Upcoming Author Eventson March 7, 2020 at 7:16 pm

LitzyDitz

Upcoming Author Events

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Bill Clinton, leave Monica Lewinsky alone why don’t yaon March 7, 2020 at 8:12 pm

The Barbershop: Dennis Byrne, Proprietor

Bill Clinton, leave Monica Lewinsky alone why don’t ya

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Chicago Artisan Market – March Market 2020on March 7, 2020 at 11:07 pm

Count Gregula’s Crypt

Chicago Artisan Market – March Market 2020

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Congo Square Theatre Company’s Production DAY OF ABSENCE Reminds Us That 1965 and 2020 Are Not That Far Apart.on March 7, 2020 at 11:42 pm

Bonnie’s EYE On…!

Congo Square Theatre Company’s Production DAY OF ABSENCE Reminds Us That 1965 and 2020 Are Not That Far Apart.

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Amare Symoné comes with a whole new sound on “Pictures”on March 8, 2020 at 1:31 am

City of Wind

Amare Symoné comes with a whole new sound on “Pictures”

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Don’t Wait to Be Great: Project I Am Celebrates 4 Years of Helping the Homelesson March 8, 2020 at 3:18 am

Go 2 Mommy

Don’t Wait to Be Great: Project I Am Celebrates 4 Years of Helping the Homeless

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Video of Chicago Psychic Medium Edward Shanahan and details about his Private Psychic Readings.on March 8, 2020 at 4:09 am

Chicago Paranormal and Spiritual

Video of Chicago Psychic Medium Edward Shanahan and details about his Private Psychic Readings.

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Chicago’s Pre-St. Patrick’s Beer Weekend, March 13-15on March 8, 2020 at 5:50 am

The Beeronaut

Chicago’s Pre-St. Patrick’s Beer Weekend, March 13-15

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Canadian producer Jacques Greene celebrates the complexities of dance on Dawn Choruson March 7, 2020 at 12:00 pm

Canadian dance producer Jacques Greene (born Philippe Aubin-Dionne) broke out in the early 2010s by twisting R&B vocals into stuttering, waterlogged samples that brought complex shades of sadness to energetic club tracks. He’s since relied less on a sample-based approach, which has opened him up stylistically and helped him arrive at the free-flowing aesthetic of his recent second album, October’s Dawn Chorus (LuckyMe). Greene parlays his grasp of dance’s history into a mishmash of sounds, sometimes within a single song; on “Do It Without You” he blends the spacey affectations of early-2000s UK dubstep with ersatz drum ‘n’ bass percussion. Greene’s nuanced touch on Dawn Chorus foregrounds his tender feelings toward dance music, which he translates into cozy melodies that can be mesmerizing, bittersweet, or thrilling–when a muffled, robotic vocal hook croaks above a twinkling synth melody on “Whenever,” the combination provokes that all those responses at once. v

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