Wagner-lite orchestral score is as delicious as the gingerbread house that emerges from what’s either a giant mouth or, just possibly, a vagina dentata. (What? Misogyny in Grimm?) Revival director Eric Einhorn has the plucky duo of mezzo-soprano Samantha Hankey, as Hansel, and soprano Heidi Stober, as Gretel, going big on the comically juvenile body language, while mezzo-soprano Jill Grove’s witch—not well served by her nice-lady street-clothes costume—is underplayed.

Hansel and GretelThrough 2/5: Fri 7 PM, Sun 2 PM, Wed 2 PM; audio description Sun 1/29; Lyric Opera House, 20 N. Wacker, 312-827-5600, lyricopera.org, $40-$330 (student discounts available). In German, with projected English titles.

On opening night the witch was also, surprisingly, undersung—the Lyric Opera orchestra, under the baton of newly announced music director emeritus Sir Andrew Davis, overpowering her. Alfred Walker, in a Lyric debut, brings a rich bass-baritone to the father role; soprano Alexandra LoBianco is the exasperated mother who sends her starving kids into a dangerous forest. Silvery soprano Denis Vélez neatly pulls off the double role of Sandman and Dew Fairy, and the Chicago Children’s Choir, now known as Uniting Voices Chicago (regrettable, but there must be a reason), are a delight as the gingerbread children. 


Read More

Grimm and surreal Read More »

Veteran local percussionist Avreeayl Ra celebrates the release of a new documentary

Avreeayl Ra is quite literally a driving force in Chicago jazz. He’s an enduring member of the Association for the Advancement of Creative Musicians (AACM) who’s spent decades drumming for countless local and visiting eminences, including Ernest Dawkins, Ari Brown, Fred Anderson, and Nicole Mitchell. While he can be counted upon to bring emphatic, surging energy to any setting, he can also throttle back and supply a gentle pulse when that’s all the situation requires. In recent times he’s also stepped out as a bandleader. Last February local nonprofit Homeroom, which fosters new arts production, sponsored a weekly residency at Elastic Arts for Ra’s ensemble Dream Stuff, which includes pianist and synthesist Jim Baker, bassist Jason Roebke, reedist and didgeridoo player Edward Wilkerson Jr., and guitarist, violinist, and mandolinist Peter Maunu. The group performed winding, set-length improvisations, which were also streamed over the Internet. Mexican film collective Rhizomes Films later combined excerpts from those four performances with archival footage and voice-overs by Ra to create an impressionistic portrait of the artist titled TUNING Into the Moment. That documentary will screen tonight as a prelude to a set by Ra and Dream Stuff.

Avreeayl Ra’s Dream Stuff The evening opens with a screening of TUNING Into the Moment, a 40-minute documentary about Avreeayl Ra. Thu 2/2, 8:30 PM, Elastic Arts, 3429 W. Diversey #208, $15. [all ages]


Read More

Veteran local percussionist Avreeayl Ra celebrates the release of a new documentary Read More »

Former Bears player Marcus Robinson on son’s ‘gut wrenching’ leukemia diagnosis

Marcus Robinson, a former Chicago Bears wide receiver, uses the words “gut wrenching” to describe his reaction when his son, Marcus Jr., was diagnosed with acute lymphoblastic leukemia eight years ago.

“Any time you hear ‘cancer,’ the first thing you think about is death,” the elder Robinson, now retired, says of his son’s prognosis at age 10. ‘[You think] he only has so much time.'”

Robinson’s helplessness was palpable when the doctor delivered the news to Robinson and his wife, Keyomi, on April 19, 2015. He went to the hospital’s garage, sat in his car and cried.

“You want to be strong,” said Robinson, whose Bears team record of 1,400 receiving yards in 1999 stood until 2012, when wide receiver Brandon Marshall broke it. “So I got myself together [before telling my son the diagnosis.]”

The Robinsons were stunned because Marcus Jr. had had no symptoms. Out of the blue, the younger Robinson complained that his hamstring hurt one Sunday when the family was getting ready to go to church.

The family had just returned from a vacation in Mexico, so when Robinson saw a white bump with redness around it on the back of Marcus Jr.’s leg, he thought it might be a spider bite.

They went to Sherman Hospital in northwest suburban Elgin to get the bump drained. A nurse took two blood tests and told the Robinsons that Marcus Jr. would have to travel by ambulance to Advocate Children’s Hospital, further worrying the family. Then came the doctor’s sitdown with the Robinson parents.

“Those first couple of days, your whole life has changed,” the elder Robinson says. “You don’t know what to expect. You never think it would be you.”

Since Marcus Jr.’s condition was caught early, his prospects were good. He had to undergo chemotherapy and wear an implanted port from age 10 to 14 to provide IV access for the chemo, medications and blood draws. He lost his hair at one point and couldn’t participate in organized sports.

Yet Marcus Jr. proved to be a trooper.

He insisted on continuing to do pushups each morning with his dad and would leave the hospital after getting chemo in his spine and pretend to play basketball.

And now, Marcus Jr., 18, is thriving. The younger Robinson stands “a little taller” than his 6-foot, 4-inch tall dad, just started school at Elgin Community College, and is working at Home Depot.

“Trials happen,” the elder Robinson says. “I learned that, no matter what age, it depends on your outlook on things. Just like I’d do before a game, you have to envision yourself making the play, going out and dominating, and having a positive image about yourself.”

Robinson advised other families facing a similar situation to rally around the cancer patient and make listening the top priority.

“Get in touch with everybody in the family–cousins, brothers, sisters, aunts, uncles and in-laws–and rotate through sitting with [the cancer patient],” he says. “They need to know that they’re not alone, that there’s someone for them to cry on, play with, talk to.”

“Don’t try to give your take on it,” he says. “Let [the cancer patient] talk it out however he wants to process it. If he feels down that day…he’s tired of taking the medicine…you just listen. You don’t need to fix it. You’ll learn a lot.”

He also believes that the family’s steadfast prayers made a difference. “God was definitely in it,” he says.

Click here to Donate Now.

Read More

Former Bears player Marcus Robinson on son’s ‘gut wrenching’ leukemia diagnosis Read More »

The Chicago Blackhawks are in the middle of a road trip that has them going through Western Canada. That is always a really hard trip for NHL teams to get through as it is pretty far away from most teams and they are up against teams that expect to win at home.

They were absolutely destroyed by the Vancouver Canucks on Tuesday. They kept it close in terms of the score until the third period when the Canucks pulled away. Despite keeping it close on the scoreboard, they were outshot 48 to 14 so the game was never as close as it seemed.

That brings us to Thursday night when they took on the Calgary Flames who are fighting hard for a postseason spot. Shockingly, they beat them down by a final score of 5-1 and they did it without Jonathan Toews who was missing because of a non-COVID-related illness.

Chicago really played as well as they could in this game. They were well positioned, made smart choices, and capitalized on their chances as well as you can in an NHL game. You don’t expect that from this Hawks team in a year like this but they really put it together here.

The Chicago Blackhawks were outstanding in their Thursday night win.

Their only blemish was a goal scored by Jonathan Huberdeau who has been one of the best NHL players over the last few years and he made a brilliant play. Outside of that, they were very good.

This was also the second career start for Jaxson Stauber who is now 2-0-0 in his NHL career with a 2.00 goals-against average and .940 save percentage. To say that he has been great for the Hawks would be an understatement.

Again, this isn’t very good for the tank but both the Arizona Coyotes and Anaheim Ducks won on Thursday as well so the Hawks only jumped the Columbus Blue Jackets. As we’ve seen with every NHL Draft Lottery, you kind of just have to let the cards fall where they may.

Jonathan Toews was out and they won. They went 3-0-0 without Patrick Kane in the lineup. It is a coincidence because those are amazing players but they are preparing for life without them so it is something to keep an eye on.

Now, the Hawks have the hardest test of the Western Canada trip ahead of them. On Saturday night, they will be taking on the Edmonton Oilers. Of course, the Oilers have the NHL’s two leading scorers in Connor McDavid and Leon Draisaitl and they make things hard for everyone.

This is sure to be a very fun game to watch but the Hawks need to match their intensity from the Calgary game if they want to avoid being completely embarrassed by the best 1-2 punch in the NHL.

Read More

Read More »