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Will the 2023 election push the Chicago Aldermanic Black Caucus further left?Tonia Hill and The TRiiBEon September 22, 2022 at 5:15 pm

This article was co-published in partnership with The TRiiBE.

The Chicago Aldermanic Black Caucus (CABC) is changing. So far this year, a total of 15 City Council members have either stepped down, announced plans to retire, or launched campaigns to challenge Mayor Lori Lightfoot in the 2023 mayoral election. And there’s also one alderperson, Patrick Daley Thompson, who was convicted of filing false income tax returns in February; another, Ed Burke, remains under federal indictment. 

Of those 15 alderpeople, six are members of the 20-person CABC, a group charged with “representing the needs and interests of Chicago’s Black communities,” according to its website.

Three Black alderpeople—Carrie Austin (34th Ward), Leslie Hairston (5th Ward), and Howard Brookins (21st Ward)—will retire at the end of their terms. Hairston was elected in 1999 and Brookins in 2003. Austin, elected in 1994, is currently the longest-serving Black alderperson; additionally in 2021, a federal jury indicted Austin and her chief of staff on bribery charges for allegedly conspiring to receive home improvements for construction contractors that sought city assistance for a development project in her ward. 

Two Black alderpeople have thrown their hats into the mayoral race: Sophia King (4th Ward) and Roderick Sawyer (6th Ward). The latter is the son of the late Eugene Sawyer, who was appointed mayor after the sudden death of former Chicago mayor Harold Washington in 1987.

Alderperson Michael Scott Jr. (24th Ward) retired from the City Council in May after serving since 2015. Out of 19 vying for the seat, Lightfoot appointed his sister Monique Scott to take his place. 

With Chicago’s municipal election season now in full swing, the aldermanic shakeup comes as self-styled progressive alderpeople appear ascendant in a City Council that is still finding its identity after decades of lockstep allegiance to machine bosses in the mayor’s office.

Such unprecedented shifts could attract young Black Chicagoans—and others disillusioned with politics—to vote in the municipal election, which has experienced low voter turnouts in recent years. But whether that will prompt the CABC to become more independent or progressive as well is yet to be seen.

“If you ask a person, a Black person in particular, what do you think we can do to improve public safety or how do you feel about people in your community having oversight over the police, most people would say that’s a great idea,” said Greg Kelley, president of SEIU Healthcare Illinois Indiana Missouri & Kansas. SEIU Healthcare is a union representing health care, child care, home care, and nursing home workers in the Midwest.

“That’s a progressive thing,” Kelley added. “But I wouldn’t necessarily call it ‘progressive’ if I were talking to someone like my mother, for example.”

Republicans and right-wing extremists have turned the word “progressive” into a derogatory term, using it as a dog whistle to describe cities with Democratic leaders like Chicago as “lawless.” 

The word, Kelley said, can elicit a certain reaction from older Black voters.

“I think we need to do a better job at explaining the issues and relying less on buzzwords like ‘progressive.’ This messaging isn’t reaching certain folks and they may be resistant because they are unfamiliar with the terms,” Kelley said. “So, our job is to communicate the issues without the labels.”

The TRiiBE reached out to Black political experts, City Council members, organizers, and labor leaders to weigh in on what a shift in City Council could mean for Black Chicagoans.

The consensus from the group is that candidates and leaders must not only be progressive in name, but also in action.

Think back to the administrations of former mayors Richard M. Daley and Rahm Emanuel. During each of those administrations, the CABC voted for controversial initiatives supported by the respective mayors, including Daley’s 75-year parking deal and Emanuel’s closure of half the city’s public mental health clinics and plans for a cop academy. 

During Mayor Lightfoot’s first term, the CABC has largely voted in agreement with her 89 percent of the time, according to an analysis conducted by the University of Illinois at Chicago’s political science department. 

Those decisions have had long-lasting impacts on Black communities. For example, Black youth organizers with the #NoCopAcademy campaign pushed back against Emanuel’s $95 million cop academy for Chicago police in West Garfield Park because investing more in the police would mean more violence for Black and Brown communities. Instead, they demanded through their grassroots campaign that the city fund and provide resources for schools and youth. 

City Council voted 38-8 in favor of the cop academy in March 2019. In September 2020, Lightfoot’s administration asked for an additional $20 million for phase two of the cop academy, raising the cost for the cop academy to $128 million.

“That was a campaign largely driven by young Black people,” Kennedy Bartley told The TRiiBE. She is one of the lead organizers for the #DefundCPD Campaign and director of campaigns at the Chicago Torture Justice Center, which seeks to address the traumas of police violence and institutionalized racism through access to healing and wellness services, trauma-informed resources, and community connection. 

“So, I think as far back as I can remember, but also as recently as the cop academy, as budget votes continue to increase police budgets and fund Black communities and Latinx communities and poor communities at abysmal rates, the Black Caucus has historically taken violent votes,” she added.

The term progressive has become a buzzword in recent years and election cycles—so much so that Lightfoot co-opted the language and concerns of young Black and queer organizers to aid her run for mayor in 2019.

Although the term dates back to the 1900s, according to NPR, the 2016 presidential campaign of U.S. senator Bernie Sanders breathed new life into it. “Progressivism is now a way for politicians to appeal to far left-leaning Americans, without alienating moderates and independents who reject the ‘liberal label,” NPR reported.

In 2019, a slate of progressive candidates joined the City Council. Longtime south-side organizer Jeanette Taylor (20th Ward) won a runoff race to succeed former 20th Ward alderperson Willie Cochran. In 2016, a federal grand jury indicted Cochran on charges that he allegedly took money from a charitable fund that was intended to help families and children in his ward, according to the Department of Justice.

Before becoming an alderperson, Taylor served as an organizer with the Kenwood Oakland Community Organization and was a leading organizer with the Obama Community Benefits Agreement (CBA) Coalition

There’s also BYP100 board member Maria Hadden, who beat longtime 49th Ward incumbent Joe Moore, ending his 28-year career on the City Council. Moore identified as a progressive, but according to a Block Club Chicago article, he voted more than 98 percent of the time with Emanuel. 

Not only did Hadden become the first openly queer Black woman elected to Chicago City Council, but she also became the first Black alderperson to be elected to a northside Ward. 

And there’s Matt Martin, who was elected to the 47th Ward in 2019. Before joining the City Council, he served as a civil rights attorney in the Office of the Illinois Attorney General. He focused on issues including police reform, workers’ rights, health care, LGBTQ+ rights, and reproductive rights. He also helped to write the consent decree

Along with Taylor, Hadden and Martin serve on the CABC and the Chicago City Council Progressive Reform Caucus (CCCPRC). 

Then there’s Alderperson Rossana Rodriguez-Sanchez (33rd Ward), a former community organizer who beat incumbent Deb Mell in the 2019 runoff. Mell was appointed to the City Council in 2013 to replace her father, who had served on the City Council since 1975. Rodriguez-Sanchez is a member of the CCCPRC and the Chicago City Council Latino Caucus. 

Taylor, Rodriguez-Sanchez, and Hadden’s roots in activism have kept them connected to the needs of their constituents. 

Recent progressive policies that passed through City Council include the Fight for $15 minimum wage campaign in November 2019, the Woodlawn Housing Preservation Ordinance in September 2020, and the Empowering Communities for Public Safety (ECPS) ordinance in July 2021.

Beginning in 2016, members of the CBA coalition—which Alderperson Taylor had been a part of—came together to protect residents in Woodlawn and neighboring communities from displacement due to the development of the Barack Obama Presidential Center in Jackson Park. Those efforts came to fruition in 2020, when the City Council approved the Woodlawn Housing Preservation Ordinance, which Taylor cosponsored. One of the ordinance’s key features is a requirement that for each redevelopment of 52 vacant city-owned lots, at least 30 percent of new apartments must be made affordable to “very low-income households.”

“It’s about the representation that goes beyond the identity of Blackness and represents the class interests and the social interests of Black folks in the city,” Bartley said. “I think it’s about getting organizers into office.”

With these new voices in office, Bartley said, then we can find ways to meaningfully challenge the alderpeople who have been in power for years. 

“We know that Black voters are loyal voters,” she said. “How are we providing material alternatives to the folks in our communities and neighborhoods and then organizing them to believe in bolder representation?”

For Chicago Teachers Union president Stacy Davis Gates, the mayor is an important part of the equation, too. Since the mayor sits atop the city’s governmental power structure, some alderpeople acquiesce to that power, she said. 

“If Black people want to be accommodated in the city, they’re going to have to be accommodated by a progressive mayor because that is the type of mayor who’s going to fully fund schools,” Gates told The TRiiBE. “That is the type of mayor that will go into neighborhoods like Chatham and make sure that it continues to be a place for the working class and the middle class. You need mayors to lead.” 

She pointed to the success of Chicago’s first Black mayor, Harold Washington, and the causes he championed and enacted once he took office in 1983. As mayor, he opened the city’s budget process up for public input, fought to redistrict wards which provided more Black and Latinx representation, and created the Ethics Commission to check the power of the city’s administration.

“The greatest amount of transformation for Black people in the city did not come from a Black Caucus,” Gates said. “It came from a Black mayor through a movement of people who wanted more for all people in this city. But it was anchored in the hopes and dreams of the migrants from Mississippi.”

Mayor Lightfoot led a proposal to sue gang members for their assets, despite criticism from the legal community who said the ordinance, if passed, would fail to reduce gun violence and would seize money, property, and other assets from vulnerable people not even alleged to have participated in violence, such as parents, grandparents, and other family members. Six Black alderpeople voted in agreement with her: Jason Ervin (28th Ward), Derrick Curtis (18th Ward), Greg Mitchell (7th Ward), Emma Mitts (37th Ward), Scott, and Christopher Taliaferro (29th Ward), who serve on the City Council’s public safety committee. Lightfoot delayed a final vote on that ordinance in February

When Mayor Lightfoot proposedto extend and expand the citywide curfew for youth following the shooting of a 16-year-old teenager in Millennium Park, despite critics saying the measure would disproportionately harm Black and Brown youth, ten CABC members voted in favor of it: Mitchell, Michelle Harris (8th Ward), Curtis, Brookins, Scott, Walter Burnett (27th Ward), Ervin, Taliaferro, Austin, and Mitts. 

For politicians, merely identifying as a progressive candidate is not enough. Bartley said the words, actions, and policymaking decisions must match, and voters must demand more and be clear about what they’re asking of their elected representatives. 

For Kelley, progressivism, as it relates to politics and legislation, includes policymaking that addresses the needs of everyday working people. 

There’s a widely held belief that millennials and Generation Z only mobilize on issues by leading demonstrations or protests. While some applaud their efforts, they are often criticized because they aren’t appearing en masse to vote in elections. 

More than 520,000 people voted in the general municipal election in February 2019; of that total, approximately 3.5 percent were between the ages of 18 to 24, 15 percent were between the ages of 25 to 34, and 17 percent were between the ages of 35 to 44. 

Overall, voter turnout was 35 percent in the general municipal election and 33 percent for the runoff election in April 2019. 

TRiiBE contributor Charles Preston wrote a 2019 opinion piece responding to criticism about millennial voter turnout. He noted thatorganizing and demonstrations led by young Black people did lead to wins for the movement and Chicagoans during the previous municipal election cycle. 

“Many activists who stood in front of Lori Lightfoot and Garry McCarthy at past Chicago Police Department Board hearings are now witnessing those very candidates reiterate (some would say co-opt) their talking points! The call for more mental health clinics, an elected school board, and defunding police in favor of more community-based programs is not an original thought by candidates. This is the result of the incredibly penetrating and revolutionary action by youth,” Preston wrote.

In order to attract new potential voters, lawmakers must have messaging and communication about progressive policies that are digestible for all constituents across ages and backgrounds. 

Although Brookins believes there is an opportunity to push Black people further left, he said many Black voters identify as Democrats while still supporting some conservative-leaning policies.

“My elections have shown that African Americans are, by nature, conservative, especially the older African Americans who are the bread-and-butter people that go out and vote,” Brookins told The TRiiBE on September 8.

Earlier that day, Brookins endorsed south-ide native and community organizer Ronnie Mosley’s campaign to replace him in the 21st Ward. In 2017, Mosley cofounded Homegrown Strategy Group, a policy and organizing firm that believes in community power and the idea that achievement comes through collective effort.

“With that said, there is room for a shift in liberal ideas, especially when it comes to things like policing, which I’ve been at the forefront of,” Brookins continued. 

He was one of the sponsors of the reparations ordinance for victims of disgraced Chicago Police Department Commander Jon Burge. The measure was introduced in 2013 and was approved in 2015

However, Brookins also voted in support of the cop academy in 2019.

“But I still believe there’s a strong contingency of people who believe that we should pull ourselves up by the bootstraps, live a law-and-order-type life, and so forth. But there’s room to gently push people, not necessarily jerk them to the left,” Brookins added.

When candidates claim to be progressive, Bartley said we must ask them about their commitment to issues like affordable housing, mental health, and funding for education. And, once elected, it’s up to constituents to hold them accountable. 

“Do you commit to building 100 percent affordable housing in your ward? Do you commit to ‘treatment, not trauma’ in a way that defunds the police? Do you commit to fighting against education cuts?” she said. “It’s about just being sharper in our demands and what we’re requiring.”


LGBTQ+ Chicagoans discuss Mayor Lori Lightfoot’s record.


Ankle-monitor alerts garner phone calls and visits from sheriffs officers—­but more than 80 percent are bogus, according to a University of Chicago analysis.


In the past, politicians have co-opted progressive language from organizers in the Black liberation movement for their campaigns, hoping to win the Black vote.

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Will the 2023 election push the Chicago Aldermanic Black Caucus further left?Tonia Hill and The TRiiBEon September 22, 2022 at 5:15 pm Read More »

It’s chicken and waffle night at Monday Night FoodballMike Sulaon September 22, 2022 at 5:49 pm

The chickens roam freely over the pastures at Avrom Farm in Ripon, Wisconsin. But you might have spotted them in the wild this season at the Green City or Wicker Park farmers’ markets, where they nest on warm buckwheat waffles battered with their own eggs.

This Wednesday they’re flocking to Irving Park for Monday Night Foodball, the Reader’s weekly pop-up chef series at the Kedzie Inn.

Farmer Hayden Holbert grew up in Bucktown, but he introduced full-scale sustainable, regenerative agriculture on his grandparents’ 275-acre livestock farm five years ago. The birds are into it: the chicken and waffle stand arose this spring out of a need to utilize poultry overstock. This Monday, September 26, you can order your buttermilk-brined boneless fried chicken waffle tacos in a variety of dressings supplemented by produce from neighboring farms. I’m partial to the kimchi waffle with honey sriracha and chives, but you can go your own way with feta-arugula-balsamic; sour cherry and maple syrup; or any combo of toppings your demons demand.

If waffles aren’t your way, go for the wings; add sides of fried okra or tomato salad; and ask Jon Pokorny to spike your hibiscus lemonade at the bar.

There’s no advance planning required. Walk in any time after 6 PM at 4100 N. Kedzie and place your order.

Meantime, look ahead with the new and improved Monday Night Foodball fall schedule. Keep your Friendsgiving open.

10/10: Pasta night with Tony Quartaro of Gemma Foods

10/17: Night of the Copi (the invasive species formerly known as Asian carp) with Chả Cá Nuggs

10/24: Traditional Jewish deli with a modern purpose with Schneider Provisions

10/24: Sausage party with the Hot Dog Box

10/31: Halloween bye night

11/7: Plant-focused taqueria pop-up Piñatta 

11/14: The return of barbecue ronin Heffer BBQ

11/21: An all-star Umamicue Friendsgiving

11/28: Thanksgiving Break

12/5: TBA

12/12: Kimski rumspringa with Won Kim

12/19: First night of Hanukkah with Zeitlin’s Delicatessen and Schneider Provisions

Kedzie Inn4100 N. Kedzie(773) 293-6368kedzieinn.com

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It’s chicken and waffle night at Monday Night FoodballMike Sulaon September 22, 2022 at 5:49 pm Read More »

Chicago Blackhawks: Training camp roster isn’t fun to look atVincent Pariseon September 22, 2022 at 4:54 pm

The Chicago Blackhawks have released the roster for their 2022 training camp. It is exciting to have hockey back in Chicago as people will get to see the Blackhawks transition into the next generation of the team. However, this roster isn’t very pretty to look at right now.

Of course, Patrick Kane and Jonathan Toews are there. These are the two players left from the teams that won multiple Stanley Cups. We don’t know if they will make it through the season with the team but they will be fun to watch in the meantime.

On defense, Seth Jones is going to lead the way all season long. The Blackhawks made a mistake by acquiring him and giving him that contract but it isn’t because he’s not great. It is because of where they are as an organization. In the meantime, he will be a leader on this young blue line.

There are also some other good players to be excited about seeing like Max Domi, Andreas Athanasiou, Connor Murphy, and Caleb Jones amongst others. Some of these guys might be traded off as the year goes on as contenders look to stock up at the deadline.

The Chicago Blackhawks have a lot to accomplish at Training Camp in 2022.

In this camp, the biggest thing for the Blackhawks is the development of their young players. Guys like Lukas Reichel, Colton Dach, Alec Regula, Alex Vlasic, and Kevin Korchinski are going to be so important for this team in the future and this is the next step for all of them.

Playing at an NHL training camp is a privilege and all of these kids have the talent to do something with it. If they have a good showing in this camp and then in the preseason, big things could be ahead for them this year.

As far as the goaltending, the Blackhawks are bringing six of them to camp. Petr Mrazek, Arvid Soderblom, and Alex Stalock are the three that have the best chance of playing games in the NHL this season. The odd man out should be the Rockford Ice Hogs’ mainstay.

Jaxson Stauber, Mitchell Weeks, and Dylan Wells are the other three that are going to have to keep working in order to have their chance in the long term. Soderblom has the best chance of the six to be the goalie of the future but that guy might not be here yet either.

Being the goalie on the NHL team isn’t going to be easy in 2022-23 as this team is going to give up a lot of goals. That is why it is important for the team to make the right decision on who gets that role. Training camp will decide a lot.

Going camping ? pic.twitter.com/gStwPH8OPY

— Chicago Blackhawks (@NHLBlackhawks) September 22, 2022

This is going to be a hard year for the Chicago Blackhawks. They are going to lose a lot of games. However, the rebuild is in full effect and it seems as if they are doing it the right way. If they end up drafting in the top three and adding more assets throughout the year, it will be a successful season.

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Chicago Blackhawks: Training camp roster isn’t fun to look atVincent Pariseon September 22, 2022 at 4:54 pm Read More »

High-rise havoc

On the rooftop of a high-rise, one of many in the forest of silhouettes that comprises our city’s skyline, a professor (Dan Hanrahan) and an automotive engineer (Juanjo López) have been locked out for six days, surviving on trickles of water sluiced out of the bottom of a trash can and bread crumbs that appear mysteriously in the night. A red moon has wreaked an undefined havoc, and the mayor has warned everyone to avoid exposure to its light, which is, of course, impossible on the unprotected rooftop. No one can hear the engineer’s frantic knocks on the stairwell door. No one seems to be in the city at all, until about halfway through, a domestic worker (Claudia Urbano) and (later still) a window washer (Ever Monroe) appear on the scene.

Las MigasThrough 10/2: Fri-Sat 8 PM, Sun 6 PM, Chess Live Theater, 3622 S. Morgan, clata.org, $25

The entire drama of Las Migas, cowritten and codirected by Raúl Dorantes and Emily Masó for Colectivo El Pozo and presented as part of the Chicago Latino Theater Alliance’s Destinos Chicago International Theater Festival, hinges upon the opening of the locked door. The characters trapped on the stage develop no relationship; their vacant conversations and the futility of their actions is reminiscent of Waiting for Godot. But here, the question is less of the spirit, more of the circumstances (“In my country, everyone is an engineer or a lawyer, but here we clean windows,” notes the window washer)—the entrapment and paralysis, the stale crunch of the crumbs when they appear, comments on the life and livelihoods of immigrants at the mercy of others’ whims and meager generosities. 

Throughout, a visceral rankness is front and center: they urinate and defecate, the engineer scratches incessantly at his sides and scrotum, the professor retches with vertigo. The appearance of the secondary characters at first promises a shift in dynamics or at least a distraction but ultimately disappoints when no change really registers. It’s just more people—the level of hope remains constant. When it’s time to be released, there is no reason for it—likely no relief, either. 

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Handmaids’ tales

Factory Theater takes a stab at stories like The Handmaid’s Tale and The Stepford Wives (that suburban dystopia envisioned originally by novelist Ira Levin in 1972, and then translated to screen in 1975 and 2004). In The HOA, written by Angelina Martinez and directed by Christy Arington, a couple of the characters even use “SWP” (for “Stepford Wives Paranoia”) as shorthand for “Things are getting weird, right?” as the story unfolds. 

The HOAThrough 10/20: Fri-Sat 8 PM, Sun 3 PM, Factory Theater, 1623 W. Howard, 866-811-4111, thefactorytheater.com, $25

Cassie (Jennifer Betancourt) and Steve (Andrew Cawley) are the new kids on the cul-de-sac in a suburb where all the husbands seem to have landed great jobs at nearby companies—jobs so lucrative that their wives don’t have to work. And in fact, Cassie’s desire to keep working as a chemist for a pharmaceutical company is met with disbelief by most of the other women at the block party where Martinez’s play opens. Hosted by HOA president Syd (Eric Fredrickson) and his wife, Stephanie (Moira Begale), it’s clear that this event is almost like a multilevel marketing scheme for roping Steve and Cassie into what Syd and Stephanie are selling. Well, giving away, actually: almost everyone seems to swear by the supplements that Stephanie hands out like Tic Tacs.

Steve takes the bait faster than Cassie, who finds emotional sustenance with new friends and fellow Stephanie/Syd skeptics Maddie (Brittany Ellis) and Daphne (Ashley Yates). But when they start acting as vacuous and servile as the other women, Cassie leaps into action to save them.

Until she doesn’t. The play works well enough as a pastiche/homage to the brainwashing effects of the inner workings of patriarchy. Begale’s cunning performance suggests that it takes smart women to figure out how to make other women choose the gilded cage. But the ending is confusing, frankly; we are left unsure as to whether Cassie is doing a “defeat them from within” strategy, or if she’s just decided, “Fuck it, this shit’s too hard, I’m just gonna go with the flow.” Either way, it feels overly abrupt and unearned—particularly since we don’t see enough development of Steve and Cassie’s previous relationship to figure out why she’d be willing to give up everything for him. If that’s what she’s doing.

Those caveats aside, the show succeeds at what Factory always does best: high-octane performances that dance along the edge of caricature without falling all the way into the abyss of obvious cheap laughs. The depiction of how an HOA can go from mildly annoying to dictatorial (“Syd’s got a guy for everything,” one character says, by way of explaining why nobody ever hires anyone without clearing it with the HOA honcho) is spot-on. I don’t think we needed the strobe-light effects, but when Factory decides to go over the top, they always do so with gleeful abandon. It’s a fun 90 minutes, even if the last few moments left me scratching my head.

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Slings and arrows

Never before has my Catholic upbringing been helpful in seeing theater. And yet, my mind couldn’t help but wander back to catechism class during Refracted Theatre Company’s inaugural production, St. Sebastian. Not because I was waxing nostalgic for dry wafers or bitter pinot noir, but because the text of this new work is so mind-bogglingly preachy. 

The new play by Andrew Kramer (directed by Graham Miller) centers on house flipper newbie Ben (Adam Thatcher) and his partner Gideon (Mack Spotts) who inadvertently move into a Black neighborhood in Chicagoland. Gideon’s background as a DEI consultant in this predicament fills him with relentless guilt, which leads to a series of lectures on gentrification and rhetoric. (Even as someone finishing a graduate degree in rhetoric, this was too much.)

St. SebastianThrough 10/2: Thu-Sat 8 PM, Sun 3 PM, Den Theatre, 1331 N. Milwaukee, refractedco.com, $18

Beyond that, there is a dog or wolf or coyote or something that goes bump in the night, a neighbor kid named Reuben (Nolan Robinson) continuously stealing the show, and at least four plot points that go ultimately unresolved. We’re given so many storylines that are fascinating, yet all end up as dead ends. 

So much happens in the course of the 90 minutes that it’s clear the playwright was trying to do far too much. The script needs significant shaping before it’s ready for another full production. 

It’s always ambitious for a new company to do brand-new work. While the trio of performers is excellent in their roles, even their charisma can’t save this script from purgatory. Thatcher and Spotts give so much to these characters without a lot of scripted development to go on. Robinson is an absolute marvel (his love of superheroes makes this pun intended) who warrants his own story. I desperately want to know the backstory behind some of his one-off lines.

 Also, on the subject of actors, please always hire an intimacy director when a script calls for it. The irony isn’t lost that there is a Catholic side story (in a tale called St. Sebastian) and yet there was seemingly no authority on how to do intimacy work safely. Saint Monica, patron saint of patience, help us.

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Crowded house

Chicago doesn’t have much in the way of immersive theater experiences like Sleep No More in NYC. So when Windy City Playhouse debuted Leslie Liautaud’s Southern Gothic in 2018 it took the scene by storm. Folks were clamoring to get inside the Coutier home to be one of the two dozen houseguests for Suzanne’s 40th birthday party in Ashford, Georgia, in the early 1960s. Drinks flow, tempers flare, secrets spill out. And we’re privy to all of it as we walk about the house.

Since 2018, I’ve made it no secret that I’m an immersive theater fangirl. So when WCP made the announcement that Southern Gothic would receive a remount downtown in the Goodman-adjacent Playhouse at Petterino’s, I was thrilled. The choose-your-own-adventure style show is the same as its predecessor, with plenty of juicy drama to keep even the noisiest houseguests interested. This time, I followed the men with their financial troubles rather than the romantic tête-à-têtes.

Southern GothicThrough 11/30: Wed and Fri 7 PM, Thu and Sat 3 and 7 PM, Sun 1 and 5 PM, Playhouse at Petterino’s, 150 N. Dearborn, windycityplayhouse.com, $65-$105

Frequent Coutier houseguests will notice the differences between the latest house and the previous one at Windy City Playhouse’s regular home on West Irving Park. The kitchen and dining room layouts are swapped, for example. And now there are countless reminders to not lean against the walls which (as I recall) was a nonissue during the original run. 

However, the biggest difference in this iteration of Southern Gothic (which, like the first, is directed by David H. Bell, with the concept created by WCP’s artistic director Amy Rubenstein and associate artistic director Carl Menninger) is the accommodation for 15 additional bodies. A capacity of 30 compared to 45 feels huge in such a small space. 

Honestly, there are just too many people now for free movement around the house to feel appropriate. It’s hard to avoid actors or being in the way when there isn’t enough space for everyone to feel comfortable. Plus if you’re unlucky enough to have a group of chatty friends in your audience it can be impossible to hear the dialogue even if you’re right next to the actors. 

With so many flies on the wall in this Georgian home, Southern Gothic loses some of the charms it held during its first open-ended run. Perhaps, in time, it will get that back. 

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Family recipes

If you’re looking for a play to prepare you for the Thanksgiving season, you might want to check out STEW, staged by Shattered Globe and now playing at Theater Wit. Written by Zora Howard and directed by Malkia Stampley, STEW tells the tale of the Tucker women, all gathering (and bickering) at the family home for one very important meal. Indomitable veteran Chicago actor Velma Austin plays Mama, the heart and the rock of the family, and of the ensemble of actors. She’s a joy to watch at work, and the stage is clearly her home. Austin deftly plays the overconfident matriarch welcoming her brood home. Though she is aging and just might need a little help around the house, she is too fiercely independent to admit it—to others or herself—consequences be damned. 

STEW Through 10/22: Thu-Sat 8 PM, Sun 3 PM; Fri 10/7,6:45 PM touch tour, 8 PM performance with audio description, Theater Wit, 1229 W. Belmont, 773-975-8150, sgtheatre.org, $45 ($35 seniors, $25 under 30, $15 students)

Jazzma Pryor plays Lillian, expertly embodying the quintessential eldest sister, carrying the weight of the world on her shoulders alone (regardless of whether or not anyone asked her to). As Lillian watches her younger sister Nelly (a wonderfully flighty Jasmine Cheri Rush) indulge in extravagant levels of irresponsibility, the walls begin to crack. Watching it all is Lillian’s daughter, the adorable Lil’ Mama, (a hilarious Demetra Dee) receiving a firsthand primer on who she will grow up to be. 

While not a perfect play, STEW is a tasty little spoonful of Black family life, and a reflection on how it takes a combination of the salty and sweet flavors of love and grief to make the most delicious memories. 

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A Natural Turn, Jessica Bardsley, and Cold Waves

Chicago has no shortage of free museums, and the DePaul Art Museum (935 W. Fullerton) is one stunning example. While it’s never a bad time for a visit (hello, it’s free!), their new exhibition “A Natural Turn”is worth checking out. Artists María Berrío, Joiri Minaya, Rosana Paulino, and Kelly Sinnapah Mary use surrealism to explore constructions of beauty and identity. How are our individual imaginations influenced by shared experiences like social, natural, and political circumstances, and how can we use them to reshape those situations? How do they/we shape ourselves? In this group show, the artists create a visual journey about metamorphosis and personhood underscored by a critique of colonialism. The museum is open from 11 AM-7 PM today, but if that doesn’t work, the exhibition is on view until February 19, 2023; check out their website to find a time that works for you. (MC)

Conversations at the Edge, a weekly series of screenings, performances, and talks by media and visual artists organized by the School of the Art Institute of Chicago’s Department of Film, Video, New Media, and Animation, kicks off the fall season tonight with an appearance by artist, scholar, and filmmaker Jessica Bardsley. In much of Bardsley’s work, landscapes like images of the desert and camera explorations through caves serve as a metaphor for human emotional states. Bardsley’s films often borrow images from Hollywood (for example, clips from the film Girl, Interrupted are included in Bardsley’s 2013 short The Blazing World) and combine them with original footage to create visual essays. Tonight Bardsley will present five recent shorts and discuss her work and experimental narrative with the audience. The evening starts at 6 PM at Gene Siskel Film Center (164 N. State) and tickets are $12. (SCJ)

An excerpt from Jessica Bardsley’s 2013 film The Blazing World

It’s day one of Cold Waves, the famed industrial festival that happens in select cities throughout the year. The Chicago edition is hosted at Smart Bar, Metro (3730 N. Clark), the Riviera, and Le Nocturne through Sunday. And while I’m not one to poo-poo the sold out lineup at Metro tonight (TR/ST headlines alongside openers The KVB, Actors, Kontravoid, Leathers, and New Canyons), I’m much more intrigued by the aftershow at Smart Bar. At 11 PM, Andi Harriman will warm up the dance floor with a DJ set followed by a performance by Ritualz. Then Plack Blague, Nebraska’s most exciting disco leather daddy, takes the stage to make you piss yourself with excitement. Trust me, you’ll gladly do it. Tickets are $15 and available to those 21 or older. (MC)

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High-rise havocIrene Hsiaoon September 22, 2022 at 3:49 pm

On the rooftop of a high-rise, one of many in the forest of silhouettes that comprises our city’s skyline, a professor (Dan Hanrahan) and an automotive engineer (Juanjo López) have been locked out for six days, surviving on trickles of water sluiced out of the bottom of a trash can and bread crumbs that appear mysteriously in the night. A red moon has wreaked an undefined havoc, and the mayor has warned everyone to avoid exposure to its light, which is, of course, impossible on the unprotected rooftop. No one can hear the engineer’s frantic knocks on the stairwell door. No one seems to be in the city at all, until about halfway through, a domestic worker (Claudia Urbano) and (later still) a window washer (Ever Monroe) appear on the scene.

Las MigasThrough 10/2: Fri-Sat 8 PM, Sun 6 PM, Chess Live Theater, 3622 S. Morgan, clata.org, $25

The entire drama of Las Migas, cowritten and codirected by Raúl Dorantes and Emily Masó for Colectivo El Pozo and presented as part of the Chicago Latino Theater Alliance’s Destinos Chicago International Theater Festival, hinges upon the opening of the locked door. The characters trapped on the stage develop no relationship; their vacant conversations and the futility of their actions is reminiscent of Waiting for Godot. But here, the question is less of the spirit, more of the circumstances (“In my country, everyone is an engineer or a lawyer, but here we clean windows,” notes the window washer)—the entrapment and paralysis, the stale crunch of the crumbs when they appear, comments on the life and livelihoods of immigrants at the mercy of others’ whims and meager generosities. 

Throughout, a visceral rankness is front and center: they urinate and defecate, the engineer scratches incessantly at his sides and scrotum, the professor retches with vertigo. The appearance of the secondary characters at first promises a shift in dynamics or at least a distraction but ultimately disappoints when no change really registers. It’s just more people—the level of hope remains constant. When it’s time to be released, there is no reason for it—likely no relief, either. 

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