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Listen to The Ben Joravsky ShowBen Joravskyon September 9, 2022 at 5:29 pm

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Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

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Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


Hocus-pocus

All the usual TIF lies come out on both sides in the debate for and against the Red Line extension.


State of anxiety

Darren Bailey’s anti-Semitic abortion rhetoric is part of a larger MAGA election strategy. Sad to say, so far it’s worked.


MAGA enablers

Andrew Yang and his third party lead the way for Trump.

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Listen to The Ben Joravsky ShowBen Joravskyon September 9, 2022 at 5:29 pm Read More »

Where to find local Bears radio & TV programming all day on game days

Chicago is a Bears town, and Sundays are Bears days. Local radio and TV stations have fans covered with programming practically all day, led by the game broadcast on WBBM-AM 780 and 105.9-FM with play-by-play voice Jeff Joniak, analyst Tom Thayer and sideline reporter Mark Grote. The pregame show begins at 9 a.m., and more coverage follows the game.

Below is a listing of where to find Bears pregame and postgame coverage. Schedules will differ for games on Monday and Thursday nights.

FOX-32

WFLD is the Bears’ TV home, and not just because most of their games will air there. “Fox Kickoff” starts at 10 a.m. with Lou Canellis and former Bears quarterback Jim Miller. “Bears Game Day Live” follows at 10:30 with Canellis, Joniak and Thayer.

When Fox doesn’t have a doubleheader, “Bears Postgame live” will follow the game with Canellis, Miller, Anthony Herron and Cassie Carlson, who will be on-site for road games. When another NFL game follows the Bears, the show will move to Ch. 50, sister station WPWR.

The station finishes the day with “Bears Game Night Live” at 10:30 p.m. with Canellis, Joniak and Thayer. That follows its Sunday night sports show, “Sports Zone,” which begins at 10.

NBC SPORTS CHICAGO / NBC 5

NBCSCH resumes “Football Aftershow,” which follows every Bears game. Former Bears coach Dave Wannstedt joins the cast of host David Kaplan and analysts Lance Briggs and Alex Brown. Wannstedt replaces Olin Kreutz.

Wannstedt also will appear on Ch. 5’s “Sports Sunday” every week of the season with Leila Rahimi and Mike Berman. The show starts at 10:30 p.m.

WGN TV & RADIO

Ch. 9 will recap Bears games on its nightly “GN Sports,” which starts at 10:30 p.m. On 720-AM, Bears greats Dan Hampton and Ed O’Bradovich return, with Andy Masur hosting. They’ll have a one-hour pregame show starting at 11 a.m. and a two-hour postgame show from 3-5 p.m.

670 THE SCORE

Mike Mulligan, former Bear Patrick Mannelly and Anthony Herron will appear on a pregame show starting at 9 a.m. Mulligan and Mannelly also will handle the postgame show, followed by more Bears talk hosted by Herron.

ESPN 1000

Dionne Miller and Jeff Meller return to host a pregame show starting at 10 a.m. John Jurkovic (aka Jurko) and Peggy Kusinski will host the postgame show.

CBS 2

Marshall Harris and Matt Zahn will handle coverage during their “Sports Xtra” segment of the newscast.

ABC 7

Jim Rose and Miller will handle coverage during the newscast.

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IOC kills plan to send 1972 Olympic basketball silver medals Naismith Hall of Fame

Members of the 1972 U.S. Olympic basketball team have talked about finally retrieving those silver medals they vowed to never accept and left behind in Germany.

No, they still don’t want them for themselves.

They believe the medals belong in the Naismith Memorial Basketball Hall of Fame, but the latest attempt to get them from the International Olympic Committee has been thwarted.

To get the medals a home in the Hall of Fame — which is holding its induction ceremony for the Class of 2022 this weekend — the IOC told the players they first have to accept them.

“If we have to accept them, then that’s not going to be an option,” said Tom Burleson, a center from North Carolina State who played on the team.

It’s the same non-starter it was 50 years ago Friday.

The Americans’ first loss in Olympic competition remains one of the most complicated and controversial finishes ever — there’s little question it’s part of the sport’s history, which the Hall preserves.

It’s not that the IOC disagrees with the Hall of Fame option. The Olympic governing body would let members of the team do what they want with the medals — once they’ve followed the organization’s procedure for obtaining them.

Tom McMillen, a forward from Maryland and a member of the 1972 team, said the IOC saying players having to accept the medals is “sort of ridiculous” and came up with a possible solution to the impasse: Have a third-party accept the medals so they could be placed in the Hall of Fame.

“What we talked about was, given what the IOC’s position is, we could say, ‘OK, give us the medals,’ and then we reject them by giving them to the Naismith museum,” said McMillen, now president and CEO of the LEAD1 Association, representing college Football Bowl Subdivision athletic directors and programs.

“In other words, we say, ‘We don’t want these, we don’t think we deserve them, we think we deserve the gold,'” McMillen said. “But I think everybody’s got different views. I mean, it’s really hard, so it’s probably going to stay the way it is.”

At least for the foreseeable future.

The sting of the loss still lingers.

The United States brought a 63-game Olympic winning streak into the final against the Soviet Union on Sept. 9, 1972, in Munich. It appeared the Americans had extended it to 64 when the horn sounded to end the game with them leading 50-49.

The game was restarted — twice — during what even the players struggle to define as errors by the officials or an outright attempt to cheat them.

Referees initially put time back on the clock after the Soviets argued they had called a timeout and the horn had sounded. The clock was still being reset when the ball was put into play and the Soviets didn’t score, so R. William Jones, the secretary general of FIBA, again ordered the clock reset to 3 seconds.

Given another chance, the Soviets fired a long pass to Aleksander Belov, who scored to give the Soviets a 51-50 victory.

Ed Ratleff, a forward who played at Long Beach State, believes it’s possible some players may have softened on their stance after 50 years, but said neither he nor anyone he still talks to has. One of them, Kenny Davis, has in his will that his family is to never accept silver.

“I tell you what, I am the same way I was 50 years ago,” Ratleff said. “My mother always taught me you won’t take anything that doesn’t belong to you, and I didn’t think the silver medal belonged to us.

“I’m not taking it and I’m sure 100% we got cheated out of it and I think they knew that, too.”

McMillen hopes the entire team will one day be enshrined in the Hall of Fame and with this being the 50th anniversary of the Munich Games, this weekend would have been a fitting time. It’s an honor Olympic champions such as the 1960 and 1992 U.S. teams have earned.

Short of that, he hoped at least the medals could have a home in the Springfield, Massachusetts, museum. McMillen, a former Congressman from Maryland, asked IOC member Dick Pound about putting the medals in the Hall of Fame.

The IOC let McMillen know earlier this year — and reiterated its position again this week — that nobody could accept the medals except the players themselves.

“The IOC expressed its appreciation for his efforts but felt that appointing an attorney to accept the medals would not be appropriate,” an IOC spokesman said Thursday in an email to The Associated Press.

Previous conversations about awarding dual gold medals also had been denied and McMillen was disappointed to learn his latest attempt wouldn’t work, either.

Given that, McMillen said the medals might still be in a vault in Switzerland in 1,000 years, but in fact they’re not even all together now. The IOC said it received seven medals in 1992 from the local organizing committee, which are now kept in its Olympic Museum collections. The others remained with the organizing committee.

Jerry Colangelo, chairman of the Hall of Fame board, said the Hall is aware of the players’ wishes and would like to help them. However, it appears those steps are out of the Hall’s hands.

“There’s a scar on the hearts of each one who has participated,” said Colangelo, also the former chairman of USA Basketball, adding that any decisions will have to wait.

“It still needs to be addressed as it pertains to the Hall of Fame.”

There have been attempts to heal the scar, or at least ease the pain of the loss for players.

During the 2008 Olympics, the next generation of stars – NBA standouts make up Olympic teams now, unlike the college players in 1972 – went over to the broadcast table to acknowledge Doug Collins, whose free throws with 3 seconds left had given the Americans the lead in 1972, and they believed, the victory, after he worked the gold-medal game at the Beijing Games.

Four years later, members of the team held a 40th reunion, where they remained united that there would never be accepting of silver.

Two of them, James Forbes and Dwight Jones, have since died. McMillen hoped there was a way to get the rest together sometime this year, though it seems there would be no change given what they’ve heard from the IOC.

“We’ll just let them keep it,” Burleson said. “I hate it, it would be nice to think they were on U.S. soil somewhere. But then again, if they want them, they can keep them.”

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Lurie Garden to Park 566, finding beauty and music in Chicago in natural or wild settings

Somehow Woody Goss and I discovered a mutual love for Park 566.

Considering we just met in early June as I followed Goss around as he birded at Cap Sauers Holding Nature Preserve in the Palos area, that our conversation ended up an obscure park on the South Side was surprising.

Park 566 stretches south from Rainbow Beach Park along the lakefront to the North Slip off Calumet Harbor across from Steelworkers Park.

I walked the entire length of 566 years ago before it was even numbered, trying to learn another way to legally access the winter perch spot at the North Slip. The walk was wonderfully wild, down to going eye-to-eye with a red fox.

Since then, some restoration work has been completed but 566 remains wild.

Goss, a musician best known as keyboardist with the world-trotting funk band Vulfpeck, floored me when he said he was so inspired after birding there that he did a composition: Park 566 (Reprise), available on YouTube. His composition, Steelworkers Park, is also on YouTube.

For some of us, the essence of the outdoors is a combination of wild and isolation, a getaway to clear the head.

In the Chicago area, my favorite such getaways are Mazonia State Fish and Wildlife Area and Midewin National Tallgrass Prairie.

In July, when I did a column on South Shore Nature Sanctuary, I offhandedly mentioned I was coming up a top five list of such spots within Chicago in my head. Ken “Husker” O’Malley messaged he would like to see that list.

So Park 566 and South Shore Nature Sanctuary make two of the five.

I was reminded of that list on Sunday as my wife and I walked around after visiting the Cezanne exhibit at the Art Institute. We ended up at Lurie Garden as Jazz Fest provided the musical background.

Considering thousands of people are within blocks of Lurie Garden, it seems a stretch to think of isolation and the natural. But that’s the genius of that urban space. I visit Lurie Garden every chance I get. Every season brings different colors, different scents, different shapes and each time feels like experiencing it anew.

The trick to such urban wild spaces is to carve out personal space of some sort.

More than a century ago, the World?s Columbian Exposition drew 27.5 million visitors more than any other World?s Fair. Many of the record crowd got their first peek at Japanese culture there in 1893 in an unusual exhibit-a garden on Wooded Island south of the Museum of Science and Industry.

JIM KLEPITSCH, CST

For me, the classic such spot would be Wooded Island in Jackson Park, which is truly a classic designed for the 1893 World’s Fair by famed landscape architect Frederick Law Olmsted.

I learned to love it over the years I regularly covered the Chicago Half Marathon on a September Sunday. After filing my story, I would walk to Wooded Island, where I could let my mind wander virtually alone with only a few like-minded people while just a couple blocks away thousands clustered around the running festivities.

A comforting view of water at North Park Village Nature Center last summer.

Dale Bowman

North Park Village Nature Center holds a similar appeal to me, too. It is a heavily used natural space, but you can make your own alone space easily, whether sitting by the water or walking the woods or hill.

Personal history helps in that head-clearing natural time. When our two oldest were little, we lived a few blocks away and we often went there so I could tire them into nap time.

That time alone and in the natural world has layers of value, some of them very practical.

For the record, Montrose Harbor, Palmisano Park, Steelworkers Park and the confluence of the North Branch of the Chicago River and the North Shore Channel were also considered for this list.

Milkweed pods at South Shore Nature Sanctuary last fall.

Credit: Dale Bowman

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Lurie Garden to Park 566, finding beauty and music in Chicago in natural or wild settings Read More »

Bears insider reveals OL Lucas Patrick update

Lucas Patrick has been battling back from injury

Chicago Bears offensive lineman Lucas Patrick was not on the team’s injury report Wednesday. In training camp, the Bears offensive lineman sustained an injury to his hand. He had been out all of the remaining training camp but was seen practicing this week.

The Bears are hoping Patrick can solidify an offensive line that was sack-heavy in quarterback Justin Fields rookie season. He’s expected to be the team’s starting center when he’s healthy. Although the Bears had been trying him out at guard and center this week as he works his way back from the hand injury.

Bears insider Bradd Biggs updated the Status of the offensive line and Patrick. Per Lester Wiltfong Jr., while on the Mully and Haugh show, Biggs reported that Patrick still has not snapped the ball this week and that he might not start.

On the @mullyhaugh show, @BradBiggs just reported that Lucas Patrick hasn’t snapped the ball at all in practice due to his surgically repaired right thumb, so he expects Sam Mustipher to start at center, and he has a hunch the #Bears keep Teven Jenkins at right guard this Sunday.

He also said the Bears like Sam Mustipher’s progress.

Biggs just said he believes this #Bears coaching staff really likes Mustipher, saying he “may have made significant strides from a year ago.”

Lucas Patrick knows OC Luke Getsy’s offense well

Patrick will need some time to work his way back from injury back to the starting line. I’d assume he will get a starting position in the next few weeks. Patrick will be too important to the offense to keep on the sideline if healthy. Patrick, who came over from the Green Bay Packers in the offseason, knows offensive coordinator Luke Getsy’s offense well. Getsy was a coach for the Packers last season.

The offensive line without him will be something to keep an eye on this week. We’ll see how much Mustipher has improved in the offseason. He’ll be going against a top-tier defensive line of the San Francisco 49ers.

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Driver killed, passenger wounded after attacked on West Side, then followed downtown where more shots were fired

A driver was killed and a passenger was wounded after they were attacked on the West Side, then were followed downtown where more shots were fired.

The man, 27, and the woman, 20, were driving on the West Side about 3:10 a.m. when someone in a silver truck pulled up and opened fire, Chicago police said.

The driver of the truck then followed the man and woman toward downtown, where the gunman continued to fire gunshots in the 600 block of East Grand Avenue, police said.

The man was shot several times and was taken to Northwestern Memorial Hospital, where he died, police said.

The woman was shot in the back and was taken to the hospital in good condition, according to police.

No arrests were made.

The attack happened in the 18th police district, where shootings are up about 40% and overall crime is up 52% from last year, according to police data.

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Driver killed, passenger wounded after attacked on West Side, then followed downtown where more shots were fired Read More »

Artists continue to run Chicago

If art fairs like EXPO and Frieze are about making a splash with Instagrammable booths and recouping onerous exhibition fees, what are smaller-scale alternative ones for? MdW, an alternative art fair first held in Chicago in 2011 and now back after a decade-long hiatus, proposes a simple yet radical purpose: for the art community to convene in person and support one another’s work.

Public Media Institute (PMI) decided to bring the fair back in 2019, during a meeting of artist-run spaces organized by Hyde Park Art Center, ahead of their 2020 blockbuster exhibition, “Artists Run Chicago 2.0.” The pandemic delayed their initial plan to hold the fair in 2020, though the extra time allowed them to slow down and bring in additional planning partners. 

The first three iterations of MdW (pronounced Midway) were organized by a slate of artist-run Chicago spaces: Threewalls, Roots & Culture, Document, and PMI. For this year’s version, PMI worked with seven organizing partners from throughout the midwest to plan the three-day event, which runs from September 9-11 at Mana Contemporary. In addition to the fair, titled MdW Assembly, the partners also put together two new companion programs: MdW Drifts (road trips to midwestern art hubs) and MdW Atlas (a daily online publication).

MdW Drifts interactive map screen shot Credit: Courtesy Public Media Institute

“The model has been more anarchic than it was before,” says PMI managing director Nick Wylie. “The Assembly at the MdW fairs in the past was like: people sitting on a panel, presenting slides, and people watching and listening. There was a big consensus from the organizing partners that it’s been so long since people have really seen each other, or interacted, that they didn’t want people just sitting watching a screen, which we’ve done all pandemic.”

MdW AssemblyOpening reception Fri 9/9, 5-8 PM. Open hours Sat 9/10, noon-9 PM, and Sun 9/11, 1-5 PM, with evening programming Saturday (6-9 PM), Mana Contemporary Chicago, 2233 S. Throop, and Co-Prosperity Sphere (Saturday night), 3219 S. Morgan, mdwfair.com 

Instead of a formal programming schedule, there will be five open program areas that fair participants can tap into as they see fit: the Agora, a seating area meant for informal conversations; a printing area, complete with a Risograph, that will function like a “live analog Twitter;” a screening room; a cafe; and an unraised “stage” area where performances will take place. 

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

The programming will take place on Mana’s second floor, which will also house pavilions designed by each organizing partner, showcasing projects from their states. Public Space One, an organizing partner from Iowa City, will unveil an off-the-grid stand-alone WiFi network, the Iowa Itinerant Internet (iii), “which will be loaded with digital art and artifacts from Iowa artists for sharing with anyone in range of the base station.” 

Over 50 artist-run projects will take over Mana’s fourth floor, not with traditional fair booths, but with presentations on walls, tables, and other makeshift arrangements.  About half of the participants are Chicago-based, with the other half from the greater midwest. Rogers Park gallery Roman Susan will be announcing their nonprofit transition through a spoof on a trade show booth, with live screen printing on recycled or reclaimed tote bags. Art collaborative Red Line Service will be serving food to people with lived experiences of homelessness.

It’s a fitting time for MdW to return. Several like-minded events have come to a close in recent years. Open Engagement, a conference on socially-engaged art founded by Jen Delos Reyes, ended in 2018. Earlier in 2022, Common Field, which has held convenings for independent art organizations since 2013, announced that it would be closing this year. The last Creative Time Summit was in 2019. 

While PMI has long championed community-based art, the lessons learned the past few years have made the new MdW even more focused on the importance of cooperation and the power of artist-run projects. Early on in the pandemic, PMI launched The Quarantine Times, a publication that commissioned work from the Chicago creative community, helping to redirect funds at a crucial period. They also started Community Kitchen, an ongoing project that provides jobs for food service workers by offering free meals to the community. 

WQRT Indianapolis community radio station manager Oreo Jones teaching sound principles to youth as part of the station’s Big Car Collaborative project. Credit: Courtesy MdW Fair

“It feels important to be able to share strategies and ways that we have all worked to shift towards mutual aid models or ways that our networks have been aiding in emergency response networks, if that’s cultural emergency or pandemic emergency,” Wylie says. “These are conversations I think people are wanting to have and have been having in Zoom conferences and stuff.”

This is part of the power of artist-run organizations: they are often not beholden to boards or corporate sponsors. At a time when the art world, like many other fields, is rightly critiquing problematic, and often unjust, structures—from pay disparity to censorship to exploitative labor practices, among other issues—smaller, more independent projects are free to reimagine their world. Not only can they show art that may not have obvious market value;they can work in different communities, not just downtown or in centralized art hubs, they can hand over programming to the community, they can raise funds or provide services to those in need, they can use their expertise to build housing, organize against state surveillance, grow food. The possibilities for transformation are endless.

So while Wylie notes that the pandemic is certainly not over—they are taking COVID precautions and masks are recommended inside Mana—they are looking forward to cautiously gathering and connecting in ways that can be hard to do online. “In the past MdWs a lot of people went and saw all these projects and platforms and opportunities to have a thriving practice that’s not local to one city,” he says. “You can drive your work to Milwaukee and show with these people that you met at the fair. Enduring relationships were sort of forged in these last MdW iterations. I think that that’s just having space and time for people to gather and make those connections, as simple as that sounds. But if that’s the only goal that we achieve, that’s core to what we want to do.”

Read More

Artists continue to run Chicago Read More »

Artists continue to run ChicagoKerry Cardozaon September 9, 2022 at 11:00 am

If art fairs like EXPO and Frieze are about making a splash with Instagrammable booths and recouping onerous exhibition fees, what are smaller-scale alternative ones for? MdW, an alternative art fair first held in Chicago in 2011 and now back after a decade-long hiatus, proposes a simple yet radical purpose: for the art community to convene in person and support one another’s work.

Public Media Institute (PMI) decided to bring the fair back in 2019, during a meeting of artist-run spaces organized by Hyde Park Art Center, ahead of their 2020 blockbuster exhibition, “Artists Run Chicago 2.0.” The pandemic delayed their initial plan to hold the fair in 2020, though the extra time allowed them to slow down and bring in additional planning partners. 

The first three iterations of MdW (pronounced Midway) were organized by a slate of artist-run Chicago spaces: Threewalls, Roots & Culture, Document, and PMI. For this year’s version, PMI worked with seven organizing partners from throughout the midwest to plan the three-day event, which runs from September 9-11 at Mana Contemporary. In addition to the fair, titled MdW Assembly, the partners also put together two new companion programs: MdW Drifts (road trips to midwestern art hubs) and MdW Atlas (a daily online publication).

MdW Drifts interactive map screen shot Credit: Courtesy Public Media Institute

“The model has been more anarchic than it was before,” says PMI managing director Nick Wylie. “The Assembly at the MdW fairs in the past was like: people sitting on a panel, presenting slides, and people watching and listening. There was a big consensus from the organizing partners that it’s been so long since people have really seen each other, or interacted, that they didn’t want people just sitting watching a screen, which we’ve done all pandemic.”

MdW AssemblyOpening reception Fri 9/9, 5-8 PM. Open hours Sat 9/10, noon-9 PM, and Sun 9/11, 1-5 PM, with evening programming Saturday (6-9 PM), Mana Contemporary Chicago, 2233 S. Throop, and Co-Prosperity Sphere (Saturday night), 3219 S. Morgan, mdwfair.com 

Instead of a formal programming schedule, there will be five open program areas that fair participants can tap into as they see fit: the Agora, a seating area meant for informal conversations; a printing area, complete with a Risograph, that will function like a “live analog Twitter;” a screening room; a cafe; and an unraised “stage” area where performances will take place. 

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

The programming will take place on Mana’s second floor, which will also house pavilions designed by each organizing partner, showcasing projects from their states. Public Space One, an organizing partner from Iowa City, will unveil an off-the-grid stand-alone WiFi network, the Iowa Itinerant Internet (iii), “which will be loaded with digital art and artifacts from Iowa artists for sharing with anyone in range of the base station.” 

Over 50 artist-run projects will take over Mana’s fourth floor, not with traditional fair booths, but with presentations on walls, tables, and other makeshift arrangements.  About half of the participants are Chicago-based, with the other half from the greater midwest. Rogers Park gallery Roman Susan will be announcing their nonprofit transition through a spoof on a trade show booth, with live screen printing on recycled or reclaimed tote bags. Art collaborative Red Line Service will be serving food to people with lived experiences of homelessness.

It’s a fitting time for MdW to return. Several like-minded events have come to a close in recent years. Open Engagement, a conference on socially-engaged art founded by Jen Delos Reyes, ended in 2018. Earlier in 2022, Common Field, which has held convenings for independent art organizations since 2013, announced that it would be closing this year. The last Creative Time Summit was in 2019. 

While PMI has long championed community-based art, the lessons learned the past few years have made the new MdW even more focused on the importance of cooperation and the power of artist-run projects. Early on in the pandemic, PMI launched The Quarantine Times, a publication that commissioned work from the Chicago creative community, helping to redirect funds at a crucial period. They also started Community Kitchen, an ongoing project that provides jobs for food service workers by offering free meals to the community. 

WQRT Indianapolis community radio station manager Oreo Jones teaching sound principles to youth as part of the station’s Big Car Collaborative project. Credit: Courtesy MdW Fair

“It feels important to be able to share strategies and ways that we have all worked to shift towards mutual aid models or ways that our networks have been aiding in emergency response networks, if that’s cultural emergency or pandemic emergency,” Wylie says. “These are conversations I think people are wanting to have and have been having in Zoom conferences and stuff.”

This is part of the power of artist-run organizations: they are often not beholden to boards or corporate sponsors. At a time when the art world, like many other fields, is rightly critiquing problematic, and often unjust, structures—from pay disparity to censorship to exploitative labor practices, among other issues—smaller, more independent projects are free to reimagine their world. Not only can they show art that may not have obvious market value;they can work in different communities, not just downtown or in centralized art hubs, they can hand over programming to the community, they can raise funds or provide services to those in need, they can use their expertise to build housing, organize against state surveillance, grow food. The possibilities for transformation are endless.

So while Wylie notes that the pandemic is certainly not over—they are taking COVID precautions and masks are recommended inside Mana—they are looking forward to cautiously gathering and connecting in ways that can be hard to do online. “In the past MdWs a lot of people went and saw all these projects and platforms and opportunities to have a thriving practice that’s not local to one city,” he says. “You can drive your work to Milwaukee and show with these people that you met at the fair. Enduring relationships were sort of forged in these last MdW iterations. I think that that’s just having space and time for people to gather and make those connections, as simple as that sounds. But if that’s the only goal that we achieve, that’s core to what we want to do.”

Read More

Artists continue to run ChicagoKerry Cardozaon September 9, 2022 at 11:00 am Read More »

It was smart for the Chicago Bears to let this player goVincent Pariseon September 9, 2022 at 11:00 am

The Chicago Bears have to wait until Sunday afternoon to get their season going against the San Francisco 49ers. It is a tough draw for the Bears in the first game as San Francisco has one of the best rosters in the entire National Football League. The quarterback will be the key for them.

The 49ers’ biggest threat in the division (NFC West) opened the 2022 NFL season on Thursday night against the Buffalo Bills. That is the defending Super Bowl Champion Los Angeles Rams who revealed their banner ahead of the game.

Many people believe that these are the two overall rosters that compete with the 49ers at the top of the league. The difference is that each of them has an elite quarterback as we are not sure what to make of San Francisco’s situation as of yet.

Buffalo won this big game, however, to get started in what might be a magical season for them. Every NFL fan was watching and enjoying the game but the Chicago Bears fans might have noticed something odd about one of Los Angeles’s players.

Thursday Night Football made the Chicago Bears look smart in one area.

Allen Robinson signed with the Rams to be one of Matthew Stafford’s primary targets. With Cooper Kupp lining up on the other side of the field as him, you would think that things would be much better for Robinson in that situation.

It is early but this game made it look like the Bears made a strong decision by letting him go. He did not have a good year with Chicago in 2021 and it seemed like Matt Nagy was the primary reason for his struggles.

With that, he better hope that he is better going forward otherwise the Bears are going to look smarter and smarter. Allen Robinson made one catch in the entire football game. Although it was good for 12 yards which is a lot for one reception, that can’t be it for him in a game.

It wasn’t completely his fault, however, as he was out there for most of the game but was only targeted twice. He caught the first one and the second one was on the last play of the game that went incomplete. That is something that the Rams and Robinson need to fix together.

Following the game, Rams head coach Sean McVay explained why that was the case by blaming the lack of rhythm in the offense. That may or may not be true but the same issue occurred last year with the Bears.

Matthew Stafford is the best quarterback that Robinson has ever had throw to him in the NFL and it isn’t close. Blake Bortles, Mitch Trubisky, Mike Glennon, Andy Dalton, and a year-one version of Justin Fields don’t even come close to comparing.

To replace Robinson, Darnell Mooney will now officially be the number one guy for the Bears. As Fields continues to develop, he needs the right weapons to grow with him and it is looking more and more like Robinson’s departure was a good thing.

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It was smart for the Chicago Bears to let this player goVincent Pariseon September 9, 2022 at 11:00 am Read More »