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Blackhawks sign Max Domi, Andreas Athanasiou, Colin Blackwell in NHL free agency

The Blackhawks entered the first day of NHL free agency Wednesday needing several experienced forwards to fill out their roster.

They did just that by signing three middle-aged, middle-of-the-road guys in Max Domi, Andreas Athanasiou and Colin Blackwell.

Domi and Athanasiou, both wingers, inked identical one-year contracts with $3 million salary-cap hits. Blackwell, a center, signed for two years at $1.2 million per year.

The three of them promptly became the fourth-, fifth- and sixth-highest paid forwards on the Hawks’ books, but they likely won’t be in Chicago for long. It wouldn’t be surprising to see general manager Kyle Davidson try to flip them to contenders for assets at the trade deadline as the Hawks long-term rebuild continues.

Domi, 27, recorded 39 points in 72 games for the Blue Jackets and Hurricanes last season. The son of former NHL enforcer Tie Domi, he has never quite lived up to his draft position (12th overall in 2013) or his 2018-19 breakout season in Montreal (72 points), but he remains a solid middle-six winger.

His fiery competitiveness is his most well-known trait, although he does have some playmaking skill. It’ll be interesting to see him on the same team as Connor Murphy, whom he attacked in a bizarre 2021 in-game incident in Columbus.

Athanasiou, also 27, recorded 40 points in 75 games for the Kings over the last two seasons, missing a large chunk of 2021-22 with an injury. He, too, enjoyed his best career season in 2018-19, when he hit the 30-goal milestone with the Red Wings.

His burning speed is his most well-known trait, checking off the other box — in addition to competitiveness –that Davidson has frequently mentioned as priorities in player evaluation. He’s arguably one of the five fastest players in the NHL.

Blackwell, 29, tallied 20 points in 58 games last season for the Kraken and Maple Leafs, switching teams as part of the blockbuster Mark Giordano trade. A late bloomer who didn’t break into the NHL until 2019, he’s decent on faceoffs –his career faceoff rate is exactly 50% — and experienced with penalty-killing.

Former Kraken center Colin Blackwell signed with the Blackhawks on Wednesday.

Steph Chambers/Getty Images

On the goaltending side, the Hawks signed Alex Stalock to a one-year contract with $750,000 cap hit. It’s unclear if he’ll enter next season as the backup to Petr Mrazek or if another goalie addition is incoming.

Stalock, 34, struggled mightily last season, posting an .869 save percentage in 17 AHL appearances and .786 save percentage in one NHL game for the Sharks, after missing the 2021 season with myocarditis. He’d previously been a solid backup, going 36-29-11 with a .908 save percentage for the Wild from 2017 to 2020.

The Hawks also inked minor-league forwards Luke Philp and Brett Seney to one-year, two-way contracts worth $750,000 each.

Philp and Seney each scored more than 40 points in the AHL last year and will help support Hawks prospects with the Rockford IceHogs. Seney, with 55 games of previous NHL experience, could be an injury-related call-up if necessary.

Elsewhere around the NHL, Dominik Kubalik signed a two-year contract with the Red Wings at $2.5 million per year –significantly less than the $4 million qualifying offer the Hawks would’ve had to give him to retain his rights.

Collin Delia and Wyatt Kalynuk both signed with the Canucks, and Erik Gustafsson and Henrik Borgstrom both landed on the Capitals. Dylan Strome, Calvin de Haan and Kevin Lankinen haven’t yet found new teams.

Wednesday’s moves leave the Hawks with an estimated $10.6 million in remaining salary cap space with restricted free agents Philipp Kurashev and Caleb Jones left to re-sign.

The Hawks have considered taking on another team’s bad contract to receive a “sweetener” asset, and that remains a possibility even though the Flyers –previously seen as the best match — declared themselves finished for the summer.

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Wolves co-owner A-Rod: ‘NBA has welcomed me’on July 13, 2022 at 10:37 pm

LAS VEGAS — Alex Rodriguez was standing near his courtside seat, oblivious to a few fans who were snapping a quick photo of him as they walked by.

He was watching the Minnesota Timberwolves warm up instead.

Rodriguez — currently part of the Timberwolves’ ownership group, with plans in place for him and business partner Marc Lore to assume control from Glen Taylor and become primary owners next year — said Wednesday that he’s enjoying his transitions from baseball to basketball and from player to executive. He noted that he’s still learning.

“I mean, I come at it from a different perspective, being in baseball for about a quarter of a century, and now it’s interesting to take my experience from Major League Baseball, from broadcasting and now being here as an owner,” Rodriguez said in an interview with The Associated Press before watching Minnesota’s summer league game in Las Vegas against Milwaukee. “It’s been great. The NBA has welcomed me with open arms.”

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And the Wolves haven’t exactly been sitting around idly since Rodriguez and Lore started their ownership process.

Minnesota has been one of the biggest stories in the league this offseason, first by luring executive Tim Connelly away from the Denver Nuggets to take over as president of the Timberwolves. Then came the trade, acquiring Rudy Gobert from Utah for a slew of players and draft picks, a move that created perhaps the top frontline in the NBA with Gobert playing alongside Karl-Anthony Towns.

“It’s all about the fans in Minnesota. I think they deserve a winner,” Rodriguez said. “They deserve consistency, they deserve continuity. And I think across the board, we’ve seen that. … If you’re a fan, there’s a lot to cheer for. There’s a lot to be excited about. And I think when you can forecast predictability, it’s good for the energy of the town.”

Taylor agreed to sell the Timberwolves for $1.5 billion last year to Lore and Rodriguez. Lore became Walmart’s e-commerce chief in 2016, when the retail giant bought his Jet.com startup in an attempt to boost online business.

Rodriguez hit 696 home runs over 22 major league seasons, with the New York Yankees, Seattle Mariners and Texas Rangers. His last season on the field was 2016, marking the end of a career that was tainted by performance-enhancing drug use he later admitted to. He has invested in an array of businesses outside of basketball, serves as a trustee at the University of Miami — the baseball stadium there bears his name, even though he never played for the Hurricanes — and now finds himself learning a new game.

But he already speaks of it like a seasoned pro, talking about what Wolves guard D’Angelo Russell can do in pick-and-roll situations, how he thinks Gobert — a three-time defensive player of the year — is underrated offensively and why it was important to extend coach Chris Finch’s contract this past spring.

It’s busy, and that’s what he wants.

“Team ownership is 365, 24/7,” Rodriguez said, “I knew that [NBA commissioner] Adam Silver and his team were great, but they’re even better than what they project. His senior management team, all the way through, they’re really incredible. They add tons of value. And I think they’re great at welcoming people, whether you’re a player, media, owner, executive into the room, and they know how to do that better than anyone.”

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Wolves co-owner A-Rod: ‘NBA has welcomed me’on July 13, 2022 at 10:37 pm Read More »

Max Domi Signs with the Chicago Blackhawks

Max Domi Signing provides more depth.

The newest addition to the Blackhawks that general manager Kyle Davidson has signed on the first day of free agency, Max Domi, who is a good sign in regards to depth purposes for fire power, and skill accompanied with a burst of speed.

The 2013 Phoenix, 1st round, 12th pick overall comes witha little baggage as to how his production will affect the team’s need, but overall this is a prime deal that should overlook the leadership area and areas such as playmaking, with a broad defensive-minded aspect.

He was a plus +6 in the post-season with the Carolina Hurricanes, that gives a promising look towards beyond the regular season and bringing up the young guns that were just drafted by the Chicago Blackhawks, who are said were showing promising signs at the developmental camp earlier this week.

Domi had played for Phoenix, Montreal, Columbus, Carolina, and now Chicago.

This is a perfect solution for a temporary fix for offense this upcoming season, signing a one-year $3 million USD contract, is because he can play on the third-line at center and by sometimes being bumped up to the second-line during line-juggling experiments and still contribute offensively.

For most seasons, Max Domi has been a 20 plus goal scorer, which bring in the depth.

In my opinion this is a steal to say the least for the Blackhawks management depending on how he will play according to his game, but with the added youth and the veterans to help him there should be an adequate amount of contribution from all aspects of the team and coaching staff.

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Chicago gets its first big reggaeton festival

Reggaeton is an expression of movement, release, sexuality, storytelling, connection, and fashion. It’s taken over the world of pop music, despite the Puerto Rican government’s many attempts to erase it during the 1990s and 2000s. And Chicago now has a chance to experience this forbidden and infectious sound on an unprecedented scale: brought to you by Grass Root Events (which also produces the Michelada Fest and the My House Music Fest), Mas Flow bills itself as the midwest’s first reggaeton festival.

Summertime Chicago might be the only reason some of us put up with winter. Windows are down, air is flowing, booty shorts are everywhere, and the beaches are packed. It’s the perfect weather to turn up your speakers and vibe to reggaeton: heavy kicks, deep snares, catchy lyrics, and a swing that speaks to your body to create sultry movements. The vibrations of reggaeton throb out of so many cars in the city. Needless to say, Chicagoans are fans, and we’ve been fans since before Daddy Yankee’s “Gasolina” hit English-speaking radio stations back in 2004 and ’05. “Estamo’ aqui pa’l perreo!” We are here for el perreo! 

Mas FlowThis three-day reggaeton festival runs Fri 7/15 through Sun 7/17, but at publication time daily schedules had not been announced. Artists not yet assigned to a day include Marce, JBro Bugatti, Abel, Ora, Gio Sandz, 2 Deep, Yoryi, Miriam, Chava, Hyro, Dos Flakos, Mamicana, Jubal, Wreck, Maverii, Geno y Nony, Aksel, J. Santos, Karennoid, Cachorra, Los Desvelados, Lalezka, Chapulin, Mo Mami, Enigma, and Lite. Three-day passes $225, $425 VIP, 12+

Perreo is a mix of Afro-Caribbean dance moves that includes a twerk, a grind, and a whine (a gyrating body movement with another person). But you can also dance it by yourself: “Yo perreo sola,” I perreo alone. Perreo gives us the freedom to embrace our sexuality and sensuality through dance. It is liberation from social constructs about the body in a public space, especially for women and queer people. 

Mas Flow day oneZion & Lennox headline. Other artists include Guaynaa, Lenny Tavarez, Mariah Angeliq, and Nina Sky. Fri 7/15, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

Mas Flow day twoDon Omar headlines. Other artists include Ivy Queen, Tito El Bambino, De La Ghetto, and DJ Playero. Sat 7/16, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, VIP sold out, 12+

Mas Flow day threeTego Calderón headlines. Other artists include Manuel Turizo, Cnco, Emilia, and Baby Ranks. Sun 7/17, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

As we’ve all witnessed with the overturning of Roe v. Wade, people are constantly regulating women’s bodies, and perreo is an expression of autonomy from that oppression. The movements can be erotic, and with the right person, they might lead that way. The carnal nature of perreo and reggaeton is one of the reasons that Puerto Rican officials tried to censor the music. 

In the mid-90s, authorities on the island cracked down on perreo parties and demonized the music’s fans. “If they heard you bumping reggaeton from your car, they’d break your tape and fine you $500,” Puerto Rican producer DJ Nelson told Rolling Stone in 2018. In the 2010s, the Cuban government banned some reggaeton from state-owned media and venues. As recently as 2020, a Colombian senator was trying to censor reggaeton lyrics if they’d be played in public spaces. 

The story of reggaeton is culture. It’s a story of resistance, diaspora, and people who live in spaces deemed “hood” or “ghetto.” It’s become the voice that everyone hears. This narrative began more than 100 years ago with the immigration of Jamaican and other Afro-Caribbean people to work on the Panama Canal. The music of this population—reggae, calypso, soca—was translated into reggae en español and dancehall in Panama in the late 70s. 

The resulting hybrid genres were political, and they spoke about daily life in the hood and discrimination against Black people. It was then that reggae en español became a sign of resistance. People played the music and reclaimed African hairstyles as political statements about Black pride. 

The music made its way to New York via Panamanian artist El General in 1985. At the same time, hip-hop was happening, and Puerto Rican people were very much part of it. Puerto Ricans routinely traveled between New York and the island, and this migration allowed the music to fly its way to Puerto Rico, where it evolved into “underground”—which we now know as reggaeton. Without those moments of exchange and migration, we wouldn’t have reggaeton. In a way, reggaeton is an expression of a borderless world. 

The Mas Flow festival showcases some of the most legendary and historic reggaeton artists, as well as many of the genre’s important newcomers. Afro-Puerto Rican artists Zion & Lennox headline Friday night. They’ll have you dancing passionately in love, whether you have a significant other or you’ve been single for years. They’re pioneers of romantic reggaeton—heart eyes everywhere. 

This Zion & Lennox classic appears on the 2003 compilation Mas Flow, which helped reggaeton break out globally.

Also performing on Friday is Mariah Angeliq, a Puerto Rican and Cuban reggaetonera from Miami whose songs empower us to feel like sexy women, regardless of our gender. That same day, the Puerto Rican twins in the duo Nina Sky will give us the throwbacks we want to hear, especially 2004’s “Oye Mi Canto,” an anthem that celebrates Latinidad in the best way—through sound and dance. 

Nina Sky sing on the 2004 N.O.R.E. hit “Oye Mi Canto.”

Saturday’s bill features a can’t-miss artist: DJ Playero, who was there from the beginning of reggaeton, back when it was called “underground.” He made mixtapes and recorded practically all the MCs in Puerto Rico, including a young Daddy Yankee. Saturday’s closing act is Afro-Puerto Rican singer, record producer, actor, and hit maker Don Omar. We’ll likely hear his new single, “Soy Yo,” and some of his classic hits. 

She’s lower on Saturday’s bill, but I’m very excited for La Queen, La Diva, La Caballota: Ivy Queen! Like DJ Playero, Ivy Queen was present during the conception of what we experience now as reggaeton culture. She pushed the boundaries of reggaeton and gave a voice to us women who wanted to be sexy and dance. Her song “Yo Quiero Bailar” is all about women’s freedom to just dance and not be expected to go home with our dancing partners. 

Ivy Queen first released “Yo Quiero Bailar” in 2003.

Apart from being an amazing musician, a fashion icon, and a TikTok star, Ivy Queen is also a cultural historian. In 2021 she hosted the Spotify podcast Loud: The History of Reggaeton, looking through the eyes of reggaetoneros to share the resilience and passion that drove the growth of the music. 

On Sunday, the fest’s final day, the bookings include two notorious artists: Baby Ranks and Tego Calderón. Baby Ranks, an Afro-Puerto Rican and -Dominican artist, stars on a 2005 compilation album called Más Flow 2 put together by producers Luny Tunes—he appears on several songs, including the celebration of older women “Mayor Que Yo.” Tego Calderón, a proud Black Boriqua, closes out Sunday. He exudes sauce, with so much flow and so much finesse. Expect to be hypnotized by his voice, his Blackness, and his conscious lyrics that speak on the Black experience and anti-capitalism. 

Tego Calderón released “Cosa Buena” on a compilation called Planet Reggae in 2002.

Mas Flow not only brings us these great artists (and all the others I haven’t mentioned), it also hosts a plethora of DJs and producers. Cachorra from Mexico brings neoperreo; Dos Flakos, a Dominican duo from the Bronx, bring Latin-infused dance music. Also on the lineup are some of Chicago’s hottest DJs, including Gage Park reggaeton DJ Karen Valencia, aka Karennoid from Milwaukee-based DJ collective Agua de Rosas. 

“This festival is enriching the already diverse festivals we have in Chicago,” says Karennoid. “Festivals like this drive the music forward, celebrating the love we have for reggaeton in the midwest. This is not just a genre—it is a culture, language, fashion. We’re celebrating the genre’s many evolutions and imaginings. There are so many people imagining reggaeton in their own way.” 

Don’t miss the magic at Mas Flow. Let the music take over your body, and dance your worries—and the weekend—away.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

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Chicago gets its first big reggaeton festivalNancy Sánchez Tamayoon July 13, 2022 at 8:45 pm

Reggaeton is an expression of movement, release, sexuality, storytelling, connection, and fashion. It’s taken over the world of pop music, despite the Puerto Rican government’s many attempts to erase it during the 1990s and 2000s. And Chicago now has a chance to experience this forbidden and infectious sound on an unprecedented scale: brought to you by Grass Root Events (which also produces the Michelada Fest and the My House Music Fest), Mas Flow bills itself as the midwest’s first reggaeton festival.

Summertime Chicago might be the only reason some of us put up with winter. Windows are down, air is flowing, booty shorts are everywhere, and the beaches are packed. It’s the perfect weather to turn up your speakers and vibe to reggaeton: heavy kicks, deep snares, catchy lyrics, and a swing that speaks to your body to create sultry movements. The vibrations of reggaeton throb out of so many cars in the city. Needless to say, Chicagoans are fans, and we’ve been fans since before Daddy Yankee’s “Gasolina” hit English-speaking radio stations back in 2004 and ’05. “Estamo’ aqui pa’l perreo!” We are here for el perreo! 

Mas FlowThis three-day reggaeton festival runs Fri 7/15 through Sun 7/17, but at publication time daily schedules had not been announced. Artists not yet assigned to a day include Marce, JBro Bugatti, Abel, Ora, Gio Sandz, 2 Deep, Yoryi, Miriam, Chava, Hyro, Dos Flakos, Mamicana, Jubal, Wreck, Maverii, Geno y Nony, Aksel, J. Santos, Karennoid, Cachorra, Los Desvelados, Lalezka, Chapulin, Mo Mami, Enigma, and Lite. Three-day passes $225, $425 VIP, 12+

Perreo is a mix of Afro-Caribbean dance moves that includes a twerk, a grind, and a whine (a gyrating body movement with another person). But you can also dance it by yourself: “Yo perreo sola,” I perreo alone. Perreo gives us the freedom to embrace our sexuality and sensuality through dance. It is liberation from social constructs about the body in a public space, especially for women and queer people. 

Mas Flow day oneZion & Lennox headline. Other artists include Guaynaa, Lenny Tavarez, Mariah Angeliq, and Nina Sky. Fri 7/15, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

Mas Flow day twoDon Omar headlines. Other artists include Ivy Queen, Tito El Bambino, De La Ghetto, and DJ Playero. Sat 7/16, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, VIP sold out, 12+

Mas Flow day threeTego Calderón headlines. Other artists include Manuel Turizo, Cnco, Emilia, and Baby Ranks. Sun 7/17, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

As we’ve all witnessed with the overturning of Roe v. Wade, people are constantly regulating women’s bodies, and perreo is an expression of autonomy from that oppression. The movements can be erotic, and with the right person, they might lead that way. The carnal nature of perreo and reggaeton is one of the reasons that Puerto Rican officials tried to censor the music. 

In the mid-90s, authorities on the island cracked down on perreo parties and demonized the music’s fans. “If they heard you bumping reggaeton from your car, they’d break your tape and fine you $500,” Puerto Rican producer DJ Nelson told Rolling Stone in 2018. In the 2010s, the Cuban government banned some reggaeton from state-owned media and venues. As recently as 2020, a Colombian senator was trying to censor reggaeton lyrics if they’d be played in public spaces. 

The story of reggaeton is culture. It’s a story of resistance, diaspora, and people who live in spaces deemed “hood” or “ghetto.” It’s become the voice that everyone hears. This narrative began more than 100 years ago with the immigration of Jamaican and other Afro-Caribbean people to work on the Panama Canal. The music of this population—reggae, calypso, soca—was translated into reggae en español and dancehall in Panama in the late 70s. 

The resulting hybrid genres were political, and they spoke about daily life in the hood and discrimination against Black people. It was then that reggae en español became a sign of resistance. People played the music and reclaimed African hairstyles as political statements about Black pride. 

The music made its way to New York via Panamanian artist El General in 1985. At the same time, hip-hop was happening, and Puerto Rican people were very much part of it. Puerto Ricans routinely traveled between New York and the island, and this migration allowed the music to fly its way to Puerto Rico, where it evolved into “underground”—which we now know as reggaeton. Without those moments of exchange and migration, we wouldn’t have reggaeton. In a way, reggaeton is an expression of a borderless world. 

The Mas Flow festival showcases some of the most legendary and historic reggaeton artists, as well as many of the genre’s important newcomers. Afro-Puerto Rican artists Zion & Lennox headline Friday night. They’ll have you dancing passionately in love, whether you have a significant other or you’ve been single for years. They’re pioneers of romantic reggaeton—heart eyes everywhere. 

This Zion & Lennox classic appears on the 2003 compilation Mas Flow, which helped reggaeton break out globally.

Also performing on Friday is Mariah Angeliq, a Puerto Rican and Cuban reggaetonera from Miami whose songs empower us to feel like sexy women, regardless of our gender. That same day, the Puerto Rican twins in the duo Nina Sky will give us the throwbacks we want to hear, especially 2004’s “Oye Mi Canto,” an anthem that celebrates Latinidad in the best way—through sound and dance. 

Nina Sky sing on the 2004 N.O.R.E. hit “Oye Mi Canto.”

Saturday’s bill features a can’t-miss artist: DJ Playero, who was there from the beginning of reggaeton, back when it was called “underground.” He made mixtapes and recorded practically all the MCs in Puerto Rico, including a young Daddy Yankee. Saturday’s closing act is Afro-Puerto Rican singer, record producer, actor, and hit maker Don Omar. We’ll likely hear his new single, “Soy Yo,” and some of his classic hits. 

She’s lower on Saturday’s bill, but I’m very excited for La Queen, La Diva, La Caballota: Ivy Queen! Like DJ Playero, Ivy Queen was present during the conception of what we experience now as reggaeton culture. She pushed the boundaries of reggaeton and gave a voice to us women who wanted to be sexy and dance. Her song “Yo Quiero Bailar” is all about women’s freedom to just dance and not be expected to go home with our dancing partners. 

Ivy Queen first released “Yo Quiero Bailar” in 2003.

Apart from being an amazing musician, a fashion icon, and a TikTok star, Ivy Queen is also a cultural historian. In 2021 she hosted the Spotify podcast Loud: The History of Reggaeton, looking through the eyes of reggaetoneros to share the resilience and passion that drove the growth of the music. 

On Sunday, the fest’s final day, the bookings include two notorious artists: Baby Ranks and Tego Calderón. Baby Ranks, an Afro-Puerto Rican and -Dominican artist, stars on a 2005 compilation album called Más Flow 2 put together by producers Luny Tunes—he appears on several songs, including the celebration of older women “Mayor Que Yo.” Tego Calderón, a proud Black Boriqua, closes out Sunday. He exudes sauce, with so much flow and so much finesse. Expect to be hypnotized by his voice, his Blackness, and his conscious lyrics that speak on the Black experience and anti-capitalism. 

Tego Calderón released “Cosa Buena” on a compilation called Planet Reggae in 2002.

Mas Flow not only brings us these great artists (and all the others I haven’t mentioned), it also hosts a plethora of DJs and producers. Cachorra from Mexico brings neoperreo; Dos Flakos, a Dominican duo from the Bronx, bring Latin-infused dance music. Also on the lineup are some of Chicago’s hottest DJs, including Gage Park reggaeton DJ Karen Valencia, aka Karennoid from Milwaukee-based DJ collective Agua de Rosas. 

“This festival is enriching the already diverse festivals we have in Chicago,” says Karennoid. “Festivals like this drive the music forward, celebrating the love we have for reggaeton in the midwest. This is not just a genre—it is a culture, language, fashion. We’re celebrating the genre’s many evolutions and imaginings. There are so many people imagining reggaeton in their own way.” 

Don’t miss the magic at Mas Flow. Let the music take over your body, and dance your worries—and the weekend—away.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Read More

Chicago gets its first big reggaeton festivalNancy Sánchez Tamayoon July 13, 2022 at 8:45 pm Read More »

Chicago news roundup: Company pitches reopening Gresham Save A Lot, Patrick Doherty’s plea, Cubs owner eyes the Sky, North Coast Music fest threats, more

Good afternoon. Here’s the latest news you need to know in Chicago. It’s about a 5-minute read that will brief you on today’s biggest stories.

This afternoon will be partly sunny with a chance of showers and a high near 82 degrees. Tonight will be mostly clear with a low near 60. Tomorrow will be sunny with a high near 80.

Afternoon Edition

Chicago’s most important news of the day, delivered every weekday afternoon. Plus, a bonus issue on Saturdays that dives into the city’s storied history.

Top story

Black-owned company wants to reopen Gresham Save A Lot

Two years after a Save A Lot closed in Gresham, plans are in the works to reopen the grocery store under new ownership.

Ohio-based Yellow Banana wants to run the replacement store under the Save A Lot name through a licensing agreement — something it already is doing at six other former Save A Lot locations in the Chicago area.

Ald. David Moore (17th) updated residents on plans for the empty building, 7908 S. Halsted St., during a July 7 Auburn Gresham community roundtable.

The Black-owned company hasn’t made an offer yet, but its plans have Moore’s backing. The company hopes to move in by year’s end.

Yellow Banana now has 38 grocery stores it operates as locally-owned Save A Lot locations, including those Chicago-area stores.

Most locations of the Yellow Banana stores are in economically disadvantaged areas, Michael Nance, one of Yellow Banana’s owners, said during the community meeting.

“I know in Chicago, the Save A Lot banner has really overstayed its welcome in many respects,” Nance said. “I know … they left with virtually no heads up to the community. But me and my business partners, we looked at this as an opportunity.”

With the help of local grant funding and private investors, Yellow Banana hopes to renovate the shuttered Save A Lot store in Gresham. They have an “ambitious” timeline of opening before the end of the year — if they get the building, that is.

Mariah Rushhas more on the plan here.

More news you need

Jeremiah Moore, 7, was asleep in his family’s van early yesterday morning when he was shot to death by someone in another car, just blocks from his home in East Chicago, Ind., according to his relatives. The vehicle drove away and police said no one was arrested.Police and organizers of the North Coast Music Festival, scheduled for Labor Day weekend in Bridgeview, said they are monitoring threats made to individuals and artists associated with the festival. The festival’s account tweeted a statement in response to a warning of a shooting at the festival, saying organizers have contacted law enforcement and “are handling it with the utmost seriousness.”Patrick Doherty, a once high-ranking Cook County official, pleaded guilty in federal court today, admitting to a wide-ranging set of corruption schemes totaling $148,000. The case against Doherty is tied to several individuals who have already been charged as a result of the feds’ aggressive public corruption investigations — most have already pleaded guilty.Longtime WXRT-FM (93.1) host Lin Brehmer said yesterday that he’ll take an extended leave of absence for chemotherapy to fight prostate cancer. Brehmer, 67, has been with ‘XRT for more than three decades, most of them as a morning man until he slid to middays in 2020.In his latest review, Sun-Times critic Richard Roeper covers the new Hulu documentary series, “Victoria’s Secret: Angels and Demons.” The well-crafted doc explores the brand’s boom years and its dark side — which included models being mistreated and a connection to Jeffrey Epstein.

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A bright one

Whitney Young High School’s tennis courts get facelift, new name

Bella Mendez-Robles, an incoming junior at Whitney Young Magnet High School on the Near West Side, was happy to see her school’s newly renovated tennis courts open for play.

“I’m on the tennis team and it’s great that I’m able to play tennis with everyone at these home courts, practice my skills and make new friendships here,” the 16-year-old said.

Whitney Young’s tennis courts, now named in honor of 1985 alum and former professional tennis player Katrina Adams, opened for community use yesterday at a ribbon-cutting ceremony where Adams herself was present.

From left: Whitney Young Magnet High School Principal Joyce Kenner, Whitney Young tennis coach Carl Abram, former Ald. Bob Fioretti, former pro tennis player and Whitney Young alumna Katrina Adams and Ald. Walter Burnett Jr. (5th) cut the ribbon yesterday on the school’s newly renovated Katrina Adams Tennis Courts.

Pat Nabong/Sun-Times

The renovations, which cost $240,000, began in March and took three months to complete. The courts got a complete resurfacing and new lines, among other improvements.

The courts, located at 110 S. Laflin St., can be booked online by community members for a fee of $15 per hour, which will be used to pay for continued upkeep.

After the ribbon-cutting, members of the community and Whitney Young students took to the courts and started playing. Adams even joined in and participated in a few games with the players.

Jordan Perkinshas more on the new court here.

From the press box

Your daily question ?

In honor of National French Fry day, where can you find the best fries in Chicago? Explain.

Send us an email at [email protected] and we might feature your answer in the next Afternoon Edition.

Yesterday, we asked you: What Chicago-set TV show gets it right when it comes to depicting our city?

Here’s what some of you said…

“None of them. All of them exaggerate what happens here. It’s almost comical. ‘The Chi’ is close, but at times it goes too far off reality.” –Brian Althimer

“‘The Bear.’ OMG — so Chicago in every way. The food, sights, sounds and people of Chicago. It’s such an excellent backdrop for this great show. Multicultural and totally Midwest so easy to identify with and watch.” –Amelia Marie

“Well you have to be writing about ‘The Shining Girls’ — Chicago is so prominently featured, including the old Sun-Times building! And ‘The Bear’ has great Chicago scenery, plus lots of spot-on Chicago references.” –Kathryn Pritscher

“Two shows that oddly enough share an actor — ‘Shameless’ and ‘The Bear.’ Both brought back soo many childhood memories.” –Heather Bynum

“The answer is easy. No, literally, the answer is ‘Easy,’ a Netflix series by Joe Swanberg.” –Chris Geatz

“I lived in the projects when I was a kid, and ‘Good Times’ did a decent job of showing what life was like in those Chicago areas.” –Hillari Hunter

“‘The Bob Newhart Show’ did a great job of 70s Chicago.” –Michael Molloy

“‘Boss’ with Kelsey Grammer is hugely underrated.” –Carter O’Brien

“I’m really fond of all of the Chicago scenes from ‘Sense8.’ You can tell that the filmmakers have actually lived in the city.” –Danielle Rue

“Of all these shows about Chicago that I turn a side eye to because it doesn’t seem authentic, ‘South Side’ on Comedy central and now on HBO Max gives the true essence of Chicago, from a South Side perspective!” –Damien Parker

“‘Early Edition.’ It revolved around stories found in the Chicago Sun-Times.” –John Noyes

Thanks for reading the Chicago Afternoon Edition. Got a story you think we missed? Email us here.

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LAST CHANCE: Get Your Tickets For Heatwave Music Festival’s Debut in ChicagoBrian Lendinoon July 13, 2022 at 7:53 pm

Heatwave Music Festival takes over Chicago this weekend, July 16 & 17 with a fully immersive, pop-art inspired event, bridging the gap between experiential art and globally leading dance music performances.The event, put on by Chicago’s leading force in live music events, Auris Presents, debuts in the Windy City at Douglass Park (1401 S Sacramento Dr, Chicago, IL 60623).

Since the world shaping works of Warhol’s Campbell Soup Cans and Lichtenstein’s Crying Girl, pop-art has always been about harnessing the power of mass-culture to turn the images of the moment on their head. Heatwave aims to tip its hat to this moment in time by creating a music-meets-art landscape of installations and environments to explore. The debut event will feature some of dance music’s most celebrated stars like Group Therapy and Anjuna powerhouse Above & Beyond, Swedish hitmakers Galantis, hip-hop influenced producer RL Grime, global superstar TIËSTO, and Canadian bass music kings Zeds Dead.

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Heatwave will welcome a full range of visual artists and creatives set to adorn Douglass Park with areas for attendees to get lost in. Highlights include DREAM with ME by Laura Kimpton and mural art by the artist Pretty Done. The festival will feature interactive installations throughout the grounds including a pop-art inspired statue garden, large puppetry from Ellie Terrell (previously with Moonlight Studios) and various photo opportunities leaving attendees feeling as if they’re immersed in a pop-art utopia.

Larger than life house inspired sounds will be on full display at Heatwave from the illustrious Oliver Heldens, Grammy-nominated Audien, South African live duo Goldfish, hitmaker Frank Walker, rising star MADDS, and sultry Counter Records signee Kasbo playing a DJ set. Billing continues with Endless Summer: Sam Feldt B2B Jonas Blue, Matoma, Borgeous, and more.

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The deeper end of electronic music’s mainstage sound continues with scene leaders like G Jones, Ekali, Blunts & Blondes, and Boombox Cartel, paired with the rap crossover stylings of Lost Kings and Yellow Claw. Bass and tech house continues its meteoric rise at Heatwave as it welcomes superstars like J. Worra, Dr. Fresch, Shiba San, and Westend to its art-clave paradise.

Heatwave will welcome a full range of to be announced visual artists and creatives set to adorn Douglass Park with areas for attendees to get lost in. These reality altering experiential elements set Heatwave apart as the most exciting addition to Chicago’s dance music calendar. The event will be led by the team behind Auris Presents, the reigning tastemakers of Chicago’s dance music and immersive festival community, and team behind Chicago live music and entertainment venues RADIUS, Concord Music Hall, PRYSM and more.

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If you still wish to attend it’s not too late! You can sign-up to be the first to get their festival passes at the Heatwave Music Festival website. For a full look at the Heatwave Music Festival Lineup, check out the IG post below.

Or, to. catch them in ABC Order:

AudienBlunts & BlondesBoombox CartelBorgeousCanablissDion TimmerDr. FreschEndless Summer: Sam Feldt B2B Jonas BlueEkaliFrank WalkerG JonesGG MagreeGoldfishJ. WorraKasbo (DJ Set)ŁaszewoLost KingsLoud LuxuryMaddsMatomaOliver HeldensPhantoms (DJ Set)Ranger TruccoRome in SilverRossyShiba SanShip WrekSlow MagicTwo FeetWestendWin & WooYellow Claw

Featured Image Credit: Luke Deakin

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LAST CHANCE: Get Your Tickets For Heatwave Music Festival’s Debut in ChicagoBrian Lendinoon July 13, 2022 at 7:53 pm Read More »

Sky in preliminary talks with Cubs co-owner Laura Ricketts and others about investing in franchise

Sky principal owner Michael Alter said ahead of the 2022 season that adding investors to the Sky franchise was top of mind for him.

Those additions are starting to take shape with Alter confirming that the Sky and Cubs co-owner Laura Rickets have had preliminary conversations regarding her becoming an investor in the WNBA franchise. Alter told the Sun-Times that he’s had multiple preliminary conversations with interested investors but declined to say who the other parties were.

“When you’re out thinking about adding investors you have to talk to people,” Alter said. “Laura [Ricketts] is just one of the people we’ve talked to.”

According to Alter, they are very early in all occurring discussions and no specifics regarding investments have been considered. Right now, the Sky are simply gauging interest from potential investors.

The top priority for Alter is adding investors who align with the WNBA’s and the franchise’s values.

“The money is secondary,” Alter said. “We won’t do this unless we find partners that share our values. That’s absolutely essential.”

Alter said last March the timing is perfect to add investors because the Sky have a valuable story to tell. The Sky ownership group’s primary reason for moving forward now according to Alter is to validate the value of their franchise.

Alter knows there are always things the Sky can do better as an organization, but they don’t need to do anything radically different to draw free agents he said. He added that the franchise’s culture has kept players in Chicago and attracted top free agents.

Still, there is a widening gap between teams regarding player experience and amenities, and the Sky have a reputation as being in the bottom tier. The Sky do not have a private training facility and practice at Sachs Recreation Center, a public fitness center in Deerfield.

Meanwhile, the Seattle Storm announced in May the development of a state-of-the-art performance center dedicated solely to their franchise. The project, scheduled to be completed by 2024 WNBA training camp, is being funded by the franchises ownership group and is projected to cost more than $60 million.

Ricketts, as a Sky investor, could bring ideas like those that helped turn the Cubs around.

The Cubs were MLB’s perpetual “Lovable Losers” when the Ricketts family bought the team from Tribune Co. in 2009. Though the team has struggled recently, the club had a string of successful years culminating in a World Series title in 2016.

The Ricketts family has also remade the area around Wrigley Field, including the construction of a hotel across from the ballpark, the development of Gallagher Way and plans to add a sportsbook to the stadium.

Alter was adamant that these conversations do not reflect any change in his long-term commitment to the Sky and the WNBA.

“I’m as deeply involved and engaged as ever,” Alter said. “I don’t see that changing any time soon.”

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The Blackhawks’ rebuild: Remember when being bad was considered bad?

Remember the good, old days when professional teams didn’t try to lose? When they came by their high draft picks as a result of poor decisions, general incompetence and disappointing players? When being bad wasn’t a strategy but a curse?

The Blackhawks recently shifted into the top gear of their rebuild, shipping talented young players out of town and gathering in a boatload of high draft picks that will one day make everything better again. That’s the plan, at least. For now, they’re hanging onto Patrick Kane and Jonathan Toews, the most important Hawks of the past 40 years.

The veterans’ presence amid a rebuild serves as a nice reminder of how they got to Chicago – the traditional way, when a team was awful for no other reason than it couldn’t help being awful. The Hawks were able to take Toews with the third overall pick in the 2006 NHL draft because they had just finished 26-43-13 while actually trying to win games. Then-general manager Dale Tallon was able to take Kane first overall the next year because the team had just finished going 31-42-9. Three Stanley Cups followed.

Besides being a way to save an owner a ton of money, a rebuild takes some of the guesswork out of the draft. It’s a way of amassing a raft of high picks with the idea that some of them surely will turn into stars. It’s hard for a GM to be wrong with so many horses in the race. In the old days – oh, 15 years ago – a general manager would cross all of his fingers hoping he’d hit on his one first-round pick.

But look at the pile of picks the Hawks received when they traded Alex DeBrincat to Ottawa and Kirby Dach to Montreal last week. DeBrincat brought three picks, including the No. 7 overall in this year’s draft, and Dach brought the No. 13 pick. An earlier trade sent Brandon Hagel to Tampa Bay for first-round picks in 2023 and 2024. It’s going to be hard for new GM Kyle Davidson to be wrong with so many picks. That’s the thought, along with saving a lot of money for the owner. Did I mention a rebuild saves money for the owner? I think I did, the part about saving money for the owner.

Rebuilds are all the rage now in professional sports, with lots of fans backing lots of teams in the decision to reduce everything to rubble and start from scratch. Even though the strategy has worked (the 2016 Cubs being the best example), it’s hard to shake the feeling that we’ve all been had, that on a yacht somewhere owners of sports franchises are cackling in unison over the gullibility of the masses. They can win financially by losing games! Who knew?! Hahahahaha!

Rebuilding often is considered cool by the media cognoscenti, and anyone who doesn’t go along with the concept is considered seriously out of touch. But not with this rebuild. This one feels like a betrayal, especially after what the franchise has put its fan base through. News surfaced last year that the Hawks had brushed aside a staff member’s alleged sexual assault of a Hawks prospect, Kyle Beach, while the team was chasing the 2010 Stanley Cup. It eventually led to lawsuits and the departures of team president John McDonough and general manager Stan Bowman. It also led to apologies from chairman Rocky Wirtz. But Wirtz’ sincerity came into question in February when a reporter asked him at a town-hall meeting what the team was doing to ensure that another sexual assault wouldn’t happen.

“We’re not going to talk about Kyle Beach,” he said angrily. “We’re not going to talk about anything that happened. We’re moving on. What we’re going to do today is our business. I don’t think it’s any of your business. You don’t work for the company. If somebody in the company asks that question, we’ll answer it.”

Public outrage was immediate.

How do you move on from the sexual assault of a 20-year-old? Apparently by rebuilding. All that busyness – who has time to count the skeletons in the closet? Even though the Hawks were in the midst of a rebuild before the DeBrincat and Dach trades, those moves feel like a one-two punch for fans who think the franchise has a one-two punch for them on a continuous loop.

The Hawks sure do ask a lot of the faithful. Amnesia. Patience. A high pain threshold. And money.

It’s going to be a very odd look if the team keeps the 34-year-old Toews and the 33-year-old Kane while going through a rebuild, even if it’s the players’ decision to stay with the only franchise they’ve known. It will look like a way to get sentimental fans into United Center seats while offering up what figures to be some really bad hockey.

I miss the good, old days of bad.

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The Chicago Blackhawks sign a decent center for depthVincent Pariseon July 13, 2022 at 6:41 pm

The Chicago Blackhawks have been busy. They need people to play for them in the 2022-23 season as they have traded or let go of most of their top forwards. Now, it is about rebuilding this group. They still need some stopgaps and now they are getting them.

Earlier in the day, they signed both Max Domi and Andreas Athanasiou to one-year deals. Both of them are going to get three million dollars and a chance to raise their value before the trade deadline. Both sides are getting something good from these deals.

They weren’t done there. A little bit later, it came out that the Hawks were bringing in Colin Blackwell. Instead of getting a one-year deal, he is getting a two-year deal with an average annual value of 1.2 million dollars.

Blackwell is going to be the team’s fourth-line center for as long as they have him. They can trade him at either trade deadline too which is a nice reason to bring him in. He is the perfect player to surround a bunch of kids trying to make their way in the league.

The Chicago Blackhawks are making some low-key moves in free agency.

Along with Domi and Athanasiou, Blackwell is perfect for what Chicago is trying to do. Players that are hard to play against or guys who are really fast will be perfect role models on this team and Blackwell can help with some of that.

Blackwell is a former Harvard player that was a seventh-round pick. He started his playing career with the Nashville Predators before making his way to the New York Rangers. He had some success there before being selected by the Seattle Kraken in the expansion draft.

Seattle traded him to Toronto during their first season as a part of a big trade involving Mark Giordano. He had a nice finish with them before becoming a free agent after this year. Now, he has earned himself a nice little contract with Chicago.

As mentioned before, this is a good deal for both sides as they are each getting something they need out of it. Blackwell can make some money playing hockey while trying to prove himself worthy of another deal. For the Hawks, they are getting a depth piece that plays the right way and could get them assets later on.

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The Chicago Blackhawks sign a decent center for depthVincent Pariseon July 13, 2022 at 6:41 pm Read More »