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Living on luck

Westley Heine Credit: Courtesy the artist

Westley Heine never dreamed of singing for change on the streets of Chicago but life sometimes offers only stark choices. Getting by as a musician, artist, or writer is uphill barefoot through snowdrifts on a good day. Add a recession, a relationship going sour, some substance abuse, and a generous helping of self-doubt and few would bet on a guy’s chances. Yet Heine perseveres. Grounded in street-level observation and faith in his muse, his story isn’t always pretty but rings that much more true for its rough edges.

Busking Blues opens in early 2010s Chicago as the Great Recession is in full swing.Heine leaves a longtime girlfriend after their volatile relationship becomes untenable and finds himself homeless and underemployed. Sporadic shifts at a supermarket situated on the dividing line between the mostly demolished Cabrini-Green housing projects and upscale Old Town aren’t enough to pay rent on his own place, so he decides to try his hand at playing music on the streets while squatting on friends’ couches. 

When I call Heine in LA—where he’s moved with his wife for a change of scenery and to escape the harsh midwestern winters—we talk a lot about the line between fiction and memoir. Both Busking Blues and his 2021 chapbook, 12 Chicago Cabbies, tell stories that Heine experienced. The only changes or enhancements, according to Heine, are a few altered names; most other inaccuracies, he chalks up to the limits of memory. As a writer who’s never leaned much on imagination, Heine’s approach is familiar and welcome to me. There’s little the human mind could conjure to match the chaotic randomness of lived experience.

Heine is a heart-on-his-sleeve seeker. Taking lessons from veteran buskers, seasoned grocery store coworkers, and former professors seriously, his path towards life lived for art is a treacherous one but always tinged with beauty and hope. No matter the obstacles or reversals, he keeps saying yes to any opportunity that comes his way. Sometimes that means a few days cat-sitting for a friend with access to a shower and a comfortable bed; other times it’s a nebulous relationship with an older woman that rides the line between chaste friendship one day and being stalked by her the next. It all adds up to a crazy quilt of urban experiences that a self-described country boy from Wisconsin could scarcely have imagined.

The thing Heine keeps coming back to in our talk is how much of the things that happened to him were the result of chance. “As a person who has a pretty scientific worldview I found it unsettling during the busking period because I found myself living on luck, the chance encounters on the grid. To start thinking in terms of fate, karma, superstition was troublesome to me.”

Busking Blues: Recollections of a Chicago Street Musician & Squatter by Westley HeineRoadside Press, paperback, $15, 274 pp., magicaljeep.com

The starkest case of kismet comes toward the end of the book. I’d assumed it was poetic license, but Heine tells me otherwise. “I intended to win that nice guitar and then I did. This freaked me out and I started going off the deep end with mind over matter/ free will concepts. Then, I lost the guitar in the taxi. This really happened as well. Easy come easy go before it was returned to me by the driver. Should I have taken this to mean that everything is random and meaningless?”

In between relating anecdotes, Heine grapples with how to tell his story. “If you just say bleakly what happened is it art or reporting the news? Is journalism or documentary an art or is it not? If the work is pure fantasy does it do anyone any good in the real world? Does art have to have a moral? Or is it better to have some moral ambiguity?” 

Credit: Courtesy Roadside Press

While he may not have arrived at a definitive answer on how to present his experiences in his writing, I responded most to the parts of his book which present his life with little commentary or philosophizing. A problem for any writer plumbing everyday life for material is that there’s rarely a clear narrative arc. But a story needs a beginning, middle, and end so we must improvise or invent. Heine’s solution is a dream sequence that flashbacks much of the novel’s main points and adds a heaping dollop of spiritual wondering. During our phone interview, he freely admits to making this part up. I wish he hadn’t. This tendency to make sense of or wrap up lived moments in a neat bow aren’t necessary when the anecdotes are strong and can resonate under their own power, without the addition of “morals” or “meanings.”

To my way of thinking, art works like a mirror pointed outward at the viewer. You take your life and that of those around you and tell it with whatever means at your disposal, be it a pen, a guitar, or a brush. You watch and listen to your environment and put it into words, notes, and images and your audience will see themselves rather than the artist. When Westley Heine writes about singing blues at a CTA stop, working the deli counter at Jewel, or riding the Green Line to the west side to sleep in his practice space, it’s a life and locales I recognize. There’s no need to explain or grasp for any larger lesson. But I also understand well the doubts that creep in at low moments, voices that whisper all your efforts are in vain. That’s a struggle that never goes away. Perhaps that’s the true subject of this vivid and engaging ramble through the Chicago of a decade ago. 

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Bears predictions: Week 3 vs. Texans

The Sun-Times’ experts offer their picks for the Bears’ game Sunday against Lovie Smith’s Texans at Soldier Field:

RICK MORRISSEY

Bears 17-16

Just because the Texans are bad doesn’t mean this is a gimme for the Bears, who, by the way, aren’t very good, either. Justin Fields should be able to improve on his 11-pass performance against the Packers if, you know, pass plays are called. Season: 1-1.

RICK TELANDER

Bears 20-16

These are two really dull teams. The Texans have already tied a game, which is as exciting as drying dishes with your sister. The Bears have lost a game in which they passed the ball 11 times. In the mundane second-year-quarterback race it’s a doozy between Davis Mills and Justin Fields, with Fields ahead by a sideways buckeye leaf. Season: 1-1.

LAURENCE HOLMES

Bears 17-16

This is a real opportunity for the Bears. There won’t be a weather incident. Fields doesn’t have to operate in a hostile environment. Matt Eberflus will take more risks than Lovie Smith and that will benefit the Bears. Season: 1-1.

PATRICK FINLEY

Texans 21-20

The Texans don’t stink. Football Outsiders ranks them No. 21 in overall DVOA, No. 26 in offensive DVOA and No. 16 in defensive DVOA. They’re above the Bears in all three categories. This is a game the Beas can win — but at this point we can’t assume they’ll beat anyone. Season: 1-1.

JASON LIESER

Bears 26-10

For a moment, everything will look OK for the Bears. But it’s important to remember that the Texans are probably the absolute worst team in the NFL. Everyone should beat them. Season: 1-1.

MARK POTASH

Bears 20-10

After playing two playoff-caliber teams, the rebuilding Bears still should beat the teams at their level. With or without Roquan Smith, the Bears defense should make the difference. But these are the Bears we’re talking about, so … all bets are off. Season: 1-1.

Halas Intrigue Bears Report

Expert analysis and reporting before and after every Bears game, from the journalists who cover the Monsters of the Midway best.

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Points league rankings for 2022-23on September 22, 2022 at 7:36 pm

Will Cade Cunningham make a leap after finishing third in Rookie of the Year voting last season? AP Photo/Gerald Herbert

With a growing crop of young talent around the NBA and a number of star veterans still atop their game, the 2022-23 fantasy basketball rankings are always changing.

At the bottom of the page, you will find the top 200 players for leagues that use ESPN’s standard head-to-head (H2H) points scoring.

More rankings: Category leagues

Latest update: Sept. 19

Player, Positions, Team, (Primary Position Rank)1. Nikola Jokic, C, Den (C1)2. Giannis Antetokounmpo, PF/C, Mil (PF1)3. Luka Doncic, PG/SG, Dal (PG1)4. Joel Embiid, C, Phi (C2)5. Stephen Curry, PG, GS (PG2)6. Jayson Tatum, SF/PF, Bos (SF1)7. Damian Lillard, PG, Por (PG3)8. James Harden, PG/SG, Phi (SG1)9. Ja Morant, PG, Mem (PG4)10. Karl-Anthony Towns, C, Min (C3)11. Trae Young, PG, Atl (PG5)12. LeBron James, PG/SF/PF, LAL (SF3)13. Paul George, SG/SF, LAC (SF3)14. Shai Gilgeous-Alexander, PG/SG, OKC (SG2)15. LaMelo Ball, PG, Cha (PG6)16. Bradley Beal, SG, Wsh (SG3)17. Domantas Sabonis, PF/C, Sac (PF2)18. Jimmy Butler, SG/SF, Mia (SF5)19. Kevin Durant, SF/PF, Bkn (SF5)20. Pascal Siakam, PF/C, Tor (PF3)21. Devin Booker, PG/SG, Phx (SG4)22. DeMar DeRozan, SG/SF, Chi (SF6)23. Donovan Mitchell, PG/SG, Cle (SG5)24. Dejounte Murray, PG/SG, Atl (PG7)25. Brandon Ingram, SF/PF, NO (SF7)26. Rudy Gobert, C, Min (C5)27. Nikola Vucevic, C, Chi (C5)28. Anthony Davis, PF/C, LAL (PF4)29. Darius Garland, PG/SG, Cle (PG9)30. Fred VanVleet, PG/SG, Tor (PG10)31. Jrue Holiday, PG/SG, Mil (PG11)32. Chris Paul, PG, Phx (PG11)33. Bam Adebayo, PF/C, Mia (C6)34. CJ McCollum, SG, NO (SG6)35. De’Aaron Fox, PG, Sac (PG13)36. Tyrese Haliburton, PG/SG, Ind (PG13)37. Zion Williamson, PF, NO (PF5)38. Kawhi Leonard, SF/PF, LAC (SF8)39. Kyrie Irving, PG/SG, Bkn (PG14)40. Zach LaVine, SG/SF, Chi (SG7)41. Cade Cunningham, PG/SG, Det (PG15)42. Julius Randle, PF, NY (PF6)43. Anthony Edwards, SG/SF, Min (SG8)44. Jamal Murray, PG, Den (PG16)45. Kristaps Porzingis, PF/C, Wsh (C7)46. Evan Mobley, PF/C, Cle (PF7)47. Khris Middleton, SF, Mil (SF9)48. Jarrett Allen, C, Cle (C9)49. Christian Wood, PF/C, Dal (C9)50. Jaylen Brown, SG/SF, Bos (SG10)51. Terry Rozier, PG/SG, Cha (SG10)52. Robert Williams III, PF/C, Bos (C10)53. Malcolm Brogdon, PG/SG, Bos (PG18)54. Ben Simmons, PG, Bkn (PG19)55. D’Angelo Russell, PG/SG, Min (PG19)56. Collin Sexton, PG/SG, Utah (SG11)57. Deandre Ayton, C, Phx (C11)58. Russell Westbrook, PG, LAL (PG20)59. Jonas Valanciunas, C, NO (C12)60. Klay Thompson, SG, GS (SG13)61. Anfernee Simons, PG/SG, Por (SG13)62. Jalen Brunson, PG/SG, NY (PG21)63. Scottie Barnes, SF/PF, Tor (PF8)64. Myles Turner, PF/C, Ind (C14)65. Jusuf Nurkic, C, Por (C14)78. Josh Giddey, PG/SG, OKC (PG22)67. Clint Capela, C, Atl (C15)68. Jalen Green, SG, Hou (SG14)69. Jaren Jackson Jr., PF/C, Mem (PF9)70. Michael Porter Jr., SF, Den (SF11)71. Tobias Harris, SF/PF, Phi (SF12)72. Keldon Johnson, SF/PF, SA (SF12)73. Jakob Poeltl, C, SA (C16)74. Draymond Green, PF, GS (PF10)75. Kyle Lowry, PG, Mia (PG23)76. OG Anunoby, SF, Tor (SF13)77. Paolo Banchero, PF, Orl (PF11)78. Desmond Bane, SG, Mem (SG15)79. Wendell Carter Jr., PF/C, Orl (C17)80. Gary Trent Jr., SG, Tor (SG17)81. Jordan Poole, PG/SG, GS (SG18)82. Tyrese Maxey, PG/SG, Phi (SG18)83. Kyle Kuzma, SF/PF, Wsh (PF12)84. Dillon Brooks, SG/SF, Mem (SG19)85. Lonzo Ball, PG, Chi (PG24)86. Tyler Herro, PG/SG, Mia (SG20)87. Keegan Murray, PF, Sac (PF14)88. John Collins, PF/C, Atl (PF14)89. Alperen Sengun, C, Hou (C18)90. Caris LeVert, SG/SF, Cle (SG21)91. John Wall, PG, LAC (PG25)92. Jerami Grant, SF, Den (SF15)93. Devin Vassell, SG/SF, SA (SF16)94. Saddiq Bey, SF/PF, Det (SF17)95. Buddy Hield, SF, Den (SF17)96. Al Horford, PF/C, Bos (C19)97. Andrew Wiggins, SF/PF, GS (SF19)98. Franz Wagner, SF/PF, Orl (SF19)99. Mike Conley, PG, Utah (PG26)100. Jabari Smith Jr., PF, Hou (PF16)101. Marvin Bagley III, PF, Det (PF16)102. Marcus Smart, PG/SG, Bos (SG22)103. Bobby Portis, PF/C, Mil (PF17)104. Josh Hart, SG/SF, Por (SG23)105. Jalen Suggs, PG/SG, Orl (PG27)106. Jonathan Isaac, SF/PF, Orl (PF18)107. Kevin Porter Jr., PG/SG, Hou (SG24)108. Aaron Gordon, PF, Den (PF19)109. De’Andre Hunter, SF/PF, Atl (SF20)110. Cole Anthony, PG, Orl (PG29)111. Devonte’ Graham, PG, NO (PG30)112. Jaden Ivey, PG, Det (PG30)113. Mikal Bridges, SF, Phx (SF21)114. Bojan Bogdanovic, PF, Utah (PF20)115. Norman Powell, SG/SF, LAC (SG26)116. Spencer Dinwiddie, PG/SG, Dal (SG26)117. Darius Bazley, SF/PF, OKC (SF23)118. Gordon Hayward, SF, Cha (SF24)119. Will Barton, SG/SF, Wsh (SF24)120. Victor Oladipo, SG, Mia (SG27)121. Harrison Barnes, SF/PF, Sac (SF25)122. Miles Bridges, SF/PF, Cha (PF21)123. Seth Curry, PG/SG, Bkn (SG29)124. Luguentz Dort, SG/SF, OKC (SG30)125. Malik Beasley, SG, Utah (SG30)126. Montrezl Harrell, PF/C, Phi (C20)127. Chris Boucher, PF/C, Tor (PF22)128. Isaiah Stewart, PF/C, Det (C21)129. Bogdan Bogdanovic, SG/SF, Atl (SG31)130. RJ Barrett, SF, NY (SF26)131. James Wiseman, C, GS (C23)132. Mitchell Robinson, C, NY (C23)133. Bennedict Mathurin, SF, Ind (SF27)134. Reggie Jackson, PG, LAC (PG32)135. Derrick White, PG/SG, Bos (PG32)136. Mo Bamba, C, Orl (C24)137. T.J. Warren, SF, Bkn (SF28)138. Markelle Fultz, PG, Orl (PG33)139. Lauri Markkanen, SF/PF, Utah (PF23)140. Deni Avdija, SF/PF, Wsh (SF29)141. Monte Morris, PG, Wsh (PG35)142. Patrick Beverley, PG, LAL (PG35)143. Steven Adams, C, Mem (C26)144. Andre Drummond, C, Chi (C26)145. Kelly Oubre Jr., SG/PF, Cha (PF25)146. Brandon Clarke, PF/C, Mem (PF25)147. Thomas Bryant, C, LAL (C28)148. Ivica Zubac, C, LAC (C28)149. Robert Covington, SF/PF, LAC (PF27)150. P.J. Washington, PF/C, Cha (PF27)151. Dennis Schroder, PG, LAL (PG36)152. Kevin Love, PF, Cle (PF29)153. Marcus Morris Sr., SF/PF, LAC (PF29)154. Jordan Clarkson, SG, Utah (SG32)155. Alex Caruso, PG/SG, Chi (PG37)156. Aleksej Pokusevski, PF, OKC (PF30)157. T.J. McConnell, PG, Ind (PG38)158. Mason Plumlee, C, Cha (C29)159. Carmelo Anthony, SF/PF, LAL (PF31)160. Evan Fournier, SG/SF, NY (SG34)161. Tim Hardaway Jr., SG/SF, Dal (SG34)162. Rui Hachimura, SF/PF, Wsh (PF32)163. Hassan Whiteside, C, Utah (C30)164. Eric Bledsoe, PG/SG, Por (PG39)165. Nickeil Alexander-Walker, SG, Utah (SG35)166. Cameron Johnson, SF/PF, Phx (SF30)167. Ricky Rubio, PG, Cle (PG40)168. Onyeka Okongwu, C, Atl (C31)169. De’Anthony Melton, PG/SG, Phi (PG41)170. Richaun Holmes, PF/C, Sac (C32)171. Isaiah Roby, PF/C, SA (PF33)172. Isaac Okoro, SG/SF, Cle (SF32)173. Dorian Finney-Smith, SF/PF, Dal (SF32)174. Joe Harris, SG/SF, Bkn (SG36)175. Joe Ingles, SF, Por (SF33)176. Patrick Williams, SF/PF, Chi (PF34)177. Daniel Gafford, PF/C, Wsh (C33)178. Coby White, PG, Chi (PG43)179. Killian Hayes, PG, Det (PG43)180. Jae Crowder, SF/PF, Phx (PF35)181. Alec Burks, SG, Det (SG37)182. Kemba Walker, PG, Det (PG44)183. Talen Horton-Tucker, SG/SF, Utah (SG39)184. James Bouknight, SG, Cha (SG39)185. Otto Porter Jr., SF, Tor (SF35)186. Royce O’Neale, SF/PF, Bkn (SF36)187. Terance Mann, SG/SF, LAC (SF36)188. Kevin Huerter, SG, Sac (SG40)189. Kyle Anderson, SF/PF, Min (SF37)190. Chuma Okeke, PF, Orl (PF36)191. Pat Connaughton, SG/SF, Mil (SG42)192. Kentavious Caldwell-Pope, SG/SF, Den (SG42)193. Cody Martin, SF, Cha (SF39)194. Nicolas Batum, SG/SF, LAC (SF39)195. Derrick Rose, PG, NY (PG45)196. Hamidou Diallo, SG, Det (SG44)197. Kendrick Nunn, SG, LAL (SG44)198. Larry Nance Jr., PF, NO (PF37)199. Eric Gordon, SG/SF, Hou (SG45)200. Tari Eason, SF, Hou (SF40)

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Is drafting Zion worth the risk this season?on September 22, 2022 at 7:36 pm

Zion Williamson looks to get back to his explosive ways on the court after a missed 2021-22 season. Chuck Cook-USA TODAY Sports

During the 2020-21 NBA season, Zion Williamson averaged 27.0 PPG (61.1 FG%), 7.2 RPG, 3.7 APG, 0.9 SPG and 0.6 BPG while playing in 61 of the Pelicans’ 72 games, starting the season at 20 years old.

The problem? In the other two full seasons that Williamson has been in the NBA, he’s played a total of 20 out of 154 possible games, including zero last season.

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Now 22 years old, Williamson is reportedly in the “best shape of his life.” He just signed a max rookie extension this offseason. He is still the marquee player on a Pelicans team with legitimate playoffs buzz this season.

But where should you draft him in your fantasy basketball league?

Ooh. That’s a tough question.

Williamson has the potential this season to be a better and more productive player than he was during his sophomore campaign two years ago. He still has his unmatchable explosion-girth combo that makes him one of the most difficult players in the NBA to guard, but he has also had time to mature physically and emotionally, plus another full season around the game to work on his craft.

However, the Pelicans also had a full season to get used to playing without him. In that season, Brandon Ingram blossomed into a full-on NBA star, capable of averaging 27.0 PPG, 6.2 APG and 6.2 RPG during the playoffs with a usage percentage above 29 in both the regular and postseason.

They also brought in CJ McCollum in a late season trade that revitalized the team and led to their postseason push. McCollum averaged 24.3 PPG and 5.8 APG in 26 regular-season games with the Pels. McCollum and Ingram averaged 37.1 combined field goal attempts in the season, and a whopping 40.5 FGA during the playoffs.

2 Related

While it can be argued that having talented teammates should make it even easier for Williamson to score, efficiency was never the issue. He already shoots over 60% from the field. But it’s hard to imagine him getting the usage he’d need to match even the 27 and 4 he averaged two seasons ago, let alone exceed it. His volume is capped by the need to share the rock.

And then there’s the elephant in the room: health. Williamson suffered a lower body injury that kept him out for huge swathes of games in three of the four seasons he’s played post-high school, including his one season at Duke. The mount of explosiveness he generates at his massive size generates incredible amounts of torque and forces on his lower extremities that can be pathological if his jumping form isn’t precise enough.

Stephania Bell has done a wonderful job of breaking that down over the last few years, and it holds true this year as well. At this point in his career, fantasy managers just have to accept that he’s going to be an injury risk.

On a per-game basis, Williamson’s production should land him in the top-25 of fantasy producers, and that’s conservative. But, with the risks and upside cap that he faces this season, I’m unlikely to draft him before the fifth round of (m)any leagues. This means that I’m likely to miss out on having Williamson on (m)any of my teams, because his ADP will be higher than that. With a week left in September, it’s currently at 29.6.

But, I’d rather have piece of mind. I swung for the fences with Williamson on several of my teams last season, and struck out. Mixed baseball metaphor aside, I’m unlikely to risk getting burned again. Fool me once, shame on you. Fool me twice … I can’t let myself get fooled again! I may miss out on a magical season from Williamson, but I’m content to let someone else take the risk/reward plunge.

All that said, if it’s the fifth round and Williamson is still sitting there because everyone else is also afraid to draft him? Sign me up! I’ll take a crack at a potential first-round pick type of season if I can get him with my fifth pick. That’s a potential league-winner, if things go the right way.

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Is drafting Zion worth the risk this season?on September 22, 2022 at 7:36 pm Read More »

Attend this tale

I’ve seen bloodier stagings of Sweeney Todd than the current incarnation from Kokandy Productions at the Chopin Theatre’s downstairs space, directed and choreographed by Derek Van Barham. I’ve seen more polished versions of Stephen Sondheim (music and lyrics) and Hugh Wheeler’s (book) magnum opus.

But I don’t know that I’ve ever seen a Sweeney Todd that so ruthlessly depicts the darkness and corruption of the world that surrounds us. It’s evident in the opening number: Barber Sweeney Todd (Kevin Webb) returns to London after being falsely imprisoned for decades. He hopes to reunite with his beloved wife Lucy and his daughter, Johanna (Chamaya Moody). He quickly learns his hopes were in vain. Lucy poisoned herself after being raped by Judge Turpin (Christopher Johnson), the same judge that sent Sweeney to prison. The judge took the baby, now a teenager, and plans to wed her. 

Sweeney Todd Through 11/6: Wed-Sat 7 PM, Sun 5 PM; also Mon 10/24, 7 PM (industry night), no performance Wed 10/5, Chopin Theatre, 1543 W. Division, kokandyproductions.com, $40, $30 students/seniors, limited $15 students/artists each performance

London, as Sweeney sings, is a cesspit of cruelty and corruption, as is the world entire. It’s a quasi-duet that also has young sailor Anthony (Ryan Stajmiger), praising the wonders of the world and the gleaming possibilities within the marvels of the great city. In one song, Sondheim lays out two diametrically opposed views of the world, and the former holds sway. This is a story of despair curdled into violence. The closest thing to happiness comes from the industrious Mrs. Lovett (Caitlin Jackson), who makes a killing making meat pies with human meat sourced from Sweeney’s customers, falling more giddily in love as she goes.

Van Barham has overlaid an interesting concept on Sweeney Todd. This demon barber is plagued by demons literally embodied in both the choreo and in G “Max” Maxin IV’s kinetic lighting design. The latter is twitchy as a haunted-house strobe at times, overwhelming waves of red at others. As to the former: When Sweeney is in his head planning his vengeance, he’s twitchy as an electrical wire dangling in a storm, surrounded by a lurching, zombie-like chorus. This is a portrayal of someone who would do anything to escape their own inner torment, but who knows that even if they could, the demons of the outside world will devour them regardless.

The cast holds up frames as Sweeney unleashes his inner torment by slashing the throats of his customers, demanding the entire audience contemplate their own inner (or outer) Sweeney, as do the lyrics with Sondheim’s brilliant brutality:

No one can help, nothing can hide you / Isn’t that Sweeney there beside you?

No one is spared. Usually there’s a scene where Sweeney decides against killing one of his customers because he sees the man has a small child and loving wife. Van Barham has cut it.

The production uses minimal props. Sweeney’s razor, for example, doesn’t show up until the very final moments, and he’s not the one looking at it in wonder. There’s no fancy barber chair shooting bodies down to the grinder in Maxin’s minimalist set, which is a mostly bare rotating platform. Sweeney’s barber chair is a lightly upholstered piece that looks like it came from a thrift-store dining set. And make no mistake. You need someone who reads older than mid-20s to play Judge Turpin. Scrawling crow’s feet on a young person’s face is not a solution.

Miscasting aside, there is more than enough to recommend this Sweeney. Webb brings a torrent of torment to every well-executed note and refrain, ably intensified by music director Nick Sula’s bloody good micro-orchestra.

Of paramount importance: Jackson’s Mrs. Lovett is a frowsy delight. Her carefully calibrated, bone-dry gallows humor and pragmatic optimism (when there’s a meat shortage on, cats are not the answer) offer both comic relief and—crucially—a foil to Sweeney Todd’s lethal wall of cynicism.

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Lookin’ swell

Hello, Dolly! is not revived that often. It only feels that way, because Jerry Herman’s score (book by Michael Stewart, based on Thornton Wilder’s play The Matchmaker) is so infectious and ubiquitous, because so many larger-than-life stars have played Dolly Levi over the years—among them Carol Channing (of course), Pearl Bailey, Bette Midler, Bernadette Peters, even Barbra Streisand (in the 1969 misfire of a movie). Any revival must compete with all those other versions of the show floating in our heads, and on YouTube.

Hello, Dolly! Through 10/16: Wed 1 and 7:30 PM, Thu 7:30 PM, Fri 8 PM, Sat 4 and 8 PM, Sun 1 and 5 PM; also Thu 10/6 and 10/13 1 PM, Marriott Theatre, 10 Marriott Dr., Lincolnshire, 847-634-0200, marriotttheatre.com, $59-$64

What makes Marriott Theatre’s version, directed by Denis Jones, stand out is how handily it pushes all those earlier versions out of the way. Part of the credit for this, clearly, goes to Heidi Kettenring whose Dolly brings her own brand of showbiz swagger to the role—her comedy kills, her singing slays, and her serious moments touch the heart—and makes it her own. But she is backed by an ensemble packed with solid triple threats. David C. Girolmo perfectly captures Horace Vandergelder in all his fussy grumpiness. Rebecca Hurd, playing a lively Irish widow out on a lark, gracefully executes a handful of comic turns and then nails a touching ballad (“Ribbons Down My Back”). And Alex Goodrich and Spencer Davis Milford have considerable charm as a pair of goofy, broke Yonkers yokels out on the town.

At a couple moments the show drags. There is an extended dance sequence in the first act I wish had been a couple of minutes shorter. But most of the time, the show flies by, and we are definitely left at the end wanting more.

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Will the 2023 election push the Chicago Aldermanic Black Caucus further left?

This article was co-published in partnership with The TRiiBE.

The Chicago Aldermanic Black Caucus (CABC) is changing. So far this year, a total of 15 City Council members have either stepped down, announced plans to retire, or launched campaigns to challenge Mayor Lori Lightfoot in the 2023 mayoral election. And there’s also one alderperson, Patrick Daley Thompson, who was convicted of filing false income tax returns in February; another, Ed Burke, remains under federal indictment. 

Of those 15 alderpeople, six are members of the 20-person CABC, a group charged with “representing the needs and interests of Chicago’s Black communities,” according to its website.

Three Black alderpeople—Carrie Austin (34th Ward), Leslie Hairston (5th Ward), and Howard Brookins (21st Ward)—will retire at the end of their terms. Hairston was elected in 1999 and Brookins in 2003. Austin, elected in 1994, is currently the longest-serving Black alderperson; additionally in 2021, a federal jury indicted Austin and her chief of staff on bribery charges for allegedly conspiring to receive home improvements for construction contractors that sought city assistance for a development project in her ward. 

Two Black alderpeople have thrown their hats into the mayoral race: Sophia King (4th Ward) and Roderick Sawyer (6th Ward). The latter is the son of the late Eugene Sawyer, who was appointed mayor after the sudden death of former Chicago mayor Harold Washington in 1987.

Alderperson Michael Scott Jr. (24th Ward) retired from the City Council in May after serving since 2015. Out of 19 vying for the seat, Lightfoot appointed his sister Monique Scott to take his place. 

With Chicago’s municipal election season now in full swing, the aldermanic shakeup comes as self-styled progressive alderpeople appear ascendant in a City Council that is still finding its identity after decades of lockstep allegiance to machine bosses in the mayor’s office.

Such unprecedented shifts could attract young Black Chicagoans—and others disillusioned with politics—to vote in the municipal election, which has experienced low voter turnouts in recent years. But whether that will prompt the CABC to become more independent or progressive as well is yet to be seen.

“If you ask a person, a Black person in particular, what do you think we can do to improve public safety or how do you feel about people in your community having oversight over the police, most people would say that’s a great idea,” said Greg Kelley, president of SEIU Healthcare Illinois Indiana Missouri & Kansas. SEIU Healthcare is a union representing health care, child care, home care, and nursing home workers in the Midwest.

“That’s a progressive thing,” Kelley added. “But I wouldn’t necessarily call it ‘progressive’ if I were talking to someone like my mother, for example.”

Republicans and right-wing extremists have turned the word “progressive” into a derogatory term, using it as a dog whistle to describe cities with Democratic leaders like Chicago as “lawless.” 

The word, Kelley said, can elicit a certain reaction from older Black voters.

“I think we need to do a better job at explaining the issues and relying less on buzzwords like ‘progressive.’ This messaging isn’t reaching certain folks and they may be resistant because they are unfamiliar with the terms,” Kelley said. “So, our job is to communicate the issues without the labels.”

The TRiiBE reached out to Black political experts, City Council members, organizers, and labor leaders to weigh in on what a shift in City Council could mean for Black Chicagoans.

The consensus from the group is that candidates and leaders must not only be progressive in name, but also in action.

Think back to the administrations of former mayors Richard M. Daley and Rahm Emanuel. During each of those administrations, the CABC voted for controversial initiatives supported by the respective mayors, including Daley’s 75-year parking deal and Emanuel’s closure of half the city’s public mental health clinics and plans for a cop academy. 

During Mayor Lightfoot’s first term, the CABC has largely voted in agreement with her 89 percent of the time, according to an analysis conducted by the University of Illinois at Chicago’s political science department. 

Those decisions have had long-lasting impacts on Black communities. For example, Black youth organizers with the #NoCopAcademy campaign pushed back against Emanuel’s $95 million cop academy for Chicago police in West Garfield Park because investing more in the police would mean more violence for Black and Brown communities. Instead, they demanded through their grassroots campaign that the city fund and provide resources for schools and youth. 

City Council voted 38-8 in favor of the cop academy in March 2019. In September 2020, Lightfoot’s administration asked for an additional $20 million for phase two of the cop academy, raising the cost for the cop academy to $128 million.

“That was a campaign largely driven by young Black people,” Kennedy Bartley told The TRiiBE. She is one of the lead organizers for the #DefundCPD Campaign and director of campaigns at the Chicago Torture Justice Center, which seeks to address the traumas of police violence and institutionalized racism through access to healing and wellness services, trauma-informed resources, and community connection. 

“So, I think as far back as I can remember, but also as recently as the cop academy, as budget votes continue to increase police budgets and fund Black communities and Latinx communities and poor communities at abysmal rates, the Black Caucus has historically taken violent votes,” she added.

The term progressive has become a buzzword in recent years and election cycles—so much so that Lightfoot co-opted the language and concerns of young Black and queer organizers to aid her run for mayor in 2019.

Although the term dates back to the 1900s, according to NPR, the 2016 presidential campaign of U.S. senator Bernie Sanders breathed new life into it. “Progressivism is now a way for politicians to appeal to far left-leaning Americans, without alienating moderates and independents who reject the ‘liberal label,” NPR reported.

In 2019, a slate of progressive candidates joined the City Council. Longtime south-side organizer Jeanette Taylor (20th Ward) won a runoff race to succeed former 20th Ward alderperson Willie Cochran. In 2016, a federal grand jury indicted Cochran on charges that he allegedly took money from a charitable fund that was intended to help families and children in his ward, according to the Department of Justice.

Before becoming an alderperson, Taylor served as an organizer with the Kenwood Oakland Community Organization and was a leading organizer with the Obama Community Benefits Agreement (CBA) Coalition

There’s also BYP100 board member Maria Hadden, who beat longtime 49th Ward incumbent Joe Moore, ending his 28-year career on the City Council. Moore identified as a progressive, but according to a Block Club Chicago article, he voted more than 98 percent of the time with Emanuel. 

Not only did Hadden become the first openly queer Black woman elected to Chicago City Council, but she also became the first Black alderperson to be elected to a northside Ward. 

And there’s Matt Martin, who was elected to the 47th Ward in 2019. Before joining the City Council, he served as a civil rights attorney in the Office of the Illinois Attorney General. He focused on issues including police reform, workers’ rights, health care, LGBTQ+ rights, and reproductive rights. He also helped to write the consent decree

Along with Taylor, Hadden and Martin serve on the CABC and the Chicago City Council Progressive Reform Caucus (CCCPRC). 

Then there’s Alderperson Rossana Rodriguez-Sanchez (33rd Ward), a former community organizer who beat incumbent Deb Mell in the 2019 runoff. Mell was appointed to the City Council in 2013 to replace her father, who had served on the City Council since 1975. Rodriguez-Sanchez is a member of the CCCPRC and the Chicago City Council Latino Caucus. 

Taylor, Rodriguez-Sanchez, and Hadden’s roots in activism have kept them connected to the needs of their constituents. 

Recent progressive policies that passed through City Council include the Fight for $15 minimum wage campaign in November 2019, the Woodlawn Housing Preservation Ordinance in September 2020, and the Empowering Communities for Public Safety (ECPS) ordinance in July 2021.

Beginning in 2016, members of the CBA coalition—which Alderperson Taylor had been a part of—came together to protect residents in Woodlawn and neighboring communities from displacement due to the development of the Barack Obama Presidential Center in Jackson Park. Those efforts came to fruition in 2020, when the City Council approved the Woodlawn Housing Preservation Ordinance, which Taylor cosponsored. One of the ordinance’s key features is a requirement that for each redevelopment of 52 vacant city-owned lots, at least 30 percent of new apartments must be made affordable to “very low-income households.”

“It’s about the representation that goes beyond the identity of Blackness and represents the class interests and the social interests of Black folks in the city,” Bartley said. “I think it’s about getting organizers into office.”

With these new voices in office, Bartley said, then we can find ways to meaningfully challenge the alderpeople who have been in power for years. 

“We know that Black voters are loyal voters,” she said. “How are we providing material alternatives to the folks in our communities and neighborhoods and then organizing them to believe in bolder representation?”

For Chicago Teachers Union president Stacy Davis Gates, the mayor is an important part of the equation, too. Since the mayor sits atop the city’s governmental power structure, some alderpeople acquiesce to that power, she said. 

“If Black people want to be accommodated in the city, they’re going to have to be accommodated by a progressive mayor because that is the type of mayor who’s going to fully fund schools,” Gates told The TRiiBE. “That is the type of mayor that will go into neighborhoods like Chatham and make sure that it continues to be a place for the working class and the middle class. You need mayors to lead.” 

She pointed to the success of Chicago’s first Black mayor, Harold Washington, and the causes he championed and enacted once he took office in 1983. As mayor, he opened the city’s budget process up for public input, fought to redistrict wards which provided more Black and Latinx representation, and created the Ethics Commission to check the power of the city’s administration.

“The greatest amount of transformation for Black people in the city did not come from a Black Caucus,” Gates said. “It came from a Black mayor through a movement of people who wanted more for all people in this city. But it was anchored in the hopes and dreams of the migrants from Mississippi.”

Mayor Lightfoot led a proposal to sue gang members for their assets, despite criticism from the legal community who said the ordinance, if passed, would fail to reduce gun violence and would seize money, property, and other assets from vulnerable people not even alleged to have participated in violence, such as parents, grandparents, and other family members. Six Black alderpeople voted in agreement with her: Jason Ervin (28th Ward), Derrick Curtis (18th Ward), Greg Mitchell (7th Ward), Emma Mitts (37th Ward), Scott, and Christopher Taliaferro (29th Ward), who serve on the City Council’s public safety committee. Lightfoot delayed a final vote on that ordinance in February

When Mayor Lightfoot proposedto extend and expand the citywide curfew for youth following the shooting of a 16-year-old teenager in Millennium Park, despite critics saying the measure would disproportionately harm Black and Brown youth, ten CABC members voted in favor of it: Mitchell, Michelle Harris (8th Ward), Curtis, Brookins, Scott, Walter Burnett (27th Ward), Ervin, Taliaferro, Austin, and Mitts. 

For politicians, merely identifying as a progressive candidate is not enough. Bartley said the words, actions, and policymaking decisions must match, and voters must demand more and be clear about what they’re asking of their elected representatives. 

For Kelley, progressivism, as it relates to politics and legislation, includes policymaking that addresses the needs of everyday working people. 

There’s a widely held belief that millennials and Generation Z only mobilize on issues by leading demonstrations or protests. While some applaud their efforts, they are often criticized because they aren’t appearing en masse to vote in elections. 

More than 520,000 people voted in the general municipal election in February 2019; of that total, approximately 3.5 percent were between the ages of 18 to 24, 15 percent were between the ages of 25 to 34, and 17 percent were between the ages of 35 to 44. 

Overall, voter turnout was 35 percent in the general municipal election and 33 percent for the runoff election in April 2019. 

TRiiBE contributor Charles Preston wrote a 2019 opinion piece responding to criticism about millennial voter turnout. He noted thatorganizing and demonstrations led by young Black people did lead to wins for the movement and Chicagoans during the previous municipal election cycle. 

“Many activists who stood in front of Lori Lightfoot and Garry McCarthy at past Chicago Police Department Board hearings are now witnessing those very candidates reiterate (some would say co-opt) their talking points! The call for more mental health clinics, an elected school board, and defunding police in favor of more community-based programs is not an original thought by candidates. This is the result of the incredibly penetrating and revolutionary action by youth,” Preston wrote.

In order to attract new potential voters, lawmakers must have messaging and communication about progressive policies that are digestible for all constituents across ages and backgrounds. 

Although Brookins believes there is an opportunity to push Black people further left, he said many Black voters identify as Democrats while still supporting some conservative-leaning policies.

“My elections have shown that African Americans are, by nature, conservative, especially the older African Americans who are the bread-and-butter people that go out and vote,” Brookins told The TRiiBE on September 8.

Earlier that day, Brookins endorsed south-ide native and community organizer Ronnie Mosley’s campaign to replace him in the 21st Ward. In 2017, Mosley cofounded Homegrown Strategy Group, a policy and organizing firm that believes in community power and the idea that achievement comes through collective effort.

“With that said, there is room for a shift in liberal ideas, especially when it comes to things like policing, which I’ve been at the forefront of,” Brookins continued. 

He was one of the sponsors of the reparations ordinance for victims of disgraced Chicago Police Department Commander Jon Burge. The measure was introduced in 2013 and was approved in 2015

However, Brookins also voted in support of the cop academy in 2019.

“But I still believe there’s a strong contingency of people who believe that we should pull ourselves up by the bootstraps, live a law-and-order-type life, and so forth. But there’s room to gently push people, not necessarily jerk them to the left,” Brookins added.

When candidates claim to be progressive, Bartley said we must ask them about their commitment to issues like affordable housing, mental health, and funding for education. And, once elected, it’s up to constituents to hold them accountable. 

“Do you commit to building 100 percent affordable housing in your ward? Do you commit to ‘treatment, not trauma’ in a way that defunds the police? Do you commit to fighting against education cuts?” she said. “It’s about just being sharper in our demands and what we’re requiring.”


LGBTQ+ Chicagoans discuss Mayor Lori Lightfoot’s record.


Ankle-monitor alerts garner phone calls and visits from sheriffs officers—­but more than 80 percent are bogus, according to a University of Chicago analysis.


In the past, politicians have co-opted progressive language from organizers in the Black liberation movement for their campaigns, hoping to win the Black vote.

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Will the 2023 election push the Chicago Aldermanic Black Caucus further left? Read More »

It’s chicken and waffle night at Monday Night Foodball

The chickens roam freely over the pastures at Avrom Farm in Ripon, Wisconsin. But you might have spotted them in the wild this season at the Green City or Wicker Park farmers’ markets, where they nest on warm buckwheat waffles battered with their own eggs.

This Wednesday they’re flocking to Irving Park for Monday Night Foodball, the Reader’s weekly pop-up chef series at the Kedzie Inn.

Farmer Hayden Holbert grew up in Bucktown, but he introduced full-scale sustainable, regenerative agriculture on his grandparents’ 275-acre livestock farm five years ago. The birds are into it: the chicken and waffle stand arose this spring out of a need to utilize poultry overstock. This Monday, September 26, you can order your buttermilk-brined boneless fried chicken waffle tacos in a variety of dressings supplemented by produce from neighboring farms. I’m partial to the kimchi waffle with honey sriracha and chives, but you can go your own way with feta-arugula-balsamic; sour cherry and maple syrup; or any combo of toppings your demons demand.

If waffles aren’t your way, go for the wings; add sides of fried okra or tomato salad; and ask Jon Pokorny to spike your hibiscus lemonade at the bar.

There’s no advance planning required. Walk in any time after 6 PM at 4100 N. Kedzie and place your order.

Meantime, look ahead with the new and improved Monday Night Foodball fall schedule. Keep your Friendsgiving open.

10/10: Pasta night with Tony Quartaro of Gemma Foods

10/17: Night of the Copi (the invasive species formerly known as Asian carp) with Chả Cá Nuggs

10/24: Traditional Jewish deli with a modern purpose with Schneider Provisions

10/24: Sausage party with the Hot Dog Box

10/31: Halloween bye night

11/7: Plant-focused taqueria pop-up Piñatta 

11/14: The return of barbecue ronin Heffer BBQ

11/21: An all-star Umamicue Friendsgiving

11/28: Thanksgiving Break

12/5: TBA

12/12: Kimski rumspringa with Won Kim

12/19: First night of Hanukkah with Zeitlin’s Delicatessen and Schneider Provisions

Kedzie Inn4100 N. Kedzie(773) 293-6368kedzieinn.com

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Attend this taleCatey Sullivanon September 22, 2022 at 4:50 pm

I’ve seen bloodier stagings of Sweeney Todd than the current incarnation from Kokandy Productions at the Chopin Theatre’s downstairs space, directed and choreographed by Derek Van Barham. I’ve seen more polished versions of Stephen Sondheim (music and lyrics) and Hugh Wheeler’s (book) magnum opus.

But I don’t know that I’ve ever seen a Sweeney Todd that so ruthlessly depicts the darkness and corruption of the world that surrounds us. It’s evident in the opening number: Barber Sweeney Todd (Kevin Webb) returns to London after being falsely imprisoned for decades. He hopes to reunite with his beloved wife Lucy and his daughter, Johanna (Chamaya Moody). He quickly learns his hopes were in vain. Lucy poisoned herself after being raped by Judge Turpin (Christopher Johnson), the same judge that sent Sweeney to prison. The judge took the baby, now a teenager, and plans to wed her. 

Sweeney Todd Through 11/6: Wed-Sat 7 PM, Sun 5 PM; also Mon 10/24, 7 PM (industry night), no performance Wed 10/5, Chopin Theatre, 1543 W. Division, kokandyproductions.com, $40, $30 students/seniors, limited $15 students/artists each performance

London, as Sweeney sings, is a cesspit of cruelty and corruption, as is the world entire. It’s a quasi-duet that also has young sailor Anthony (Ryan Stajmiger), praising the wonders of the world and the gleaming possibilities within the marvels of the great city. In one song, Sondheim lays out two diametrically opposed views of the world, and the former holds sway. This is a story of despair curdled into violence. The closest thing to happiness comes from the industrious Mrs. Lovett (Caitlin Jackson), who makes a killing making meat pies with human meat sourced from Sweeney’s customers, falling more giddily in love as she goes.

Van Barham has overlaid an interesting concept on Sweeney Todd. This demon barber is plagued by demons literally embodied in both the choreo and in G “Max” Maxin IV’s kinetic lighting design. The latter is twitchy as a haunted-house strobe at times, overwhelming waves of red at others. As to the former: When Sweeney is in his head planning his vengeance, he’s twitchy as an electrical wire dangling in a storm, surrounded by a lurching, zombie-like chorus. This is a portrayal of someone who would do anything to escape their own inner torment, but who knows that even if they could, the demons of the outside world will devour them regardless.

The cast holds up frames as Sweeney unleashes his inner torment by slashing the throats of his customers, demanding the entire audience contemplate their own inner (or outer) Sweeney, as do the lyrics with Sondheim’s brilliant brutality:

No one can help, nothing can hide you / Isn’t that Sweeney there beside you?

No one is spared. Usually there’s a scene where Sweeney decides against killing one of his customers because he sees the man has a small child and loving wife. Van Barham has cut it.

The production uses minimal props. Sweeney’s razor, for example, doesn’t show up until the very final moments, and he’s not the one looking at it in wonder. There’s no fancy barber chair shooting bodies down to the grinder in Maxin’s minimalist set, which is a mostly bare rotating platform. Sweeney’s barber chair is a lightly upholstered piece that looks like it came from a thrift-store dining set. And make no mistake. You need someone who reads older than mid-20s to play Judge Turpin. Scrawling crow’s feet on a young person’s face is not a solution.

Miscasting aside, there is more than enough to recommend this Sweeney. Webb brings a torrent of torment to every well-executed note and refrain, ably intensified by music director Nick Sula’s bloody good micro-orchestra.

Of paramount importance: Jackson’s Mrs. Lovett is a frowsy delight. Her carefully calibrated, bone-dry gallows humor and pragmatic optimism (when there’s a meat shortage on, cats are not the answer) offer both comic relief and—crucially—a foil to Sweeney Todd’s lethal wall of cynicism.

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Attend this taleCatey Sullivanon September 22, 2022 at 4:50 pm Read More »

Lookin’ swellJack Helbigon September 22, 2022 at 4:56 pm

Hello, Dolly! is not revived that often. It only feels that way, because Jerry Herman’s score (book by Michael Stewart, based on Thornton Wilder’s play The Matchmaker) is so infectious and ubiquitous, because so many larger-than-life stars have played Dolly Levi over the years—among them Carol Channing (of course), Pearl Bailey, Bette Midler, Bernadette Peters, even Barbra Streisand (in the 1969 misfire of a movie). Any revival must compete with all those other versions of the show floating in our heads, and on YouTube.

Hello, Dolly! Through 10/16: Wed 1 and 7:30 PM, Thu 7:30 PM, Fri 8 PM, Sat 4 and 8 PM, Sun 1 and 5 PM; also Thu 10/6 and 10/13 1 PM, Marriott Theatre, 10 Marriott Dr., Lincolnshire, 847-634-0200, marriotttheatre.com, $59-$64

What makes Marriott Theatre’s version, directed by Denis Jones, stand out is how handily it pushes all those earlier versions out of the way. Part of the credit for this, clearly, goes to Heidi Kettenring whose Dolly brings her own brand of showbiz swagger to the role—her comedy kills, her singing slays, and her serious moments touch the heart—and makes it her own. But she is backed by an ensemble packed with solid triple threats. David C. Girolmo perfectly captures Horace Vandergelder in all his fussy grumpiness. Rebecca Hurd, playing a lively Irish widow out on a lark, gracefully executes a handful of comic turns and then nails a touching ballad (“Ribbons Down My Back”). And Alex Goodrich and Spencer Davis Milford have considerable charm as a pair of goofy, broke Yonkers yokels out on the town.

At a couple moments the show drags. There is an extended dance sequence in the first act I wish had been a couple of minutes shorter. But most of the time, the show flies by, and we are definitely left at the end wanting more.

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Lookin’ swellJack Helbigon September 22, 2022 at 4:56 pm Read More »