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Me TimeGregory Wakemanon September 1, 2022 at 5:00 pm

Me Time seemingly had all the ingredients to at least be an enjoyable, mainstream comedy. It pairs Kevin Hart with Mark Wahlberg, both of whom have excelled within the genre. They’re joined by a stellar supporting cast, too, including the always exemplary Regina Hall, who previously thrived alongside Hart in About Last Night

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In Me Time, Hart plays Sonny, a stay-at-home dad, who is encouraged by his wife Maya (Hall) to reconnect with his former best friend Huck (Wahlberg), after spending the last decade only caring for his two children. Once Maya goes to visit her parents, Sonny does indeed call up Huck, who soon kick-starts a wild weekend that nearly ruins both of their lives. 

Written and directed by John Hamburg, whose own credits include writing Meet the Parents, Zoolander, and Night School, Me Time unfortunately fails to turn this smart idea for a comedy into anything worthwhile. Hart, Wahlberg, and Hall are given scraps to try and turn into laughs. Then when Me Time introduces bigger comedic set pieces, they’re too broad and fall painfully flat. Even its one-hour-and-41-minute runtime quickly becomes a trudge. Make sure to avoid Me Time, otherwise it’ll just end up wasting yours. R, 101 min.

Netflix

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Peter von KantKathleen Sachson September 1, 2022 at 5:00 pm

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One might think it’d be a fool’s errand to reimagine another film version of Rainer Werner Fassbinder’s play The Bitter Tears of Petra von Kant, but French writer-director François Ozon (Swimming Pool, Summer of 85) doesn’t do a half bad job of it. The result of his homage to the German maestro is something at once remarkably faithful to its source but also strikingly deviceful in both audacity and flair. Ozon transposes the central dynamic of Fassbinder’s tale (about a fashion designer, her wordless assistant, and her female lover) from three women to three men. Peter von Kant (Denis Ménochet) is a film director who meets, via his actress friend (the ever-majestic Isabelle Adjani), a young man named Amir (Khalil Ben Gharbia) with whom he falls madly in love. What begins as a romantic affair devolves into something ugly and avaricious, the director soon lashing out at everyone in his life. (Hanna Schygulla, who played the lover in Fassbinder’s 1972 film version, appears as his mother.) Ozon’s recent features have been one departure after another, and this is no exception. Though it at times suggests Fassbinder by way of someone like Pedro Almodóvar—the sheer intensity of its predecessor sacrificed here to other virtues—Ozon’s ode offers a diverting, fresh perspective on Fassbinder’s harrowing melodrama. Stefan Crepon plays the assistant with noteworthy aplomb. In French and German with subtitles. 85 min.

Gene Siskel Film Center

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Funny PagesBecca Jameson September 1, 2022 at 5:00 pm

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Funny Pages is an earnest ode to the obsessives. It’s also made by one. The film follows a budding cartoonist named Robert, played by Daniel Zolghadri (Eighth Grade), as he shuns his spoiled suburban lifestyle in favor of a more artistic one, which he has, of course, romanticized. But, as luck would have it, Robert does serendipitously stumble upon a possible mentor. Enter Wallace, played by Matthew Maher, a character actor for the ages. Despite this sounding like the plot of any number of coming-of-age films, this is no William Miller-Lester Bangs relationship. Instead, the directorial debut of Owen Kline (The Squid and the Whale) takes more big swings. It’s bookended, for example, by two equally traumatic events that put a fresh spin on the familiar and make it somehow feel both more authentic and more absurd than anything to come before it. And yet Funny Pages is teeming with broad influences and niche references, ranging from The Last American Virgin (1982) and Lilith (1964) to Wallace being a former assistant colorist for Image Comics. Ultimately, Kline’s trick to getting everything to coalesce is commitment—of himself, his passion, and his love—resulting in a distinctly dark comedy that is worth seeing. R, 86 min.

Music Box Theatre, wide release on VOD

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Honk for Jesus. Save Your Soul.Sheri Flanderson September 1, 2022 at 5:00 pm

Nobody does Respectability Politics better than Christianity! Director Adamma Ebo sets out on a mission to air the dirty laundry of the Southern Baptist church in the satirical mockumentary Honk for Jesus. Save Your Soul. Pastor Lee-Curtis Childs (Sterling K. Brown) and his wife Trinitie (Regina Hall) are two church leaders in the midst of damage control, trying to save their congregation—and their marriage—after news of the pastor’s affair goes public. 

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While the philosophy of their faith allows for a quick confession and forgiveness in the eyes of the Lord, their congregation isn’t so easily convinced. As strict adherents to the prosperity gospel, Lee and Trinitie work to tempt their flock home the only way they know how—through continued maintenance of their picture-perfect facade. But as the pressure mounts, the leather of their Ferragamo loafers begins to crack. 

The brilliance of Ebo’s script implicates everyone in the community, highlighting the lengths that supposedly “enlightened” religious folks will go to avoid true introspection. Brown is audacious as the hypocritical pastor who prays only to the altar of his own success, never providing proper ministry to those most in need—including himself. Hall’s depiction of the quiet implosion of the pastor’s wife under the 100-ton weight of the Truth is hilariously devastating, a deft examination of human nature and the unfathomable depths of denial.

For those who grew up with any personal proximity to the Black church or religious homophobia, this movie will hit incredibly close to home. Ebo’s film perfectly captures the ridiculousness of the theater of dignity performed every Sunday morning at congregations across America, while reminding us that the truth can set you free—but only if you let it. R, 102 min.

Wide release in theaters and streaming on Peacock

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White Sox notes: Luis Robert leaves team for birth of child, players meet, roster expanded

White Sox center fielder Luis Robert, who hasn’t started a game on the team’s current home stand due to a sore left wrist, went home Thursday morning before the team’s game against the Royals for the birth of his child.

Acting manager Miguel Cairo was hopeful Robert would return to the team this weekend when the Sox host the Twins at Guaranteed Rate Field. The team entered Thursday’s game in third place in the American League Central, five games behind the Guardians and three and half games behind the Twins.

Robert was in obvious discomfort swinging the bat during his last start Thursday, a 4-3 loss in 11 innings in Baltimore. He has appeared in two games since, as a pinch runner and defensive replacement.

Foster, Haseley added to roster

Right-hander Matt Foster and outfielder Adam Haseley were added as major league rosters expanded to 28 on the first day of September.

Right-handed starter Michael Kopech and lefty reliever Aaron Bummer are expected to rejoin the team after healing from injuries, so the roster remains in flux for the final month.

Foster owns a 4.50 ERA in 47 relief appearances this season. The left-handed Haseley was batting .243/.313/.428 with 14 home runs in 91 games for Charlotte. In 11 games over two stints with the Sox this season, he went 5-for-20 with two RBI and three runs scored.

Team meeting

A players only meeting was held Thursday morning as the Sox attempt to make one last push to save a disappointing season.

“Communication is the thing that’s most important,” Cairo said. “Honesty. Have to be up front. Guys not playing that day, be ready to do their job.

“We’re going to have fun. As soon as you cross that line, it’s a battle. You have to be a warrior.”

The Sox broke a five-game losing streak with a 4-2 win against the Royals, Cairo’s second in command after manager Tony La Russa left the team for medical tests.

“Tony is kind of like the soul, like the centerpiece of our team,” Cairo said. “Not having him here, it feels like a little empty. We’ve got to do this for him. He’s going to go through some testing today and we’ll find out later on what is going on.”

All for one

Cairo, the team’s bench coach, said he will be his own man as he handles his new duties. But he’ll rely on those around him.

“I’ve got a good group of coaches, they’re going to help me,” he said. “I’m going to ask for their opinion and then I make the decision. But this is teamwork, we’re going to do it together, the players, the front office, myself and the coaching staff.”

Cairo has fielded all the questions about La Russa’s current status. General manager Rick Hahn, who has not talked publicly it, is expected to talk Friday if test results are known.

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Bears GM Ryan Poles optimistic on long-term deal amid Roquan Smith impasse

After more than a month of friction with Bears linebacker Roquan Smith, general manager Ryan Poles said Thursday he still believes the relationship can be repaired and a long-term contract is possible.

“First of all, he’s a good player — that’s never changed,” Poles said. “And he’s a good dude. I have faith that he’s gonna have a good year, and we’ll work on our relationship and all that.

“It’s not even a bad thing, either. We’ve all been there, right? You have disagreements and you have to come back together and be teammates. That’s what I expect.”

Negotiations deteriorated to the point that Smith wouldn’t practice and eventually requested a trade. The Bears declined to deal him, and Smith returned to work Aug. 20 after missing 15 practices.

In a letter explaining his trade request, Smith ripped Poles for trying take advantage of him with “take-it-or-leave-it” offers and not negotiating “in good faith.” He said the Poles-led front office “doesn’t value me.”

“It’s human nature,” Poles said. “When things happen and two sides don’t agree on something, it’s gonna take a little time to do that. I’ve got a lot of faith that that’s going to happen, and I’m excited for it.”

Smith reiterated Wednesday he would not entertain any contract offers from the Bears at this point.

Smith is entering the final season of his rookie contract and will play for $9.7 million, then become an unrestricted free agent at the end of the season. The Bears could keep him by using the franchise tag each of the next two seasons.

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Pastry chef Ollyvia Putri’s 20-layer cakes are legit

Ollyvia Putri insists on only canned Wijsman sweetcream salted butter for her bacon cake.

“I cannot change that,” she says of the imported Dutch butter. “My grandma would kill me.”

“For problem-free use in tropical countries,” the distinctive red cans of Wijsman can run up to $10 for less than half a pound. But that’s not the only reason Putri’s buttery 20-layer kue lapis legit, aka “dense layers cake,” aka spekeok, aka “bacon cake,” sells for $88 apiece. Each one requires about four hours to build, its successive batter strata spread thinly and baked individually, pulled from the oven, and pressed with melted butter, all on repeat until the result is something the Dutch colonial housewives in Jakarta—in their attempts to recreate cylindrical baumkuchen, or spit cake—thought looked like slabs of pork belly.

“They say it’s the layers, but I think it’s because of the amount of fat in it,” says Putri, who makes the cakes four at a time out of a Naperville shared kitchen. These she sells mostly online in four flavors—along with a variety of Indonesian cookies—under the handle Lapis312.

Given the volume she moves—she ships to all 50 states—Putri is arguably the queen of kue lapis legit in America. Her sister Marcella, with whom she opened a pastry shop in Singapore, is her southeast Asian analogue. But they owe it all to their late grandmother who passed the recipe on to them. “My grandma was a great cook,” says Putri. But “growing up I did not care much about cooking or baking. I was just an eater.”

It wasn’t until she was a junior engineering student at the University of Michigan that she caught a fever for pastry, eating exam stress by baking cupcakes and tiramisu for friends. “I was very fortunate to have my parents’ support,” she says. “I guess being the youngest I didn’t have any burdens or anything, and they allowed me to go to pastry school.”

That’s how she wound up in Chicago studying under Sébastien Canone and Jacquy Pfeiffer at the French Pastry School. “I didn’t really know any fancy technique like chocolate work or sugar work,” she says. “Going to school really opened up my eyes.” After graduating she worked for a year under another instructor at the Peninsula—then-executive pastry chef Dimitri Fayard—and then landed a two-month stage in Paris at the pinnacle of French pastry and chocolate: Pierre Hermé, rotating through all the kitchen stations in the renowned patisserie.    

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In 2015 she returned to Singapore where she opened Ollella with her sister, specializing in French choux pastry and kue lapis legit (not to be confused with the multicolored steamed rice flour kue lapis sagu, which Marcella now offers). “My sister really wanted to incorporate Indonesian pastries and my grandma’s legacy,” she says. “Other than us no one would have continued making kue lapis because it’s such a crazy cake to make,” she says. “I think the process is a dying tradition. The younger generation doesn’t have the time nor patience to make traditional cakes. And given how labor intensive kue lapis is, it is not a common cake to be made at home to begin with.”

They sold traditional kue lapis legit, spiced with cardamom, cinnamon, cloves, and a “secret” fourth—popular with the old folks—along with the unspiced “butter” variety for the youngsters; and another common variety made with prunes, each layer of the latter two misted with dark rum. But they wanted to make a mark. “At that point in time there weren’t many funky flavors of kue lapis. It’s quite an expensive cake to play with. We definitely wanted to make a chocolate version, but everyone loves Nutella and I thought it will make for prettier layers. It was a huge hit; our second bestseller behind butter.”

In 2018 Putri married and returned to Chicago where her husband worked. “It’s been awhile since I worked for someone else, so I decided to start something on my own. I saw there was a need for good lapis in the U.S.”

She tested the recipes in her home kitchen, adjusted to North American ingredients, but realized there was no substitute for the 82 percent butterfat Wijsman. “When you open it it kind of smells like a very mild cheese,” she says. “But it’s not as oily as a normal European butter.”  

She posted her cakes for sale on expat Facebook groups and set up a table at the annual consulate-sponsored Indonesian Independence celebration. Word quickly spread among Indonesian, Singaporean, and Malaysian communities across the country. Before long more than half her online orders were coming from the coasts, LA, San Francisco, Seattle, New York, and Philadelphia. Her business exploded after COVID hit, when folks couldn’t travel home to get their kue lapis legit fix. Today more than 80 percent of her orders come from out of state.

Putri also introduced sweet and savory cookies typically eaten on holidays like Chinese New Year and Eid. Nastar are orbs of crumbly shortbread-like dough encrusting deposits of pineapple jam spiced with clove and cinnamon. Sagu keju are savory gluten-free rosettes made with cassava flour roasted with fragrant pandan leaf and mixed with cheddar cheese. She recently introduced a favorite: her grandmother’s kastengel, fingers of shortbread baked with edam cheese.

“That one’s personal to me because when we grew up she used to make nastar and kastengel a lot, especially for Chinese New Year. It’s really something you can keep popping in your mouth.”

Putri recently offered her whole line of treats at a Monday Night Foodball pop-up, the Reader’s weekly guest chef series at the Kedzie Inn in Irving Park. You can always order online, but the only regular local retail outlet that stocks them is the Indonesian market Waroeng in Schaumburg, where she also sells her kaya: pandan-infused coconut jam, typically eaten on toast for breakfast.

When you consider that she simmers coconut, eggs, and caramelized sugar for more than three hours to achieve its exact custardy consistency, a drive to the western suburbs doesn’t seem too much of a burden. “You have to cook it low and slow and keep stirring it,” she says. “But everything good is always labor-intensive.”

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Otro Ritmo, Jazz Fest, and more

Thursday night punk music at One City Tap (3115 S. Archer)? Must be Otro Ritmo! Rejoice in the frenzied guitars of Poison Boys, Liquids (a favorite of Reader senior writer Leor Galil), and Flying Heads. The show starts at 9 PM and wraps at midnight. Will it run on punk time? Who’s to say! For more information, check out Otro Ritmo on Instagram. (MC)

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Chicago Jazz Festival kicks off today with performances at the Chicago Cultural Center (78 E. Washington) and Millennium Park’s Pritzker Pavilion (201 E. Randolph), continuing through Sunday with additional performances at Maxwell Street Market (800 E. Desplaines). All the shows are free and appropriate for all ages. It’s impossible to sum up all the great performers appearing this year, but you should certainly check out the Reader’s guide , which includes information on jazz performances at neighborhood venues around the city. (Most of those events are ticketed.) (KR)

Richard III is perhaps the most infamous villain in the Shakespearean canon (he seduces the widow of a man he killed over the dude’s casket fer crissakes!) But Babes With Blades’s latest production puts the spotlight on how disability and ableism figures into how Richard sees himself—and how others see him. As Reader freelancer Bridgette M. Redman discovered in writing about Richard III with the Babes (opening in previews tonight at 8 PM), casting actors with disabilities (Richard is played by an actor with partial blindness, while his nemesis, Queen Elizabeth, is played by a Deaf actor) lends texture and nuance to the story. The production, presented in collaboration with University of Illinois Chicago’s Disability Cultural Center, runs through 10/15 at the Edge Theater, 5451 N. Broadway; for information and tickets, visit babeswithblades.org. (KR)

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