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Anyone unhappy with the way they are hearing?on July 20, 2020 at 4:54 pm

Say What?

Anyone unhappy with the way they are hearing?

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Kill and most likely be killed (ya you’ll be killed) in Savage Studios’ S.C.A.Ron July 20, 2020 at 5:02 pm

Jessi’s Media Review – A Chicks Point of View!

Kill and most likely be killed (ya you’ll be killed) in Savage Studios’ S.C.A.R

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Kill and most likely be killed (ya you’ll be killed) in Savage Studios’ S.C.A.Ron July 20, 2020 at 5:02 pm Read More »

PHOTOS: Golfers share photos of themselves out on the course during social distancingon July 20, 2020 at 5:20 pm

ChicagoNow Staff Blog

PHOTOS: Golfers share photos of themselves out on the course during social distancing

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PHOTOS: Golfers share photos of themselves out on the course during social distancingon July 20, 2020 at 5:20 pm Read More »

PHOTOS: Patios fill up with diners venturing out in Chicago areaon July 20, 2020 at 5:55 pm

ChicagoNow Staff Blog

PHOTOS: Patios fill up with diners venturing out in Chicago area

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PHOTOS: Patios fill up with diners venturing out in Chicago areaon July 20, 2020 at 5:55 pm Read More »

Chicago’s Black Restaurant Week announced for last week of Julyon July 20, 2020 at 8:01 pm

ChicagoNow Staff Blog

Chicago’s Black Restaurant Week announced for last week of July

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Chicago’s Black Restaurant Week announced for last week of Julyon July 20, 2020 at 8:01 pm Read More »

Chicagoans proudly share photos of themselves wearing masks on social mediaon July 20, 2020 at 8:01 pm

ChicagoNow Staff Blog

Chicagoans proudly share photos of themselves wearing masks on social media

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Chicagoans proudly share photos of themselves wearing masks on social mediaon July 20, 2020 at 8:01 pm Read More »

PHOTOS: Wilmette home once owned by Donny Osmond on the market for $1.25 millionon July 20, 2020 at 8:20 pm

ChicagoNow Staff Blog

PHOTOS: Wilmette home once owned by Donny Osmond on the market for $1.25 million

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PHOTOS: Wilmette home once owned by Donny Osmond on the market for $1.25 millionon July 20, 2020 at 8:20 pm Read More »

Landlines Before Cell Phones; Life in Banana Republicson July 20, 2020 at 8:23 pm

Bon Bini Ya’ll

Landlines Before Cell Phones; Life in Banana Republics

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Another Sunny Day wrote a theme song for the disillusionedon July 20, 2020 at 11:00 am

click to enlarge
Another Sunny Day, aka Harvey Williams - COURTESY SARAH RECORDS

Almost 14 years ago, a YouTube user posted a homemade music video of sorts for “You Should All Be Murdered,” an even older song by Another Sunny Day, the solo project of UK singer-songwriter Harvey Williams. It was originally released on the band’s 1992 album London Weekend, and I’ve included it on many mixtapes and playlists since rediscovering it years later. “You Should All Be Murdered” shares the jangly guitar and moody lyrics typical of mid-80s Smiths (and Williams sounds uncannily like golden-era Steven Patrick Morrissey–you know, before we knew he’s a racist).

Williams later became a member of the bands the Field Mice and Trembling Blue Stars, and all of his projects released material via the truly great Sarah Records, a Bristol-based independent label active from the late 80s through the mid-90s that specialized in music that might be considered twee or, less derisively, indie pop. Sarah Records still has a passionate group of fans to this day, and in 2015, Canadian author and editor Michael White wrote a fantastic history of the label, Popkiss, for Bloomsbury Press.

But back to this “Murdered” song: the video consists entirely of black-and-white footage with a Pixelvision-like veneer, shot from inside a moving commuter train so that the reflection of the interior of the car sometimes commingles with the view of gray trees and rail tracks outside. Don’t get the wrong idea–this isn’t a song about actual murders. Williams sings, “One day, when the world is set to right,” and then lists the kinds of people he wants eradicated from the planet–among them “The people who are cruel to those that don’t deserve” and “The people who just give in / The people who don’t fight / The people I don’t like.” It’s the theme song for when I was 13 and pissed off at my clothes, my life, the world, all you pricks–but I still did my chores and showed up at the dinner table. Thirteen, or perhaps 40-ish. I’ve been playing it pretty much every day during the pandemic. v


The Listener is a weekly sampling of music Reader staffers love. Absolutely anything goes, and you can reach us at [email protected].

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Chicago music mastermind Nnamdi reflects our absurd world with the gorgeously strange Krazy Karlon July 20, 2020 at 1:00 pm

Our country has always privileged the powerful–a group that, historically and presently, has consisted almost exclusively of straight white men. Since the start of the COVID-19 pandemic, they’ve only intensified their avaricious push to feed the rest of us into the grinder in order to prop up a broken, inhumane economic system. It can feel cartoonishly surreal to watch the government of the wealthiest country in the world use bullying and extortion to force schools to reopen when that’s likely to cause catastrophic spikes in COVID deaths, while hospitality workers who can’t afford to stay home risk their own health and that of everyone close to them in order to serve the affluent, say, a pastry that looks like a coronavirus particle. Chicago musical polymath Nnamdi Ogbonnaya, aka Nnamdi, couldn’t do anything about the pandemic torpedoing his plans to tour and promote April’s Brat, a tremendous experimental pop album he released through the label he co-owns, Sooper Records. But he’s used lockdown to release a flood of even newer music. In June, he dropped two singles and a righteous, rollicking postpunk EP called Black Plight, a response to the nationwide protests that erupted after a white cop killed George Floyd in May; the EP made more than $10,000 the first day Nnamdi uploaded it to Bandcamp, and he donated it to local grassroots organizations Assata’s Daughters and EAT Chicago as well as to individual Chicagoans in need. Earlier this month, Nnamdi self-released his second album of the year, the largely instrumental Krazy Karl. The title is an homage to Looney Tunes composer Carl W. Stalling, and the music’s whimsical, quasi-symphonic mishmash of math rock, postpunk, and jazz reflects the animated energy of Stalling’s anything-goes cartoon music. When you find yourself living in a society that primes people to complacently believe a New York City cop when he claims a Shake Shack employee poisoned his milkshake, sometimes the best way to cope is to embrace the absurdity–and Nnamdi does just that with the fractured, hectic melodies on “Milkshake Made My Tummy Hurt! It Must Be Poisoned!” Every time our country renews its commitment to bloodletting in the name of profit, the disjointed, uproarious chaos of Krazy Karl makes a little more sense. v

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Chicago music mastermind Nnamdi reflects our absurd world with the gorgeously strange Krazy Karlon July 20, 2020 at 1:00 pm Read More »