Videos

Things to do in Chicago for music fansMary Houlihan – For the Sun-Timeson September 30, 2021 at 4:54 pm

The Foo Fighters perform on day four of Lollapalooza in Grant Park, Sunday, Aug. 1, 2021. | Anthony Vazquez/Sun-Times

For fans of any genre, live music isn’t hard to come by in Chicago. Check out our highlights for concerts, festivals and live performances in and around the city.

Welcome to our highlights for concerts, festivals and live music in Chicago. From free shows at Millennium Park to large festivals like Ravinia and Lollapalooza, and intimate shows at small local venues, our guide has all the latest music entertainment. Bookmark this page and check back for updates on concerts and events.

Leon Bridges

Pavielle Garcia
Leon Bridges

WHAT: In 2015 Leon Bridges released “Coming Home,” an album that echoed the Southern soul of Sam Cooke and Otis Redding. On his sophomore release, “Good Thing,” Bridges tapped ’80s and ’90s R&B for inspiration. Now, his third album, “Gold-Diggers Sound,” comes out of a residency he played at the Gold-Diggers hotel/studio in East Hollywood. It shows the singer-songwriter confronting the ideas and issues Black artists are facing in today’s climate. Take a trip through the three phases of Bridges career. Abraham Alexander opens the show.

WHEN: 8 p.m. Oct. 1

WHERE: The Vic Theatre, 3145 N. Sheffield

TICKETS: $69.50-$86

VISIT: For tickets and updated information regarding the venue’s COVID-19 vaccination and/or mask policies, visit jamusa.com.

Autumn Equinox (Spring Awakening Festival)

WHAT: The outdoor music festival season ends with Autumn Equinox, a rebranding of Spring Awakening, the largest all-electronic music festival in the Midwest that usually takes place in June. More than 70 artists are expected to perform including Excision, AC Slater, Bear Grillz, Diplo, Galantis, Martin Garrix, Adventure Club B2B Wooli, Atliens, Dillon Francis and Don Diablo.

WHEN: From 1-10 p.m. Oct. 2-3

WHERE: Addams/Medill Park, 1301 W. 14th

TICKETS: $99+

VISIT: For updated information regarding the festival’s COVID-19 vaccination and/or mask policies, visit springawakeningfestival.com.

The New Philharmonic

WHAT: The New Philharmonic opens its season with “Halloween Spooktakular,” a mix of the scariest classical and film score music including The Hungarian March from “The Damnation of Faust” by Hector Berlioz and “Night on Bald Mountain” by Modest Mussorgsky and used to great effect in Walt Disney’s “Fantasia,” plus music from “Psycho,” “The Addams Family,” the Harry Potter movies and more.

WHEN: At 7:30 p.m. Oct. 2 and 3 p.m. Oct. 3

WHERE: McAninch Arts Center, College of DuPage, 425 Fawell, Glen Ellyn

TICKETS: $53.

VISIT: For tickets and updated information regarding the venue’s COVID-19 vaccination and/or mask policies, visit atthemac.org.

Middle Kids

WHAT: Middle Kids, the Australia-based indie rock band, tours behind the recent release,”Today We’re the Greatest.” The album finds lead singer-songwriter Hannah Joy tapping into her most personal set of lyrics yet. The band has also released its haunting take on Olivia Rodrigo’s hit “Drivers License.”

WHEN: At 9 p.m. Oct. 2

WHERE: Metro, 3730 N. Clark

TICKETS: $20, $25.

VISIT: For tickets and updated information regarding the venue’s COVID-19 vaccination and/or mask policies, visit metrochicago.com.

Orion Ensemble

WHAT: The Orion Ensemble opens its 29th season with guest violist Stephen Boe for performances featuring works by Mozart, Faure and Mangani at three concerts: 7 p.m. Oct. 3 at New England Congregational Church, 406 W. Galena, Aurora; 7:30 p.m. Oct. 6 at PianoForte Studios, 1335 S. Michigan, and 7 p.m. Oct. 10 at Lake Street Church, 607 Lake, Evanston. A livestream also is available.

TICKETS: $15-$30.

VISIT: For tickets and updated information regarding the venue’s COVID-19 vaccination and/or mask policies, visit orionensemble.org.

Chicago Symphony Orchestra

(C) Todd Rosenberg Photography
Maestro Riccardo Muti conducts the Chicago Symphony Orchestra in 2017.

WHAT: Ricardo Muti and the Chicago Symphony Orchestra reunite for their first concerts since February 2020 with a series of three performances in a fall residency. The opening program (Sept. 23-25) features music by Joseph Bologne-Chevalier de Saint-George and Florence Price as well as Beethoven’s “Symphony No. 3 (Eroica).” Violinist Leonidas Kavakos joins Muti and the orchestra for Brahms “Violin Concerto in D Major” plus the orchestra performs “Beethoven’s Symphony No. 7 (Sept. 30-Oct. 2). The final fall program (Oct. 7-9) features the CSO’s first performance of Missy Mazzoli’s 2006 work “These Worlds in Us” plus pieces by Anatoly Liadov and Pyotr Ilyich Tchaikovsky.

WHERE: CSO at Symphony Center, 220 S. Michigan.

TICKETS: $38-$260.

VISIT: For updated information regarding the CSO’s Covid 19 vaccination and/or mask policies, visit cso.org.

‘Songs for Nobodies’

Photo by Michael Brosilow
Bethany Thomas in “Songs for Nobodies.”

WHAT: “Songs for Nobodies” is Joanna Murray-Smith’s one-woman tour-de-force that celebrates the iconic work of Judy Garland, Patsy Cline, Billie Holiday, Edith Piaf and Maria Callas. Bethany Thomas stars in the story of the unexpected encounters between these divas and the ordinary women whose lives they changed. Rob Lindley directs.

WHEN: From Sept. 23-Oct. 31

WHERE: Northlight Theatre at North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie.

TICKETS: $30-$89.

VISIT: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit northlight.org.

Ear Taxi Festival

Sally Blood Photo
Matt Ulery

‘Feelin’ Groovy Series’ at The Hideout

WHAT: As part of the city’s Chicago in Tune Festival, The Hideout’s “Feelin’ Groovy” series features conversations with key figures from Chicago independent record labels and live sets of music from musicians that span genres and generations. Upcoming are Cedille Records president Jim Ginsburg with Black Oak Ensemble (Sept. 13), Thrill Jockey founder Bettina Richards with Thalia Zedek Band (Sept. 15), Teklife co-founders of Ashes57 and DJ Spinn with a performance by DJ Spinn (Sept. 16), Sooper Records co-founder Nnamdi with Sen Morimoto, Drag City director of sales Rian Murphy with Lama Lobsang Palden and Jim Becker (Sept. 22) and Sonorama Discos co-founder Marlowe Baca with Dos Santos (Oct. 1).

WHEN/WHERE: All are at 6 p.m. outdoor at The Hideout, 1354 W. Wabansia.

TICKETS: Admission is free. For vaccination and/or mask policies, visit hideoutchicago.com.

World Music Wednesday

Amy Young Photo
Bomba con Buya

WHAT: The Old Town School of Folk Music’s weekly showcase of world music and dance, returns beginning Sept. 1 with Jazz a la Mexicana, a concert featuring traditional and folkloric Mexican music mixed with jazz. A celebration of Segundo Ruiz Belvis Cultural Center’s 50th anniversary follows on Sept. 8 with performances of Puerto Rican bomba music by Bomba con Buya and Mancha E’ Platano. The current roster of concerts runs through Dec. 1.

WHERE: Old Town School of Folk Music, 4544 N. Lincoln

Admission is free, a $10 suggested donation is appreciated. For updated information regarding the venue’s COVID-19 vaccination and/or mask policies, visit oldtownschool.org.

Courtesy Origin Records
Chris Foreman

Chris Foreman at the Green Mill

What: The Green Mill has reopened and that means the return of Chris Foreman, a Friday night fixture at the popular jazz club. Foreman, a jazz organist blind since birth, is a master on the Hammond B3 and regarded as Chicago’s best. His playing is a blend of blues-gospel and jazz honed in his professional experience, which has included work with Hank Crawford, Albert Collins, Bernard Purdie, The Deep Blue Organ Trio and The Mighty Blue Kings.

When: 5-7:30 p.m. Fridays

Where: The Green Mill, 4802 N. Broadway

Cost: No cover charge

Visit greenmilljazz.com

Read More

Things to do in Chicago for music fansMary Houlihan – For the Sun-Timeson September 30, 2021 at 4:54 pm Read More »

2021 Fall/Winter Entertainment Guide for ChicagoKyle MacMillan – For the Sun-Timeson September 30, 2021 at 5:07 pm

“Illumination: Tree Lights at The Morton Arboretum” returns to the Lisle park in its original format beginning Nov. 20. | Copyright 2017 Michael Hudson

Find something fun to do in the city with our Fall/Winter Entertainment Guide.

The arrival of cooler weather and shorter days can’t stop Chicago from offering up tons of engaging options for entertainment at any given time.

To help you find ways to make the most of the upcoming months, we’ve assembled our Fall/Winter Entertainment Guide full of outings and events perfect for fans of movies, music, dance and more. For your own sanity, the list does not include Bears football.

Among family-friendly options, both spooky Halloween-themed and otherwise, are Morton Arboretum, Open House Chicago and the The Dr. Seuss Experience at Water Tower Place. The fall film slate also includes some big blockbusters and potential Oscar contenders. Sun-Times film critic Richard Roeper previewed the 10 movies he can’t wait to see, including “The Last Duel” and “Ghostbusters: Afterlife.”

And if combining live wrestling with classic tunes from The Beatles sounds up your alley, well, we’ve got great news for you.

Check out all of the stories posted from this year’s Fall/Winter Entertainment Guide below.

Read More

2021 Fall/Winter Entertainment Guide for ChicagoKyle MacMillan – For the Sun-Timeson September 30, 2021 at 5:07 pm Read More »

Things to do at museums and galleries in ChicagoMary Houlihan – For the Sun-Timeson September 30, 2021 at 4:06 pm

An installation by Monika Wulfers at the Neon and Light Museum. | Provided

Chicago is home to some of the world’s greatest museums. Use our guide to find events and activities happening at the city’s many galleries and exhibits.

Welcome to our highlights of events and entertainment in Chicago at our city’s best museums and galleries. Bookmark this page and check back for updates on the latest activities.

‘Last Week Tonight Masterpiece Gallery’

HBO
John Oliver displays a portrait of Wendy Williams from the “Last Week Tonight” art collection.

When: Oct. 2-26

Where: 360 N. State

What: The Museum of Broadcast Communications is one of five museums to win a national competition to display three artworks from comedian John Oliver’s HBO series. In addition, the museum also received $10,000 and the Greater Chicago Food Depository received the same. It’s Oliver’s creative way of helping smaller museums impacted by the pandemic as well as helping local food banks. Admission is free; visitors are asked to bring a donation of a canned or boxed food item.

More information: For updated information regarding the museum’s COVID-19 vaccination and/or mask policies, visit museum.tv.

‘Who Says, Who Shows, What Counts’

(C) Fred Wilson. Image courtesy the artist and Pace Gallery
Fred Wilson’s “Untitled (Venice Biennale),” featured in “Who Says, Who Shows, What Counts.”

When: To Dec. 5

Where: 40 Arts Circle Dr., Evanston

What: Northwestern University’s Block Museum marks its 40th anniversary and the reopening of its galleries with “Who Says, Who Shows, What Counts,” an exhibit featuring 80 new acquisitions highlighting new collecting strategies and diverse narratives. Admission is free.

More information: For updated information regarding the museum’s COVID-19 vaccination and/or mask policies, visit blockmuseum.northwestern.edu.

‘Romanticism to Ruin: Two Lost Works by Sullivan & Wright’

Ryerson & Burnham Libraries, Art Institute of Chicago
Photo by unknown photographer, Richard Nickel at the Garrick Theatre in midst of an interview with unidentified journalist, c. 1960.

When: Sept. 24-Dec. 18

Where: Wrightwood 659, 659 W. Wrightwood

What: This two-part exhibit explores long-gone architectural masterpieces: Louis H. Sullivan’s Garrick Theatre in Chicago and Frank Lloyd Wright’s Larkin Building in Buffalo, New York. Included are 3D models and digital re-creations of the original edifices; salvaged architectural ornaments and artifacts; original furniture; historical documentation of the design, construction and demise of the buildings and archival photographs taken by noted preservationist Richard Nickel. Tickets: $15, available online only.

More information: For updated information regarding the gallery’s COVID-19 vaccination and/or mask policies, visit wrightwood659.org.

‘Thinking of You. I Mean Me. I Mean You.’

Digital image courtesy of the artist
Barbara Kruger. Untitled (Truth), 2013.

When: Sept. 19-Jan. 24

Where: Art Institute of Chicago, 111 S. Michigan

What: The Art Institute presents a major solo exhibition devoted to the work of Barbara Kruger, a conceptual artist known for combining images and type that raise questions about our relationship to consumerism, society and more. The exhibit includes early work and rarely seen paste-ups of the early 1980s, which reveal her process, to her digital productions of the last two decades. Admission: $14-$25. (Also Art on the Mart is projecting a selection of Kruger’s work on the facade of the Merchandise Mart through Nov. 25.)

More information: For updated information regarding the museum’s COVID-19 vaccination and/or mask policies, visit artic.edu.

‘Chicago Avant-Garde’

Sun-Times file
Dancer Katherine Dunham

When: To Dec. 30

Where: Newberry Library, 60 W. Walton

What: This interesting new exhibit puts the spotlight on five women whose lives and careers embodied a uniquely Chicago style of avant-garde creativity in 1930s-1950s: artist Gertrude Abercrombie, poet Gwendolyn Brooks, dancers Katherine Dunham and Ruth Page and curator Katharine Kuh. “All five women challenged social constraints — based on their gender, their race, or both — to subvert convention and find beauty and freedom in their art,” says curator Liesl Olson. The exhibit includes paintings, photographs, posters, dance costumes and rare video footage. Admission is free.

More information: For updated information regarding the museum’s COVID-19 vaccination and/or mask policies, visit newberry.org.

The Neon and Light Museum

When: Through Oct. 31

Where: 325 W. Huron

What: This pop-up features an immersive exhibition of nearly 70 neon and light-based sculptures. Among the highlights are John Bannon’s 14-foot-tall neon sculpture “Breathe,” Monika Wulfer’s installation “Circle’s Edge” and an iconic neon self-portrait by John Lennon. Other artists include feminist neon artist Zoelle Nagib, pop sign artist Jason Pickleman, projected light specialist Gary Justis, abstract artist sculptor Michael Young and more. Tickets: $40+, reservations required.

More information: For vaccination and/or mask policies, visit neonandlightmuseum.com.

‘Frida Kahlo: Timeless’

(C) 2020 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. Artists Rights Society (ARS), New York

When: Through Oct. 15

Where: https://theccma.org/ticket-information

What: Though it closed Sept. 12, the not-too-miss art exhibit of the summer can still be seen on a virtual tour. Dolores Olmedo’s collection of paintings and works on paper by Kahlo were on view at the newly expanded Cleve Carney Museum of Art in Glen Ellyn. Curator Justin Witte and executive director Diana Martinez offer commentary during the virtual tour. Also featured are a multimedia timeline that offered a framework of Kahlo’s life, more than 100 photographs, a Kahlo-inspired garden and a family-friendly children’s area featuring a replica of Kahlo’s Casa Azul in Coyoacan, Mexico. Tickets: $18.

‘Dias de Muertos: A Time to Grieve & Remember’

Courtesy of the artist
George Rodriguez, “Mictlantecuhtli Offering,” 2020, ceramic installation, is featured in the exhibit “Dias de Muertos: A Time to Grieve & Remember.”

When: Sept. 10-Dec. 12

Where: 1852 W. 19th

What: This year’s Day of the Dead exhibition at the National Museum of Mexican Art pays tribute to and remembers the many individuals from Mexico and the U.S. who have died from COVID-19. An annual time-honored tradition in Mexico, the Day of the Dead offers a way to join together to grieve and celebrate the lives of loved ones. The exhibit is a way to contemplate this moment via artworks and installations by artists from both sides of the border. Among those creating installations are Sandra Cisneros, Hector Duarte, Alejandro Garcia Nelo, Enrique Garcia and the Yollacalli Arts Center. These colorful displays sit alongside artwork by a long list of Mexican and Mexican American artists. Admission is free.

More information: For vaccination and/or mask policies, visit nationalmuseumofmexicanart.org.

‘American Epidemic: Guns in the United States’

Provided
“Untitled (Death by Gun),” by Felix Gonzalez-Torres (1990)

When: Sept. 10-Feb. 20

Where: 600 S. Michigan

What: The Museum of Contemporary Photography presents an exhibit that brings together work by nine artists who examine the past three decades of gun culture in the United States. Felix Gonzalez-Torres, Carolyn Drake, Zora J Murff, Stephen Foster, Renee Stout, Hank Willis Thomas, Kambui Olujimi, Nancy Floyd and Andres Gonzalez use photography to approach the topic from a wide range of perspectives. “We hope this exhibition lays bare the persistent epidemic of gun violence in this country,” said Karen Irvine, MoCP chief curator and deputy director. “These artists point us towards nuanced ways of reckoning with this tragic — and uniquely American — plight.” Admission is free.

More information: For vaccination and/or mask policies, visit mocp.org.

Future Fossils: SUM

Courtesy of the artist
A “Future Fossils: SUM” piece by Lan Tuazon

When: Sept. 7-Nov. 13

Where: 5020 S. Cornell

What: This is the final sculpture installation in Lan Tuazon’s decade-long trilogy of work that visualizes the lifespan of our material goods. The Chicago artist calls her process “documentary sculpture.” Common packaged goods, tchotchkes and household items are accumulated, dissected and layered to give an accounting of the unseen byproduct of consumption. Tuazon offers visitors an encounter with a future house — one constructed solely with recovered materials — built to scale and exhibited from inside the two-story gallery at the Hyde Park Art Center. Admission is free.

More information: For vaccination and/or mask policies, visit hydeparkart.org.

‘Bani Abidi: The Man Who Talked Until He Disappeared’

Courtesy of Kiran Nadar Museum of Art
Bani Abidi’s watercolor “The Man Who Talked Until He Disappeared.”

When: To June 5

Where: Museum of Contemporary Art, 220 E. Chicago

What: Two decades of the work of multidisciplinary Pakistani artist Bani Abidi are brought together for this exhibition. Informed by her upbringing in Karachi and experiences in cities including Chicago, where she studied at the School of the Art Institute, Abidi, a master storyteller, uses video, photography, sound and installation to uncover the influence of cultural and political power struggles on everyday life. Admission: $15.

More information: For vaccination and/or mask policies, visit mcachicago.org.

‘Chicago Works: Caroline Kent’

Nathan Keay, (C) MCA Chicago
The Museum of Contemporary Art presents “Chicago Works: Caroline Kent,” the first solo museum exhibition of work by the multidisciplinary Chicago-based artist.

When: To April 3

Where: 220 E. Chicago

What: The Museum of Contemporary Art presents the first solo museum exhibition of work by the multidisciplinary Chicago-based artist. In this site-specific installation, Kent explores the abbreviated forms of communication that develop in intimate relationships such as those between sisters. Inspired by the experience of communicating with her own twin, she transfers her visual language to painting, sculpture and installation. Admission: $15.

More information: mcachicago.org

‘Origins’

Courtesy the artist
Paul Nicklen, “Face to Face,” Svalbard, Norway, 2008.

When: Aug. 27-Oct. 2

Where: Hilton/Asmus Contemporary, Morgan Arts Complex, 3622 S. Morgan

What: The work of National Geographic photographers, filmmakers and marine biologists Paul Nicklen and Cristina Mittermeier are featured in this new exhibit. Nicklen, one of the world’s prominent nature photographers, has spent the last 20 years documenting the beauty and the plight of our planet. Mittermeier, whose work documents the conservation movement, is globally recognized as an influential wildlife writer and conservationist. Admission is free.

More information: Hilton-asmus.com

‘The Art of Banksy’

The Art of Banksy
Banksy’s “Flower Thrower”

When: To Oct. 31

Where: 360 N. State

What: The identity of the artist known as Banksy has for years been the art world’s most intriguing mystery. But while we don’t know the man, we do know the art. The English-based street artist has created some of the most iconic images of the past few decades. A new exhibit brings more than 80 of these original works to Chicago. World-famous pieces from private collections including “Flower Thrower,” “Rude Copper” and “Girl with Balloon” will sit alongside other works rarely seen by the general public. As the artist-provocateur Banksy says: “Art should comfort the disturbed and disturb the comfortable.” Tickets: $40, $30 for 16 and younger.

More information: banksyexhibit.com

‘Helmut Jahn: Life + Architecture’

Chicago Architecture Center
“Helmut Jahn – Life + Architecture”

When: To Oct. 31

Where: 111 E. Wacker

What: Chicago Architecture Center presents a new exhibit honoring the late Chicago architect, which highlights his designs ranging from signature early projects like the Michigan City Public Library (1977) and the James R. Thompson Center (1985) to the Sony Center in Berlin (2000) and the Pritzker Military Archives Center, currently under construction in Somers, Wisconsin. Photography, models and sketches illuminate each project and explore the collaborative design and engineering process, while personal imagery, video and recollections by those who knew and worked with Jahn underscore his flair for the dramatic and zest for life. Admission is $15.

More information: architecture.org

‘Mimi Cherono Ng’ok: Closer to the Earth, Closer to My Own Body’

(C) Mimi Cherono Ng’ok
“Untitled” by Mimi Cherono Ng’ok

When: To Feb. 7

Where: Art Institute of Chicago, 111 S. Michigan

What: This new exhibit features the work of a photographer who travels extensively across the tropical climates on a mission to understand how natural environments, botanical cultures and human subjects coexist and evolve together. In this solo exhibit, she presents photographs and a film in which she tracked flowers and floral imagery across varied contexts and a range of hidden associations. Admission: $14-$22.

More information: artic.edu

Peggy Notebaert Nature Museum

When: Ongoing

Where: 2430 N. Cannon Dr.

What: The Peggy Notebaert Nature Museum, where children of all ages can connect to nature and science, reopened July 8. Exhibits include “Without a Trace,” selections of photographs by Zbigniew Bzdak; “Patterns in Nature: A Bridge between Art and the Natural World,” mixed media work by artist Katherine Lampert; “Judy Istock Butterfly Haven,” “Birds of Chicago” and many more. Admission: $6-$9, children under 3 free.

More information: naturemuseum.org

‘Toward Common Cause: Art, Social Change and the MacArthur Fellows Program at 40’

Courtesy the artist and David Zwirner and Regen Projects, Los Angeles (C) Toba Khedoori.
Toba Khedoori’s “Untitled” at the Smart Museum of Art.

“Toward Common Cause — Art, Social Change and the MacArthur Fellows Program at 40” is a multi-museum venture organized by the Smart Museum of Art that explores the current sociopolitical moment, challenging questions of inclusion, exclusion, ownership and rights of access. In its gallery, the Smart Museum features works by Mark Bradford, Mel Chin, Nicole Eisenman, LaToya Ruby Frazier, Jeffrey Gibson, Toba Khedoori, Inigo Manglano-Ovalle, Julie Mehretu, Fazal Sheikh and Xu Bing. From July 15-Dec. 19 at Smart Museum, University of Chicago, 5550 S. Greenwood. Admission is free. Visit smartmuseum.uchciago.edu; for a list of participating museums visit towardcommoncause.org.

Stony Island Arts Bank’s contribution is “Towards Common Cause.” The group show features work by Carrie Mae Weems, Kerry James Marshall, Gary Hill, Whitfield Lovell, Trevor Paglen, Deborah Willis, Dawoud Bey, Fred Wilson and Nicole Eisenman. From July 18-Dec. 19 at Stony Island Arts Bank, 6760 S. Stony Island. Admission is free. Visit rebuild-foundation.org.
The reopened DuSable Museum of African American History, 740 E. 56th Pl., participates with an exhibit of “Presenting Negro Scenes Drawn Upon My Passage through the South and Reconfigured for the Benefit of Enlightened Audiences Wherever Such May Be Found, By Myself, Missus K.E.B Walker, Colored,” a signature black silhouette installation from the artist Kara Walker. Admission: $3-$10 (Sundays free), children under 5 free. Visit: dusablemuseum.org.

Hyde Park Art Center

Provided/Courtesy of the artist
Mel Chin’s Fundred Dollar Bill Project

When: July 25-Oct. 24

Where: 5020 S. Cornell

What: Mel Chin’s Fundred Dollar Bill Project as well as works by LaToya Ruby Frazier and Fazal Sheikh are on display at the Hyde Park museum as part of “Toward Common Cause: Art, Social Change and the MacArthur Fellows Program at 40.” Chin’s 13-year-project, here titled “Chicago Fundred Initiative: A Bill for IL,” invites people to create their own “Fundred,” a form of currency that affirms the right of each maker to equal protection against lead contamination; Frazier’s film “Flint is Family” uses her photographs and voiceover by Flint, Michigan, resident Shea Cobb to understand the Flint water crisis; Sheikh’s landscape photography examines the connection between desertification, colonialism, and the displacement of Bedouin communities from ancestral lands in Israel’s Negev desert. Admission is free.

More information: hydeparkart.org

Weinberg/Newton Gallery

Wendy Ewald Collection
“My Friends are Picking Flowers,” by Salvador Gomez Jiminez

When: To Dec. 18

Where: 688 N. Milwaukee

What: As part of the Smart Museum’s ongoing initiative “Toward Common Cause: Art, Social Change and the MacArthur Fellows Program at 40,” the gallery presents work by Wendy Ewald and Amalia Mesa-Bains, whose projects focus on Latinx migration in Chicago. Ewald’s exhibit includes photographs and writings from a workshop where young students expressed their dreams and concerns about contemporary migration as well as photographs and a film made in Chiapas, Mexico, in 1991. Mesa-Bains offers an installation that is a personal and historical meditation on migration through the lens of her own family. Admission is free.

More information: For updated information regarding the gallery’s COVID-19 vaccination and/or mask policies, visit weinbergnewtongallery.com.

‘Chicago: Where Comics Come to Life (1880-1960)’

DCASE
A 1954 “Brenda Starr” panel at the Chicago Cultural Center exhibit.

When: To Oct. 3

Where: Chicago Cultural Center, 77 E. Randolph

What: This exhibit looks at Chicago’s significant role in the development of the early comic strip. Curated by artist-author Chris Ware and the City of Chicago’s cultural historian emeritus, Tim Samuelson, it focuses on comics in popular publishing, African American cartoonists, the first women cartoonists, the first daily comic strip and more. Admission is free. (The exhibit is a historical companion to “Chicago Comics: 1960s to Now,” the survey of contemporary Chicago comics at the Museum of Contemporary Art.)

Visit: chicagoculturalcenter.org

National Museum of Mexican Art

National Museum of Mexican Art Permanent Collection, gift of Chaz and Christina Bojorquez
“We the People” by Chaz Bojorquez

When: Ongoing

Where: National Museum of Mexican Art, 1852 W. 19th street

What: After being closed for 15 months, the museum has reopened with a handful of exhibits. “Spotlight on Chaz Bojorquez and Enrique Alferez” features the museum’s newest acquisition, “We the People,” a painting by Bojorquez, and Alferez’s iconic bronze sculpture “La Soldadera.” Plus “Adlateres and the Unexpected Journey: Works by Carmen Chami” features paintings inspired by Mexican Baroque painting and figurative style. Admission is free.

More information: nationalmuseumofmexicanart.org

‘Toward Common Cause’

(C) Njideka Akunyili Crosby
“Mother and Child,” Njideka Akunyili Crosby (2016). Courtesy the artist, Victoria Miro and David Zwirner.

When: To Nov. 21

Where: National Public Housing Museum, 625 N. Kingsbury, and at the Minnie Riperton Apartments, 4250 S. Princeton

What: The National Public Housing Museum partners with the Chicago Housing Authority to display artwork by MacArthur Fellow Njideka Akunyili Crosby as part of “Toward Common Cause,” a multi-site exhibition organized by the Smart Museum of Art at the University of Chicago in conjunction with the 40th anniversary of the MacArthur Fellows Program. Crosby uses acrylic, colored pencil and photo collages to create her distinctive portraits of African American life. “I almost want people to feel like the door is open and they’re walking by a scene into someone else’s life,” she says, “because that really is what I’m doing… mining my life to tell a story that is global but really wanting people to feel like they’re getting a glimpse into my world.” Crosby’s artwork installation is displayed on 70-foot banners on the sides of two buildings.

More information: nphm.org

‘Drawn to Combat: Bill Mauldin & the Art of War’

Copyright the Pritzker Military Museum & Library
Pulitzer Prize-winning cartoonist Bill Mauldin

When: Through spring 2022

Where: 104 S. Michigan

What: Two-time Pulitzer Prize winner Bill Mauldin, who studied at the Chicago Academy of Fine Arts and was a cartoonist for the Chicago Sun-Times, is the subject of a retrospective at the Pritzker Military Museum & Library. “Drawn to Combat” covers Mauldin’s career as a wartime cartoonist focusing on soldiers’ experiences and as a political cartoonist. The exhibit draws from more than 5,000 cartoons and objects donated to the museum by the Mauldin family. Tickets: $8, $10, children under 12 free.

More information: pritzkermilitary.org

‘Chicago Comics: 1960s to Now’

Provided
Nick Drnaso’s painting for the cover of his graphic novel “Sabrina” in “Chicago Comics.”

When: To Oct. 3

Where: Museum of Contemporary Art, 220 E. Chicago

What: A new exhibit celebrates Chicago’s pivotal role as a national and innovative center for comics and cartooning. With a focus on rediscovering the work of women and BIPOC comic artists, this major exhibition presents the last 60 years of the city’s artful cartooning history, showing how comic art is a democratic medium that allows artists to speak directly to people in relatable ways. Over 40 cartoonists are featured including Lynda Barry, Lilli Carre, Daniel Clowes, Nick Drnaso, Edie Fake, Emil Ferris, Nicole Hollander, Charles Johnson, Kerry James Marshall and Chris Ware. On display are comics, graphic novels, zines, original drawings, dioramas, commissioned films, installations, rare ephemera and books. Admission: $8, $15.

More information: mcachicago.org

‘Vivian Maier: In Color’

Gift of Jeffrey Goldstein/(C) The Estate of Vivian Maier
Vivian Maier, “Three Highland Park firemen,” Highland Park, August 1964, inkjet print.

When: To May 8, 2023

Where: Chicago History Museum, 1601 N. Clark

What: Much has been heralded about street photographer Vivian Maier’s black-and-white photographs in exhibits, books and films. Now this multimedia exhibit features 65 color images made during her time as a suburban Chicago nanny from the 1950s to 1970s, many of which have never been seen before. Maier, who died in 2009, was a bit of a character and always had a Roloflex camera around her neck as she walked the streets snapping images of women, children, the old, the poor, the abstract. While her motives remain elusive, her photographs continue to speak volumes. Tickets: $17, $19.

More information: chicagohistory.org

Polish Museum of America

Courtesy Polish Museum of America
The Paderewki Collection at Polish Museum of America.

When: Ongoing

Where: 984 N. Milwaukee

What: The museum, since 1935 a repository for a wide variety of materials pertaining to Poland and the Polish-American community, has reopened after being shuttered for more than a year. Among the many permanent exhibits are “Polish Chicago 1850-1939,” “Folk Art Collection” and “The Paderewski Collection,” which documents the life of Polish pianist and composer Ignacy Jan Paderewski. Tickets: $6-$10.

More information: polishmuseumofamerica.org

The Hartwell Memorial Window

The Art Institute of Chicago
The Hartwell Memorial Window bears a design attributed to Agnes F. Northrop of Tiffany Studios.

When: Permanent

Where: Art Institute of Chicago, 111 S. Michigan

What: A magnificent stained glass window made by Tiffany Studios in 1917 is now on permanent display at the Art Institute. The Hartwell Memorial Window, attributed to Agnes F. Northrop, Tiffany’s leading landscape window designer, was originally commissioned for a church as the gift of Mary L. Hartwell in memory of her husband Frederick W. Hartwell. It consists of 48 different panels, and is a scenic view of Mount Chocorua, a peak in New Hampshire’s White Mountains. The window, located near the museum’s entrance, is one of the most ambitious landscape window projects produced by Tiffany. Museum admission: $14-$25.

More information: artic.edu

McCormick Bridgehouse & Chicago River Museum

Friends of the Chicago River
Gears that open the bridge.

When: Ongoing

Where: 99 Chicago Riverwalk

What: This five-story museum celebrates the Chicago River and its world-famous movable bridges. Visitors explore a historic bridgehouse, watch the massive gears of a moving bridge and learn about the history of the Chicago River. Plus from the top floor, there’s a 360-degree view of the city and river. Find the museum at 99 Chicago Riverwalk. Admission: $5, $6; children 5 and under free.

More information: bridgehousemuseum.org

Read More

Things to do at museums and galleries in ChicagoMary Houlihan – For the Sun-Timeson September 30, 2021 at 4:06 pm Read More »

Fall, winter serve up lots of fun, attractions for the entire familyContributoron September 30, 2021 at 4:13 pm

“Illumination: Tree Lights at The Morton Arboretum” returns to the Lisle park in its original format beginning Nov. 20. | Copyright 2017 Michael Hudson

From Halloween haunts to classical music, check out these things to see and do.

Gather up the family and check out these kid-friendly things to see and do in the weeks ahead. We’ve included some ghoulish fun for the older kids, too. Check individual websites for COVID protocols and age restrictions.

Morton Arboretum: Fall programming features a variety of outdoor events including the walking play “A Haunting in Sherwood Forest” (weekends through Oct. 31), Cider and Ale Fest (Oct. 23), the Glass Pumpkin Exhibition (Oct. 13-15, display of thousands of hand-blown glass pumpkins), an the return of “Illumination: Tree Lights at The Morton Arboretum” (original mile-long walking path is back, Nov. 20 through Jan. 2). There is also a long list of other activities including wellness programs, family hikes and informational programs. 4100 Ill. 53, Lisle, $8-$16 (some events require addidtional ticketing); mortonarb.org

13th Floor Haunted Houses: “Bad Blood” revolves around an ancient feud between vampires and werewolves and in “Spirit of Halloween,” a witch casts a spell to summon the spirits of the underworld. To Nov. 13 at 5050 River Rd, Schiller Park, $19.99+; 13thfloorchicago.com

Statesville Haunted Prison: Halloween chills and thrills get underway with the final year of this haunted site featuring 30 rooms of horrifying creatures and convicts. To Oct. 31 at 17250 S. Weber, Lockport, $30, $45; statesvillehauntedprison.com

The Forge: Lemont Quarries: Fall-themed festivities include Zombie Apocalypse Laser Tag (Fridays-Sundays to Oct. 31), a screening of “The Nightmare Before Christmas (Oct. 23), “The Tale of Talcott’s Stone – A Guided Adventure Game” (Oct. 29-30), Fireside Ghost Stories with Orion Couling (Oct. 29-30). 1001 Main, Lemont. Admission is free; prices for activities vary; forgeparks.com

The Dr. Seuss Experience: The 25,000-square-foot immersive attraction experience is a multi-sensory trip through nine Seuss books including “The Cat in the Hat,” “Horton Hears a Who!,” “The Lorax” and “How the Grinch Stole Christmas.” Plus, there’s an interconnected maze with hundreds of balloons. Begins Oct. 8 at Water Tower Place in the former Macy’s, 835 N. Michigan, $23+; experienceseuss.com

Kilburn Live
There are selfie opportunities throughout “The Dr. Seuss Experience.”

Brookfield Zoo: Fall events (Oct. 9-24) include a corn maze, family photo ops, giant inflatables and more. Holiday events include a community tree trimming (Nov. 13-14), a Reindeer Run (Nov. 20) and Holiday Magic (Nov. 26-Dec. 31), the annual light show. Brookfield Zoo, 8400 W. 31st, Brookfield, $17.95-19.95; czs.org

Open House Chicago: The Chicago Architecture Center’s annual festival that celebrates the city’s architecture features self-guided outdoor tours throughout October and indoor tours (Oct. 16-25), with more than 200 buildings in city neighborhoods and the suburbs open to the public. Free; openhousechicago.org

Courtesy Brookfield Zoo
Fall fun at Brookfield Zoo.

Little Park of Horrors: The drive-through only Halloween experience features horror displays with music and lighting effects. Oct. 21-24, 28-31. Wing Park, 1010 Wing St., Elgin, $10 advance tickets for timed entry; ticketweb.com

CSO for Kids: Members of the Chicago Symphony Orchestra introduce children to classical music at two daytime performances (Oct. 23), the orchestra performs John Williams’ score at a screening of “Home Alone” (Nov. 26-28) and the orchestra shares holiday music for the annual family concert “Merry, Merry Chicago!” (Dec. 17-23). Prices vary; cso.org

Jayme Thornton
The Laurie Berkner Band.

Laurie Berkner’s Halloween Party: The children’s musician invites families to her virtual party where they can sing along to original Halloween tunes and old favorites. Streams on Oct. 31, $20; laurieberkner.com

Lincoln Park Zoo’s ZooLights: The zoo grounds are transformed into a land of twinkling lights. There are also photos with Santa, a light maze, an enchanted forest and much more. Nov. 19-Jan. 2. Lincoln Park Zoo, 2001 N. Clark, $5 with some free nights; lpzoo.org

Christkindlmarket: Families can enjoy the return of this holiday tradition with its European feel and its wide array of gifts and food. Nov. 19-Dec. 24 at Daley Plaza, 50 W. Washington, and Nov. 19-Dec. 31 outside Wrigley Field, 1060 W. Addison, Free; christkindlmarket.com

Beatrix Potter Holiday Tea Party: A puppet show starring Peter Rabbit and his favorite animal friends plus photos with the cast, cookies and cocoa. Nov. 20-Dec. 24. Chicago Children’s Theatre, 100 S. Racine, $42+; chicagochildrenstheatre.org

Chicago Halloweek: The Upside-Down Parade in Washington Park (noon-3 p.m. Oct. 23) features dancers, musicians, circus acrobats and more; Arts in the Dark Halloween Parade (6-8 p.m. Oct. 30) features floats, spectacle puppets and performances downtown on State Street; the Dia de los Muertos Celebration (9 a.m.-3 p.m.) at Maxwell Street Market includes music, a sugar skull workshop, pumpkin decorating and more. Free; chicagohalloweek.org

Millennium Park: The holidays get underway with the annual Christmas tree lighting ceremony (Nov. 19) and continue with the McCormick Tribune Ice Rink (Nov. 19-March 6) and the Millennium Park Holiday Sing-Along (Nov. 26-Dec. 17). Free; millenniumpark.org

Compiled by Mary Houlihan, For the Sun-Times

Read More

Fall, winter serve up lots of fun, attractions for the entire familyContributoron September 30, 2021 at 4:13 pm Read More »

From ballet to modern to jazz, Chicago’s vibrant dance scene is backKyle MacMillan – For the Sun-Timeson September 30, 2021 at 4:18 pm

Hubbard Street Dance Chicago presents “Jardi Tancat” by Nacho Duato. | (C) Todd Rosenberg Photography

Cerqua Rivera Dance Theatre, Ensemble Espanol, the Joffrey Ballet and Giordano Dance Chicago are among the companies back in full swing this fall and winter.

While dance can certainly be enjoyed virtually, the physicality and sensuality of the movement cry out to be seen live. And that’s exactly what audiences can expect this fall as companies return to the stage after the extended coronavirus shutdown.

Here’s a look at dance offerings worth taking in this fall/winter:

Tom Rossiter
Mandala South Asian Performing Arts

Oct. 9, “The Story of Ram,” Mandala South Asian Performing Arts, Naper Settlement, 523 S. Webster St., Naperville (mandalaarts.org). This family-friendly, outdoor production celebrates the Indian holiday of Diwali and interprets the ancient epic tale of “Ramayana.” Participants include Mandala’s professional dance ensemble, Gingarte Capoeira; Indonesian Dance of Illinois; Somapa Thai Dance Company of Washington, D.C., and Thai Music @ Chicago.

Oct. 9, Cerqua Rivera Dance Theatre, Fine and Performing Arts Center at Moraine Valley Community College, 9000 College Pkwy, Palos Hills, (cerquarivera.org). Performing “Shiver,” “Soul Remedy” “Identity City” and “Mood Swing.

Andrew Glatt
The Seldoms.

Oct. 13-24, “Home: A Celebration,” Joffrey Ballet, Lyric Opera House, 20 N. Wacker (joffrey.org). This season-opening line-up marks the Joffrey’s downtown return to live presentations and the company’s debut in its new performing home at the Lyric Opera House. The mixed-repertory program includes the world premieres of Nicolas Blanc’s “Under the Trees’ Voices” and Yoshihisa Arai’s “Bolero.”

Oct. 14-16, “Grass,” The Seldoms, Dance Center at Columbia College Chicago, 1306 S. Michigan (dance.colum.edu). Formed in 2001 and based in Chicago, the Seldoms create issue-based dance works often in collaboration with partners from such fields as history or science. This new work, as the center’s promotional materials put it, investigates “the war on weeds and the war on weed.”

Dean Paul Photo
Ensemble Espanol: Monica Saucedo.

Oct. 15-18, Ruth Page Civic Ballet Training Company, Ruth Page Center for the Arts, 1016 N. Dearborn, (ruthpage.org). Ruth Page Civic Ballet Training Company performs Nejla Yatkin’s re-imagining of “Expanding Universe,” a piece first created by Ruth Page and Isamu Noguchi, plus pieces by Rigo Saura and Nelson Reyes.

Oct. 16, Ensemble Espanol Spanish Dance Theater, Auditorium Theatre, 50 E. Ida B. Wells Parkway (auditoriumtheatre.org). This performance, which includes a five-piece vocal-instrumental ensemble, culminates the company’s 45th season and opens the Auditorium Theatre’s 2021-22 line-up. It also inaugurates the venue’s “Made in Chicago” Dance Series and kicks off the Instituto Cervantes’ Chicago Flamenco Festival 2021.

Photo by Todd Rosenberg
Giordano Dance Chicago: Tanner Boyer (from left) Ashley Downs and Fernando Rodriguez.

Oct. 22 and 23, “59th Season Fall Series: Illuminate,” Giordano Dance Chicago, Harris Theater, 205 E. Randolph (harristheatearchicago.org). This 13-member resident ensemble returns to its performance home with a program of classic and contemporary jazz works, including the company premiere of Adam Houston’s “All For You.” and works from the company’s repertory including “Flickers,” “A Little Moonlight,” “Shirt Off My Back,” “Take A Gambol” and “Pyrokinesis.” The two evenings mark the final performances of dancer Zachary Heller after 14 seasons with Giordano Dance.

Oct. 23, “Roots & Wings,” Deeply Rooted Dance Theater, Auditorium Theatre (auditoriumtheatre.org). In August at the Pritzker Pavilion, Deeply Rooted was supposed to present a preview of “GOSHEN,” an in-development dance-theater work created by Donald Lawrence, a Grammy Award-winning producer, songwriter and gospel artist based in Chicago. When that performance had to be canceled because of inclement weather, it was included as the finale of this reformulated program.

Nov. 5-20. Chicago Danztheatre Ensemble, Ebenezer Lutheran Church, 1650 W. Foster, (danztheatre.org): Performing “The Yellow Wallpaper “and RE/dance Group’s “The Attic Room.” $20;

Nov. 12 and 13, “Xenos,” Akram Khan Company, Harris Theater (harristheaterchicago.org). Khan serves as the artistic director and choreographer for this much-lauded, London-based company that bears his name. He performs this self-created solo work that combines kathak, an Indian classical form, and contemporary dance to probe the disturbed nightmares of an everyman colonial soldier caught up in the horrors of World War I.

Nov. 18-21, “RE/TURN,” Hubbard Street Dance Chicago, Harris Theater (hubbardstreetdance.com). Hubbard Street’s fall offering includes a world premiere by Jermaine Maurice Spivey and “Jardi Tancat,” a work by renowned Spanish choreographer Nacho Duato. The program opens the 14-member company’s 44th season and marks its first performances under the leadership of Linda-Denise Fisher-Harrell, who took over as artistic director in March.

Dec. 2, “Fires of Varanasi: Dance of the Eternal Pilgrim,” Ragamala Dance Company, Harris Theater (harristheaterchicago.org). The Ragamala company marks its 25th anniversary with this work for 10 dancers, exploring life, death and the after-life through the power of ritual. It was choreographed by the Indian-American mother-and-daughter team of Ranee and Aparna Ramaswamy, who also oversee the Minneapolis-based company.

Photo by Ken Carl
Deeply Rooted Dance Theater.

“The Nutcracker

“The Nut Tapper”: Reggio “The Hoofer” McLaughlin and friends present a percussive take on the classic ballet featuring both students and professional dancers. Nov. 28. Old Town School of Folk Music, 4544 N. Lincoln, $20; oldtownschool.org

“The Art Deco Nutcracker”: Set in 1920s America, this is a fresh take on the holiday favorite. Dec. 4. A&A Ballet at Athenaeum Theatre, 2936 N. Southport; aacenterfordance.org

“The Nutcracker”: Christopher Wheeldon’s reimagining of the holiday classic sets the tale on Christmas Eve, 1892, months before the opening of the 1893 World’s Fair. Dec. 4-26. The Joffrey Ballet at Lyric Opera House, 20 N. Wacker; joffrey.org

“The Nutcracker”: Celebrate the holiday season with Ballet Chicago’s staging of the holiday classic. Dec. 10-19. Athenaeum Theatre, 2936 N. Southport, $18-$53; athenaeumtheatre.org

“The Nutcracker”: Salt Creek Ballet’s full-scale production of the holiday classic. Nov. 27-28 at Hinsdale Central Auditorium, 5500 S. Grant, Hinsdale. Dec. 11-12 at North Shore Center for the Performing Arts, 9501 Skokie Blvd. Dec. 18-19 at McAninch Arts Center, 425 Fawell, Glen Ellyn; saltcreekballet.org

Contributing: Mary Houlihan

Read More

From ballet to modern to jazz, Chicago’s vibrant dance scene is backKyle MacMillan – For the Sun-Timeson September 30, 2021 at 4:18 pm Read More »

Things to do in Chicago for theater and dance fansMary Houlihan – For the Sun-Timeson September 30, 2021 at 4:37 pm

Factory Theater restages “Last Night in Karaoke Town.” | Michael Courier

Chicagoans can find a range of plays, musicals and dance shows at local theaters large and small. Our guide has the latest on what’s on stage in the city.

Welcome to our highlights of events and entertainment on stage at Chicago’s theaters. From local productions to Broadway hits, our guide has the latest on shows in the city. Bookmark this page and check back for updates and ticket information.

‘A Recipe for Disaster’

Emily Madigan
The immersive “Recipe for Disaster” includes cocktail, wine and food samples.

WHAT: Chef Rick Bayless teams up with Windy City Playhouse for “A Recipe for Disaster,” an immersive experience. Bayless, artistic director Amy Rubenstein and associate artistic director Carl Menninger created the farcical play which revolves around a trendy restaurant where everything that could go wrong does. Audiences will sample cocktails, wine and food created by Bayless. David H. Bell directs. WHEN: Performances begin Oct. 6 in an open-ended run.

WHERE: staged at the Club Level at Petterino’s, 150 N. Dearborn.

TICKETS: $90-$130. For updated information regarding the theater’s COVID-19 vaccination and/or mask policies, visit windycityplayhouse.com.

Chicago Shakespeare Theater: ‘As You Like It’

WHAT: Shakespeare meets The Beatles in Daryl Cloran’s adaptation of the classic romantic comedy “As You Like It.” Cloran, who also directs, sets the play in the ’60s and infuses it with the music of the Beatles. More than 20 musical numbers from the Fab Four’s songbook are performed by a cast led by Lakeisha Renee as Rosalind and Liam Quealy as Orlando.

WHEN: From Oct. 6-Nov. 21

WHERE: Chicago Shakespeare Theater at Navy Pier, 800 E. Grand

TICKETS: $49-$90. For updated information regarding the theater’s COVID-19 vaccination and/or mask policies, visit chicagoshakes.com.

PrideArts: ‘4000 Days’

WHAT: PrideArts presents Peter Quilter’s “4000 Days,” a comedy-drama about a man who wakes up from a three-week coma and finds he remembers nothing from the past 11 years including his relationship with his partner; directed by Jay Espano.

WHEN: From Oct. 1-31

WHERE: The Broadway, Pride Arts Center, 4139 N. Broadway

TICKETS: $30. For updated information regarding the theater’s COVID-19 vaccination and/or mask policies, visit pridearts.org

Second City

WHAT: The Second City’s 109th revue, not yet titled, is a comedic examination of how we’re all striving to find joy in a seemingly never-ending stream of apocalyptic change from conspiracy theories to social anxiety to navigating the current political landscape.

WHEN: Presented in an open-ended run beginning Sept. 30

WHERE: The Second City, 1616 N. Wells

TICKETS: $29-$55

VISIT: For more information on the festival and updated information regarding the Covid 19 vaccination and/or mask policies, secondcity.com/chicago-shows/

‘Rent’

Amy Boyle
Cody Jenkins and Samantha Mbolekwa in “Rent.”

WHAT: The “Rent 25th Anniversary Farewell Tour” is the last chance to catch this celebrated touring production. Jonathan Larson’s Tony Award-winning musical follows a diverse group of artists and friends struggling to follow their dreams. It’s the first production to open to a live audience in a Broadway in Chicago theater in more than a year.

WHEN: From Oct. 5-10

WHERE: CIBC Theatre, 18 W. Monroe

TICKETS: $25+

VISIT: For updated information regarding the theater’s COVID-19 vaccination and/or mask policies, visit broadwayinchicago.com.

More on stage…

Vicki Quade’s “Holy Ghost Bingo: God, Goblins & Games” returns Oct. 1-31 at the Greenhouse Theater Center, 2257 N. Lincoln. Tickets: $35. Visit greenhousetheater.org.

Black Ensemble Theater’s cabaret series begins with “The Feel Good Musical Revue” at 8 p.m. Oct. 1-2 and 3 p.m. Oct. 3 at Black Ensemble Theater, 4450 N. Clark. Tickets: $45. Visit blackensembletheater.org.

The House Theatre of Chicago’s 10-part “Dracula: A Serial Audio Play” begins Oct. 1 with new episodes each week. Streams free at thehousetheatre.com.

Broken Nose Theatre presents an audio adaptation of its hit 2019 family drama “Kingdom.” Streams (pay-what-you-can) from Oct. 4-24 at brokennosetheatre.com.

Dance Doings…

Winifred Haun & Dancers premiere a new work, “When day comes,” and other dances including “Your nearest exit may be behind you,” “Bento” and “Finding the Light” at 7:30 p.m. Oct. 1-2 at Ruth Page Center for the Arts, 1016 N. Dearborn. Tickets: $24, $35. Visit winifredhaun.org.

The experimental company Zephyr Dance performs “Recurrences,” a re-staged, shortened reconstruction of elements from its piece “Allowances and Occurrences.” At 7:30 p.m. Oct. 2 and 9 at The Martin, 2500 W. Chicago. Tickets: $10. Visit zephyrdance.com.

The Chicago Tap Summit, M.A.D.D. Rhythms’ annual celebration of tap, includes classes, panels, performances and more. From Oct. 1-3 at Harold Washington Cultural Center, 4701 S. Dr. Martin Luther King Dr. Ticket prices vary. Visit maddrhythms.com.

Destinos: Chicago International Latino Theater Festival

WHAT: Destinos: Chicago International Latino Theater Festival returns Sept. 23-Oct. 17 with its always diverse roster featuring works from Chicago and around the world. The performances, in addition to the Goodman Theatre’s staging of “American Mariachi,” performed at a various venues are Lagartijas Tirades al Sol’s “Tijuana” (Sept. 23-26), which asks the question: What does democracy mean in Mexico today?; Teatro Tariakuri’s “La manera como luces esta noche” (Sept. 25-Oct., 17), a comedic fairy tale about a princess and the commoner who loves her; Combat Hippies’ “AMAL” (Sept. 30-Oct. 3), an examination of the impact of war; Casa de Teatro’s “Mal de Amores” (Oct. 8-10), a fusion of storytelling and song as an old man tells love stories and a woman sings boleros, baladas and rancheras; Urban Theater Company’s “Brujaja” (Oct. 9-10), which pairs theater, dance and drumming; Teatro Vista’s “Futurology presents: The Fifth World” (Oct. 10-11), a new serial audio play about a true crime producer who is entangled in myth’s as old as the world; Vision Latino Theatre’s “Y tu abuela, where is she?” (Oct. 11-24), about an interracial couple seeking to modify the genes of their unborn children; Agus, Sol y Sereno’s “Corazon de Papel” (Oct. 14-17), a depiction of post-Hurricane Puerto Rico told through puppetry; Aguijon Theater’s “La Gran Tirana: Descarga dramatica” (Oct. 15-Nov. 21), a new work inspired by La Lupe, the Queen of Latin Soul.

VISIT: For more information on the festival and updated information regarding the Covid 19 vaccination and/or mask policies, visit clata.org.

Peacebook Festival

Photo by Madison Uphoff
Karen Olivo

WHAT: Collaboraction’s Peacebook Festival offers different perspectives on peace via films and solo performances including one by Tony Award-winner Karen Olivo (“West Side Story”). At 5:30 p.m. Sept. 25 (Kennedy-King College, 740 W. 63rd): Carla Stillwell’s “Oh, Colonizers,” a satirical film which connects the dots between capitalism and the Jan. 6 insurrection; “Encounter Englewood,” videos showcasing the life and vibrancy of Englewood and short solo works performed by Ameena Matthews, Banks Performance Project, E’mon Lauren, John Johnson, Loretta “Firekeeper” Hawkins, Mica Cole and Teh’Ray “Phenom” Hale Sr. At 5:30 p.m. Oct. 2 (Kehrein Center for the Arts, 5628 W. Washington): a screening of “Oh, Colonizers” and solo performances by Abad Viquez, Ada Cheng, Anthony Wolf, David Flores, Karen Olivo, Marvin Tate and Molly Brennan.

TICKETS: $5-$35

VISTI: For updated information regarding the festival’s Covid 19 vaccination and/or mask policies, visit collaboraction.org.

‘Songs for a New World’

Courtesy of Theo Ubique Cabaret Theatre
Theo Ubique Cabaret Theatre’s season begins with Jason Robert Brown’s “Songs for a New World.” Pictured in rehearsal are Emily Goldberg (from left), Matthew Hunter, Averis I. Anderson and Nora Navarro.

WHAT: Theo Ubique Cabaret Theatre’s season begins with Jason Robert Brown’s “Songs for a New World,” which tells the stories of people facing a variety of life-changing crisis and features a score that blends pop, gospel and jazz.

WHEN: From Sept. 24-Oct. 24

WHERE: Howard Street Theatre, 721 Howard, Evanston

TICKETS: $42-$54

VISIT: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit theo-u.com.

‘Last Night in Karaoke Town’

Michael Courier
Factory Theater presents “Last Night in Karaoke Town.”

WHAT: Factory Theater restages “Last Night in Karaoke Town,” Mike Beyer and Kirk Pynchon’s comedy set in one of Cleveland’s oldest karaoke bars that may have to close its doors when the new owner announces he wants to change it into a cider bar. Directed by Kim Boler.

WHEN: From Sept. 24-Nov. 6

WHERE: The Factory Theater, 1623 W. Howard

TICKETS: $10-$25.

VISIT: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit thefactorytheater.com.

Steppenwolf: Tracy Letts

WHAT: Here’s a trio of treats from playwright Tracy Letts. Leading up to the Steppenwolf Theatre restaging of his play “Bug” in November, the company is streaming three short plays which Letts says, “share at least one thread: a world off-kilter… they feel very much like stories for 2021.” Rainn Wilson performs the monologue “Night Safari,” which poses questions about animal behavior and human biology; William Petersen, Karen Rodriguez and Mike Nussbaum voice the puppets in “The Old Country,” in which two men in a diner wax nostalgic; and Letts performs “The Stretch,” a monologue about a horse race that is not what it seems. Patrick Zakem directs the first two and outgoing artistic director Anna D. Shapiro directs the third.

WHEN: Streams from Sept. 29-Oct. 24

TICKETS: $20

VISIT: steppenwolf.org.

Lyric Opera: ‘The Elixir of Love’

WHAT: The Lyric Opera presents Donizetti’s “The Elixir of Love,” a classic of the bel canto repertoire. The heartwarming comedy, directed by Daniel Slater, is the story of a naive waiter Nemorino (tenor Charles Castronovo) who pines for the flirtatious Adina (soprano Ailyn Perez) who also happens to be his boss.

WHEN: From Sept. 26-Oct. 8

WHERE: The Lyric Opera, 20 N. Wacker.

TICKETS: $39+

VISIT: For updated information regarding the Lyric’s Covid 19 vaccination and/or mask policies, visit lyricopera.org.

‘American Mariachi’

WHAT: Jose Cruz Gonzalez’s “American Mariachi” is the story of a young woman, Luca (Tiffany Solano), who spends her days caring for her ailing mother, Amalia (Gigi Cervantes), but longs to shake up her life. When the mariachi songs on a forgotten album spark her mother’s memory, she sets out to create an all-female mariachi band, an unheard of idea in the 1970s, the time in which the play is set. It’s a “funny, tender-hearted story about family, tradition and memory,” says director Henry Godinez. The cast includes an ensemble of musicians from the Grammy-nominated group Sones de Mexico.

WHEN: From Sept. 18-Oct. 24

GOODMAN THEARE: Goodman Theatre, 170 N. Dearborn

TICKETS: $25+

INFO: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit goodmantheatre.org.

Lyric Opera — ‘Macbeth’

WHAT: The Lyric Opera’s 67th season begins with “Macbeth,” the inaugural production of music director Enrique Mazzola. The new production of Verdi’s opera from Scottish director Sir David McVicar is an adaptation of Shakespeare’s classic tragedy, a portrait of a power-hungry couple and their bloody ascent to the throne of Scotland. Roman Burdenko portrays Macbeth with Sondra Radvanovsky as Lady Macbeth. Sung in Italian with projected English subtitles.

WHEN: From Sept. 17-Oct. 9

WHERE: Lyric Opera, 20 N. Wacker

TICKETS: $39+

INFO: For updated information regarding the Lyric’s Covid 19 vaccination and/or mask policies, visit lyricopera.org.

‘The Golden Girls: The Lost Episodes, Vol. 5 — Sex!’

Rick Aguilar Studios
Ed Jones (from left), Grant Drager and David Cerda with (bottom, right) Ryan Oates in “The Golden Girls: The Lost Episodes, Vol. 5-Sex!”

WHAT: Hell in a Handbag Productions long-running parody series continues with “The Golden Girls: The Lost Episodes, Vol. 5 — Sex!,” in which Dorothy, Rose, Blanche and Sophia explore their naughty side. Original cast members — David Cerda, Grant Drager, Ed Jones and Ryan Oates — star as the Geriatric Fab Four. Written by Cerda and directed by Madison Smith.

WHEN: From Sept. 16-Oct. 23

WHERE: Leather Archives & Museum, 6418 N. Greenview

TICKETS: $27-$45.

INFO: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit handbagproductions.org.

‘Forever Plaid’

WHAT: Drury Lane Theatre returns with “Forever Plaid,” Stuart Ross and James Raitt’s musical revue packed with hit tunes from the 1950s. Paul Stancato directs.

WHEN: From Sept. 17-Nov. 7

WHERE: Drury Lane Theatre, 100 Drury Lane, Oakbrook Terrace

TICKETS: $59-$72.

INFO: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit drurylanetheatre.com.

The Neo-Futurists

Joe Mazza
“The Infinite Wrench” by the Neo-Futurists

WHAT: The Neo-Futurists kick off their season with the return of the late-night show “The Infinite Wrench,” in which the ensemble attempts to perform 30 plays in 60 minutes.

WHEN: Ongoing performances are at 7 p.m. Sundays

WHERE: Neo-Futurists, 5153 N. Ashland

TICKETS: $10

INFO: For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit neofuturists.org.

‘Twilight: Los Angeles, 1992’

Courtesy of Fleetwood-Jourdain Theatre
Jazzma Pryor in “Twilight: Los Angeles, 1992.”

WHAT: Jazzma Pryor stars in Anna Deavere Smith’s tour-de-force solo show “Twilight: Los Angeles, 1992.” In it she portrays nearly four dozen people who were connected either directly or indirectly to the 1992 Los Angeles riots that erupted after the trial and acquittal of the police officers accused of assaulting Rodney King. The playwright shaped the piece from interviews that she conducted while researching the play. Tim Rhoze directs.

WHEN: From Sept. 11-26

WHERE: Fleetwood-Jourdain Theatre at Noyes Cultural Arts Center, 927 Noyes, Evanston

TICKETS: $25. For vaccination and/or mask policies, visit fjtheatre.com.

‘The World Goes Round’

@BrandonDahlquistPhotography
Kevin Earley (from left), Allison E. Blackwell, Meghan Murphy, Joseph Anthony Byrd, Amanda Rose are featured in “The World Goes Round” at the Marriott Theatre in Lincolnshire.

WHAT: The songs of musical theater team John Kander and Fred Ebb are the centerpiece of the revue “The World Goes Round.” The hit parade of songs includes selections from “Cabaret,” “New York, New York,” “All That Jazz,” “Funny Lady,” “Kiss of the Spider Woman,” “Maybe This Time” and more. The cast features Allison E. Blackwell, Joseph Anthony Byrd, Kevin Earley, Meghan Murphy and Amanda Rose; Marcia Milgrom Dodge directs and choreographs.

WHEN:From Sept. 15-Nov. 7

WHERE: Marriott Theatre, 10 Marriott Dr., Lincolnshire

TICKETS: $50-$60. For vaccination and/or mask policies, visit marriotttheatre.com.

‘Thirteen Days’

Photo by Steve Graue
Sheila Willis (from left), Cameron Feagin, Kat Evans, Julia Kessler and Maggie Cain star in “Thirteen Days” at City Lit Theater.

WHAT: “Thirteen Days” is Brian Pastor’s adaptation of Robert F. Kennedy’s memoir of the Cuban Missile Crisis. The world-premiere play, performed by an all-female cast, is set in President John F. Kennedy’s Situation Room where he maneuvers his way through the conflicting counsel of his advisors as the world comes close to nuclear war. Leading the cast are Cameron Feagin as JFK and Kat Evans as Attorney General Robert Kennedy; Pastor directs.

WHEN: Sept. 10-Oct. 24

WHERE: City Lit Theater, 1020 W. Bryn Mawr

TICKETS: $32. For vaccination and/or mask policies, visit citylit.org.

‘Brighton Beach Memoirs’

WHAT: Citadel Theatre presents Neil Simon’s “Brighton Beach Memoirs,” a comedy about a teen who must cope with the mundane existence of his life in Brooklyn.

WHEN: Sept. 15-Oct. 17

WHERE: Citadel Theatre, 300 S. Waukegan, Lake Forest

TICKETS: $20-$45. For vaccination and/or mask policies, visit citadeltheatre.org.

‘Kinky Boots’

Thomas J. King
Michael Wordly makes his Paramount Theatre debut as Lola in “Kinky Boots.”

What: Live performances return for a new season at the Paramount Theatre with Cyndi Lauper and Harvey Fierstein’s high-kicking “Kinky Boots.” This first regional production of the Broadway musical, directed by Trent Stork, stars Devin DeSantis as Charlie, the shoemaker attempting to save his failing shoe factory, and Michael Wordly as Lola, the fierce drag queen who shows him the way.

When: Aug. 18-Oct. 17

Where: Paramount Theatre, 23 E. Galena, Aurora

Tickets: $36-$74

For updated information regarding the theater’s COVID-19 vaccination and/or mask policies, visit paramountaurora.com.

Theatre Y

WHAT: Theatre Y’s ambitious new adventure “You Are Here: The Emerald Camino Project” is a return of its urban pilgrimages, this time through Daniel Burnham’s Emerald Necklace — the boulevard system that links the public parks on Chicago’s West and South sides. The immersive 12-part walking experience was created with artists, community leaders and organizations across a dozen communities. “This is a joyful post-pandemic experience that connects Chicago’s diverse communities through the intersection of conversation and art,” says Theatre Y’s artistic director, Melissa Lorraine. If you are walking through the neighborhood in which you live, admission is free; all other participants are Theatre Y Members or encouraged to become members (for as little as $5/month).

WHEN: Aug. 21-Sept. 26 For updated information regarding the theater’s COVID-19 vaccination and/or mask policies as well as dates and times for each walk, visit theatre-y.com.

Blue Man Group

Caroline Talbot Photography
Blue Man Group

What: Those crazy characters in blue return for more goofy fun. The show, which encourages audiences to reconnect with their inner child, is a combination of art, music, comedy and technology.

When: Ongoing

Where: Briar Street Theatre, 3133 N. Halsted.

Tickets: $49-$89

For updated information regarding the theater’s Covid 19 vaccination and/or mask policies, visit blueman.com.

Teatro ZinZanni

Michael Doucet
The artistry and the excitement of Teatro ZinZanni returns to Chicago starting July 8. Pictured: Lea Hinz.

What: The immersive, whirlwind theater experience that is Teatro ZinZanni has reopened featuring a new show with a cast of comedians, aerialists, acrobats, singers, dancers and a gourmet meal, it brings comedy, music and cirque back after a long pandemic hiatus. Included among the performers are powerhouse vocalists Storm Marrero and Cunio, aerial acts Lea Hinz and Duo 19, veteran comedians Frank Ferrante and Joe DePaul and acrobatic dancers Mickael and Vita.

When: Ongoing

Where: Spiegeltent ZaZou on the 14th floor of the Cambria Hotel, 32 W. Randolph

Tickets: $119-$189; limited show only tickets $69. Visit zinzanni.com/chicago.

Read More

Things to do in Chicago for theater and dance fansMary Houlihan – For the Sun-Timeson September 30, 2021 at 4:37 pm Read More »

Fire dismiss coach Raphael Wicky, but hard questions remain for Joe Mansueto and Georg HeitzBrian Sandalowon September 30, 2021 at 2:05 pm

The Fire have dismissed coach Raphael Wicky. | Courtesy of the Fire

Wicky wasn’t blameless for the Fire’s issues, but other decisions have put the team in a difficult spot.

Fire coach Raphael Wicky took the fall late Wednesday, but the people above him never gave him a chance to succeed.

Hours after a 2-0 victory against New York City FC, sources confirmed the Fire have dismissed Wicky. Twenty-eight games into his second season, the Fire were 7-15-6 and on the verge of missing the playoffs again after falling short of a generous postseason format last year.

Asked about his job security after a defeat to FC Cincinnati this season, Wicky understood why the topic came up.

”There’s always pressure, and when you don’t have results, obviously, yeah, there’s not many arguments,” Wicky said. ”The only thing I can say is that I’m here, 100% committed. I go every day to work hard. We work hard for our staff, and that’s all I can say. The question has to go to other people.”

Those people are owner Joe Mansueto and sporting director Georg Heitz. Indeed, they both have plenty to address as another season spins out of control.

Welcomed like a conquering hero when he took control in September 2019, Mansueto’s first full season ended without a playoff berth. His second is looking like a disaster, and perhaps that can be traced to the 2019-20 offseason.

In October 2019, then-president and general manager Nelson Rodriguez said the Fire would hire an executive to handle the first team. Mansueto and Rodriguez waited until November to fire coach Veljko Paunovic, then Major League Soccer neophyte Heitz wasn’t brought aboard until Dec. 20 of that year.

Though Heitz hasn’t used his late arrival as an excuse, he was forced to act quickly to rebuild the Fire to play in a league he knew little about. His first move a week later was hiring Wicky, a former colleague at FC Basel, who had been sacked by the Swiss club in 2018 and coached the United States to a last-place finish in its group at the Under-17 World Cup in 2019.

Would the Fire be in better shape if Mansueto had acted quicker and given Heitz more time to construct a roster and find a coach? Was it a good idea to hire an executive who never had worked in MLS? The answers are debatable, but the results are clear.

That leads to one more question: Should Heitz get to pick another coach? All three of his designated players have missed, and the Fire have gone backward.

Another Heitz miss was Wicky, who wasn’t blameless. In 2020, the Fire had a playoff spot in their grasp but went winless in their last six games and never developed an ability to finish matches. But that pales by comparison to what has happened this season.

And now a franchise that hoped it was turning away from the calamitous Andrew Hauptman era is looking for a new coach again.

Wicky didn’t get enough from what he had, but he isn’t the only one who made mistakes. He’s just the only one who lost his job.

Read More

Fire dismiss coach Raphael Wicky, but hard questions remain for Joe Mansueto and Georg HeitzBrian Sandalowon September 30, 2021 at 2:05 pm Read More »

‘Venom: Let There Be Carnage’: Better, funnier sequel concludes in the same old tedious wayRichard Roeperon September 30, 2021 at 2:08 pm

The powerful symbiote called Carnage runs amok thanks to its host, a serial killer, in “Venom: Let There Be Carnage.” | Sony Pictures

Tom Hardy’s Marvel superhero fights a new villain in a CGI battle like we’ve seen dozens of times before.

The CBMU (Comic Book Movie Universe) has been buzzing for a long time about a true merging of the Spider-Verse and the Marvel Cinematic Universe, and I’ll neither confirm nor deny there’s a mid-credits scene in “Venom: Let There Be Carnage” that will add jet fuel to the fire, but I will make this humble suggestion:

If Venom’s world were to expand one day, here’s hoping the hulking, black-clad quipster with the insatiable appetite and a set of choppers that would make Alien drool with envy will actually discover a cohesive script with better dialogue, more interesting characters and something more creative than a standard-issue, CGI battle like we’ve seen dozens of times before — because so far, the big guy is 0-for-2.

When “Venom” was released in 2018, it was widely panned as clunky, loud, unimaginative action-comedy. (I gave it one and a half stars for the murky cinematography, the surprisingly ineffective performances and the forgettable villains.) But when a superhero movie has a worldwide gross of some $856 million, the sequel is inevitable — and while “Let There Be Carnage” is marginally better than the original, with a firmer commitment to the comedic angle and Tom Hardy clearly having a lot of fun playing a somewhat hapless character trapped in a relationship that’s part “Ted,” part “Mask,” part “The Odd Couple,” with a sprinkling of body-switch movies, bromances and rom-coms, this vehicle runs out of gas halfway through the yawner of a climax. Not a good thing when a movie has a running time of just 90 minutes.

“Let There Be Carnage” picks up about a year and a half after the events of “Venom,” with Tom Hardy’s investigative journalist Eddie Brock living in San Francisco with a permanent “roommate” in the form of the alien symbiote Venom, who is trapped inside Eddie’s body and vice versa, although Venom occasionally slithers partially out of Eddie’s form so they can banter face to face. Eddie and Venom spend much of their time squabbling over what’s for dinner, and I’m not kidding. Venom would prefer human brains, but he has reluctantly agreed to subsist on a diet of chickens and chocolate — at least for now.

Meanwhile, Woody Harrelson’s psychotic killer Cletus Kasady, a thinly drawn, maniacal caricature who’s not 1/10th as terrifying as the serial murderer Harrelson played a quarter-century ago in Oliver Stone’s “Natural Born Killers,” has requested Eddie’s presence for a jailhouse interview, in which Kasaday might reveal where he buried the bodies of his multiple victims. Upon Eddie’s second visit to the prison, something shocking and terrible happens — but neither Eddie nor the supposedly otherworldly brilliant Venom figures it out until it’s too late, and Kasady has escaped prison on the night of his execution, leaving behind a trail of carnage, because he’s now the host of an enormous, blood-red, powerful symbiote known as, well, Carnage.

(Sidebar: Eddie is a terrible, terrible journalist. He doesn’t know the first thing about how to interview someone and he doesn’t recognize clues when they’re staring him in the face. He’s kind of an idiot.)

The wonderful Michelle Williams, looking like there’s a sign saying “Contractual Obligation” hanging over her head, pops in and out of the story as Eddie’s ex, Anne Weying, who is now engaged to Reid Scott’s Dr. Dan Lewis, much to the heartbreak of Eddie but especially Venom, who is more in touch with his feelings than Eddie — and if Eddie and Anne got back together, would that be a threesome, what with Venom living inside Eddie? Yeesh! And we’re introduced to Naomie Harris’ Frances Barrison/Shriek, who has been in love with Kasady since they were in a home for unwanted children, is criminally insane, and has the ability to manipulate sound to harm or kill her enemies — which makes things tricky, given Kasady is now the host to the alien Carnage, who like all symbiotes is sensitive to sound (and fire).

Sony Pictures
The alien symbiote in the body of Eddie Brock (Tom Hardy) occasionally slithers out in “Venom: Let There Be Carnage.”

You can see the easy punchlines coming across the Golden Gate Bridge much of the time, e.g., when Eddie is hanging from a ledge and Anne calls and he tells her he’s just “hanging around,” groan. Tom Hardy scores some laughs when Eddie and Venom get into public spats that make it look like he’s arguing with himself, and the whole brains/chicken/chocolate thing makes for a few mildly funny dark comedic moments. Mostly, though, “Let There Be Carnage” just can’t get wait to get to that big, overly symbolic, dragged-out, CGI-dominated confrontation between Eddie/Venom and Kasady/Carnage, and though there are a few clever attempts to make this something special (including the participation of a number of key supporting players), at the end of the day we might as well be watching King Kong take on Godzilla or Optimus Prime duking it out with Megatron. The fine actors onscreen are mere accessories to the computerized puppets thrashing and slashing and stabbing and biting and roaring and breaking stuff all over the place before only one of them is left standing. Sigh.

Read More

‘Venom: Let There Be Carnage’: Better, funnier sequel concludes in the same old tedious wayRichard Roeperon September 30, 2021 at 2:08 pm Read More »

Previewing Week 6’s top high school football gamesMike Clarkon September 30, 2021 at 2:46 pm

Marist’s Dontrell Jackson Jr (1) runs against Nazareth. | Kirsten Stickney/For the Sun-Times

A look at this weekend’s five best games.

No. 15 Marist at No. 1 Loyola, 1:30 p.m. Saturday

It’s round two of the CCL/ESCC Blue schedule and while this game isn’t going to make or break either team’s season, it has some interesting story lines nonetheless. Loyola (5-0, 1-0) has been in dogfights two weeks in a row, winning a 46-43 thriller at Brother Rice and then edging Fenwick 27-24 on sophomore Michael Baker’s field goal as time expired. The Ramblers proved they could win without star running back Marco Maldonado, who is out at least till the playoffs with a broken collarbone suffered in the Rice game. Mike Regan was the next man up, running for 172 yards and a TD. Marist (4-1, 0-1), led by Coastal Carolina-bound quarterback Dontrell Jackson Jr., is looking for a signature win after dropping its league opener 28-16 to Mount Carmel two weeks ago.

No. 2 Brother Rice at No. 14 Mount Carmel, 7:30 p.m. Friday

The question here is how Mount Carmel (4-1, 1-0) comes out after last week’s historic upset loss to St. Ignatius. The Caravan offense was shut out for the first time since a 7-0 playoff loss to Glenbard West in 2015 after looking sharp in wins over powers St. Rita, Phillips and Marist. Rice (4-1, 0-1) presents a significant challenge with a defense that has allowed just 26 points outside of the Loyola loss. Junior lineman Roderick Pierce, who has Illinois and Kentucky offers, is a force on that unit, while Notre Dame-bound Jack Lausch is one of the state’s premier quarterbacks.

York at No. 5 Glenbard West, 1:30 p.m. Saturday

Glenbard West (5-0, 2-0 West Suburban Silver) has yet to be tested, with an average victory margin of 47 points. Joey Pope has put up some big rushing numbers for the Hilltoppers, whose schedule is backloaded with conference tests against York (5-0, 3-0), Downers North (4-1, 1-1) and Hinsdale Central (4-1, 2-0) in the final four weeks. York hasn’t qualified for the IHSA playoffs since 2011, but seems to have turned the corner under fourth-year coach Mike Fitzgerald. The Dukes have an experienced offensive line and a solid linebacking corps headed by senior Jeff Coglianese.

No. 11 Batavia at Wheaton Warrenville South, 7:30 p.m. Friday

Three weeks into DuKane play, Batavia (5-0, 3-0) is the last unbeaten team. The Bulldogs have a knack for winning the close games this well-balanced conference specializes in, beating No. 12 Wheaton North in overtime and stopping a potential game-winning conversion try by No. 24 Glenbard North last week. As usual, it’s offense by committee for Batavia: sophomore quarterback Ryan Boe has completed 43 passes to seven different receivers for 759 yards and Jalen Buckley has rushed for a team-high 551 yards and five TDs. WW South (3-2, 2-1) had three interceptions and four sacks — two by senior lineman Charlie Hoover — in last week’s win over St. Charles East.

Morgan Park vs. Kenwood, 10 a.m. Saturday at Lane

Kenwood (5-0, 2-0 Illini Red Bird) gets its first serious test in its bid to win one of the Public League’s top two sections. The Broncos have Division I prospects on both sides of the ball in defensive back Diego Oliver (Eastern Illinois commit), receiver Logan Lester (Nebraska, Kansas offers) and linebacker BJ Mayes, among others. Morgan Park (3-2, 2-0) has one of the state’s top sophomores in receiver Tysean Griffin, who owns SEC offers from Arkansas and Tennessee.

Read More

Previewing Week 6’s top high school football gamesMike Clarkon September 30, 2021 at 2:46 pm Read More »