Videos

Kaitlyn Aurelia Smith creates a mosaic of electricity on The Mosaic of TransformationDave Cantoron May 8, 2020 at 7:32 pm

It’s a struggle to define the purpose of most music–the answer is perpetually changing, based on time, place, and innumerable other factors. But Los Angeles-based synthesist Kaitlyn Aurelia Smith seems to have homed in on something specific on her new album, The Mosaic of Transformation (Ghostly). The joyous, drifting melody of “Remembering,” the album’s second track, can be heard as an elemental distillation of contemporary synthesis. “Be kind to one another,” Smith sings, a reminder for the aberrant lives we’re all leading now; her sparkling composition evokes colors and mimics flutes, creating a sense of calm that’s too often hard to come by. Purposely or not, her entire practice exudes something similar. Her 2018 record Tides: Music for Meditation and Yoga (released as a digital-only affair in 2014) seems aimed at the spiritual, and The Mosaic of Transformation suggests something more physical by including photos of Smith in its packaging, contorting herself into various poses that explore movement and the limits of her body. (Maybe she means to hint at the patch-cord gymnastics necessary to operate modular synths, plugging in and withdrawing cables to funnel electricity and sound in perfect sync.) But not all of Smith’s music reaches for empyrean heights: “A Kid,” from 2017’s The Kid, moves into beat-music territory, and on Mosaic, she exhibits some singer-songwriter tendencies. Those elements are just passing glances, though, moments that display Smith’s versatility as she continues to explore the nexus of woolgathering, sound, and movement. v

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Kaitlyn Aurelia Smith creates a mosaic of electricity on The Mosaic of TransformationDave Cantoron May 8, 2020 at 7:32 pm Read More »

Spanish quartet Melenas channel a half-century of pop goodness on Dias RarosBill Meyeron May 8, 2020 at 7:34 pm

Pamplona, Spain, is probably best known for the festival of San Fermin, when thrill seekers run with bulls through the streets–which usually ends much worse for the animals than the humans. The four women in Melenas may not pull as big a crowd as that globally famous event, but on their new second album, Dias Raros (Trouble in Mind), they offer 11 better reasons to remember their hometown’s name. The band’s sound adheres to a template established by garage-rock combos in the 1960s and productively renewed by acts such as Yo La Tengo, Stereolab, and the late, very great New Zealand group Look Blue, Go Purple. Melenas lay trebly, reverberant guitar and alternately drony and punchy keyboard licks over simple, propulsive rock beats, and draw you in with simple, catchy vocal hooks. Since the songs are all in Spanish (the lyrics are printed, but not translated, on the album’s inner sleeve), listeners not conversant in the language might not be able to tell that guitarist Oihana and bassist Leire are singing about internal dialogues. But you don’t need to understand a word to catch the happy-sad vibe that spikes Melanas’ graceful melodies. v

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Spanish quartet Melenas channel a half-century of pop goodness on Dias RarosBill Meyeron May 8, 2020 at 7:34 pm Read More »

Gothic doom masters Paradise Lost get eclectic on ObsidianJamie Ludwigon May 8, 2020 at 7:42 pm

British five-piece Paradise Lost had already helped pioneer death-doom by the time they put out their second album, 1991’s Gothic, and laid groundwork for subsequent generations of bands that combined metal’s harshness with dark, romantic textures. They’ve since gone through nearly as many drummers as Spinal Tap, but the rest of the lineup–vocalist Nick Holmes, lead guitarist and keyboardist Gregor Mackintosh, rhythm guitarist Aaron Aedy, and bassist Stephen Edmondson–has remained intact since the band’s founding in 1988. Their longevity may arise in part from their chameleon-like ability to transform their sound; they can deliver a crushing guitar-driven epic fit for leading a battalion of medieval warriors into battle, or a synth-heavy, noirish pop track that could make the most forlorn mall goth smile. Paradise Lost have had ups and downs, but lately they’ve veered back toward their roots: 2017’s Medusa is a master class in achingly heavy doom. True to form, they’ve changed course again on their new 16th album, Obsidian. While Medusa is single-minded in its vision, Obsidian embraces electicsm, pacing its shifts in tone so well that even the most fervent shuffle-button addicts might see the point of the album format. “Darker Forms” kicks off the album with a twinkling melody, then opens up into dark symphonic rock that climaxes with Mackintosh’s heaven-bound guitar solo. On the third track, “Ghosts,” Paradise Lost break out a death-rock sound custom-made for the grimiest subterranean dance floors, and on the supersized gothic anthem “Forsaken,” they create a more empowering feel than its title would suggest. The album’s genre looseness notwithstanding, it doesn’t lack for cavernous metal to sink your teeth into, most notably on “The Devil’s Embrace” and closing track “Ravenghast.” Thirty-two years into their career, Paradise Lost have nothing left to prove except to themselves–and with Obsidian they demonstrate what a great place that is for a band to reach. v

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Gothic doom masters Paradise Lost get eclectic on ObsidianJamie Ludwigon May 8, 2020 at 7:42 pm Read More »

Chicago’s Retirement Party will brighten your summer with the heavy emo of Runaway DogLeor Galilon May 8, 2020 at 7:44 pm

Chicago emo acts helped raise the national profile of the fourth-wave scene in the early 2010s, but most of them had gone on hiatus or broken up by the time Retirement Party dropped their debut EP, 2017’s Strictly Speaking. Retirement Party not only filled a void in the city but also manifested new energy with subtly retooled combinations of familiar emo, pop-punk, and indie-rock tropes–on their 2018 full-length debut, Somewhat Literate, their workmanlike rhythm section heats up the languid guitars till they smolder. Singer-guitarist Avery Springer wrote all the material for the band’s previous releases by herself, but for Retirement Party’s brand-new Runaway Dog (Counter Intuitive), she collaborated on the music with drummer James Ringness and bassist-guitarist Eddy Rodriguez. Working as a trio, they subdue the nerviness of their early days and reinvigorate their sound with a heavier style. The coarse bass line, skipping drums, and gliding guitars of “No Tide” rub against Springer’s nonchalant vocals to create the tension that propels the track toward its brilliant crescendo. Its upbeat melody and fleeting, wistful highs make it a contender for song of the summer: “I hope I’ll make it through June,” Springer sings, “a little better off.” v

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Chicago’s Retirement Party will brighten your summer with the heavy emo of Runaway DogLeor Galilon May 8, 2020 at 7:44 pm Read More »

Chicago rapper Ric Wilson and Los Angeles producer Terrace Martin invigorate disco, soul, and funk on a new collaborative EPLeor Galilon May 8, 2020 at 7:46 pm

Chicago rapper and prison abolitionist Ric Wilson knows the joy of combing through history for jewels of knowledge that enrich his connection to his hometown’s multifaceted Black communities. He also understands how to incorporate sounds from the past into contemporary music. Last year he found a kindred spirit in Terrace Martin, a Los Angeles jazz sideman and hip-hop producer who’s worked with some of the most important west-coast rappers of all time, including Snoop Dogg, DJ Quik, and Kendrick Lamar. Martin brings a glimmer of California sunshine and a light touch of funk to the duo’s new collaborative record, They Call Me Disco (Free Disco/Sounds of Crenshaw/Empire). Wilson’s voluble verses saunter over minimal funk guitars, mellow soul synths, and hip-shaking percussion, which Martin tastefully combines in layers like a landscape painter zeroing in on the perfect color for a sunset. The EP is as much a testament to Wilson’s love for disco, soul, and funk as it is an argument that these great art forms can still be crucial conduits for messages about contemporary Black life. v

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Chicago rapper Ric Wilson and Los Angeles producer Terrace Martin invigorate disco, soul, and funk on a new collaborative EPLeor Galilon May 8, 2020 at 7:46 pm Read More »

Chicago Bears 2020 Schedule: 3 intriguing matchupsPatrick Sheldonon May 8, 2020 at 11:00 am

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Chicago Bears 2020 Schedule: 3 intriguing matchupsPatrick Sheldonon May 8, 2020 at 11:00 am Read More »

Chicago Bears 2020 Schedule: Tom Brady is coming to townVincent Pariseon May 8, 2020 at 1:00 pm

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Chicago Bears 2020 Schedule: Tom Brady is coming to townVincent Pariseon May 8, 2020 at 1:00 pm Read More »

Chicago Bears 2020 Schedule: Realistic game-by-game predictionsRyan Heckmanon May 8, 2020 at 2:30 pm

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Chicago Bears 2020 Schedule: Realistic game-by-game predictionsRyan Heckmanon May 8, 2020 at 2:30 pm Read More »

Chicago Bears 2020 Schedule: Toughest games during regular seasonUsayd Koshulon May 8, 2020 at 4:00 pm

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Chicago Bears 2020 Schedule: Toughest games during regular seasonUsayd Koshulon May 8, 2020 at 4:00 pm Read More »

How do you celebrate you daughter’s birthday during the coronavirus pandemic?Howard Mooreon May 8, 2020 at 11:00 am

I’ve Got The Hippy Shakes

How do you celebrate you daughter’s birthday during the coronavirus pandemic?

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How do you celebrate you daughter’s birthday during the coronavirus pandemic?Howard Mooreon May 8, 2020 at 11:00 am Read More »