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Chicago Bulls bring back Derrick Jones Jr.

Derrick Jones Jr. returns to the Chicago Bulls, agreeing to a two-year deal

Free Agency is underway and the Chicago Bulls have been busy. Derrick Jones Jr. is the latest free-agent signing in Chicago. The Bulls brought him back for two years on a very team-friendly deal.

Shams Charania with the Athletic reported the news on Friday afternoon.

Free agent forward Derrick Jones Jr. has agreed to a two-year, $6.6 million deal to return to the Chicago Bulls, with player option in second season, sources tell @TheAthletic @Stadium.

Derrick Jones Jr. was a useful piece on the bench last season and made an impact in the disappointing playoff series against the Bucks. Jones provides hustle, length, energy, and some shooting, all on a very team-friendly deal. Jones has bounced around a bit in his young career and even reached the NBA Finals with Miami in 2020.

Derrick Jones Jr. is known for his high-flying dunks and had one of the few memorable highlights in last season’s short-lived playoff run.

DJJ OVER GIANNIS 🤯
Reminder: Derrick Jones Jr. won the 2020 NBA Dunk Contest…
🎥 @NBCSBulls
https://t.co/bdDWC6dz7U

The Bulls have already brought back Zach LaVine and have added Andre Drummond since free agency opened yesterday evening. Many expect the Bulls to add more shooting around their core players. Expect the Bulls to continue being active as free agency progresses.

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Zach LaVine gets $215.2 million. What do the Bulls get?

Can they win with him?

Can the Bulls win an NBA championship with Zach LaVine?

Can they win a championship because of him?

Those are the questions that were being asked before he agreed to a five-year, $215.2 max contract, and those are the questions being asked now that he’s gone from a very rich man to an insanely rich man.

And the answer, before and after, is that nobody, not even his biggest backers, has the foggiest. He’s a fine player, one with max-contract talent, but he has a game that doesn’t come with easy answers. I can look at Boston’s Marcus Smart and Milwaukee’s Jrue Holiday and know I can win with and because of them. Neither can touch LaVine’s athleticism.

I can look at LaVine and know that I can’t be sure what I know.

That’s the problem Bulls exec Arturas Karnisovas undoubtedly faced while deciding what to do with the eight-year pro. Here was a fan favorite who was going to get a lot of money wherever he went. Here was a player who could shoot the three and get to the basket whenever he wanted. But here, also, was a player whose game didn’t lend itself to easy translation. There’s playing well and then there’s winning.

It’s not just LaVine. There are plenty of players in the NBA who, while growing up, were led to believe that the game of basketball was about showcasing skills. They don’t play with teammates so much as take turns. It’s my turn to shoot. Next time down the court it will be yours.

So how does an NBA talent evaluator deal with that? Carefully. And that was the problem as it related to LaVine. There was no room for caution. Nothing less than a max deal was going to get this done for the Bulls. So they had a massive decision to make: Give him the money and hope he can win a title in Chicago or let him go and risk him winning a title with someone else.

You’d think that a five-year, $215.2 million max contract would come with definitive answers. I’m sure the Bulls wish they had more assurances, too. My guess is that, back to the wall, they did what they felt they had to do but aren’t sure if he can carry a team to an NBA title. Aren’t sure they can win because of him.

For most of LaVine’s career, the problem has been the talent around him. He didn’t have much help until last season, when the Bulls, boosted by the arrival of DeMar DeRozan, played well before going quickly in the postseason. The idea around the max contract has to be that, with the right players around him, he can take the Bulls to the next level. That’s the belief, anyway. It’s about faith. But it’s also about economics. With so much of their money tied to one player, the Bulls don’t have a lot of wiggle room. In other words, a trade bringing Kevin Durant to the Bulls isn’t going to happen. The Bulls have agreed to a two-year contract with Andre Drummond, giving them more toughness on the boards. No, the cavalry isn’t on the way, but that’s OK. The Bulls do have some horses.

But everything is on LaVine. He has to stay healthy, something that hasn’t been easy for him. He has to make DeRozan, Nikola Vucevic and Lonzo Ball better. He’s part of a very nice team, which sounds almost patronizing. But more. The Bulls need something more. That contract means LaVine has to make his team hell for opponents.

At a minimum, this will be interesting. If everyone stays healthy, the Bulls will win games. Winning big games — now there’s the challenge. They didn’t do well against good teams last season. It was no surprise when the Bucks manhandled them in the first round of the playoffs.

For a two-time All-Star who averaged 24.4 points last season, LaVine sure has a lot to prove. The truckload of money that was just dumped at his feet means that people will want even more proof of his worth. The tricky part is the winning part. The Bulls have to win. There’s no nuance involved. They’re paying LaVine a ton of money to take them where Michael Jordan used to take them regularly. No pressure, kid.

The Bulls were a fun story last season. They were likable. They played well together. But now there has to be more. And all that money means there has to be more from their best player.

Talent has never been the issue with LaVine. Can that talent translate into a title? It’s the only question there is. Even after giving him a max deal, the Bulls surely have to be asking themselves the same thing.

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Zach LaVine, Bulls agree to $215.2 million, five-year max contract

Zach LaVine was never going to another team.

The two-time All-Star made that very clear both publicly and behind the scenes, as did the Bulls’ front office time and time again throughout the 2021-22 season.

That’s why it took less than 24 hours for the two sides to reach a verbal agreement on a max contract that will pay LaVine $215.2 million over the next five years.

According to a source, the Bulls and LaVine did have a formal meeting on Thursday — the first day teams could negotiate with free agents — and the guard also met with several other suitors. But it was the Bulls the entire time in his mind, and what he told his core teammates.

One source said that LaVine was so adamant about re-signing with the Bulls going into the offseason that he at first didn’t even want to go through the formality of taking a meeting with them, choosing to just hear what other organizations were offering.

Klutch Sports, however, wanted the guard to get the full free-agent experience before making his intentions known on Friday.

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White Sox’ Dylan Cease pitching, thinking like an All-Star

SAN FRANCISCO — Dylan Cease is not going to lie. The possibility of being an All-Star has more than crossed his mind.

“That would be unbelievably cool,” Cease said. “It would be a dream come true.”

Cease could make four starts before the American League pitching staff is named, but his credentials going into his start against the Giants Saturday are good: An ERA of 2.56 that ranks ninth in the majors, 13.44 strikeouts per nine innings that ranks first and 121 strikeouts ranking second behind Shane McClanahan.

“It’s not the No. 1 focus but it’s one of those where we’re close enough to the game where it’s definitely more on the mind,” said Cease, who would be a first-time All-Star.

“Try not to jinx it. We’re also trying to focus on what we’re doing here [as a team]. It really isn’t something I’m fixated on but I’d be lying if I said it was a small thought.”

Cease has progress from year to year since he was a rookie in 2019. His ERA from year to year: 5.79, 4.01, 3.91, 2.56. His strikeouts per nine innings: 10.9, 6.8, 12.3, 13.4.

“I’m happy I found a process for me that is very repeatable,” Cease said. “It’s made it easier for me to adjust on the go. Really just having experience now, it’s helping me build confidence every time I go out there and it builds on itself. More success, more results.

“When you fail you go back to the drawing board, you rebuild yourself again and so on and so forth. I’m at a point where I really am confident in rebuilding myself and my process.”

Cease always had the stuff – upper 90s velocity, hard slider, knuckle curveball and changeup — to be a Cy Young caliber pitcher. After not being trusted to start in the 2020 Wild Card due to late season command problems, he established career highs in numerous categories in 2021, including an AL best 12.9 strikeouts per nine innings. His slider is on point this season, and his command overall is more consistent than in years past.

“Best slider I’ve had in my career, for sure,” he said.

And the command, “yes, it’s all in a pretty good spot right now.”

Cease would like to cut down his walks – his 37 bases on balls leads the majors and he’s averaging 4.1 per nine innings, which hikes his pitch counts and can hinder his ability to pitch deeper into games – but his fielding independent pitching ERA is 2.51, third in the majors behind Kevin Gausman (1.71) and former teammate Carlos Rodon (2.31).

When he came off the field after striking out 13 Orioles in seven innings in his last start Sunday, Cease, as reserved as they come, raised his arms to the crowd, prompting them to get up and make some noise. Cease got the win that day, his team-best sixth against three losses.

“Good, good,” manager Tony La Russa said when told of Cease’s display of exuberance. “There is a lot to him. He’s got some depth personally and professionally. I didn’t know he did that but he knows he’s stepping up and he embraces it. And we’re lucky he does.”

The All-Star Game is July 19 in Los Angeles. All said and done, Cease is having an All-Star caliber first half, which he attributes to three things.

“Focus, practice and experience,” he said. “But a big part is honing in on what I have to do to feel certain things and learning myself, really.”

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It’s official: Today’s “journalists” have denounced of objectivity.

It’s official: Today’s “journalists” have denounced of objectivity.

A portrait of editors and reporters meeting inside today’s newsrooms where the truth is dispensed.

A breath-taking, blunt and authoritative declaration that objectivity is “outdated.” “Truth” is now the golden rule.

Objectivity: The lack of favoritism toward one side or another : freedom from biasMeriram-Webster

Even if you are a minority of one, the truth is the truth.Mahatma Gandhi

You can’t handle the truth! Tom Cruise

It’s been apparent for years that much of the media has cast aside the time-honored goal of reporting the news objectively. Everyone, that is, except biased journalists themselves.

Now comes an unequivocal proclamation (read: admission) from the most high, self-appointed, archpriests of journalism practices and ethics: The Poynter Institute.

Alex Sujong Laughlin, the Institute’s editor of The Cohort, “a newsletter about gender in media.” spells it out in : “It’s possible to be a journalist and a human: The way journalists are told to perform objectivity is outdated. If we want to preserve public trust, the best thing we can do is tell the truth.”*

Rather than adapting to the rhetorical needs of an unprecedented period of democratic destabilization, legacy newsrooms are clinging to outdated values while conceding only when public opinion demands it, or when the Overton Window shifts so an issue becomes mainstream….

We can do the important work of witnessing the world, verifying truth, and contextualizing it for our readers while acknowledging our humanity and telling the truth about how these decisions will affect us personally.

Laughlin quotes copiously from The View from somewhere: Undoing the Myth o Journalistic Objectivity by Lewis Raven Wallace (a priest in the cathedral of woke journalism) about how American newspapers once were clearly partisan. Only recently (oh, just in the last 100 years or so) did someone come up with the goofy concept of objectivity. The idea, I suppose, is that objectivity is just another loathsome hangover from the past, like laws making interracial marriage illegal. (Honest to God, that’s her analogy.)

Truth-tellers? How self-delusional is that?

It’s not just that objectivity is old hat. All traces of objectivity must be expelled (if not already) from media ethics and replaced by the “truth.” Any other side of the story must be ignored because it is wrong, wrong, wrong. If any other side has to been mentioned, it must be presented in a way to belittle, dismiss or discredit as a lie.

Funny, while the waving away of objectivity as if it is a myth, no one seems to bother defining truth and how to recognize it. Never mind that philosophers and others have spent centuries arguing about what is the nature of truth.

Aristotle defines truth: To say of what is that it is, and of what is not that it is not, is true” So there.

No, I can’t explain that either. But here’s something else that’s funny: Relativism. as practiced by today’s know-it-alls. It’s another complex metaphysical puzzle, but to this layman’s poor understanding, it suggests that determining the truth of something depends on situations and circumstances. One person’s truth is as good as someone else’s differing truth.

If that’s, err, true, then how can journalists know the truth? In a newsroom, do reporters and copy editors share the same standards of what is true in a story, of which “facts” are clearly facts that reflect the real reality, By what arrogant rule or law is a journalist’s perception of the truth any more certain than a readers? How do they know better than we ignoramuses?

As an old, old school journalist, I cling to the idea that objectivity is a goal, one that’s realized by reporting what I see and hear. I means keeping myself–my presence and beliefs– out of the story. And telling all possible sides. Maybe that formula is too simpleminded for today’s journalists.

Objectivity is the coin of the realm for scientists and engineers, judges and juries. Why should journalism be the exception?

*How odd. The journalism’ formula for regaining the public’s trust is to exercise the bad practice that lost the public’s trust in the first place: Telling readers, “We decide what the truth is and only we give it to you, you ignorant fools.”

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Sources: Warriors, Looney agree to 3-year dealon July 1, 2022 at 8:46 pm

SAN FRANCISCO — Free-agent center Kevon Looney has agreed to stay with the Golden State Warriors on a three-year, $25.5 million deal, sources told ESPN’s Adrian Wojnarowski on Friday.

Looney, 27, is coming off a breakout year with the 2022 NBA champion Warriors, who drafted him in the first round in 2015. After an injury-riddled career, Looney was an iron man, playing in all 82 regular-season games and all 22 playoff games.

More importantly than playing every game, Looney proved to be the kind of center who can thrive in the Warriors’ system, whether he is starting or coming off the bench.

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Throughout last season, and especially in the playoffs, Looney proved to be an elite rebounder — a skill set Golden State was desperate for. In the closeout game against the Memphis Grizzlies in the conference semifinals, Looney grabbed a career-high 22 rebounds in a career-high 35 minutes.

Another highlight came in Game 2 of the Western Conference finals against the Dallas Mavericks, when Looney scored 21 points, grabbed 12 boards and held the Mavericks to 1-of-11 shooting from the field as the primary defender.

Retaining Looney, who averaged a career-high 7.3 rebounds during the regular season, was a top priority for the Warriors heading into free agency, but the recent departures of Gary Payton II, Otto Porter Jr. and Juan Toscano-Anderson made it that much more important.

Bringing back Looney not only ensures that the Warriors maintain a strong presence on the boards and in the paint, but it also allows Golden State to continue to bring along James Wiseman more slowly as he works his way back from a right knee injury.

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American music, Black Pride, and the Chosen Few

Summer’s in full swing . . . get out there and enjoy our city!

FRI 7/1

Want to book shows at clubs? Get your band booked for more shows at clubs? Maybe open a club that hosts shows? No matter your goal, if you’ve got music on your mind and you’re new to the Chicago scene, Donnie Biggins has you covered. Every Friday from 10 AM-1 PM, the Golden Dagger owner, Shams Band veteran, and rock promoter extraordinaire holds office hours at the Golden Dagger (2447 N. Halsted) where people can get free career advice on playing and promoting music for money. Click “buy tickets” to sign up for a half-hour meeting today or next week. Otherwise, check the Golden Dagger’s website weekly. Note you must be 21 or older to participate, and proof of vaccination is required. (MC)

It wouldn’t be Independence Day weekend in Berwyn without the American Music Festival setting up shop on Roosevelt, and FitzGerald’s did not disappoint this year with their healthy list of Americana, rock, roots, blues, and country acts performing both outside and inside the club tonight through Monday. Contributor Mark Guarino singled out the Chicago Soul Jazz Collective in his preview this week. They perform tomorrow night with singer Dee Alexander at 10:30 PM. Tonight’s music starts at 5 PM, and Saturday, Sunday, and Monday’s shows start at 1 PM. You can catch the entire schedule including set times at FitzGerald’s website; tickets are still available ($50 for a single day; $175 for a four-day pass) and all ages are welcome. (SCJ) 

Moonwater Dance Project presents Moonwater IV, tonight and tomorrow at 7:30 PM, at the Ruth Page Center for the Arts (1016 N. Dearborn). The company, which focuses entirely on female artists, presents seven new works this weekend. Last year, company founder and artistic director Mackenzie King told Reader contributor Nora Paul, “Very rarely do you see two women dancing together . . . and we try and change that. We take pride in the fact that we can lift each other, and we can partner with each other, and there is not a limit to what we can do because we are women.” Tickets for Moonwater IV begin at $35, and are available at moonwaterdanceproject.com. (KR)

The organizations Pride South Side and Chicago Windy City Black Pride have combined forces this year to present Chicago Black Pride, a series of seven events spanning over this weekend starting with tonight’s kickoff party hosted by party promoters Deviant (who call tonight “an intentionally sexy party curated for and by Black and Brown queer people”). That starts tonight at 9 at Bronzeville’s Haven Entertainment Center (932 E. 43rd). Tomorrow features an afternoon-long festival at the DuSable Black History Museum and Education Center with entertainment provided by Jamila Woods, Mister Wallace, and host The Vixen, along with vendors and a cash bar. That happens from noon-5 PM at the museum (740 E. 56th Pl., free to attend but reservations are required). A full list of weekend including ticketing links is available at pridesouthside.org. (SCJ)

SAT 7/2

Chosen Few Picnic & Festival is back for an IRL celebration this year, and takes over Jackson Park today (63rd and Hayes) with house music, DJs, special guests, and happy people dancing and enjoying outdoor grilling (weather permitting). Check out Reader senior writer Leor Galil’s preview here. Tickets are available for all ages, and while you might not be keen to actually show up for the 8 AM start time, other people are totally doing that, so get there on the early side to find a good spot. The festival continues through 10 PM. There’s also a closing party and meet and greet opportunity scheduled for tomorrow at Epiphany Center for the Arts (201 S. Ashland); special guests include Glenn Underground, Deejay Alicia, and the Chosen Few DJs themselves. That starts at 3 PM in the outdoor patio space at Epiphany, and the party shifts indoors at 8 PM. It’s 21+ and advance tickets are available here. (SCJ)

From 2-6 PM, Compound Yellow (244 Lake, Oak Park, IL) is hosting its opening for “Side Yard(s),” a month-long exhibition where design trio i/thee (Compound Yellow’s summer artists-in-residence) will generate speculative drawings and models emphasizing “co-sentience” within the community organization’s Side Yard space. As i/thee explains on Compound Yellow’s website, “Where some wish to draw distinctions, we wish to shed light on what we all have in common: to demonstrate that the appearance of difference is an illusion.” Not only is this a chance to commune with creatives, but it’s also an opportunity to provide input on growing Side Yard’s potential as a site for performance and community engagement. (MC)

Tonight marks the return of DOPENESS: Black by Popular Demand at the Annoyance (851 W. Belmont). A sketch and improv troupe featuring Black performers with long résumés onstage and onscreen (including The Chi, Shameless, and various Dick Wolf Chicago Professionals franchises), Black by Popular Demand says that they’re offering “a cultural movement in the making performed by Chicago comedy’s best.” You can catch them Saturdays at 7 PM through 8/27; tickets are $10 at theannoyance.com. (KR)

American Blues Theater is planning on opening a brand-new space on North Lincoln in November 2023. But in the meantime, they’re celebrating an American master with their revival of Fences by August Wilson (the 1950s “chapter” in his acclaimed Century Cycle). Directed by Monty Cole, the production opens in previews tonight at Theater Wit (1229 W. Belmont) with a killer cast, including Kamal Angelo Bolden as Troy Maxson, the Pittsburgh sanitation worker and former Negro League star whose bitterness at lost opportunities takes a toll on his family; Shanésia Davis as his wife, Rose; and ABT ensemble member Manny Buckley as Gabriel, Troy’s brother who was left with mental disabilities as a result of a war injury. Although it’s been produced frequently in Chicago, Cole (who made his local directorial debut with an acclaimed 2016 production of Eugene O’Neill’s The Hairy Ape with now-defunct Oracle Productions) is bringing what he says will be a different take to the story. “I don’t see Wilson as realism at all,” he said in an interview earlier this week. “I would say the guts of his plays are spirituality. Almost every play that he writes, the thing that’s turning the gears of the play is some sense of spirituality.” Last night’s opening was sold out but seats are available for tonight at 7:30 PM as well as tomorrow at 2:30 PM. The play runs through 8/6; tickets are $25-$45 at 773-975-8150 or americanbluestheater.com. (KR)

Floatie, Chicago’s most famous frog rockers, are making a triumphant return from their first tour since the pandemic. They’ll be closing out their cross-country adventures from the Sleeping Village (3734 W. Belmont) stage with help from Options, the power-pop solo project of multi-instrumentalist Seth Engel, and Spirits Having Fun, a joyful indie-rock four piece. The show starts at 9 PM and costs $15. You must be 21 or older, and proof of vaccination is required. (MC)

SUN 7/3

On the first Sunday of every month, the Sage Gawd Collective hosts a donation-based online yoga class to benefit abortion funds in Chicago, Mississippi, Tennessee, and Arkansas. Collective founder DuShaun Branch Pollard explained on Instagram, “As a daughter of the Great Migration, I want to support funds in the states that my ancestors once called/still call home.” Class is held at 9 AM, and the recommended donation is $15. Sign up online, and direct questions to [email protected]. (MC)

It’s always interesting to see what musicians in our favorite bands come up with when they release solo material, and Steve Von Till from beloved heavy metal band Neurosis came up with something very special with his 2021 release A Deep Voiceless Wilderness. Contributor Luca Cimarusti said that the album features “touches of primitive acoustic guitar” and “pensive, sweeping instrumental postrock.” You can read more about it in Cimarusti’s preview of Von Till’s concert tonight at the Empty Bottle. Helen Money opens, and the 21+ affair starts at 8:30 PM. Tickets are still available. (SCJ)

You might think Pride is “officially” over, but the energy’s still going strong at the Promontory (5311 S. Lake Park Ave. West). At 10 PM, they’re hosting “Re-Energized,” a celebration centering queer Black joy organized by the Small World Collective and Body By Mighty. DJs Khali Melon, Dapper, and Tori will bring the best in reggae, dancehall, and other Caribbean jams designed to get bodies writhing. The festivities will be punctuated by special performances from Mocha Mocha, Ms. Mighty, and Destiny. Promontory is ADA accessible, and accommodation requests can be made at [email protected] or calling Promontory directly at (312) 801-2100. This party is open to those 21 and older, and masks and proof of vaccination are required. Tickets are $15 ($10 in advance) but go up to $20 after midnight, so if you’re expecting to roll up late, buy ahead. (MC)

MON 7/4

As a painter himself, our contributor Dmitry Samarov has a complicated relationship with the work of French artist and Post-Impressionist painter Paul Cézanne, and wrote about it in his review of “Cézanne,” an exhibition on view at the Art Institute of Chicago (111 S. Michigan) through 9/5. You have a chance to see the work of the innovative artist (who many consider a founding father of the 20th century art as his work was a bridge between eras) today as the Art Institute is open for business from 11 AM-5 PM. Regular admission fees apply, but go to the museum’s website to see information about discount opportunities. (SCJ) 

Feeling lucky? Head to Simone’s (960 W. 18th St.) tonight for Lotería Monday, an evening of craft drinks, Lotería cards, and giving back. At this monthly event, Lotería cards are available to purchase for $5 each, and this money is donated to a nonprofit in the Chicago area. This month’s game play benefits Taller de José, a Little Village social service organization. Simone’s is a 21+ venue and the event starts at 8 PM. (SCJ)

TUE 7/5

You may have heard there’s a bit of a lifeguard shortage happening in Chicago. (Actually, it’s nationwide!) While the city owns 49 outdoor and 28 indoor pools, lifeguards have been diverted from beaches so more neighborhood pools can open, bringing the total for the season up to 37 as of today. Pools are usually open 11 AM-7 PM five days a week, though some hours may vary individually. Check the Park District website for the nearest place to take a dip. (MC)

Every Tuesday until October 11, the Low-Line Market is set up just outside the Southport stop on the Brown line at 1409 W. Addison. From 3-7 PM, browse a small but carefully curated selection of local farmers, bakers, and other makers that will include produce, meat, cheeses, canned goods, local honey, tamales, vegan popsicles, beet (yes, BEET) jerky, candles, clothing, and more. Personally, I’m curious about Vergo’s spicy pineapple chips and Elsie Mae’s strawberry jalapeño margarita mix, but there’s lots to be excited about here—including that SNAP and LINK cards are welcome! (MC)

WED 7/6

Chicago SummerDance is back in swing, and free opportunities to learn new dances and listen to music of many genres are some of the benefits of this annual free program from the city’s Department of Cultural Affairs and Special Events. Tonight the fun visits Welles Park (2333 W. Sunnyside) with Haki Kino, an evening of Hawaiian fitness exercises and dance. At 4:30 PM, join in for creative activities including a workshop in Lei making and Hula demonstrations. At 5:30 PM, Aloha Center Chicago leads the dancing with Lanialoha Lee, a Kuma Hula (master Hula teacher) and music by Pacific Soundz & Friends of Aloha. Check out the city’s website for more information about future events. (SCJ)

Curtis Mayfield fans, take note: multi-instrumentalist and producer Sam Thousand is teaming up with Verzatile for a night of tributes at Untitled Supper Club (111 W. Kinzie). Before becoming a renowned soul performer—perhaps best known for his incendiary soundtrack to Blaxploitation classic Super Fly—Mayfield was a humble Chicagoan. Born in 1942, he cut his chops in local gospel choirs before joining the Impressions, then going solo and forever changing the landscape of rock history. The event starts at 7:30 PM. It is free to come and appreciate the entertainment, but reservations at Untitled are highly encouraged—especially if you want to catch a view of the band. (MC)

At 8 PM, Comfort Station (2579 N. Milwaukee) hosts an evening of films from native Chicagoan and current New Yorker James Fotopoulos, an artist who works with moving image, sculpture, and drawing. A selection of Fotopoulos’s short films will be screened, along with his 52-minute feature Timon—created in 2020 during the pandemic lockdown and centered around the story of Timon of Athens. It’s free to attend and masks will be required for entry. More information is available at Comfort Station’s website. (SCJ)

THU 7/7

Looking for more free summer family fun? Check out the skating rink at the Garfield Park Community Plaza (4008 W. Madison). From now until August 15, the roller rink is open Tuesday through Saturday from 11 AM-7 PM. Skating and skate rentals are free, and there are picnic benches and other eating-and-seating options as well as a tented cool-down area. (MC)

Contributor Nina Li Coomes explored the art exhibition “Remaking the Exceptional: Tea, Torture, and Reparations” (on view at DePaul Art Museum through 8/7) for our Summer Theater and Arts Preview issue in June. Tonight, the museum is hosting a book talk and tour of the exhibit starting at 5:30 PM, with Dr. Maha Hilal, founder and executive director of Muslim Counterpublics Lab, and author of Innocent Until Proven Muslim, and artist, organizer, anti-war activist, and Iraq War veteran Aaron Hughes, one of the curators of “Remaking the Exceptional.” It’s free to attend, and more information is available at the museum’s Facebook page. (SCJ)

Legendary artist, music fan, and writer Cynthia Albritton (aka Cynthia Plaster Caster) passed away in April, and tonight there’s a tribute to her life and work at Metro (3730 N. Clark). More than a dozen artists will perform, including the Mekons’s Jon Langford and Sally Timms, and Suzi Gardner of L7. This week’s Gossip Wolf has more information and tickets for the 8 PM event are available to those 18+. Proceeds from the night will benefit Girls Rock! Chicago. (SCJ) 

PRFBBQ, the festival borne from an Internet messaging forum and the networks of musicians and fans that were formed from years of late-night posts, is back in person this year. The weekend’s festivities kick off tonight at the Hideout (1354 W. Wabansia) with a concert featuring Stomatopod, Prichard, Hungry Man, and Sewingneedle. It’s 21 to enter and starts at 9:30 PM. Other events in the festival will take place on the Comfort Station’s lawn (2579 N. Milwaukee) and at Workshop 4200 (4200 W. Diversey); for ticketing and information about PRF, check out their website. (SCJ)

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Mister Goblin beefs up his heart-on-sleeve indie rock with Chicago collaborators

After D.C.-area rock group Two Inch Astronaut went on hiatus in 2018, Sam Rosenberg decamped for the midwest and began making music as Mister Goblin. He’s settled in Indiana, but to assemble his backing band he’s drawn from the deep well of talent in Chicago: the three-piece lineup on the April album Bunny (Exploding in Sound) includes drummer Seth Engel of power-pop project Options (among several other bands) and bassist Aaron O’Neill of post-grunge trio Cumbie. Mister Goblin’s previous “full band” sound felt loose and light, but Engel and O’Neill help beef it up—you can hear their influence right from the first song, “Military Discount,” which launches Rosenberg’s hoarse shout with a burst of whiplash-inducing thrashing. Engel and O’Neill also underline the sweetness in Rosenberg’s heart-on-sleeve singing by casting it in sharp relief, and he helps their midsong freakout in “Over the Moon” go down easy with his honeyed vocal hook. Openers Black Seinfeld are a new hip-hop duo made up of two local MCs who’ve been active solo: rapper-producer Malci and rapper Fluidi-G. On their March debut, Season 1 (Why? Records), both deliver performances that add polish to Malci’s riotous production—Fluidi-G’s half-sung verses in particular make the noisy turns feel peaceful.

Mister Goblin, Black Seinfeld Mister Goblin headlines; Black Seinfeld and Flowurz open. Sat 7/9, 9 PM, Sleeping Village, 3734 W. Belmont, $14, $12 in advance, 21+

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Mister Goblin beefs up his heart-on-sleeve indie rock with Chicago collaborators Read More »

Lawyers for Social Justice Reception

At City Winery, 1200 W. Randolph, Chicago
Thursday, July 28, 2022
5:30 – 7:30 p.m., with program at 6:00 p.m.

The Reader Institute for Community Journalism highlights the intersections of law and journalism at the Lawyers for Social Justice reception.

Speakers: Jason DeSanto, Senior Lecturer at Northwestern Pritzker School of Law and
Ben Joravsky, Chicago Reader senior writer.

Hors d’oeuvres, wine, beer, and soft drinks included. Individual tickets start at $250. Visit chicagoreader.com/legal22 to purchase tickets or sponsor the event.

Hosts

Baron Harris Healey Jim Bennett & Terry Vanden HoekSam Coady The Joseph & Bessie Feinberg FoundationDalila Fridi & Elizabeth McKnight Christie HefnerDavid Hiller

Co-Hosts

Bernstein Law Firm LLCJudge Tom Chiola (ret.)Cohen Law GroupCommissioner Bridget GainerDavid HoffmanMichael Kreloff Miner, Barnhill & Galland, P.C.Michael Mock, WestPoint Financial Planning and Wealth ManagementEdward MogulGail H. Morse & Lauren VerdichJames Anderson, Law Offices of Jeffery M. Leving Ltd.

Event Partners

For more information, to purchase tickets, or sponsor this event, please reach out toDevelopment Director JT Newman at [email protected]. The Reader Institute for Community Journalism is a 501(c)(3) registered nonprofit. Your donation is tax deductible to the fullest extent of the law.

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Lawyers for Social Justice Reception Read More »

ApplesKathleen Sachson July 1, 2022 at 3:43 pm

It’s not surprising to learn that Christos Nikou worked on fellow Greek writer-director Yorgos Lanthimos’s 2009 breakout Dogtooth⁠—his debut feature is part and parcel of the Greek Weird Wave, with a speculative bent evincing the droll but still slightly farcical plotting that’s come to define the movement. Aris (Aris Servetalis) is among the many people worldwide who suddenly begin suffering from amnesia, unable to recall neither memories from their lives nor even core traits (such as whether or not one likes apples) of their former selves. Those who go unclaimed by family or friends are able to participate in a program that allows them to gain a new identity and reenter society; the only stipulation is that they’re required to undertake a series of bizarre reacclimation exercises, ranging from riding a bike to having a one-night stand in a bathroom. It’s during these activities that Aris meets a lively woman, Anna (Sofia Georgovassili), also suffering from amnesia. The film eventually deviates from any sort of predictable denouement, which I won’t spoil here. But to say it would be a spoiler is perhaps to overstate the ceremony with which the central epiphany is disclosed. Derivative though it may be at times, the film has an exquisite subtlety that mirrors the main character’s veiled inner workings. What this surreal microcosm—constrained even further by intentionally generic set design and a claustrophobic 1.33:1 aspect ratio—ends up conveying about the human experience extends past the frame and into viewers’ hearts and minds. In Greek with subtitles. 91 min.

Music Box Theatre

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ApplesKathleen Sachson July 1, 2022 at 3:43 pm Read More »