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Cubs’ Drew Smyly ‘ahead of schedule,’ hopes to return before All-Star break

Cubs left-hander Drew Smyly is still hopeful that he could return from the injured list before the All-Star break.

“I think I’m ahead of schedule, honestly,” he told the Sun-Times on Tuesday. “But they’re trying to tame me. I’m like, ‘Let’s go, I’m ready.'”

That’s part of the job for any club’s medical team, to make sure enthusiastic players don’t rush back and re-injure themselves, especially for injuries like Smyly’s right oblique strain.He went on the IL two weeks ago.

Tuesday was Smyly’s fourth day of throwing, and he stretched out to 100 feet. He also started cardio work.

Next, Smyly’s throwing program will build out to 120-150 feet on flat ground, he said. He’ll go through tests in the weight room before eventually throwing off a mound.

“It feels really good,” he said. “All the activity we’re doing doesn’t really make it too sore. Everything’s been really positive.”

As much as the Cubs could use another starter, pushing Smyly’s recovery timeline isn’t worth the risk of a setback. Smyly, Marcus Stroman (right shoulder inflammation) and Wade Miley (left shoulder strain) are all on the 15-day IL, leaving the rotation shorthanded.

Stroman, who is eligible to come off the IL as soon as next week, seems to be the Cubs’ safest bet to return first. Miley was evaluated on Monday and prescribed rest and recovery for now.

Cubs manager David Ross declined before the game to reveal the team’s probable starter for Wednesday. But when asked specifically about the Cubs’ top pitching prospect Caleb Kilian this week, Ross didn’t rule out the possibility of him starting.

The Cubs optioned Kilian to Triple-A after his major-league debut a week and a half ago, and pitchers generally have to remain in the minor leagues for 15 days after being optioned. If the optioned player is replacing a player who is going on the IL, however, he can be recalled early.

“He’s not eligible to come back yet from a roster-move standpoint,” Ross said Monday, “but that also doesn’t mean that he won’t pitch.”

Sky honored

A group of Chicago Sky players carried the WNBA Championship trophy to the Wrigley Field mound before throwing out a pair of ceremonial first pitches Thursday. Sky coach James Wade and forward Azur? Stevens did the honors.

The Cubs recognized the Sky’s 2021 championship season with a video presentation before the game. Sky players including Stevens, Allie Quigley, Courtney Vandersloot, Emma Meesseman, Li Yueru and Julie Allemand hung out on the field during batting practice.

The Sky’s championship run last season was the first in franchise history.

Bote back on assignment

Cubs infielder David Bote returned to Triple-A Iowa and could re-start his rehab assignment as soon as this weekend, the team announced.

The Cubs pulled Bote, who is on the 60-day IL after undergoing left shoulder surgery in the offseason, from his rehab assignment last week for what they called bouts of dizziness. Those have subsided.

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Reports suggest Chicago Bears offensive line had terrible day

Chicago Bears’ offensive line did not impress reporters at Tuesday’s practice

The offensive line for the Chicago Bears already had negative headlines coming into mandatory minicamp this week. Reports from today’s practice weren’t reassuring. The unit was ranked 31st by PFF this week. If today was any indication of where the Bears’ offensive line will be in 2022, they might drop that one more spot.

#Bears starting offensive line today at minicamp:
LT Braxton Jones
LG Cody Whitehair
C Lucas Patrick
RG Sam Mustipher
RT Larry Borom

The Bears’ offensive coaches kept Larry Borom and Braxton Jones with the first team. This is big news because Teven Jenkins was still getting reps with the second team, as he did during last week’s OTA. It appeared like the slimmed-down Jenkins struggled Tuesday with his assignment.

A rookie we might need to start paying more attention to: DE Carson Taylor from Northern Arizona. Was signed out of rookie minicamp. Had a really nice day, including an impressive rush against Teven Jenkins.

Not a great report on Jenkins, but good for Carson Taylor. Being beaten by an undrafted rookie is a bad look. Jenkins looks like he has a lot to work on before he’ll be ready to start with the Bears. The second-year tackle needs to be picking the bones off of undrafted rookies during minicamp. Jenkins battled through injury to play late last season, but he has the talent to be a starter in the NFL.

More changes on the offensive line will be coming for Chicago Bears

Rough day for the #Bears passing offense at minicamp. Jaylon Johnson jumped a route in a 2-minute period for a pick 6 off Justin Fields.
OL Dakota Dozier, who has spent some time with starters at right guard this spring, was taken by cart to the locker room late in practice.

Speaking of injuries, Dakota Dozier went down at practice. The whole tweet is sad (and if you look at the next tweet in @BradBiggs thread, it’s even sadder.) as the Bears will need more help with depth at guard if he’s seriously injured. The second-team offensive line appeared to get bullied by the green defensive line. The current setup isn’t permanent.

Flus wants to hone down the offensive line “the sooner the better” – #bears still working on combinations.

Sooner would certainly be better. And better, if sooner came before training camp begins.

Make sure to check out our Bears forum for the latest on the team.

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‘Yoda’ in the house: Rod Marinelli a welcome guest at Bears mini-camp

Matt Eberflus has avoiding being heavy-handed about the defense he will be rebuilding as head coach of the Bears. It’ll have his stamp on it, but he has all but handed over the day-to-day reins to defensive coordinator Alan Williams.

Eberflus turned to another former coach this week to help point that defense in the right direction and he couldn’t have picked a much better one — former Bears defensive coordinator Rod Marinelli, who was a guest at veteran mini-camp Tuesday and will speak to the team Wednesday.

Marinelli’s credentials as one of the best defensive line coaches in the NFL over the last two decades are well-established — with the Buccaneers (1996-2005), the Bears (2009-12) and the Cowboys (2013-19). He and Eberflus overlapped as Cowboys position coaches from 2013-17. As was evident with the Bears, there might not be an NFL position coach whose players swear by him more than Marinelli’s players have had a Yoda-like reverence for him.

“I spent five years with him in Dallas and I cannot say enough good things about Rod Marinelli,” Eberflus said. “What he taught me with the player-coach relationship –to be able to show the player that you care through action. And to prepare the player to play his best on Sunday.

“And then you’re able to challenge them and push them past the point they can’t take themselves, and that’s what I learned from Rod. Everybody who talks about him just loves him to death. I know when he was [with the Bears] he pushed the guys past the point they couldn’t take themselves and that’s what I learned from him. He’s a diamond in the rough, Rod Marinelli.”

Hold that line

Rookie left tackle Braxton Jones remained with the first team in Tuesday’s practice, next to left guard Cody Whitehair, center Lucas Patrick, right guard Sam Mustipher and right tackle Larry Borom.

Teven Jenkins, the 2021 second-round draft pick expected to start at either tackle position, remained with the second team. But Eberflus said the offensive line in general remains a fluid situation.

“We’re going to finish camp with this alignment,” Eberflus said, “and then we’ll decided, ‘We like this alignment, that alignment or [we] don’t like either one — let’s go with a new one.”

Asked if Jenkins or Borom could move to right guard, Eberflus said, “All combinations are open. We’re just trying to find the best five.”

Dozier injured

Guard Dakota Dozier left the field on a cart after suffering an injury late in practice at Tuesday’s mini camp. Per his offseason policy, Eberflus did not comment on the extent of the injury.

Hype machine

The Bears’ wide receiver room statistically is the least accomplished group in the NFL. But the leader of that group, third-year wideout Darnell Mooney, gave a ringing endorsement of rookie Velus Jones, the speedster from Tennessee who was drafted in the third round (71st overall).

“I love the room,” Mooney said. “There are a lot of guys that are going to bring some good things to the table. Velus, man –when he gets the ball, y’all are going to see. He can fly. He can be a playmaker for sure for us.”

Gordon out

Rookie cornerback Kyler Gordon, the Bears’ first-round draft pick, did not participate in Tuesday’s practice –though he was in attendance and working on an exercise bike. Eberflus did not appear concerned about the undisclosed injury.

“He’s doing great, “Eberflus said. “He’s doing awesome.”

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3 Chicago Bears trade packages for DL Robert QuinnVincent Pariseon June 14, 2022 at 10:48 pm

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The Chicago Bears are a very interesting team right now. They might be pretty bad in 2022 as it seems like they are rebuilding. They have let some key pieces go this offseason and their defense figures to be considerably worse.

One player to consider adding to the list of players that depart is Robert Quinn. If they lost him in the same offseason as Akiem Hicks and Khalil Mack, their defense would really take a hit but it might be worth it in the long term.

Chicago’s mandatory minicamp is underway and Quinn is absent from it. He is not expected to be participating at all as he is training on his own away from the facility. These are three trade packages to consider if he doesn’t want to be with them anymore:

Sources: #Bears star pass-rusher Robert Quinn is not expected to be present for the team’s mandatory minicamp that begins today. Quinn is away from the team training on his own.

— Ian Rapoport (@RapSheet) June 14, 2022

Bears Get
Dalton Risner
Broncos Get
Robert Quinn

The Chicago Bears could look to get themselves an offensive lineman for Quinn.

The Chicago Bears might have a worse defensive line in 2022 than the offensive line but that doesn’t mean that both don’t still need upgrading. As of right now, because of how important developing Justin Fields is, the offensive line might be slightly more important at this time.

As a result, the Bears could try to use Robert Quinn to get them what they need in that area. Someone to consider is Dalton Risner of the Denver Broncos. He is a good lineman that was a bit off last year. With Russell Wilson coming to town, Denver is going to be really careful about who they use.

Dalton Risner is a free agent next year and he might not fit what the Broncos are doing. Quinn, however, would make their defense even better. If they are looking to move on from their 26-year-old lineman, it is a worthy ask for the Chicago Bears.

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3 Chicago Bears trade packages for DL Robert QuinnVincent Pariseon June 14, 2022 at 10:48 pm Read More »

Where the bars are

You can still find new friends at the bars. Credit: Bill Roundy for Chicago Reader

Are rainbow-festooned events full of glitter, sequins, and boas signs of progress? Strides made by LGBTQ+ people are increasingly under fire in the forms of violence, rhetoric, and quasi-legal attacks on the rights of the community. Has the LGBTQ+ community unwittingly played a role in this by seeking assimilation?

Some might say that the idea that LGBTQ+ people have achieved assimilation (or even acceptance) is up for debate. “I worry a lot less about being ‘assimilated’ than about the mental health and physical safety of queer teens in a country debating (again) whether it is OK for teachers to even acknowledge their existence,” says Dr. Lane Fenrich, distinguished senior lecturer in gender and sexuality studies at Northwestern University. “Heck, I worry about the mental health and physical safety of LGBT adults, especially trans adults of color.”

Dr. Amin Ghaziani, professor of sociology and Canada research chair in urban sexualities at the University of British Columbia, notes that queer spaces like gay bars are closely linked to the LGBTQ+ community’s sense of identity. “The history of gay bars is the history of trans people. We cannot think about one without the other,” he says.

Ghaziani continues, “If you consider the Stonewall riots as an example that has broad, even global recognition, then we know that members of the trans community were pivotal in the uprising, its motivational energy, and its effects in terms of affecting the American consciousness about sexuality, and the LGBTQ consciousness about politicizing our identities.”

These struggles for the right to exist in safety over time have become less radical and more accepted. Contemporary Pride events are reminiscent of where we have been before, with similarities to the drag balls Chicago has seen since the early 1920s. This is a history that has historically been remarkably inclusive in ways we haven’t seen in recent years.

The Prohibition-era sociologist Myles Vollmer wrote about Chicago drag balls for his research in 1933: “Physically, all types are there. Homosexuals thin and wasted, others slender and with womanish curves, others overfed and lustfully fat. Most of the younger homosexuals have pallid complexions with rather thin hair, due, perhaps, to overindulgence. There is a preponderance of Jews and the Latin Nationalities, although homosexuality is no respecter of races. Many of the men are of Polish blood. Negros mingle freely with whites. There seemingly is no race distinction between them.”

This celebration flew in the face of the customs and laws of the society at the time, providing a safe place for all manner of queer people to come together and enjoy their right to exist. These temporary spaces, drag balls, were eventually replaced, following the repeal of Prohibition, with more permanence in the way of gay bars.

These bars were places of activism and community from the civil rights era through the AIDS crisis and the quest for equality in the 90s. Bars were a mecca of sorts for LGBTQ+ people from all over—a lighthouse of hope in the sea of a society that continued to denigrate and abuse queer people—and, mostly, accepted people as they were without regard to race, size, gender, and the like.

The bars were such an important support for the community that some people used to call bars on the telephone just to listen in on the “happy laughter of other gay people.” As interviewee and community member Myrna Kurland told writer Marie Cartier in Cartier’s 2013 book Baby, You Are My Religion: Women, Gay Bars, and Theology Before Stonewall, “I used to phone up all the gay bars, just to hear them answer the phone. Just to hear the noise. I would just hear the noise and the laughter in the background. I just wanted to be there.” These days, the movement of many in the LGBTQ+ community away from LGBTQ+-specific spaces has in part led to their rapid decline. Though there is limited data, existing research including a 2019 paper by Greggor Mattson at Oberlin College shows that the number of gay bars nationwide has dropped by more than half since the mid 1980s.

“We’re not going to really understand the full impact of the loss of these spaces for a number of years,” says K Anderson, a cultural anthropologist who created the Lost Spaces podcast with this very topic in mind. “There is an older generation of queers who are recognizing and mourning the loss. Over the coming years, I think we’ll start to see more innovation, reimagining both the community and the spaces that hold them. People’s priorities and need for queer spaces have changed, and the scene needs to evolve to reflect that—hopefully, this means that there are spaces that aren’t exclusively centered around drinking and drugs, ones where people of all ages feel welcome. What that looks like exactly I don’t know, but we are a resilient and innovative community, so I’m excited to see what is to come.”

“Assimilation is a double-edged sword. We spent years trying to prove that gay folks are equal and just the same as straight people. Now that we’ve done that—marriage, military, kids, etcetera—we seem to have dumbed down our once gay culture,” St. Sukie de la Croix, a gay historian and inductee in the Chicago LGBT Hall of Fame, tells the Chicago Reader. “Gay bars, bookstores, and newspapers are disappearing. Is that good or bad? As a gay senior, I’m very conscious of the danger of clinging to the past and not accepting new things. However, it does seem a shame that what made us different and exciting is now being watered down.”

De la Croix isn’t the only one worried about this loss of culture. World Business Chicago’s vice president and director of marketing and communications Andrew Hayes agrees. “The Gay Pride Parade that began to help demonstrate the community’s collective power is today a traveling party, a drink fest. While the acceptance and assimilation have led the community to realize greater access to what others enjoy, it has also, in my humble opinion, given us less of point-of-distinction, too. Our once ‘rallying cry’ has been silenced. We are now happily blended—but thinking back to the days of ACT UP and the need to protest for the rights denied us, but afforded others, united the community in ways we don’t see today.”

In preparation for June’s Pride Month, young staffers in Hayes’s office passed around rainbow flags and other decorations. He says, “Watching this unfold stopped me in my tracks. While I appreciate and am genuinely touched by the outward demonstration of support this was intended to represent, I couldn’t help but think that all those who fought for our rights, and died from discrimination in all its forms, were reduced to desktop flags. At that moment, having known friends who were dying weekly from AIDS, and having seen regular protests and fights for our civil rights, I wished for those younger than me to see LGBTQ history as so much more than a desktop flag.”

These experiences differ based on circumstances. Dr. Ghaziani says, “Attitudes about homosexuality have liberalized at unprecedented rates, as we can see from the Gallup poll [Ghaziani is referring to his research based on a 2011 Gallup Poll asking respondents, “Do you think gay or lesbian relations between consenting adults should or should not be legal?”]. Sometimes, we falsely assume that aggregate statistics about public opinion apply to all LGBTQ people. This is not true, unfortunately. Cis white gay men and women have a set of experiences that are different from racialized and trans communities. As an example, we see that these groups are systematically more susceptible to anti-LGBTQ violence.”

“We receive the protection of popular culture, as the ways we look, and love, are synthesized by the mainstream. The benefit is we may become less threatening. We lose being viewed as radical. At the same time, we become diluted and divided as other ‘isms’ like sexism, classism, elitism, and racism rise to the surface,” says Dionne “Choc Tréi” Henderson, executive director of BIPOC and LGBTQ+ kink organization Paragon Cooperative and Club and a board member at Chicago’s Leather Archives and Museum. “In other words, we sacrifice the uniqueness that binds us together by mimicking heterogeneous customs.”

These “isms,” and others, sometimes make gay bars themselves less than inclusive. This leads to finding other venues—such as cruising places or recently, apps. Dr. Ghaziani adds, “Cruising places have been foundational to the history and culture of gay men. In the 1960s and 1970s, political liberation was inextricable from sexual liberation. To have sex was a radical act, a liberatory act, an act in the service of pleasure as well as politics.” 

Though cruising places still exist, one needs only look at websites like Squirt to find out which neighborhood park or library restroom hosts men looking for sex with other men; other online platforms have taken the place of that risky activity. “While platforms such as Grindr and Scruff make hooking up a virtual certainty for those looking to do so, they aren’t the wild ruptures in the sexual culture they’re often depicted as. Neither do they impede the formation of friendships or the development of communal ties,” Dr. Fenrich says. “Although I’ve sat through many a dinner party where such suspicions were aired as certainties.”

Depending on your perspective, there is much still radical about the LGBTQ+ scene in our city. Many LGBTQ+-owned gay bars and businesses serve the community as a space to congregate and affirm—just not as many or in the same ways as in their heyday. The danger exists in our allowing them to close without replacing them with something aspirational, welcoming, and distinctly our own.

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Where the bars areJames De Liseon June 14, 2022 at 9:02 pm

You can still find new friends at the bars. Credit: Bill Roundy for Chicago Reader

Are rainbow-festooned events full of glitter, sequins, and boas signs of progress? Strides made by LGBTQ+ people are increasingly under fire in the forms of violence, rhetoric, and quasi-legal attacks on the rights of the community. Has the LGBTQ+ community unwittingly played a role in this by seeking assimilation?

Some might say that the idea that LGBTQ+ people have achieved assimilation (or even acceptance) is up for debate. “I worry a lot less about being ‘assimilated’ than about the mental health and physical safety of queer teens in a country debating (again) whether it is OK for teachers to even acknowledge their existence,” says Dr. Lane Fenrich, distinguished senior lecturer in gender and sexuality studies at Northwestern University. “Heck, I worry about the mental health and physical safety of LGBT adults, especially trans adults of color.”

Dr. Amin Ghaziani, professor of sociology and Canada research chair in urban sexualities at the University of British Columbia, notes that queer spaces like gay bars are closely linked to the LGBTQ+ community’s sense of identity. “The history of gay bars is the history of trans people. We cannot think about one without the other,” he says.

Ghaziani continues, “If you consider the Stonewall riots as an example that has broad, even global recognition, then we know that members of the trans community were pivotal in the uprising, its motivational energy, and its effects in terms of affecting the American consciousness about sexuality, and the LGBTQ consciousness about politicizing our identities.”

These struggles for the right to exist in safety over time have become less radical and more accepted. Contemporary Pride events are reminiscent of where we have been before, with similarities to the drag balls Chicago has seen since the early 1920s. This is a history that has historically been remarkably inclusive in ways we haven’t seen in recent years.

The Prohibition-era sociologist Myles Vollmer wrote about Chicago drag balls for his research in 1933: “Physically, all types are there. Homosexuals thin and wasted, others slender and with womanish curves, others overfed and lustfully fat. Most of the younger homosexuals have pallid complexions with rather thin hair, due, perhaps, to overindulgence. There is a preponderance of Jews and the Latin Nationalities, although homosexuality is no respecter of races. Many of the men are of Polish blood. Negros mingle freely with whites. There seemingly is no race distinction between them.”

This celebration flew in the face of the customs and laws of the society at the time, providing a safe place for all manner of queer people to come together and enjoy their right to exist. These temporary spaces, drag balls, were eventually replaced, following the repeal of Prohibition, with more permanence in the way of gay bars.

These bars were places of activism and community from the civil rights era through the AIDS crisis and the quest for equality in the 90s. Bars were a mecca of sorts for LGBTQ+ people from all over—a lighthouse of hope in the sea of a society that continued to denigrate and abuse queer people—and, mostly, accepted people as they were without regard to race, size, gender, and the like.

The bars were such an important support for the community that some people used to call bars on the telephone just to listen in on the “happy laughter of other gay people.” As interviewee and community member Myrna Kurland told writer Marie Cartier in Cartier’s 2013 book Baby, You Are My Religion: Women, Gay Bars, and Theology Before Stonewall, “I used to phone up all the gay bars, just to hear them answer the phone. Just to hear the noise. I would just hear the noise and the laughter in the background. I just wanted to be there.” These days, the movement of many in the LGBTQ+ community away from LGBTQ+-specific spaces has in part led to their rapid decline. Though there is limited data, existing research including a 2019 paper by Greggor Mattson at Oberlin College shows that the number of gay bars nationwide has dropped by more than half since the mid 1980s.

“We’re not going to really understand the full impact of the loss of these spaces for a number of years,” says K Anderson, a cultural anthropologist who created the Lost Spaces podcast with this very topic in mind. “There is an older generation of queers who are recognizing and mourning the loss. Over the coming years, I think we’ll start to see more innovation, reimagining both the community and the spaces that hold them. People’s priorities and need for queer spaces have changed, and the scene needs to evolve to reflect that—hopefully, this means that there are spaces that aren’t exclusively centered around drinking and drugs, ones where people of all ages feel welcome. What that looks like exactly I don’t know, but we are a resilient and innovative community, so I’m excited to see what is to come.”

“Assimilation is a double-edged sword. We spent years trying to prove that gay folks are equal and just the same as straight people. Now that we’ve done that—marriage, military, kids, etcetera—we seem to have dumbed down our once gay culture,” St. Sukie de la Croix, a gay historian and inductee in the Chicago LGBT Hall of Fame, tells the Chicago Reader. “Gay bars, bookstores, and newspapers are disappearing. Is that good or bad? As a gay senior, I’m very conscious of the danger of clinging to the past and not accepting new things. However, it does seem a shame that what made us different and exciting is now being watered down.”

De la Croix isn’t the only one worried about this loss of culture. World Business Chicago’s vice president and director of marketing and communications Andrew Hayes agrees. “The Gay Pride Parade that began to help demonstrate the community’s collective power is today a traveling party, a drink fest. While the acceptance and assimilation have led the community to realize greater access to what others enjoy, it has also, in my humble opinion, given us less of point-of-distinction, too. Our once ‘rallying cry’ has been silenced. We are now happily blended—but thinking back to the days of ACT UP and the need to protest for the rights denied us, but afforded others, united the community in ways we don’t see today.”

In preparation for June’s Pride Month, young staffers in Hayes’s office passed around rainbow flags and other decorations. He says, “Watching this unfold stopped me in my tracks. While I appreciate and am genuinely touched by the outward demonstration of support this was intended to represent, I couldn’t help but think that all those who fought for our rights, and died from discrimination in all its forms, were reduced to desktop flags. At that moment, having known friends who were dying weekly from AIDS, and having seen regular protests and fights for our civil rights, I wished for those younger than me to see LGBTQ history as so much more than a desktop flag.”

These experiences differ based on circumstances. Dr. Ghaziani says, “Attitudes about homosexuality have liberalized at unprecedented rates, as we can see from the Gallup poll [Ghaziani is referring to his research based on a 2011 Gallup Poll asking respondents, “Do you think gay or lesbian relations between consenting adults should or should not be legal?”]. Sometimes, we falsely assume that aggregate statistics about public opinion apply to all LGBTQ people. This is not true, unfortunately. Cis white gay men and women have a set of experiences that are different from racialized and trans communities. As an example, we see that these groups are systematically more susceptible to anti-LGBTQ violence.”

“We receive the protection of popular culture, as the ways we look, and love, are synthesized by the mainstream. The benefit is we may become less threatening. We lose being viewed as radical. At the same time, we become diluted and divided as other ‘isms’ like sexism, classism, elitism, and racism rise to the surface,” says Dionne “Choc Tréi” Henderson, executive director of BIPOC and LGBTQ+ kink organization Paragon Cooperative and Club and a board member at Chicago’s Leather Archives and Museum. “In other words, we sacrifice the uniqueness that binds us together by mimicking heterogeneous customs.”

These “isms,” and others, sometimes make gay bars themselves less than inclusive. This leads to finding other venues—such as cruising places or recently, apps. Dr. Ghaziani adds, “Cruising places have been foundational to the history and culture of gay men. In the 1960s and 1970s, political liberation was inextricable from sexual liberation. To have sex was a radical act, a liberatory act, an act in the service of pleasure as well as politics.” 

Though cruising places still exist, one needs only look at websites like Squirt to find out which neighborhood park or library restroom hosts men looking for sex with other men; other online platforms have taken the place of that risky activity. “While platforms such as Grindr and Scruff make hooking up a virtual certainty for those looking to do so, they aren’t the wild ruptures in the sexual culture they’re often depicted as. Neither do they impede the formation of friendships or the development of communal ties,” Dr. Fenrich says. “Although I’ve sat through many a dinner party where such suspicions were aired as certainties.”

Depending on your perspective, there is much still radical about the LGBTQ+ scene in our city. Many LGBTQ+-owned gay bars and businesses serve the community as a space to congregate and affirm—just not as many or in the same ways as in their heyday. The danger exists in our allowing them to close without replacing them with something aspirational, welcoming, and distinctly our own.

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Where the bars areJames De Liseon June 14, 2022 at 9:02 pm Read More »

White Sox closer Liam Hendriks goes on IL with right forearm strain

DETROIT — Closer Liam Hendriks is the latest White Sox to land on the injured list. The American League reliever of the year the last two seasons went on the 15-day injured list Tuesday with a right forearm strain.

Hendriks, 33, has 16 saves and a 2.81 ERA in 25 appearances this season. He is tied for the American League lead in saves after leading the AL in 2021 with 38.

Hendriks has made 10 straight scoreless outings, but he has not pitched since Friday’s game against the Rangers and only once since last Tuesday. Manager Tony La Russa on Monday said Hendriks was dealing with arm “stiffness.”

Joe Kelly, who has recovered from left hamstring strain, was reinstated from the IL. Kelly, who agreed to terms on a two-year, $17 million contract in March, has appeared in only seven games, allowing six earned runs on eight hits and six walks over 5 2/3 innings.

The Sox also recalled Davis Martin from Charlotte and optioned lefty Bennett Sousa to Charlotte.Martin, 25, is 0-2 with a 4.11 ERA in three games (two starts).

Sousa, 27, is 3-0 with an 8.41 and one save in 25 relief appearances. He earned the victory in the Sox’ 9-5 win over the Tigers Monday.

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Soul singer Barbara Livsey cut one star-making album and vanished

Since 2004 Plastic Crimewave (aka Steve Krakow) has used the Secret History of Chicago Music to shine a light on worthy artists with Chicago ties who’ve been forgotten, underrated, or never noticed in the first place.

I love a good mystery. Sometimes even my most exhaustive research turns up nothing more than a few details about a great musician, not enough to tell the full tale. As much as I might want to blast that story from the mountaintops, I also respect the value in leaving an artist’s mystique intact—a rare and even beautiful thing in this era of digital information saturation. Creators deserve privacy, and some actually manage to maintain theirs, as impossible as it can seem. Soul diva Barbara Livsey might be doing just that, and in any case, she left the limelight long ago. Her career is worth celebrating, though, so I’ll do my best. No matter where Livsey is now, the allure of her songs endures.

Barbara Livsey was born May 27, 1946, in Atlanta, Georgia, and around 1958 her family moved to Chicago, where she attended Parker Academy on the south side. In high school Livsey (also known as Barbara Bates) took music classes and formed her first group, the Du-Ettes, with her cousin Mary-Francis Hayes. They specialized in brash, hard-edged soul that was perfect for riling up teenagers, and like many R&B acts of the era, they got their big break at a local talent contest. 

Representatives from One-derful Records, a Black-owned Chicago label founded by George Leaner, saw the Du-Ettes win the competition and signed them. Beginning in 1963, they released a series of slammin’ singles for One-derful and its subsidiaries, most frequently the M-Pac! label. The gritty but tuneful “Mister Steel,” the group’s debut, was cowritten and produced by R&B legend Andre Williams. The hard-groovin’ “Move On Down the Line” and its mellower girl-group B side, “Have You Seen (My Baby),” were both arranged by Milton Bland (aka Monk Higgins) and produced by Otis Hayes (aka Little Otis).

The Du-Ettes debuted in 1963 with the single “Mister Steel.”

Williams also produced the Du-Ettes’ next 45, “Every Beat of My Heart” b/w “Sugar Daddy,” released by One-derful imprint Mar-V-Lus, which made them labelmates with local dance-craze king Alvin Cash (of “Twine Time” fame). Its thumping, powerful soul earned the single a UK release via President Records in 1972 (it’s still beloved overseas by Northern Soul aficionados). The Du-Ettes’ final platter, the 1965 single “Please Forgive Me” b/w “Lonely Days,” was even more danceable—the A side features lively hand claps, rollicking sax, and a fierce tempo. 

“Every Beat of My Heart” was reissued in the UK in 1972, and it’s still beloved by Northern Soul fans.

To support these records, Du-Ettes toured extensively (sometimes under the name “Tate’s Du-Ettes”) with a revue headlined by One-derful labelmates the Five Du-Tones, who’d had a hit with the first recording of “Shake a Tail Feather” in 1963. But by 1966, the Du-Ettes had called it quits—Livsey got married and moved to Detroit.

The B side of the Du-Ettes’ final single, initially released in 1965 (and later reissued by Lost-Nite Records)

Within a few years, though, Livsey came back to the Windy City and started making music with her sister in a duo simply known as Barbara & Gwen. They performed in clubs for a stretch and then in 1969 signed to New Chicago Sound Records (owned by Leo Westbrook, C.D. Wilson, and Bill Parker). They released two singles with the label, the soulful “Just the Two of Us” b/w “I Love My Man” and the downright funky “Right On (to the Street Called Love)” b/w “Take Me as I Am (Don’t Try to Change Me),” but aside from some local airplay for the latter, neither got much traction. 

Barbara & Gwen released “I Love My Man” in 1969.

The label added Doris Lindsey to the group, who changed their name to Barbara & the Uniques. They started out with a bang on small New York label Arden with “There It Goes Again” b/w “What’s the Use.” The smooth, brassy A side was written by Eugene Record of the Chi-Lites, and it became a national hit, spending 11 weeks on the Billboard soul chart in late 1970 and early ’71. 

Arden released some excellent follow-up tunes by the group, such as the wah-wah-addled “I’ll Never Let You Go” and the bouncy “You Make Me Feel So Young Again.” California label Abbott  Records put out the 1972 single “Take Me as I Am” b/w “He’s Gone (and It’s All Over Now).” Sadly, none of them sold especially well. Livsey, now known as Barbara Blake, signed the Uniques with producer Jimmy Vanleer, who’d had some success with the likes of the Southside Movement and Jackie Ross. 

Vanleer brought Barbara & the Uniques to the fairly large 20th Century label, which released a proper album by the group (and a fair number of singles from it). It’s the Uniques’ most professional-sounding production, though the group by this time was just Livsey and several male studio musicians. Why the 1975 LP Barbara Blake & the Uniques wasn’t a smash is a head-scratcher to me—Livsey’s confident voice mingles with the group’s confident backing vocals on a consistent lineup of stylish tunes. “Let Me Down Easy” and “Everlasting Thrill” should’ve been snappy, dance-floor-filling smashes—if you ask me, they’re on par with anything by Sister Sledge or Anita Ward. The soulful ballads “Teach Me” and “Superman” equal or even surpass the best of Gladys Knight & the Pips or the Three Degrees.

Barbara Livsey (then going by Blake) cut this burner for her sole LP in 1975.

Now comes the mystery—after Livsey’s contract with 20th Century Records expired later in ’75, she all but vanished from the public record. I can’t be certain if she’s dead or alive, but it seems pretty clear that she left the music business and never looked back. On social media I found a woman named Barb Livsey with a not-much-to-see account who meets her description, but my requests for an interview went unanswered. 

If that’s the same Livsey, I have a feeling she doesn’t want to be found—or else she’s simply living her life and not looking at social media often enough to notice music writers trying to find her. We may never know. But Livsey’s music and her gutsy, passionate voice live on for all who take time to look—so maybe there’s no need to locate her bad self.

The radio version of the Secret History of Chicago Music airs on Outside the Loop on WGN Radio 720 AM, Saturdays at 5 AM with host Mike Stephen. Past shows are archived here.

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Soul singer Barbara Livsey cut one star-making album and vanishedSteve Krakowon June 14, 2022 at 8:32 pm

Since 2004 Plastic Crimewave (aka Steve Krakow) has used the Secret History of Chicago Music to shine a light on worthy artists with Chicago ties who’ve been forgotten, underrated, or never noticed in the first place.

I love a good mystery. Sometimes even my most exhaustive research turns up nothing more than a few details about a great musician, not enough to tell the full tale. As much as I might want to blast that story from the mountaintops, I also respect the value in leaving an artist’s mystique intact—a rare and even beautiful thing in this era of digital information saturation. Creators deserve privacy, and some actually manage to maintain theirs, as impossible as it can seem. Soul diva Barbara Livsey might be doing just that, and in any case, she left the limelight long ago. Her career is worth celebrating, though, so I’ll do my best. No matter where Livsey is now, the allure of her songs endures.

Barbara Livsey was born May 27, 1946, in Atlanta, Georgia, and around 1958 her family moved to Chicago, where she attended Parker Academy on the south side. In high school Livsey (also known as Barbara Bates) took music classes and formed her first group, the Du-Ettes, with her cousin Mary-Francis Hayes. They specialized in brash, hard-edged soul that was perfect for riling up teenagers, and like many R&B acts of the era, they got their big break at a local talent contest. 

Representatives from One-derful Records, a Black-owned Chicago label founded by George Leaner, saw the Du-Ettes win the competition and signed them. Beginning in 1963, they released a series of slammin’ singles for One-derful and its subsidiaries, most frequently the M-Pac! label. The gritty but tuneful “Mister Steel,” the group’s debut, was cowritten and produced by R&B legend Andre Williams. The hard-groovin’ “Move On Down the Line” and its mellower girl-group B side, “Have You Seen (My Baby),” were both arranged by Milton Bland (aka Monk Higgins) and produced by Otis Hayes (aka Little Otis).

The Du-Ettes debuted in 1963 with the single “Mister Steel.”

Williams also produced the Du-Ettes’ next 45, “Every Beat of My Heart” b/w “Sugar Daddy,” released by One-derful imprint Mar-V-Lus, which made them labelmates with local dance-craze king Alvin Cash (of “Twine Time” fame). Its thumping, powerful soul earned the single a UK release via President Records in 1972 (it’s still beloved overseas by Northern Soul aficionados). The Du-Ettes’ final platter, the 1965 single “Please Forgive Me” b/w “Lonely Days,” was even more danceable—the A side features lively hand claps, rollicking sax, and a fierce tempo. 

“Every Beat of My Heart” was reissued in the UK in 1972, and it’s still beloved by Northern Soul fans.

To support these records, Du-Ettes toured extensively (sometimes under the name “Tate’s Du-Ettes”) with a revue headlined by One-derful labelmates the Five Du-Tones, who’d had a hit with the first recording of “Shake a Tail Feather” in 1963. But by 1966, the Du-Ettes had called it quits—Livsey got married and moved to Detroit.

The B side of the Du-Ettes’ final single, initially released in 1965 (and later reissued by Lost-Nite Records)

Within a few years, though, Livsey came back to the Windy City and started making music with her sister in a duo simply known as Barbara & Gwen. They performed in clubs for a stretch and then in 1969 signed to New Chicago Sound Records (owned by Leo Westbrook, C.D. Wilson, and Bill Parker). They released two singles with the label, the soulful “Just the Two of Us” b/w “I Love My Man” and the downright funky “Right On (to the Street Called Love)” b/w “Take Me as I Am (Don’t Try to Change Me),” but aside from some local airplay for the latter, neither got much traction. 

Barbara & Gwen released “I Love My Man” in 1969.

The label added Doris Lindsey to the group, who changed their name to Barbara & the Uniques. They started out with a bang on small New York label Arden with “There It Goes Again” b/w “What’s the Use.” The smooth, brassy A side was written by Eugene Record of the Chi-Lites, and it became a national hit, spending 11 weeks on the Billboard soul chart in late 1970 and early ’71. 

Arden released some excellent follow-up tunes by the group, such as the wah-wah-addled “I’ll Never Let You Go” and the bouncy “You Make Me Feel So Young Again.” California label Abbott  Records put out the 1972 single “Take Me as I Am” b/w “He’s Gone (and It’s All Over Now).” Sadly, none of them sold especially well. Livsey, now known as Barbara Blake, signed the Uniques with producer Jimmy Vanleer, who’d had some success with the likes of the Southside Movement and Jackie Ross. 

Vanleer brought Barbara & the Uniques to the fairly large 20th Century label, which released a proper album by the group (and a fair number of singles from it). It’s the Uniques’ most professional-sounding production, though the group by this time was just Livsey and several male studio musicians. Why the 1975 LP Barbara Blake & the Uniques wasn’t a smash is a head-scratcher to me—Livsey’s confident voice mingles with the group’s confident backing vocals on a consistent lineup of stylish tunes. “Let Me Down Easy” and “Everlasting Thrill” should’ve been snappy, dance-floor-filling smashes—if you ask me, they’re on par with anything by Sister Sledge or Anita Ward. The soulful ballads “Teach Me” and “Superman” equal or even surpass the best of Gladys Knight & the Pips or the Three Degrees.

Barbara Livsey (then going by Blake) cut this burner for her sole LP in 1975.

Now comes the mystery—after Livsey’s contract with 20th Century Records expired later in ’75, she all but vanished from the public record. I can’t be certain if she’s dead or alive, but it seems pretty clear that she left the music business and never looked back. On social media I found a woman named Barb Livsey with a not-much-to-see account who meets her description, but my requests for an interview went unanswered. 

If that’s the same Livsey, I have a feeling she doesn’t want to be found—or else she’s simply living her life and not looking at social media often enough to notice music writers trying to find her. We may never know. But Livsey’s music and her gutsy, passionate voice live on for all who take time to look—so maybe there’s no need to locate her bad self.

The radio version of the Secret History of Chicago Music airs on Outside the Loop on WGN Radio 720 AM, Saturdays at 5 AM with host Mike Stephen. Past shows are archived here.

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Soul singer Barbara Livsey cut one star-making album and vanishedSteve Krakowon June 14, 2022 at 8:32 pm Read More »

White Sox closer Liam Hendriks goes on IL with right forearm strain

DETROIT — Closer Liam Hendriks is the latest White Sox to land on the injured list. The American League reliever of the year the last two seasons went on the 15-day injured list Tuesday with a right forearm strain.

Hendriks, 33, has 16 saves and a 2.81 ERA in 25 appearances this season. He is tied for the American League lead in saves after leading the AL in 2021 with 38.

Hendriks has made 10 straight scoreless outings, but he has not pitched since Friday’s game against the Rangers and only once since last Tuesday. Manager Tony La Russa on Monday said Hendriks was dealing with arm “stiffness.”

Joe Kelly, who has recovered from left hamstring strain, was reinstated from the IL. Kelly, who agreed to terms on a two-year, $17 million contract in March, has appeared in only seven games, allowing six earned runs on eight hits and six walks over 5 2/3 innings.

The Sox also recalled Davis Martin from Charlotte and optioned lefty Bennett Sousa to Charlotte.Martin, 25, is 0-2 with a 4.11 ERA in three games (two starts).

Sousa, 27, is 3-0 with an 8.41 and one save in 25 relief appearances. He earned the victory in the Sox’ 9-5 win over the Tigers Monday.

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White Sox closer Liam Hendriks goes on IL with right forearm strain Read More »