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A gender-affirming spaceKait Lavoon November 16, 2022 at 8:41 pm

Clear backpacks lean against one another like a line of fallen dominoes. Inside each of the bags is a collection of specially curated books. As a caregiver’s murmurs break the silence of the Oak Park Library children’s section, the top of a child’s head peeks above the bookshelves.  

Sitting behind a plastic barrier that faces the library’s aquatic-themed entrance, Hallothon Patnott pulls out a large children’s book. As the resident children’s librarian, Patnott specializes in working with LGBTQIA+ youth and allies. He greets everyone who approaches the counter with a gentle tone. 

“I always knew I wanted to be a children’s librarian,” Patnott said.

Pattnott is open about his own transition. He grew up in Holland, MI, where the possibility of other gender identities was not discussed among his family or in his environment. He came to Chicago to get his master’s degree in library and information science from Dominican University. 

For Patnott, the importance of creating a safe learning environment for children and caregivers using the library is underlined by his own lack of resources while growing up. 

“I’m from a really small conservative town. I didn’t have access to any of the books or resources that would have told me that trans people exist,” Patnott said. “I don’t think I even really knew that trans people existed, particularly not trans men, until well into college.”

Once some of his friends started coming out, understanding of his own gender identity as a transgender man finally clicked for Patnott, he said. “I was like, ‘Oh, that’s something that I could be.’”

In states where school districts are banning LGBTQIA+ literature, proponents of those bans often argue that students are too young to learn about topics like gender and sexuality. 

Ricky Hill, a research assistant professor at Northwestern University’s Institute for Sexual and Gender Minority Health and Wellbeing, says spaces like Oak Park Library can be important referral points for families seeking gender-affirming care. 

“I believe that currently, public libraries are under attack. Anything I can do to bring queerness into those spaces in a really visible way is very important,” said Hill.

Hill works directly with the Chicago LGBTQIA+ community and sees those members who are directly impacted by accessing queer resources.

”Libraries are one of the most important community information hubs,” they said. “Libraries aren’t just for reference materials, they are places where people just come to spend time. A lot of people who are either unhoused or transient show up in those spaces; young people show up in those spaces quite a bit.”

The Oak Park library provides such a space. During after school hours, students gather outside, run in and out of the building, and seem to know the librarians well as they greet them. The building is a hub for locals to socialize and complete homework.

Patnott works at his desk surrounded by filled with books selected by the staff. Kait Lavo

The library also offers kits for caregivers of children visiting the library in search of resources to understand a child who may have just come out to them. 

“There are ways that explore your identity, it can be playful, beautiful and fun,” he said. “The resource kits aim to help caregivers facilitate conversations about gender identity with their children in an age-appropriate way. Some kits are designed to be used with a group of kids in a classroom setting, or used at home.”  

One book, From the Stars in the Sky to the Fish in the Sea, which is not among the list of banned books in states around the country, is especially important to Patnott.  He uses it as a tool in his gender workshops.

“It’s this really beautiful story about a genderfluid child, who is a shapeshifter, and their mom,” Patnott said. “They are starting school for the first time and they’re excited and really nervous.” 

The story focuses on showing kids how to celebrate themselves—and also serves as a good example of a parent supporting their child as they explore their gender. During gender workshops, he pairs the book with locally made costumes, puppets, and masks that let the children become shapeshifters themselves.

That kind of programming can significantly change the lives of LGBTQIA+ children and build the foundation of their support systems, Hill said. 

Some of the LGBTQ+ book selections from the children’s section of Oak Park Library

A gender-affirming spaceKait Lavoon November 16, 2022 at 8:41 pm Read More »

Justin Fields’ running is fun, but how about a few more Bears pass plays?

When a wide-open Cole Kmet hauled in a 50-yard touchdown reception against Detroit on Sunday, the idea, the promise and the threat of Bears quarterback Justin Fields coalesced, at least for one play. At that moment, a coaching staff’s and fan base’s most earnest desire could have been summed up in one sentence: More of that, please!

It doesn’t matter whether Lions safety Kerby Joseph simply forgot about Kmet or whether he was so worried Fields was going to run with the ball that he decided to ignore the tight end. What matters is the lesson from the play that needs to be embraced: Fields’ legs should lead to more opportunities for his arm.

The benefit of all this running should be more big pass plays.

To date, that hasn’t happened nearly enough.

If I were on the Bears coaching staff (looks at phone, still not ringing), I would press for more throws from Fields, specifically more deep throws. Everybody is in love with the running game these days. The Bears’ track club of Fields, Khalil Herbert (now on injured reserve) and David Montgomery has pushed the team to the top of the NFL in rushing attempts (360), rushing yards (2,017) and yards per carry (5.6). And it’s not just the Bears who are running more. Other teams seem to be falling in love with the running game again.

But let’s assume it’s a fad. Until notified otherwise, let’s stick to a much older trend, the one that says that teams, in order to be successful, have to be able to stretch the field. If you’ve been watching the Bears’ games, you know it’s not breaking news that they’re last in the league in passing attempts (208) and completions (123); second from last in passing yards (1,494); and tied for fourth from last in completions of 20 yards or more (21).

One passing stat is reason for optimism. Fields has four completions of 40 yards or more, which is tied for 12th in the league. It suggests that opponents are worried to distraction about his ability to tuck the ball under his arm and take off. It means receivers get some alone time. To reiterate: More of that, please!

It would be nice if offensive coordinator Luke Getsy would open up the passing game in the final seven games of the season, starting Sunday in Atlanta.

I know: If only it were that easy. The Bears’ offensive line knows how to run-block. It struggles in pass blocking. It’s a big reason why Getsy and head coach Matt Eberflus have embraced the idea of Fields as a running quarterback. If he’s going to get pulverized, let it be by a linebacker or safety, not a defensive tackle who has trouble keeping the pounds off.

To make matters worse, it’s not as if the Bears have receivers who have shown the ability to get open consistently. But before we put the linemen and receivers in stocks on Michigan Avenue, where they can be properly ridiculed, it’s important to know that Fields bears some of the responsibility for the offense’s lack of a legitimate passing attack. Even when he does have blocking, he tends to lock in on one receiver instead of going through his progressions. His accuracy has been suspect (58.9%, near the bottom of the league). And sometimes he gives up too quickly on a pass play and takes off.

But running is good, right? We all agree it’s been tons of fun watching him tear up defenses, right? Absolutely. Somehow, the Bears have made 3-7 entertaining. Who thought that possible?

Yet the biggest goal of the season is for Fields to make progress as a passer. So far, the progress has been slow. There certainly have been flashes. A few of his passes have been so perfectly thrown they could have produced a poetry anthology. But there have been head-scratchers, too, like the pick-6 he threw against the Lions. Mostly, the sample size has been as big as an hors d’oeuvre tray.

The Bears’ run-first offensive approach gives them the best chance to win, even though they’ve lost six of their last seven games. But winning should be secondary to Fields’ development.

Given the size and speed of NFL players, it’s hard to imagine a running quarterback holding up over time. At some point, the Bears are going to have to find out if the kid can throw. He’s thrown for more than 200 yards in just one game this season. His backers will view that as criticism or a lack of belief. It’s neither. It’s more a matter of eyesight. It’s hard to believe in something you haven’t seen yet.

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With more WRs than spots on game days, future should drive Bears’ decisions

Going into the season, it looked like the Bears didn’t have enough wide receivers to cobble together a viable group. Now they have more than they know what to do with on game days.

The long-term goal surely is to build from the top down by finding a wide receiver, perhaps with their upcoming first round pick, even better than Chase Claypool and Darnell Mooney. In the meantime, though, assuming Claypool is ready to operate at full capacity, they have a solid group already.

It has been a deliberate acclimation for Claypool, who played 33% of the snaps over his first two games since coming over from the Steelers in a trade that cost the Bears’ a second-round pick. He has three catches for 21 yards and one rush for four.

“It’s not going to work out every single week where everybody gets involved and everybody gets the touches that they need or want, but we’re certainly trying to do that,” coach Matt Eberflus said when asked if getting Claypool more involved is an urgent matter. “We’re trying to get Claypool the touches and highlight his athletic skill, like with all of our players.”

But Claypool isn’t like the other players. He was arguably the best receiver on the team the moment he entered Halas Hall, and the Bears paid a high price to land him. They’re also evaluating whether to give him a massive contract extension in the offseason.

Claypool said he was “prepared to be more involved” after getting just 19 snaps against the Lions on Sunday, but didn’t express any frustration.

“I’m not letting that get to me,” he said. “I just got here.”

Claypool indicated last week he expected to have a handle on the playbook by the time the Bears visit the Falcons, so perhaps those last two games were the soft launch and Sunday will be the grand unveiling of the new weapon.

Or, maybe it’ll still be a while.

Quarterback Justin Fields said Wednesday that Claypool is progressing well despite changing teams midseason and having missed the Bears’ foundational work of installing the offense in the offseason, but the playbook is complex.

“You kind of have to work him in slowly,” said Fields, who has been putting in extra time with Claypool daily. “Our routes have a lot of details in them, so it’s tough for him to come in and learn every little detail of every route.”

Everything the Bears do needs to be concentrated on next season, so beyond Claypool and Mooney, they need to use the last seven games to get clarity on which other receivers — if any — are part of their future.

That means rookie Velus Jones and reclamation project N’Keal Harry can’t continue to be inactive unless Eberflus and general manager Ryan Poles have already concluded they aren’t part of the plans. That’s unlikely in either case.

Pringle is a curious situation because he was a high-priority signing by Poles coming off a career year of 42 catches for 568 yards and five touchdowns with the Chiefs, but he’s the Bears’ oldest wide receiver at 29 and has missed a lot of time with injury since early August.

“[He’s a] physical guy who can really block the point in the run game,” Eberflus said. “He’s a big body… a good route-runner. That’s what we see.”

Eberflus has rejected the idea of treating this season largely as a runup to 2023, repeating Wednesday that his intent is to play whoever gives him the best chance to win each week, but it’d be prudent to reconsider.

Equanimeous St. Brown, for example, is highly valued because of his playbook mastery and run blocking, so he plays more (65% of the snaps) than any receiver but Mooney. But he wasn’t targeted once against the Lions.

In the long term, the Bears need playmakers at that position. It’s time to find out how many they have.

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BREAKING: Chicago Bears Sign Former First-Round Defensive End

The Chicago Bears added help to their defensive line

The Chicago Bears need help on the defensive line. The unit has been subpar this season. According to Pro Football Focus, the Bears are graded dead last in the league in defensive pass rushing. The Bears added depth to the unit on Wednesday.

According to Adam Jahns with The Athletic, the Bears added defensive end, Taco Charlton off the New Orleans Saints practice squad.

The Bears signed DE Taco Charlton off the Saints’ practice squad.

Charlton was a 2017 first-round draft pick by the Dallas Cowboys. He was a standout defensive player for the Michigan Wolverines in college when he won All-Big Ten honors. He had ten sacks in his senior season at Michigan.

Charlton hasn’t seen the same success at the NFL level. According to the statement by the Saints when they signed him, he’s been to a few other teams since he was drafted by the Cowboys:

“Charlton, 6-6, 270, was originally selected by the Dallas Cowboys in the first round (28th overall) of the 2017 NFL Draft out of Michigan. Charlton has appeared in 55 games with 13 starts for the Cowboys (2017-18), Miami Dolphins (2019), Kansas City Chiefs (2020) and Pittsburgh Steelers (2021), posting career totals of 92 tackles ( 53 solo), 12 stops for loss, 11.5 sacks for a loss of 69 yards, three passes defensed, four forced fumbles and one fumble recovery.

In 2021, Charlton appeared in 11 games with one start for the Steelers and finished the season with 18 tackles (seven solo), a split sack and a pass defense. In 2019, Charlton recorded a career-high and team-best five sacks for the Miami Dolphins to go with two forced fumbles.”

The Chicago Bears need an edge rusher

Charlton hasn’t been productive this season. And he wasn’t super effective in the sack department for the Steelers last season. However, the Bears might be able to use him better in their system. If he can be even as productive as he was with the Cowboys, that would be a major improvement for the Chicago Bears, who traded away their edge rusher, Robert Quinn, this season.

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Pianist Richard Gibbs pays tribute to Inez Andrews and Aretha Franklin

Pianist, organist, and bassist Richard Gibbs comes from a mighty gospel lineage, and he recently released his first album under his own name, Just for Me (the Sirens), though he’s been performing publicly for nearly five decades. The disc is a tribute to two incredible women who were close to him. One is his mother, Inez Andrews, who sang with the Caravans and became a widely acclaimed soloist. Andrews also wrote a version of the traditional spiritual “Mary Don’t You Weep” that influenced Aretha Franklin’s performance on the 1972 album Amazing Grace. Gibbs had his own connection to the Queen of Soul—he accompanied her for 20 years.

On Just for Me, Gibbs’s sparse arrangements and spirited delivery connect to gospel’s Chicago origins. He also passes on this legacy to his son, Richard Gibbs III, who plays bass and organ on one track. Gibbs is an inspiring composer too, and his song “Whisper a Prayer” feels of a piece with the album’s many gospel standards, most of them associated with Andrews or Franklin. 

Erwin Helfer and Lluis Coloma with Cliff Dubose, Richard Gibbs, and Bishop Dwayne MasonThese shows are billed as “blues, boogie, and gospel keyboard parties.” Sat 11/19, 7 and 9:30 PM, Old Town School of Folk Music, Szold Hall, 4545 N. Lincoln, $24, $22 members (early show sold out), all ages

Gibbs will perform this weekend as part of what’s billed as a “blues, boogie, and gospel keyboard party” at the Old Town School of Folk Music. He talked to me about the people and experiences that shaped his debut album, speaking from his home in Bronzeville, just a few blocks from where he grew up.

Aaron Cohen: What were the most important things you learned from your mother?

Richard Gibbs: One of the most important things I learned is what she went through as a young artist. When the Caravans were in the 1950s and traveling with Reverend C.L. Franklin and a young Ms. [Aretha] Franklin, the troubles they had with hotels and just going different places, dealing with segregation—that stuck out. I learned how they managed and maneuvered and slept in the car and did different things to continue to sing and make a living. Because for me, it wasn’t a real reality—I was born in 1962, and when I got of age things were a lot better. 

Another thing that sticks out is their lack of knowledge of the business of music. They wrote these great songs and would leave the business to the record publishers or different publishers. As I got older and learned things about the business, I’d ask mom, “Why are you doing that? You can do what they’re doing.”

Inez Andrews leads her group the Andrewettes, most likely in the mid-1960s.

The other thing is how when she became a solo artist, she would be in concerts with the Mighty Clouds of Joy and these male groups—or other entertainers with six or seven people in their groups—and she would do so well by herself. She was fearless. In terms of her voice, when she was a much younger singer, the things she would attempt were just way over-the-top. She had almost a six-octave range and would just jump up there and grab those notes like she was just clearing her throat. “OK, I’m going to sing a D-flat over a high C,” and it’s like, “What? Who does that?” If she felt it, she was able to articulate it.

Your father, Richard Gibbs, was also in the classic gospel group the Soul Stirrers. Do you have many memories of him?

My father passed when I was two, so my memories of him are very few. Martin Jacox, who sang with the Soul Stirrers, gave me a VHS of my dad from a show called TV Gospel Time. My dad was singing baritone, but what stood out was they didn’t have a drummer—they just had a bass and guitar—but my dad clapped so loud that he almost served as the drummer. I felt like his voice was like a chameleon. It didn’t stick out but held things together. He was just one of the best chameleon hold-it-together types in the back. 

The Soul Stirrers in 1963, with Richard Gibbs’s father in the middle of the backing trio at the start of the clip

What I may have taken from my dad is that chameleon aspect. If I’m playing bass, because I also play keyboards, I already know what a keyboard player wants the bass to do, because I know what I want my left hand to do. I think I’m a pretty good chameleon, because I have a way of fitting in and finding that sweet spot, that groove spot, and I try to bring whatever is necessary to whatever situation I’m in.

What drew you to the piano, and did your mother intend for you to become a musician?

Early on, my mom used to have rehearsals right at home, and so we had a piano there. So she had James Cleveland, Jessy Dixon, Marvin Yancy—all these great pianists would come over. My mom told me I used to play on the windowsill in my bedroom, kind of mimicking them. Mom would cook mac and cheese and all of this stuff that they liked. They would rehearse for a while, and then when they’d go to the kitchen to eat I’d get on the piano and mimic what they were doing. 

I don’t think at that point she was expecting me to be a musician. She had a friend named Chessie Manning—she approached my mom when I was seven and asked her if I could play for her church. I started playing at Nazarene Deliverance Church of God in Christ. My mom thought, “It’s cute, it’s cool, he’s making $25 a week,” and thought it was fine. 

Richard Gibbs accompanies his mother, Inez Andrews. This clip was posted in 2013, a year after her death.

Around 13, mom fired her accompanist, and the first concert I did with her, we went to New York. The popular kids’ clothes were Garanimals. She bought me a blue one and a red one. I had my cool outfit, and we flew to New York—that was my first flight, first time I ever just played with my mom, and there were a zillion people there. She used to have me stomp my feet to let her know where the one is. On Easter we played the Superdome. Imagine it filled to capacity, filled with people—that was unbelievable, to experience that kind of stuff. It was really great to touch these people, know these people—and they respected my mom. It was just amazing.

What about the bass?

Criss Johnson, who played guitar for my mom, was a left-handed guitar player. If I tell you he was amazing, please believe me. He’s still amazing to this day. He plays with Shirley Caesar now and is one of the best guitarists I’ve ever seen. What happened was—I used to enjoy the Jackson Five so much when they had the cartoon out, and I told my mom I wanted to get a guitar for me, drums for my sister, and how I wanted everything. That Christmas she bought my older brother a bass and me a bass. Honestly, I don’t think she knew the difference. So we had two basses in the house. So my whole group situation went out the window. 

But anyway, having the bass, I would mimic the Jackson Five. I was just a musical kid having fun, but once I had the feel for the bass—I didn’t know I had it upside down because Criss was so great, I would watch what he was doing and mimic what he did. I went to my mom’s recording sessions and there were two guys, [bassists] Larry Ball and Richard Evans, and those guys were phenomenal. Gene Barge was my mom’s producer, so he would bring in [guitarists] Phil Upchurch, Byron Gregory, Cash McCall—I was just around these guys, and I was always watching, always a sponge.

How did Aretha Franklin hiring you come about?

My work with Ms. Franklin began in late 1997. I did one gig with her in New York, and it was a gospel performance, so she was doing songs off of Amazing Grace. But the week prior to that I was in New Orleans with Bishop Paul Morton, and he was doing his first full gospel record. The following Saturday I was in Ms. Franklin’s living room, auditioning. 

I felt I was so prepared for it, because my mom wrote “Mary Don’t You Weep” on Amazing Grace. So when you write on a record that big, that’s played in your house forever. I got whuppings to that album. I did my homework to that album. I went to sleep to that album, I woke up to it, I knew everything there is to know about that album. 

So that was my audition when I started with Ms. Franklin. She would call out songs—“Mary Don’t You Weep,” “Amazing Grace”—she just went all over the album. The first half of the rehearsal, we made it through that with no problem. And then during the break she asked me, “Do you ever play secular?” I said, “No, not really.” But I added, “I think I could, though.” She just said, “Oh, OK.” 

So we got back in rehearsal, finished the rehearsal, and at the end she said, “Come back into the kitchen.” I went into her kitchen and she was like, “Here are your first 12 dates. This is what you’re going to make. And get two tuxedos.”

What was something that you saw in an Aretha Franklin concert that audiences did not see?

When I started up with her, we got up to 17 songs per concert with an intermission. We would have all of these songs prepared, and Ms. Franklin would be in the wings with our librarian, Willie Wilkerson. We would play the overture before she came out, and during the overture, if Willie came out and whispered into [musical director] H.B. Barnum’s ear, it was like [exasperated], “Oh boy.” 

She would say, “OK, I’m changing number three. I’m going to change five and put seven in the place of four.” So while we’re playing the overture and they’re saying, “Ladies and gentlemen, Ms. Aretha Franklin”—we had a songbook of over 300 songs in our piano book, drum book, every book—so we would play the overture and H.B. would say, “OK, three is out, change seven to four.” 

We’d be in the book, still playing, try to find the other songs, while going through the song you have up already. Unless she just made a change while she was already onstage—and said she was making a change—that would have been the only way the audience would know. But if she was in the wings and she sent Willie out, the audience had no clue what Willie was telling H.B. But H.B. would let us know while he was still conducting, and by the time we get to those songs, that music had better be on your instrument and ready to play.

Richard Gibbs accompanies Aretha Franklin on piano at the White House in 2015.

Another thing is, Ms. Franklin would go off script sometimes. She would be singing, and she might get to a spot that she really liked and repeat it. H.B. had a panic sign, and he just would wave the horns out and would pass it over to me. The rhythm section would roll with Ms. Franklin for a while, while she was doing what she was doing, and once she was getting ready to get back to the song, I’d tell H.B., “Bring them back in, measure 84.” H.B. would tell the horns “84,” and as we’d play up to it he’d count them in. It happened so much that it would be effortless. 

In all actuality, it should work. She’s the queen. She earned the right to do that and have people who can respond to what she was saying. And for me, it went all the way back to my mom. If my mom wanted to put a measure of two there, she didn’t know it was a measure of two—that’s what she felt like, and Mr. Barge made it work. With Ms. Franklin it was all about making it work.

You have such a strong traditional sound on Just for Me. How did you plan the recording?

I didn’t do too many bells and whistles. This being my first CD, I wanted to respect what was there. When you have strong singers like Ms. Franklin and my mom, to mimic them is a feat—they’re so musical off the cuff. I tried to just re-create the feeling of just how they sang the songs. I know my mom’s riffs, I know Ms. Franklin’s riffs. I was able to play them, but it was my heart’s desire that they speak as they sang them. I tried to make them speak and feel the same way as best I could without lyrics. I played it as if I was playing it if they were singing it. 

Richard Gibbs plays “The Healer” on his new solo album, Just for Me.

Setting up that foundation, it made it kind of easy to do the solo parts on top. On “What a Friend We Have in Jesus” I may have stepped out a little bit, but I tried to stay close to what they did already. I tried not to change what was there and make it pure, make it what people appreciated from them, and I hope I achieved that.

How would you assess the gospel scene in Chicago today?

The gospel scene today in Chicago is well. There are young guns out there now like Jason Tyson, Curtis Lindsey, the list goes on. They’re producing great music, and I’ve always noticed that a lot of the R&B artists, prominent artists, borrow from Chicago a lot. The young guys who are really out there doing it now, they respect what has went on before. They’ll call me for sessions all the time. I’m the 60-year-old guy with all these 40-year-olds. They have a lot of respect for people like myself and Darius Brooks. 

Most of these guys eat ivory for breakfast, they play so much piano. A lot of good musicians still come out of Chicago. They are still sowing, just like Marvin Yancy and Gene Barge sowed into me and hopefully I sowed into Jason. Gospel in Chicago is good.


Wednesday, November 30, 2022 at the Museum of Contemporary Art

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Matt Eberflus: Bears expect Khalil Herbert to play again this season

The Bears don’t think running back Khalil Herbert’s hip injury is season ending, head coach Matt Eberflus said Wednesday.

The Bears put him on injured reserve Tuesday after he hurt his hip returning the last kickoff of the Lions game. By league rule, he can’t return for another four weeks. The earliest he can return to a game is Dec. 18 against the Eagles. But the Bears do believe he will return.

“We feel comfortable with it …” Eberflus said of the injury. “We like where he is. he’s in a good spot. We’ll see where it goes.”

Herbert and the Cowboys’ Tony Pollard each average 6 yards per carry, which leads the NFL. He ran 108 times for 643 yards this season while sharing backfield duties with David Montgomery. The Bears lead the NFL with 201.7 rushing yards.

Rookie Trestan Ebner will share carries with Montgomery in Herbert’s place.

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Bears claim former first-round pick Taco Charlton

The Bears claimed defensive end Taco Charlton, a former first-round pick, off waivers from the Saints practice squad Wednesday.

Charlton played for Bears head coach Matt Eberflus, who was then a linebackers coach, after the Cowboys drafted him No. 28 overall out of Michigan in 2017. In 2020, he played for the Chiefs, who also employed Bears general manager Ryan Poles.

“We know the man. … ” Eberflus said. “We’re excited to have him. We’re excited to see where it can go.”

Charlton will give the Bears depth on a defensive line that has struggled to rush the passer. He has 111/2 sacks and four forced fumbles in five seasons while playing for the Cowboys, Chiefs, Dolphins and Steelers. In 11 games with the Steelers last year, he posted 18 tackles and one-half sack.

To make room, the Bears waived defensive end Kingsley Jonathan on Tuesday.

The Bears also activated linebacker Matt Adams from injured reserve.

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Are the Bears ready to get an upset in Atlanta? Preview of the Bears versus Falcons

Can the Chicago Bears buck their losing trend with a big road win in Atlanta this weekend? Our preview for Week 11 is live

Currently, the Bears (3-7) are the worse team by record in the NFC while the Falcons (4-6) look to try to stay in contention for the NFC South and a playoff spot. Here is a position by position breakdown of the Atlanta Falcons:

Quarterback: At this point in his career, Marcus Mariota is considered a journeyman quarterback. The Falcons is the  third team that he has played for in the NFL and he was signed this offseason to bridge the era from the Matt Ryan era who was traded to the Colts in the offseason to the next franchise quarterback that general manager Terry Fontenot and head coach Arthur Smith decide to help lead this franchise back to contention for a championship.

Mariota has been rather unimpressive as the starter this year, having the third fewest pass attempts for a quarterback who has started more than eight games this season. Mariota averages 174.7 passing yards per game which is the second fewest in the league (Editor’s Note: Justin Fields has the least amount of passing yards for someone who has started eight or more games at 146.9 yards).

The Falcons are asking Mariota simply not to lose the game and execute head coach Arthur Smith run-heavy offense. Arthur Smith has had to answer questions from the media this week about possibly benching Mariotta in favor of rookie quarterback Desmond Ridder who was drafted in the third round of the 2022 NFL Draft. The Bears do not have deal with a quarterback this week who is going to challenge their secondary with his ability to pass the ball consistently.

Running Back: The Falcons have the fifth best rushing attack this season and they use four different running backs to get the job done. The most talented running back on the team is former Bear Cordarrelle Patterson. Last year, Patterson had 1,166 all-purpose yards and was a dynamic playmaker for the Falcons. This season, Patterson has been hampered with a knee injury and missed five games but has returned to action in the Falcons last two games.

The Falcons leading rusher this season has been Tyler Allgeier. Allgeier has had some strong games this season to help pace the Falcons in the running. The Bears will have to deal with this stable of running backs the Falcons have on Sunday and shutting down the running game will be key in the Bears winning the game.

Offensive Line: The offensive line has been good at run blocking but horrible in pass protection. The Falcons have allowed the sixth most sacks this season and allowed five sacks and nine quarterback hits in their last game versus the Panthers. The best lineman this season for the Falcons has been right guard Chris Lindstrom. Lindstrom was the highest rated offensive lineman in the game versus the Panthers according to Pro Football Focus and for the season has a grade of 87.4.

The Falcons have three offensive linemen who have played significant time this season but have landed on injured reserve. The Bears defensive line should be able to disrupt and pressure Marcus Mariota with this injured offensive line.

Wide Receivers: This position group has been hampered by three things: the horrible play of Marcus Mariota, the run-heavy offense of head coach Arthur Smith and the yearlong suspension and then the trade of wide receiver Calvin Ridley to Jacksonville at the trade deadline.

In 2020, Ridley had 1,374 yards receiving with nine touchdowns and was expected to continue that production in 2021. However, in 2021 he played only 5 games due to a non-football related illness and then was suspended for this season after being caught gambling on NFL games.

To help with the absence of Ridley, the Falcons drafted wide receiver Drake London with the eighth overall pick in the 2022 NFL Draft. London leads the team in receiving yards, receptions, targets and receiving touchdowns. However, he has not more than 40 yards receiving in a game since week 6 vs the Niners.

The team has 83 receptions by their wide receivers this season which is the eight worst in the league. This group of wide receivers is not explosive due to the reasons mentioned above and should be a group that this Bears secondary can keep in check.

Tight End: #FreeKylePitts is a hashtag that football fans and fantasy football owners of tight end Kyle Pitts have been displaying all over social media. Pitts was taken ahead of Justin Fields, Ja’Marr Chase and Micah Parsons in the 2021 NFL Draft. Chase and Parsons would be named offensive rookie of the year and defensive rookie of the year respectively during the 2021 season.

Pitts was thought to be the new great tight end in the league however that has not happened. Some of the reason for a lack of production has been the same reasons that the wide receivers have been ineffective for the Falcons. Pitts has a total of 313 yards receiving this season which ranks 14th among tight ends.

The Bears did give up a touchdown to tight end Brock Wright during the Lions game but the Bears had done very well versus tight ends. The Falcons passing game is not dynamic enough to take advantage of this Bears defense.

Defensive Line: The entire conversation about this unit starts and ends with defensive tackle Grady Jarrett. Jarrett leads the team in sacks, quarterback hits and tackles for loss. Jarrett is having his normal stellar season with disrupting offenses with tackles for loss; currently he is third in the NFL among defensive tackles with tackles for loss. No other defensive lineman has any sacks this season has any sacks for the Falcons. 

The Falcons rank last in pass-rush win rate from their edge defenders this season and so the Bears offensive line will need to be aware of the interior pressure that Jarrett will provide on Sunday.

Linebackers: The leader of this group is linebacker Rashaan Evans. Evans is 4th in the league in tackles this season and has had six games this season of more than ten tackles. Evans was signed this offseason as a free agent from the Titans is the veteran of this group. The Falcons have four rookie linebackers that have gotten snaps this season and are looking to get some production from these rookies.

The rookie linebacker that has been the most productive for the Falcons has been Arnold Ebiketie. Ebiketie was drafted in the 2nd round of the NFL Draft and is second on the team with nine quarterback hits and third on the team in sacks. Teams have found success running on this team all season and the Panthers just had 232 rushing yards during their game in Week 10. Justin Fields and David Montgomery should be able to run versus this unit who has had trouble stopping the run.

Secondary: The Falcons are dead last in completions allowed and passing yards given up this season. The Falcons have given up at least 250 passing yards in six out of their ten games this year. This unit, has only produced 5 interceptions as well.

The secondary have had some injuries that have caused some of the backups to play probably more than defensive coordinator Dean Pees would like them to. The strength of this secondary has been the safeties particularly strong safety Richie Grant who has played in all ten games this season.

Grant who was drafted in the 2nd round of the 2021 NFL Draft and is in his first year as a starter has brought some physicality and playmaking to this secondary. He leads the team in passes defended and is third in tackles on the team. The second-year safety will be used to limit the Bears explosive plays in the passing game.

Kicking: Kicker Younghoe Koo is the kicker for the Falcons and has made 16 out of 20 field goals which is ninth in the league. The Falcons did give up a blocked extra point to the Panthers during their last game.

Punter Bradley Pinion is averaging 46.8 yards per punt which is 21st in the league. The Falcons averaged 19.1 yards per punt return so the Bears special teams will need to be aware of punt returner Avery Williams and his dynamic ability to help create favorable field position for the team.

Follow me on Twitter and let me know what you think.

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