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Report: Willson Contreras declines Cubs’ Qualifying Offer

Reports suggest Willson Contreras will decline the Chicago Cubs qualifying offer.

Catcher Willson Contreras will reportedly not accept his qualifying offer from the Chicago Cubs, according to a tweet from ESPN’s Jesse Rogers on Tuesday

The Cubs, who surprisingly did not trade Contreras at the deadline — a deal sending him to Houston was reportedly nixed by Astros ownership — made the easy call to instead make the one-year, $19.65MM qualifying offer to their longtime catcher.

A lot of decisions on qualifying offers today won’t come as a surprise, including this one: Cubs catcher Willson Contreras is not accepting his, per a source.

The veteran is coming off one of his best seasons at the plate this past year. Contreras hit .243 in 487 plate appearances in 2022 to go along with a .349 on-base percentage.

He also added 22 home runs and four stolen bases in those 487 plate appearances, finishing as one of fantasy baseball’s best at his position.

With the backstop declining the offer, Chicago will officially have just one player, Kyle Hendricks, remaining from the World Series-winning 2016 Cubs.

The Chicago Cubs are now entitled to an extra draft pick in 2023, the positioning of which will depend on the value of Contreras’ next contract.

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Chicago Cubs acquire Miles Mastrobuoni from Tampa Bay

Infielder/Outfielder, Miles Mastrobuoni is Chicago bound, after the Cubs acquired his services from Tampa.

The Chicago Cubs, Tuesday, acquired infielder/outfielder Miles Mastrobuoni from the Tampa Bay Rays for minor league right-handed pitcher Alfredo Zárraga.

The Cubs 40-man roster stands at 34 players.

Mastrobuoni, 27, spent a majority of 2022 with the Triple-A Durham Bulls, hitting .300 (152-for-507) with a .377 on-base percentage, 32 doubles, 16 home runs, 64 RBI and 23 stolen bases in 129 games.

The #Cubs today acquired INF/OF Miles Mastrobuoni from the Tampa Bay Rays for minor league RHP Alfredo Zárraga.
The 40-man roster stands at 34 players. https://t.co/oLv6fR6pCa

He led the International League with 92 runs scored and was tied for the league lead in hits while ranking second in doubles, fourth in on-base percentage and fifth in average and total bases (238). His performance led to a September call-up with the Rays, in which he made his major league debut, appearing in eight games with a .188 average (3-for-16) and a stolen base.

Mastrobuoni is a multi-position player, primarily a second baseman, but he played shortstop, third base and all three outfield positions for Triple-A Durham in 2022, where he had a pretty good year at the plate: .300/.377/.469 (152-for-507) with 16 home runs and 23 stolen bases. He went 3-for-16 in eight games with the Rays late in 2022.

He was Tampa Bay’s 14th round pick in 2016 out of Nevada-Reno.

In exchange for the deal, the Rays will receive minor league pitcher, Alfredo Zárraga, who was signed by Chicago as a non-drafted free agent in January of 2021.

Follow us on Twitter at @chicitysports23 for more great content. We appreciate you taking time to read our articles. To interact more with our community and keep up to date on the latest in Chicago sports news, JOIN OUR FREE FACEBOOK GROUP by CLICKING HERE

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BREAKING: Chicago Bears Place Running Back Injured Reserve

The Chicago Bears’ second-leading rusher is going to miss a few weeks

The Chicago Bears’ leading rusher is their quarterback, Justin Fields. Their second-leading rusher is a running back, Khalil Herbert. According to a report by Field Yates of ESPN, the Bears will place Khalil Herbert on injured reserve.

The Bears have placed RB Khalil Herbert on IR. He’s out for at least four games.
They also waived DE Kingsley Jonathan and claimed DB Justin Layne off of waivers.

Herbert had to leave the Bears’ Week 10 game against the Detroit Lions with a hip injury. His injury will be a bump in the road for the Bears as he brings an explosive pace to the Bears’ backfield. He’s averaging six yards per rush this season. Running back David Montgomery is the Bears’ third leading rusher. He will now be expected to shoulder more of the load. Montgomery is averaging a measly 3.8 yards per rush this season.

According to the report by Yates, the Bears waived defensive end Kingsley Jonathan. The Bears claimed defensive back Justin Layne from waivers. Layne had most recently been with the New York Giants.

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Cubs acquire Miles Mastrobuoni from Rays before reserve list deadline

The Cubs acquired utility player Miles Mastrobuoni from the Rays for minor-league pitcher Alfredo Zarraga before Tuesday’s deadline to set reserve lists for the Rule 5 Draft.

The deal gave the Cubs another young, versatile defender. Mastrobuoni, 27, debuted in September and recorded three hits in 16 at-bats. But he hit .300 in Triple-A before his call-up. After the trade, the Cubs’ 40-man roster stood at 34 players.

“It feels really condensed, honestly,” president of baseball operations Jed Hoyer said of Tuesday’s deadline at GM meetings last week. “This is a shorter time frame. We have many deadlines, and that’ll help us make decisions. Yes, it was very different in the last few years in the sense of, we have a lot of hard decisions to make. But that’s a good thing.”

The Rule 5 Draft is scheduled for Dec. 7, during the Winter Meetings in San Diego.

Hoyer said then that the Cubs would be active in “some small trade discussions” leading up to Tuesday’s deadline.

The Cubs cleared roster spots to protect Rule-5 eligible prospects over the past week with a series of moves that brought their 40-man roster down to 33.

They activated pitchers Kyle Hendricks (strained right shoulder), Codi Heuer (Tommy John surgery) and Ethan Roberts (Tommy John surgery), and outfielders Jason Heyward (right knee inflammation) and Rafael Ortega (broken left ring finger) off the 60-day injured list.

On Monday, the Cubs announced they’d granted Heyward his unconditional release, something they’d been open about planning to do since August.

Franmil Reyes, David Bote, Steven Brault, Narciso Crook, Anderson Espinoza, Esteban Quiroz and Jared Young all cleared waivers and were outrighted to Triple-A.

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Willson Contreras rejects qualifying offer from Cubs — what’s next?

Willson Contreras’ rollercoaster of a final year under club control with the Cubs culminated with a qualifying offer decision Tuesday. The three-time All-Star catcher went from saying goodbye to Wrigley Field before the trade deadline, to almost being traded to the Astros, to returning for a final two months with the team that signed him out of Venezuela in 2009.

As expected, Contreras turned down the qualifying offer (one year, $19.65 million). He’s expected to seek a longer term contract.

When asked a couple months ago what his priorities will be in free agency, Contreras said: “I want to be somewhere that I’m wanted and to feel like they’re going to appreciate what I can do on the field and off the field. A place that appreciates what I bring to the clubhouse and what I can do.”

It’s too early to rule out anything, but the Cubs are far from the favorites to land Contreras in free agency. So, they’ll have to turn their attention to bolstering the position.

“It’s a two-way position,” Cubs president of baseball operations Jed Hoyer said last week during the GM Meetings. “You obviously want guys that can hit, but it’s a run prevention position.”

Veteran Yan Gomes made a strong impression in the first year of his two-year contract, praised by teammates and coaches for his game calling and quick rapport with the pitching staff. The Cubs also had homegrown catcher and first baseman P.J. Higgins start 24 games behind the plate last season.

Catching prospect Miguel Amaya’s path to the major leagues has been winding due to injuries. He was out for much of last season after undergoing Tommy John surgery a year ago and then missed the Arizona Fall League with a Lisfranc fracture in his left foot. But Cubs vice president of player development Jared Banner said last week that Amaya is on track to be fully cleared for spring training.

The Cubs have some internal options, but in 2021, when they went through eight backups behind Contreras, they saw how important depth at catcher can be.

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Kofi Cockburn, Illini great, heads to Japan without shame, his fire for the NBA still burning

CHAMPAIGN — Illinois came out shooting every which way but straight last Friday against Kansas City, missing on its first 12 attempts from long range. It sure was an effective way to kill the mood after raising a banner in celebration of last season’s Big Ten regular-season co-championship. Lowering 15,000 blindfolds to protect onlookers from the unsightly display might have been a better idea.

It was the kind of game against a minor opponent that an old-school, back-to-the-basket, 7-foot true center could have easily dominated. Kofi Cockburn, in town for the banner ceremony and watching from a seat behind the basket in blue jeans and a hoodie, likely had the same thought a time or two.

“I know I could still be out there,” he said beforehand, gesturing at the court from a State Farm Center tunnel.

But Cockburn — the third two-time All-American in school history — had other plans. By Wednesday evening, he expected to be on the ground in Nagaoka, a Japanese city of a little over a quarter-million, where his new professional team, Niigata Albirex BB, plays in a building with roughly one-third the capacity of his alma mater’s arena.

Cockburn — his NBA dream on hold — is on a one-year contract.

“I still think I’m the best of the best,” he said, “so I expect myself to be in the best [league]. That’s the desire that I have, to be in the NBA, and one day I will be. One day. But right now, it’s just a slow grind.”

And kind of a cruel one, if we’re being honest. Cockburn was a great college player, not a good one. The Illini rode on his massive shoulders to a three-season Big Ten record of 44-16. In an era better suited to his talent, the NBA draft lottery would have been waiting for him. At the Draft Combine at Wintrust Arena in May, a former coach and general manager told the Sun-Times Cockburn “easily” would have been a top-five pick a generation ago. Alas, he was not picked in the first round or the second, and a free-agent opportunity with the Jazz simply didn’t go well enough.

If Cockburn tunes into an NBA game now, he’s bound to see at least one of his college contemporaries out there living the dream. Three of his fellow first-team All-Americans were selected in the top 14 of the draft. Four second-teamers went in the top six. Two third-teamers were taken in the first round, including No. 1 overall pick Paolo Banchero. Star post players Oscar Tshiebwe of Kentucky and Drew Timme of Gonzaga stayed in school and are raking in NIL dough.

Maybe Cockburn should have stuck around for another year — or even two — himself and been the ultimate Big Man on Campus. A star nicknamed “King Kofi” would have lined his pockets nicely via endorsements, there’s no doubt, and many an Illini fan has made it clear on social media that Cockburn made a big mistake by turning pro. But Cockburn never saw the sense in projecting the message that he, of all people, was unwilling to bet on himself.

“I made my choice,” he said. “It was a tough choice, and it was a long process, but I ultimately made it and I feel good with it. So it is what it is.”

No regrets?

“I never have regrets,” he said.

No pangs of envy — or of “FOMO,” the fear of missing out — as he watches guys whose butts he kicked just last season paying their NBA dues with eight-figure contracts?

“Not at all,” he said. “The world is not a fair place, but I’ve learned to accept that from a young age. My mom always told me, ‘Sometimes coffee and sometimes tea.’ Things aren’t always going to go your way. Sometimes, you have to take what life gives you. Life gives you lemons, you make lemonade, right? That’s my position right now. I’m going to make the best of it. I’m going to try and succeed. Whatever obstacles I have, whatever challenges I have, I’m going to try to overcome them.

“I look at these [NBA] guys and I’m happy for them. They’re doing well. I’ll be doing well, too, whenever I get there and start playing.”

As we spoke, Illini Coach Brad Underwood walked up behind Cockburn in the tunnel, put his arms around the 23-year-old and — smiling up at him — scratched his belly. Everybody was happy to have the King back in town. Maybe a bit sad or apprehensive, too, given the NBA’s cold shoulder to one of the school’s all-time greats.

Japan, eh? That’s a little bit different. It’s awfully far away.

“I’ll be OK,” Cockburn said. “It’s going to be an adjustment because I’ve never been to Asia, but I think I’ll enjoy it.”

And he isn’t giving up.

“Never,” he said. “This is my life, and I love it. If I have to fight for my dream, I will love doing it.”

Attitude? It’s king.

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Bulls guard Coby White not only remains injured but an enigma

There was positive news on the Coby White return the past few days, as the Bulls guard has been running with resistance bands and continuing to get up shots.

Progress, but still not a promise of when White will be back in game form, as coach Billy Donovan ruled White out of his eighth-straight contest with that left thigh contusion.

No big deal?

Not true. Each game White misses is a deal, and one that the Bulls can’t make.

The Sun-Times reported in July that the Bulls were actively shopping White, but didn’t get the value they wanted and weren’t just going to give him away. After the deadline for an extension came and went last month, there were still phone calls being made, but again not worth jumping on in the eyes of the front office.

The hope was White would make some noise off the bench through the first half of the season, upping his value by the Feb. 9 trade deadline. Being a daily visitor to the training room, however, doesn’t exactly scream must-have target for the other 29 NBA teams.

So where are the Bulls with White?

That’s where it gets muddled.

Since the old regime of John Paxson and Gar Forman drafted White No. 7 overall out of North Carolina and tried turning him into a point guard, White has been more enigma than rising prospect.

On one hand he hasn’t impacted wins and losses. Evidence of that has been on full display the last two seasons, with the Bulls posting a 17-11 record (.607 winning percentage) when White doesn’t play.

On the other his outside shooting is very necessary for this roster.

The Bulls were beyond efficient from three-point range last season, finishing fourth in the league by hitting 36.9% from long range. The issue was the number of threes they put up, finishing dead last in attempts at 28.8 per game.

Through the first 14 games this season, the Bulls are still near the bottom in attempts, sitting 28th with 28.8 per game once again, but were 14th in three-point accuracy at 36%.

White was struggling with his three-pointer in the seven games he played so far this season, hitting just 29.4%, but shot a career-best 38.5% from three last year. Even more impressive, White was among the team lead in fourth-quarter three-point shooting in the 2021-22 campaign, going 44-for-91 (48.4%) in that final stanza.

His 44 fourth-quarter threes led the team, and might have come in handy the last few weeks, considering the Bulls were 0-6 in clutch time – defined by the NBA as games within a five-point margin with five minutes or less left to play.

A lot of numbers to dissect with White, but also exactly why the streaky shooter remained the Jekyll and Hyde of this roster.

So what exactly could the Bulls realistically do with White? Right now, not much.

Milwaukee is reportedly shopping Grayson Allen, who would be a perfect fit for the Bulls. He can shoot from long range, is a slightly better defender than White, and more importantly, brings a much-needed edge wherever he plays.

The issue is the Bucks are looking for a defensive-minded frontcourt player in return. White is neither of those.

What the Bulls need is White to get healthy first, show a consistent ability to hit from outside, and then if they are in the trade market when February comes around, he’s more likely to be a piece in a trade package.

Until then it’s a waiting game, and one that the Bulls hope involves less resistance bands.

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Dave’s Records goes out in a blaze of glory

Last week, beloved Lincoln Park vinyl shop Dave’s Records announced some sad news: after 20 years, it’s closing for good. Store owner Dave Crain tells Gossip Wolf the last day will be in December, but he hasn’t confirmed an exact date. Crain opened Dave’s Records in 2002 in a former 2nd Hand Tunes location, and about a year and a half ago the whole building was sold. The new owners have told Crain they intend to knock down and replace the building, so even though he renewed the shop’s lease last year, he knows that the writing is on the wall. “Selling it didn’t seem like an option to me,” Crain says. “Starting at a new location, I thought about—but I’ve seen people move, and it takes a while till people figure out that you didn’t just close up. And then there was option three, which is the option I’m taking—which is to go out in a blaze of glory and get the records in the hands of all our fans.” 

Crain has been thinking about shuttering the shop for a few months, and he decided to formally announce it on election day. The closing sale kicked off with 50 percent discounts on singles and used LPs, plus a “buy one, get one half off” deal on new LPs. “I’ve been surprised at how quickly it’s turned into a madhouse,” Crain says. “It’s been, like, four days now, and it seems like four Record Store Days in a row.” The shop won’t participate in the actual Record Store Day on Black Friday, though it will stock a handful of RSD titles. Crain says he’ll use the shop’s social media accounts to post updates about further sales and formal closing-day plans.

Bassist-vocalist Katie Ernst and saxophonist Dustin Laurenzi are perhaps best known to Gossip Wolf readers from jazz trio Twin Talk, who masterfully stretch the genre’s boundaries with their graceful, breathy interplay between instruments and voice. But the couple also have an indie-folk duo, Edith Judith, named after their three-legged dog and founded in their apartment during COVID lockdown in spring 2020. Laurenzi added guitar, synthesizers, clarinet, and flute to his usual horns, and he and Ernst brought in Los Angeles-based drummer and producer Ben Lumsdaine to help finish the tracks. “These are love songs and question songs, hopeful songs and sad songs,” says Ernst. “They’re poems of uncertainty.” 

On October 14, New York indie label Ruination Record Company released Edith Judith’s first album, Bones and Structure, on LP and cassette. To this wolf, each succinctly crafted, immensely satisfying song feels like quietly reading a postcard from a tumultuous moment in time. On Thursday, November 17, Edith Judith celebrate the album’s release with a show at the Hungry Brain, where they’ll grow into a full band, adding Lumsdaine and Chicago musicians Leslie Beukelman and Michael Hilger. The Matthew Davis Ensemble opens.

All the songs on Bones and Structure are originals written by the duo.

On Sunday, November 20, Chicago new-music group Ensemble dal Niente presents a scintillating program inside the lower-level “catacombs” space at Epiphany Center for the Arts (201 S. Ashland). Two dal Niente members, percussionist Kyle Flens and soprano Amanda DeBoer Bartlett, will perform a program of solo and duo pieces that play with the acoustics of the space, including world premieres by Colombian composer Melissa Vargas and dal Niente flutist Emma Hospelhorn. Trans, by Chinese American composer Lei Liang, will enlist the audience to accompany Flens with “a chorus of small rocks,” and Luis Fernando Amaya’s Guerrilla de Dientes Entre los Árboles will bring aboard second percussionist John Corkill to join Flens in playing amplified combs, bottles, planks, and other objects.

Related


Saxophonist Dustin Laurenzi adapts the compositions of street musician Moondog to jazz


Jazz bassist and vocalist Katie Ernst rises like the tide

She isn’t just helping herself with her talent, wit, and confidence—she’s also lifting up her peers and students.


Ensemble dal Niente collates five-year-old highlights on Object/Animal


Wednesday, November 30, 2022 at the Museum of Contemporary Art

Read More

Dave’s Records goes out in a blaze of glory Read More »

Dave’s Records goes out in a blaze of gloryJ.R. Nelson and Leor Galilon November 15, 2022 at 6:26 pm

Last week, beloved Lincoln Park vinyl shop Dave’s Records announced some sad news: after 20 years, it’s closing for good. Store owner Dave Crain tells Gossip Wolf the last day will be in December, but he hasn’t confirmed an exact date. Crain opened Dave’s Records in 2002 in a former 2nd Hand Tunes location, and about a year and a half ago the whole building was sold. The new owners have told Crain they intend to knock down and replace the building, so even though he renewed the shop’s lease last year, he knows that the writing is on the wall. “Selling it didn’t seem like an option to me,” Crain says. “Starting at a new location, I thought about—but I’ve seen people move, and it takes a while till people figure out that you didn’t just close up. And then there was option three, which is the option I’m taking—which is to go out in a blaze of glory and get the records in the hands of all our fans.” 

Crain has been thinking about shuttering the shop for a few months, and he decided to formally announce it on election day. The closing sale kicked off with 50 percent discounts on singles and used LPs, plus a “buy one, get one half off” deal on new LPs. “I’ve been surprised at how quickly it’s turned into a madhouse,” Crain says. “It’s been, like, four days now, and it seems like four Record Store Days in a row.” The shop won’t participate in the actual Record Store Day on Black Friday, though it will stock a handful of RSD titles. Crain says he’ll use the shop’s social media accounts to post updates about further sales and formal closing-day plans.

Bassist-vocalist Katie Ernst and saxophonist Dustin Laurenzi are perhaps best known to Gossip Wolf readers from jazz trio Twin Talk, who masterfully stretch the genre’s boundaries with their graceful, breathy interplay between instruments and voice. But the couple also have an indie-folk duo, Edith Judith, named after their three-legged dog and founded in their apartment during COVID lockdown in spring 2020. Laurenzi added guitar, synthesizers, clarinet, and flute to his usual horns, and he and Ernst brought in Los Angeles-based drummer and producer Ben Lumsdaine to help finish the tracks. “These are love songs and question songs, hopeful songs and sad songs,” says Ernst. “They’re poems of uncertainty.” 

On October 14, New York indie label Ruination Record Company released Edith Judith’s first album, Bones and Structure, on LP and cassette. To this wolf, each succinctly crafted, immensely satisfying song feels like quietly reading a postcard from a tumultuous moment in time. On Thursday, November 17, Edith Judith celebrate the album’s release with a show at the Hungry Brain, where they’ll grow into a full band, adding Lumsdaine and Chicago musicians Leslie Beukelman and Michael Hilger. The Matthew Davis Ensemble opens.

All the songs on Bones and Structure are originals written by the duo.

On Sunday, November 20, Chicago new-music group Ensemble dal Niente presents a scintillating program inside the lower-level “catacombs” space at Epiphany Center for the Arts (201 S. Ashland). Two dal Niente members, percussionist Kyle Flens and soprano Amanda DeBoer Bartlett, will perform a program of solo and duo pieces that play with the acoustics of the space, including world premieres by Colombian composer Melissa Vargas and dal Niente flutist Emma Hospelhorn. Trans, by Chinese American composer Lei Liang, will enlist the audience to accompany Flens with “a chorus of small rocks,” and Luis Fernando Amaya’s Guerrilla de Dientes Entre los Árboles will bring aboard second percussionist John Corkill to join Flens in playing amplified combs, bottles, planks, and other objects.

Related


Saxophonist Dustin Laurenzi adapts the compositions of street musician Moondog to jazz


Jazz bassist and vocalist Katie Ernst rises like the tide

She isn’t just helping herself with her talent, wit, and confidence—she’s also lifting up her peers and students.


Ensemble dal Niente collates five-year-old highlights on Object/Animal


Wednesday, November 30, 2022 at the Museum of Contemporary Art

Read More

Dave’s Records goes out in a blaze of gloryJ.R. Nelson and Leor Galilon November 15, 2022 at 6:26 pm Read More »

‘A Christmas Story Christmas’ review: HBO Max movie fires off bits of nostalgia like Red Ryder BB’s

If Hollywood delivered a decades-later sequel titled “It’s Still a Wonderful Life” that picked up the story of Zuzu Bailey as a middle-aged florist undergoing her own existential crisis, or “Another Miracle on 34th Street,” with Susan Walker all grown up and having forgotten she once believed in Kris Kringle, you wouldn’t expect either to be great, right? You might even question the wisdom of anyone even attempting such a follow-up.

That’s how I felt when I heard about “A Christmas Story Christmas,” the long discussed and finally realized sequel to the 1983 cultural touchstone. Was it wise to drop in on the life of the adult Ralphie Parker after all these years? Isn’t there something magical about Ralphie and the Old Man and Flick and Schwartz and all the rest forever frozen in nostalgia?

Remember or not, we actually did get a sequel to “It’s a Wonderful Life” in the forgettable and regrettable 1990 Family Channel movie “Clarence,” with Robert Carradine (!) as the angel Clarence Odbody, and there WAS a sequel of sorts to “A Christmas Story” in “A Christmas Story 2” (2012), a straight-to-DVD release set six years after the events of “A Christmas Story.” with a young fellow named Braeden Lemasters as a teenage Ralphie and Daniel Stern as the Old Man. Still, it’s as if “A Christmas Story 2” never existed for 99.9% of the population.

‘A Christmas Story Christmas’

Now comes a legitimate sequel: “A Christmas Story Christmas,” directed by Clay Kaytis and based on the characters and writings of Jean Shepherd. You won’t be surprised to hear it’s not the equal of the original, but it succeeds as a sweet, family-friendly follow-up, with the welcome return of Peter Billingsley as Ralph and a number of other actors back in their iconic roles. It’s a bit like attending a 40-year reunion and telling old stories while trying to re-create a few of those crazy adventures from days gone by.

The exact year of “A Christmas Story” was never specified (it’s either 1940 or 1941), but the kitchen calendar informs us the sequel is set in December of 1973, with Billingsley’s Ralphie Parker serving as our narrator, telling us we’re at “our humble abode on the South Side of [Chicago], just like I remember in all of its yellow, orange and avocado green glory.” Ralphie is married to the lovely and kind Sandy (Erinn Hayes), and they have two adorable children, Mark (River Drosche) and Julie (Julianna Layne), who are very excited for Christmas, which will really kick into gear when Ralphie’s parents arrive in Chicago in a couple of days. In the meantime, Ralphie is desperately trying to sell his first novel, a 2,000-page sci-fi opus titled “Neptune’s Oblivion,” which has been rejected by more than a dozen publishers. (Hmmm, if only Ralphie would consider writing about experiences closer to home…)

Then comes the call from Ralphie’s mother. The Old Man is gone.

Ralphie, Sandy and the kids make the drive to Ralphie’s hometown of Hohman, Indiana, where they’ll spend the holidays with Ralphie’s mom (Julie Hagerty) in “our old house on Cleveland Street [that] looked like it had been frozen in time.”

Indeed it does. But given the Old Man has died, doesn’t that mean Christmas will be put on hold for a memorial service? The script handles that issue by having Ralphie’s mom say, “All that can wait. Your father was so excited about Christmas. If he saw us moping around, he’d throw a fit.” This gives the family license to embark on a series of adventures involving snowball fights; battles with some local bullies; the quest for the perfect toys; a couple of slapstick injuries, and of course, a visit to Higbee’s Department. Store, with its amazing window displays, and a Santa Claus who still sits way up high and a helper elf who dumps kids down a precarious slide.

Director Kaytis indulges in a few fun stylistic flourishes, e.g., a snowball fight is filmed like a shootout in a Spaghetti Western, but for the most part, “A Christmas Story Christmas” is rendered in a low-key, straightforward style, as Ralphie struggles with the loss of his father, his flailing writing career and a number of setbacks to his plans for a perfect Christmas. In the process, he reconnects with pivotal figures from his past, including Flick (Scott Schwartz), who has inherited Flick’s Tavern from his old man; Schwartz (R.D. Robb), who famously triple-dog dared Flick to stick his tongue on that frozen pole and these days is running up a huge tab at Flick’s Tavern and living with his mom, and the notorious Scott “Scut” Farkus (Zack Ward), and we’ll leave it to you to discover what happened to ol’ Farkus. (Ralphie’s younger brother Randy, best remembered for being rendered immobile by too many layers of winter clothing, also makes an appearance, with Ian Petrella reprising the role.)

“A Christmas Story Christmas” features the occasional quick clip from the first film, and the closing credits remind us of just how many scenes in the sequel mirror events from the original. If watching “A Christmas Story” is a part of your annual holiday ritual, you might want to make time to catch the sequel. It’ll make for a warm double helping of Christmas nostalgia.

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