Videos

Chicago Bears: Best linebacker group going into training campon July 21, 2020 at 1:00 pm

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Dylan Cease trying to be ‘as nasty as I can be’ and make the playoffson July 21, 2020 at 1:27 pm

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Dylan Cease trying to be ‘as nasty as I can be’ and make the playoffson July 21, 2020 at 1:27 pm Read More »

To play or not to play? A decision could be coming for Ohio Valley Conference, EIU next weekon July 20, 2020 at 9:19 pm

Prairie State Pigskin

To play or not to play? A decision could be coming for Ohio Valley Conference, EIU next week

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To play or not to play? A decision could be coming for Ohio Valley Conference, EIU next weekon July 20, 2020 at 9:19 pm Read More »

I Am Not Going Back to Workon July 20, 2020 at 10:59 pm

The Indefatigable Teacher

I Am Not Going Back to Work

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I Am Not Going Back to Workon July 20, 2020 at 10:59 pm Read More »

Give Them All A’son July 20, 2020 at 11:07 pm

The Indefatigable Teacher

Give Them All A’s

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Give Them All A’son July 20, 2020 at 11:07 pm Read More »

Better than Wallace w/Trump, Berkowitz w/Mac Donald, War on cops or War on blacks, tonight in Chicago, Cable & Webon July 21, 2020 at 1:05 am

Public Affairs with Jeff Berkowitz

Better than Wallace w/Trump, Berkowitz w/Mac Donald, War on cops or War on blacks, tonight in Chicago, Cable & Web

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Better than Wallace w/Trump, Berkowitz w/Mac Donald, War on cops or War on blacks, tonight in Chicago, Cable & Webon July 21, 2020 at 1:05 am Read More »

The Pacifica Quartet fortify new foundations with Contemporary Voiceson July 20, 2020 at 5:00 pm

It might seem backhanded or cute to say that a Grammy-winning string quartet’s 16th record has the feel of a second act. But that more or less describes the Pacifica Quartet’s new release, Contemporary Voices. The album is the ensemble’s second since they changed up their ranks; violinist Austin Hartman and violist Mark Holloway replace longtime members Sibbi Bernhardsson and Masumi Per Rostad, both of whom left the group in 2017. The album also feels like a sequel because the three pieces it collects are both too new to be widely recorded and too old to be completely unfamiliar. Only Shulamit Ran’s Glitter, Doom, Shards, Memory (2012-2013)–her third string quartet–is a world-premiere recording. The Pacifica Quartet join it with Jennifer Higdon’s satisfyingly contrasting Voices triptych (1993) and Ellen Taaffe Zwilich’s cosmopolitan Quintet for Alto Saxophone and String Quartet (2007), featuring dulcet-toned saxophonist Otis Murphy. Pacifica play like fencers–all reflexes and restraint, ceremony and choreography. So it was in the Bernhardsson-Rostad era; so it remains with Hartman and Holloway, though each set of players sounds a touch different in their inner-voice roles. Pacifica’s interpretation of Ran’s quartet foretells beautiful alchemies to come: Glitter is inspired by artist Felix Nussbaum, whose paintings became increasingly bleak and surrealistic as the Holocaust forced him out of Germany and eventually into hiding. (He was executed at Auschwitz in 1944.) At times the piece sounds like an aesthetic heir to the string quartets of Schoenberg and Bartok–nostalgic, sardonic, paroxysmal. That’s apt enough: they too crawled from the rubble of a dying world and grasped for what was still living. v

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The quaranzine Sceneon July 20, 2020 at 7:30 pm

In May 2020, the Quimby’s Bookstore Instagram started going live with a New Stuff This Week video. Store manager Liz Mason sits next to a stack of zines, comics, and graphic novels. The colorful Quimby’s shelves spread behind her. As she holds new titles towards the camera, comments start rolling in: “Miss you,” and “Love Quimby’s,” and heart-eye emojis.

“It fills the void that is left by not being able to look at zines in the store,” Mason says. “Not just drumming up sales, but continuing to create the community that we love with zines.”

No thanks to COVID-19, all Chicago zine fests and events are canceled. Quimby’s Bookstore–a hub of zine culture in the city–is open for limited hours, online orders, and curbside pickup. From hand-stapling bindings to trading minicomics across festival tables, zine culture exists in physical ephemera and thrives in real-world interactions. Zines provide a space to explore outsider art, counterculture, niche fandoms, and pretty much any obscure subject under the sun. And as the simplest human interactions go online, zines also provide a way to spread information off the grid. So how are zinemakers existing in the pandemic world of Zoom meetings, delivery apps, Facetime calls, and endless scrolling? In Chicago, they’re adapting new ways to create, teach, connect, and share their art and writing.

Andrea Pearson self-publishes the autobiographical comics series No Pants Revolution, and she had a busy summer of midwest zine and comics fests scheduled. When those plans derailed, she started interacting with digital zine fests through hashtags–posting her work, leaving comments, and trading and selling zines through the mail.

Chicago Zine Fest usually takes place at Plumbers Union Hall, but this year the fest went digital on May 15 and 16. That weekend, Pearson left minizines in Little Free Libraries all over town and posted their locations to the #czf2020 hashtag. “I hope people find them and get a good chuckle out of ’em,” she says.

Still, a lack of zine fests was a hit to Pearson’s productivity. “The first two months of this were so paralyzing,” she says. “My normal way of making zines is, ‘Oh, I have to get this done by Chicago Zine Fest.’ Without that motivator, it’s been a little tougher.” She plans to release No Pants Revolution 5 in August.

Since March, more zine events have turned to a digital existence. Zine Club Chicago, which is hosted by Cynthia Hanifin and usually meets at Quimby’s, has been meeting over Zoom to discuss zines on themes like “Fun-Sized” and “Power to the People.” Saturday Night Drink ‘n’ Draw, hosted by Alex Nall, had several digital drawing events–including a figure drawing session where a model posed over webcam.

Local comics artist, teacher, and activist Bianca Xunise put on a Comics as Resistance workshop for Believer. The digital format drew a huge audience–around 500 people tuned in–but it also allowed for white supremacists to crash the event.

When Believer asked Xunise if she wanted to pause or end the event, she said she wanted to keep going. “I know for non-Black people it may be shocking to experience [racism] when it’s not part of your everyday,” she says. “But, at this point in my life, I’ve learned to not give it power and just keep going.”

After the workshop, participants posted their work with Xunise tagged. As for her own work, Xunise is glad for the chance to slow down. Staying home means she saves money and has more time to consider which jobs she really wants to take. “Between COVID and the Black Lives Matter protests, it’s forced a lot of Black creatives to ask: What do I really want to be saying?” she says.

And for shoppers who miss zine browsing in person, Quimby’s has a creative solution. For $25, online shoppers can buy a “Qustomized” Quarantine Zine Pack curated and mailed out by Mason herself. At checkout, customers can list their interests to guide her selection. The most requested subjects? Cats, pizza, and “witchy stuff.” One request shared anonymously on the Quimby’s Instagram included “old horror movies, vaporwave, history, VHS, […] The Velvet Underground, uhhh I also eat a lot of pierogis.”

Zine packs provide some counterculture reading materials, of course, but they also help a small business and keep the community alive. “People post their zine packs and say, ‘I feel so seen,'” says Mason. “It was this really therapeutic moment for them, and for me. It feels like the pinnacle of my almost 20 years of zine training.” v

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