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Top Gun: MaverickMaxwell Rabbon June 3, 2022 at 2:00 pm

Top Gun: Maverick is the supersonic joyride that every action franchise aspires to produce, but most cannot stick the landing. Returning to the screen as if Top Gun premiered this decade and not 1986, Tom Cruise is back to remind us that he is America’s everlasting beacon of youth. Despite some (justified) reservations about a Top Gun reboot, this movie is undeniably thrilling, flying high above its predecessor. Director Joseph Kosinski achieved the impossible by crafting an action movie sequel with a gripping story that reminisces without feeling contrived.

Nearly 40 years later, Cruise returns to reprise his role as Pete “Maverick” Mitchell—an impulsive, speed-loving fighter pilot with a knack for disobeying orders. The movie opens with Cruise telling an admiral to shove it, flying his experimental jet over its Mach 10 speed limit and falling to Earth in a fiery plane crash. Of course, Maverick survives and limps into a diner to have a glass of water. The opening sequence sets the tone for the rest of the movie. Top Gun: Maverick is fast, pushing the danger zone to its breaking point and giving the sense that Cruise might not be indestructible.

Top Gun: Maverick is also shockingly tender, filled with warmhearted and tense moments between Maverick and his old partner “Goose’s” orphaned son “Rooster” (Miles Teller). Even though this movie falls a little too far into military propaganda, Kosinski manages to carefully craft a relatable story about overcoming grief. You will be lucky to leave without getting teary-eyed, especially during a remarkably touching dialogue between Val Kilmer’s “Iceman” and Cruise’s “Maverick” that feels like an authentic behind-the-scenes peek.

How can the sequel so clearly outfly its predecessor? Somehow Cruise’s foray back into the danger zone will be remembered more than the original, setting a new standard in the era of reboots. PG-13, 130 min.

Wide release in theaters

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Top Gun: MaverickMaxwell Rabbon June 3, 2022 at 2:00 pm Read More »

The Pop Quiz

The Pop Quiz

At some point during your academic journey, you encountered at least one instructor who gave you a pop quiz. Even if they forewarned you at the beginning of the school year that there would be pop quizzes, they never told you exactly when the pop quizzes would happen. The point was for you as the student, to always be ready and to have an answer with enough knowledge about the subject matter that on any given day, you can pass a test. In this life, we know that things are going to pop up and test what we know, we just don’t know exactly when, so we have to be ready at all times. Don’t be surprised when the tests pop up. You knew you would be tested.

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Art, records, and the great outdoors

Concertgoers of all ages at Park West Credit: Steven Abraham

Looking for stuff to do this weekend and beyond? Read on!

FRI 6/3

Do-Division Street Fest (Division between Damen and Leavitt) benefits from handing over its music programming to outside local venues, and this year’s lineup (booked by Empty Bottle and Subterranean) doesn’t disappoint. Tonight you can catch several acts that we’ve written about including Oui Ennui (5:45 PM on the East Stage), “musical polymath” Nnamdï (8:45 PM on the East Stage), and Oso Oso (9 PM on the West Stage). The entire festival includes fashion shows, music all weekend, family activities, and local vendors. You can see more music set times and other information at the festival website. Festival hours are tonight from 5-10 PM, and Sat-Sun noon-10 PM. (SCJ)

Now in its 12th season, dropshift dance asked its ensemble to explore family history and tradition in their newest offering, DWELL/burrow, opening tonight at 7 PM and continuing at 7 PM tomorrow at Links Hall (3111 N. Western). In collaboration with interdisciplinary musician and improvising violist Scott Rubin, the company dove into written archives, memories, and interviews with their parents to build this piece out of “lists of words and phrases mined during creative research while considering themes of visibility within the space and the context of time.” Also on the bill is Ghost Ensemble, an original improvised solo developed by collaborative dance group The Space Movement Project (TSMP) and performed by company artist Anne Kasdorf. Tickets are $34 ($28 senior/student, $18 under 16), with a livestream option available 6/4, and can be purchased through dropshiftdance.com. (KR)

At 10 PM, London-based neo acid house duo Paranoid London will be manning the decks at Smart Bar (3730 N. Clark). As I wrote in a concert preview, “Their music seems to imagine an alternate history where acid house evolved not in Chicago in the 1980s but rather in the UK underground punk scene in the 2000s.” Opening for them are local ethereal beatmakers Justin Aulis Long and Sassmouth. Tickets are $20 ($25 after midnight) and available to those 21 and up. (MC)

SAT 6/4

Today is a very special Dim Sum & Drag at Furama (4936 N. Broadway). Internationally renowned drag performer Rani KoHEnur—perhaps best known for her season one appearance on the drag/singing competition show Queen of the Universe—will be headlining a stacked bill that includes Aunty Chan, Gigi Madid, K’hole Kardashian, and Mac K. Roni. Bollywood Barbie Abhijeet will be the mistress of ceremonies while Club Chow provides beats. The 11:30 AM show is all ages, but the 2:30 PM show is 18+. Tickets start at $35 and include brunch. Masks and proof of vaccination are required. (MC)

From noon-5 PM today, the Chicago chapter of the New Era Young Lords will be celebrating the legacy of José “Cha Cha” Jiménez at the Humboldt Park Fieldhouse (1440 N. Humboldt). Around 1960, the Young Lords started as a Lincoln Park street gang, but in 1968, Jiménez inspired them to reorganize and fight gentrification. During the 70s, those successes grew into a national civil rights movement that benefitted Puerto Ricans and other colonized people of color. But similar to the Black Panther Party, the organization they modeled themselves after, their political gains were interrupted by FBI sabotage. At this event, community members are invited to connect with one another while civil rights leaders from that time advance Jiménez’s legacy and inspire a new generation of organizers. (MC)

The Martin (2500 W. Chicago) is hosting a free, all-ages pop-up spotlighting small local BIPOC artists and vendors. It’s running from 6-9 PM, and proof of vaccination is required. But earlier in the day, the Promontory (5311 S. Lake Park West) is hosting a similar event called the Chicago Black-Owned Marketplace from 11 AM-6 PM. It’s $5 to attend (children 16 and under get in free), and guests can expect a bevy of local and regional Black-owned businesses as well as a photobooth, food, and music. For those 21 and up, there will be a separate afterparty to marinate in all the good community vibes that kicks off at 10:30 PM. Tickets are $20. Both are organized by Afro Soca Love, which hosts events aimed at the African diaspora across the country. (MC)

Unfolding Disability Futures is a multi-organization, site-specific dance and visual arts event organized by local disabled artists and held throughout the Plant, (1400 W. 46th), a former meatpacking facility in Back of the Yards. Audiences will be led in groups of ten to experience five different original dance works as well as five visual artist spotlights, staggered by 30-minute “cycles.” The first cycle kicks off tonight at 6:30; performances will continue tomorrow beginning at 2 PM, and then next Saturday and Sunday 6/11-6/12, at 6:30 PM and 2 PM, respectively. ASL interpreters will be available at all performances. Tickets are free, but donations are accepted, and those will be used to supplement the stipends for participating artists. Information and reservations available at unfoldingdisabilityfutures.com. (KR)

SUN 6/5

’Tis the season where everything is better outdoors in Chicago, and the visual arts are no exception. And throughout this weekend, you’ll have a chance to check out art fairs on the sidewalks of our city (and perhaps purchase something new to adorn your indoors with). Sat and Sun from 10 AM-4 PM, the Uptown Art Fair holds court around 4620 N. Broadway. Expect artist vendor booths, giveaways, and, on Sun from noon-6 PM, a pop-up beer garden featuring beer, wine, and seltzer from local breweries. It’s part of a larger group of programming dubbed Uptown Art Week (see the Uptown Chamber of Commerce’s website for more information). And south siders will enjoy the 57th Street Art Fair, now celebrating its 75th year, which makes it the oldest juried art fair in the midwest. Artists can be found in booths lining both 57th Street (from Woodlawn to just east of Ray School, and also Kimbark between 56th and 57th. Expect everything from woodworking to contemporary sculpture, and if that doesn’t satisfy—there’s also a food court. 57th Street Art Fair is open Sat from 11 AM-6 PM and Sun from 10 AM-5 PM. Both fairs are free to attend. (SCJ)

Starting now through October, the first Sunday of every month will be devoted to Vinyl & Vittles at Englewood Village Plaza (5800 S. Halsted). From noon-5 PM, local record stores and restaurants will gather to provide tunes and treats to Englewood. While there will be bigger vendors like Shady Rest Vintage and Vinyl and Doughboy’s Chicago, there will also be smaller sellers like DJs, home kitchens, and more. (MC)

Evanston’s Fleetwood-Jourdain Theatre has been a longtime center for work by Black playwrights and artists. Their latest production revives a modern classic of African American drama: 1980’s Home, by Samm-Art Williams, which was nominated for both the Tony and Drama Desk Awards in its inaugural appearance. Cephus Miles (Lewon Johnson), a recently orphaned young man, is content to work on the family farm he’s inherited, until a series of setbacks persuade him to try his luck in the city. Fleetwood-Jourdain artistic director Tim Rhoze stages the production, and promises that it will honor the overlooked “American Travelling Tent Theatre utilized from the late nineteenth century to the early twentieth century,” which emphasized intimate storytelling over fancy production values. It runs through June 19 at Noyes Cultural Arts Center (927 Noyes, Evanston) at 7 PM Sat and 3 PM Sun; tickets are $30 at fjtheatre.com. (KR)

Senior writer Leor Galil’s cover story for our late May issue on a thriving Chicago music and artistic scene composed of local teens and very young adults is just the sort of thing that we love to tell you about here at the Reader. And tonight you get a chance to experience the joy that Galil had when hearing some of these bands for the first time, as Horsegirl anchors an all-ages show at Thalia Hall (1807 S. Allport), along with Lifeguard, Friko, and Post Office Winter. The music starts at 7 PM, and advance tickets are available. (SCJ)

MON 6/6

Remember that baby formula shortage? There are some local places collecting donations—for instance, the Austin Peoples Action Center (5125 W. Chicago). New Moms (5317 W. Chicago Ave) is also accepting drop-offs (Enfamil is highly desired in their community!) but they’re putting monetary donations towards formula right now, too. In the suburbs, Block Club recently reported: “Suburban community fridges at The Hampton House, 804 S. 17th in Maywood; Oak Park’s Carnival Grocery, 824 S. Oak Park Ave. in Oak Park; and Euclid Church, 405 S. Euclid in Oak Park have designated pantries accepting drop-off donations of formula.” (MC)

Monday Night Foodball is back tonight at the Kedzie Inn (4100 N. Kedzie) after a brief period of respite in May, and the new menu of chefs coming up does not disappoint. Reader senior writer Mike Sula gives us a full list of Foodballs to come (booked through August) in his column this week, including tonight’s visit from Jennifer Pou-Alesi and Mike Alesi, who offer Malaysian fare under the name Kedai Tapao. Pre-ordering is available and encouraged. The event happens from 5:30-9:30 PM. (SCJ)

TUE 6/7

From 5-8 PM, El Paseo Community Garden (944 W. 21st) is holding a Reiki y Sanacion Community Clinic, which will continue on the first Tuesday of every month as the weather holds. This free, volunteer-run event is designed to promote healing through alternative health treatments such as reiki, acupuncture, massage, limpia, and more. While everyone is welcome, this is especially aimed at community members who are struggling to access pain management services. Minors must be accompanied by adults. If you have questions (or a massage table to donate!) or you want to volunteer at a future event, email Cristina Puzio at [email protected]. This is a bilingual event. (MC)

The 90s are back! Well, not really, but some good stuff from Chicago in the 90s never really went away: it just relocated for a while to recharge and recreate itself into a next-level form. The mighty Flying Luttenbachers are one such entity, and will offer a taste of their new album tonight at Burlington Bar (3425 W. Fullerton). Doors open at 8 PM and $10 tickets will be available at the door. The Burlington is a 21+ venue. (SCJ) 

WED 6/8

If you’re still looking for some healing vibes or just want to spend extra time outside, come back to the El Paseo Community Garden (944 W. 21st) at 6:30 PM for a community meditation and sound bath led by the Papalotzin Collective. There’s a $5 suggested donation, and you’re encouraged to bring a mat and water bottle. This is also a bilingual event. (MC)

Musician and licensed therapist Jessica Risker is back at Cafe Mustache (2313 N. Milwaukee) for another live recording of her podcast, Music Therapy. Each month, she hosts an in-depth conversation with a different band that focuses on how their relationships, anxieties, creative processes, and other inner mysteries shape their music. And then the bands perform! At 8 PM, she’ll be in session with giddy and freewheeling local punks Spread Joy. Satirical self-helper Leslie Tanner will also make a cameo. There’s a $10 suggested donation at the door, and proof of vaccination is required. (MC)

THU 6/9

Drag and burlesque performer Ramona Slick hosts a monthly film series at Music Box (3733 N. Southport) called Rated Q where they screen queer cult classics accompanied by drag performances and live-action cosplay. (In case you missed it, freelancer Dora Segall wrote about it for us in February.) This month’s screening is To Wong Foo, Thanks for Everything! Julie Newmar, where 90s icons of masculinity Wesley Snipes, Patrick Swazye, and Pest-era John Leguizamo star as three queens on a cross-country quest to a national drag competition. Tickets are $15, and the projector starts rolling at 9:45 PM. (MC)

Longtime theater fans probably remember Will Kern’s Hellcab, which first premiered at now-defunct Famous Door Theatre in 1992 under the direction of Jennifer Markowitz and became a recurring long-running hit. (Markowitz has since moved into fiber arts; her work is part of “Fiber-Fashion-Feminism” at the Art Center Highland Park through 6/11.) That gritty slice-of-life realist story about a night in the life of a Chicago cabbie may find echoes in Pat Radke and Dave Satterwhite’s The Coming Out Party, opening tonight at the Jarvis Square Theatre (1439 W. Jarvis) with NealShow Productions and directed by Radke. Described as a “dystopian satire,” the show follows Candyce, a state-mandated rideshare driver, as he ferries “Pat, a high-strung socialite with a lust for flesh, and Dave, a mellow music maven” to the eponymous social event. Experimental composer Coleman Zurkowski created the original score. It runs through 6/25, Thu-Sat 8 PM; tickets are $20 through eventbrite.com. (KR)

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Art, records, and the great outdoorsMicco Caporale, Kerry Reid and Salem Collo-Julinon June 3, 2022 at 12:00 pm

Concertgoers of all ages at Park West Credit: Steven Abraham

Looking for stuff to do this weekend and beyond? Read on!

FRI 6/3

Do-Division Street Fest (Division between Damen and Leavitt) benefits from handing over its music programming to outside local venues, and this year’s lineup (booked by Empty Bottle and Subterranean) doesn’t disappoint. Tonight you can catch several acts that we’ve written about including Oui Ennui (5:45 PM on the East Stage), “musical polymath” Nnamdï (8:45 PM on the East Stage), and Oso Oso (9 PM on the West Stage). The entire festival includes fashion shows, music all weekend, family activities, and local vendors. You can see more music set times and other information at the festival website. Festival hours are tonight from 5-10 PM, and Sat-Sun noon-10 PM. (SCJ)

Now in its 12th season, dropshift dance asked its ensemble to explore family history and tradition in their newest offering, DWELL/burrow, opening tonight at 7 PM and continuing at 7 PM tomorrow at Links Hall (3111 N. Western). In collaboration with interdisciplinary musician and improvising violist Scott Rubin, the company dove into written archives, memories, and interviews with their parents to build this piece out of “lists of words and phrases mined during creative research while considering themes of visibility within the space and the context of time.” Also on the bill is Ghost Ensemble, an original improvised solo developed by collaborative dance group The Space Movement Project (TSMP) and performed by company artist Anne Kasdorf. Tickets are $34 ($28 senior/student, $18 under 16), with a livestream option available 6/4, and can be purchased through dropshiftdance.com. (KR)

At 10 PM, London-based neo acid house duo Paranoid London will be manning the decks at Smart Bar (3730 N. Clark). As I wrote in a concert preview, “Their music seems to imagine an alternate history where acid house evolved not in Chicago in the 1980s but rather in the UK underground punk scene in the 2000s.” Opening for them are local ethereal beatmakers Justin Aulis Long and Sassmouth. Tickets are $20 ($25 after midnight) and available to those 21 and up. (MC)

SAT 6/4

Today is a very special Dim Sum & Drag at Furama (4936 N. Broadway). Internationally renowned drag performer Rani KoHEnur—perhaps best known for her season one appearance on the drag/singing competition show Queen of the Universe—will be headlining a stacked bill that includes Aunty Chan, Gigi Madid, K’hole Kardashian, and Mac K. Roni. Bollywood Barbie Abhijeet will be the mistress of ceremonies while Club Chow provides beats. The 11:30 AM show is all ages, but the 2:30 PM show is 18+. Tickets start at $35 and include brunch. Masks and proof of vaccination are required. (MC)

From noon-5 PM today, the Chicago chapter of the New Era Young Lords will be celebrating the legacy of José “Cha Cha” Jiménez at the Humboldt Park Fieldhouse (1440 N. Humboldt). Around 1960, the Young Lords started as a Lincoln Park street gang, but in 1968, Jiménez inspired them to reorganize and fight gentrification. During the 70s, those successes grew into a national civil rights movement that benefitted Puerto Ricans and other colonized people of color. But similar to the Black Panther Party, the organization they modeled themselves after, their political gains were interrupted by FBI sabotage. At this event, community members are invited to connect with one another while civil rights leaders from that time advance Jiménez’s legacy and inspire a new generation of organizers. (MC)

The Martin (2500 W. Chicago) is hosting a free, all-ages pop-up spotlighting small local BIPOC artists and vendors. It’s running from 6-9 PM, and proof of vaccination is required. But earlier in the day, the Promontory (5311 S. Lake Park West) is hosting a similar event called the Chicago Black-Owned Marketplace from 11 AM-6 PM. It’s $5 to attend (children 16 and under get in free), and guests can expect a bevy of local and regional Black-owned businesses as well as a photobooth, food, and music. For those 21 and up, there will be a separate afterparty to marinate in all the good community vibes that kicks off at 10:30 PM. Tickets are $20. Both are organized by Afro Soca Love, which hosts events aimed at the African diaspora across the country. (MC)

Unfolding Disability Futures is a multi-organization, site-specific dance and visual arts event organized by local disabled artists and held throughout the Plant, (1400 W. 46th), a former meatpacking facility in Back of the Yards. Audiences will be led in groups of ten to experience five different original dance works as well as five visual artist spotlights, staggered by 30-minute “cycles.” The first cycle kicks off tonight at 6:30; performances will continue tomorrow beginning at 2 PM, and then next Saturday and Sunday 6/11-6/12, at 6:30 PM and 2 PM, respectively. ASL interpreters will be available at all performances. Tickets are free, but donations are accepted, and those will be used to supplement the stipends for participating artists. Information and reservations available at unfoldingdisabilityfutures.com. (KR)

SUN 6/5

’Tis the season where everything is better outdoors in Chicago, and the visual arts are no exception. And throughout this weekend, you’ll have a chance to check out art fairs on the sidewalks of our city (and perhaps purchase something new to adorn your indoors with). Sat and Sun from 10 AM-4 PM, the Uptown Art Fair holds court around 4620 N. Broadway. Expect artist vendor booths, giveaways, and, on Sun from noon-6 PM, a pop-up beer garden featuring beer, wine, and seltzer from local breweries. It’s part of a larger group of programming dubbed Uptown Art Week (see the Uptown Chamber of Commerce’s website for more information). And south siders will enjoy the 57th Street Art Fair, now celebrating its 75th year, which makes it the oldest juried art fair in the midwest. Artists can be found in booths lining both 57th Street (from Woodlawn to just east of Ray School, and also Kimbark between 56th and 57th. Expect everything from woodworking to contemporary sculpture, and if that doesn’t satisfy—there’s also a food court. 57th Street Art Fair is open Sat from 11 AM-6 PM and Sun from 10 AM-5 PM. Both fairs are free to attend. (SCJ)

Starting now through October, the first Sunday of every month will be devoted to Vinyl & Vittles at Englewood Village Plaza (5800 S. Halsted). From noon-5 PM, local record stores and restaurants will gather to provide tunes and treats to Englewood. While there will be bigger vendors like Shady Rest Vintage and Vinyl and Doughboy’s Chicago, there will also be smaller sellers like DJs, home kitchens, and more. (MC)

Evanston’s Fleetwood-Jourdain Theatre has been a longtime center for work by Black playwrights and artists. Their latest production revives a modern classic of African American drama: 1980’s Home, by Samm-Art Williams, which was nominated for both the Tony and Drama Desk Awards in its inaugural appearance. Cephus Miles (Lewon Johnson), a recently orphaned young man, is content to work on the family farm he’s inherited, until a series of setbacks persuade him to try his luck in the city. Fleetwood-Jourdain artistic director Tim Rhoze stages the production, and promises that it will honor the overlooked “American Travelling Tent Theatre utilized from the late nineteenth century to the early twentieth century,” which emphasized intimate storytelling over fancy production values. It runs through June 19 at Noyes Cultural Arts Center (927 Noyes, Evanston) at 7 PM Sat and 3 PM Sun; tickets are $30 at fjtheatre.com. (KR)

Senior writer Leor Galil’s cover story for our late May issue on a thriving Chicago music and artistic scene composed of local teens and very young adults is just the sort of thing that we love to tell you about here at the Reader. And tonight you get a chance to experience the joy that Galil had when hearing some of these bands for the first time, as Horsegirl anchors an all-ages show at Thalia Hall (1807 S. Allport), along with Lifeguard, Friko, and Post Office Winter. The music starts at 7 PM, and advance tickets are available. (SCJ)

MON 6/6

Remember that baby formula shortage? There are some local places collecting donations—for instance, the Austin Peoples Action Center (5125 W. Chicago). New Moms (5317 W. Chicago Ave) is also accepting drop-offs (Enfamil is highly desired in their community!) but they’re putting monetary donations towards formula right now, too. In the suburbs, Block Club recently reported: “Suburban community fridges at The Hampton House, 804 S. 17th in Maywood; Oak Park’s Carnival Grocery, 824 S. Oak Park Ave. in Oak Park; and Euclid Church, 405 S. Euclid in Oak Park have designated pantries accepting drop-off donations of formula.” (MC)

Monday Night Foodball is back tonight at the Kedzie Inn (4100 N. Kedzie) after a brief period of respite in May, and the new menu of chefs coming up does not disappoint. Reader senior writer Mike Sula gives us a full list of Foodballs to come (booked through August) in his column this week, including tonight’s visit from Jennifer Pou-Alesi and Mike Alesi, who offer Malaysian fare under the name Kedai Tapao. Pre-ordering is available and encouraged. The event happens from 5:30-9:30 PM. (SCJ)

TUE 6/7

From 5-8 PM, El Paseo Community Garden (944 W. 21st) is holding a Reiki y Sanacion Community Clinic, which will continue on the first Tuesday of every month as the weather holds. This free, volunteer-run event is designed to promote healing through alternative health treatments such as reiki, acupuncture, massage, limpia, and more. While everyone is welcome, this is especially aimed at community members who are struggling to access pain management services. Minors must be accompanied by adults. If you have questions (or a massage table to donate!) or you want to volunteer at a future event, email Cristina Puzio at [email protected]. This is a bilingual event. (MC)

The 90s are back! Well, not really, but some good stuff from Chicago in the 90s never really went away: it just relocated for a while to recharge and recreate itself into a next-level form. The mighty Flying Luttenbachers are one such entity, and will offer a taste of their new album tonight at Burlington Bar (3425 W. Fullerton). Doors open at 8 PM and $10 tickets will be available at the door. The Burlington is a 21+ venue. (SCJ) 

WED 6/8

If you’re still looking for some healing vibes or just want to spend extra time outside, come back to the El Paseo Community Garden (944 W. 21st) at 6:30 PM for a community meditation and sound bath led by the Papalotzin Collective. There’s a $5 suggested donation, and you’re encouraged to bring a mat and water bottle. This is also a bilingual event. (MC)

Musician and licensed therapist Jessica Risker is back at Cafe Mustache (2313 N. Milwaukee) for another live recording of her podcast, Music Therapy. Each month, she hosts an in-depth conversation with a different band that focuses on how their relationships, anxieties, creative processes, and other inner mysteries shape their music. And then the bands perform! At 8 PM, she’ll be in session with giddy and freewheeling local punks Spread Joy. Satirical self-helper Leslie Tanner will also make a cameo. There’s a $10 suggested donation at the door, and proof of vaccination is required. (MC)

THU 6/9

Drag and burlesque performer Ramona Slick hosts a monthly film series at Music Box (3733 N. Southport) called Rated Q where they screen queer cult classics accompanied by drag performances and live-action cosplay. (In case you missed it, freelancer Dora Segall wrote about it for us in February.) This month’s screening is To Wong Foo, Thanks for Everything! Julie Newmar, where 90s icons of masculinity Wesley Snipes, Patrick Swazye, and Pest-era John Leguizamo star as three queens on a cross-country quest to a national drag competition. Tickets are $15, and the projector starts rolling at 9:45 PM. (MC)

Longtime theater fans probably remember Will Kern’s Hellcab, which first premiered at now-defunct Famous Door Theatre in 1992 under the direction of Jennifer Markowitz and became a recurring long-running hit. (Markowitz has since moved into fiber arts; her work is part of “Fiber-Fashion-Feminism” at the Art Center Highland Park through 6/11.) That gritty slice-of-life realist story about a night in the life of a Chicago cabbie may find echoes in Pat Radke and Dave Satterwhite’s The Coming Out Party, opening tonight at the Jarvis Square Theatre (1439 W. Jarvis) with NealShow Productions and directed by Radke. Described as a “dystopian satire,” the show follows Candyce, a state-mandated rideshare driver, as he ferries “Pat, a high-strung socialite with a lust for flesh, and Dave, a mellow music maven” to the eponymous social event. Experimental composer Coleman Zurkowski created the original score. It runs through 6/25, Thu-Sat 8 PM; tickets are $20 through eventbrite.com. (KR)

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Art, records, and the great outdoorsMicco Caporale, Kerry Reid and Salem Collo-Julinon June 3, 2022 at 12:00 pm Read More »

The Chicago Cubs avoided a Willson Contreras injury disasterVincent Pariseon June 3, 2022 at 12:00 pm

The Chicago Cubs have been playing some pretty good baseball this week. After losing to the Chicago White Sox on Sunday, they took two of four from the first-place Milwaukee Brewers and then the series opener against their rival the St. Louis Cardinals.

In the 7-5 victory, they avoided a serious injury disaster. In the 8th inning, Willson Contreras was hit by a pitch in his upper ankle area. He tried to stay in the game but he couldn’t and walked off the field on his own power. It was surely a scary sight for a team that can’t afford to lose its stars.

The good news is that David Ross confirmed after the game that Contreras came back with a negative X-ray on his ankle. That is outstanding news for the Cubs as they won’t be without their star catcher for a very long time.

Willson Contreras did say after the game that he wasn’t going to be in the lineup on Friday but that was in the plans anyway. He fully expects to be back in there for at least one of Saturday’s games against these same Cardinals (they have a doubleheader).

Willson Contreras is coming out of the game after getting hit by a pitch in the 8th.

Appeared to get hit around his left foot/ankle. He lightly jogged then walked off without help. #Cubs

— Meghan Montemurro (@M_Montemurro) June 3, 2022

X-rays on Willson Contreras’ left ankle are negative, Ross says. #Cubs

— Meghan Montemurro (@M_Montemurro) June 3, 2022

Willson Contreras says he got hit right above his left ankle. It’s sore and has a bandage on the spot, but he expects to be OK.

Contreras says he was already not going to be in the lineup tomorrow and looks to play Saturday. #Cubs

— Meghan Montemurro (@M_Montemurro) June 3, 2022

The Chicago Cubs need Willson Contreras as healthy as possible all year.

We don’t know if Contreras is going to be with the Chicago Cubs by the end of the season but they need him healthy right now. For one, he is a key contributor to their lineup right now and they also won’t be getting much in return for him later if he isn’t healthy. He is an unrestricted free agent at season’s end.

Before this injury, he was having a very good game. Early in the game, he hit a two-run home run that gave the Cubs a 2-0 lead. He also drew a walk later on. It is clear that his big bat can heavily impact a game and he showed how here with his ninth home run of the season.

Contreras was the designated hitter in this one so he just was pinch ran for by Rafael Ortega after he came out. Ortega never needed to hit in his place. P.J. Higgins caught in this game. He will likely also catch on Friday and one of the two games on Saturday.

Contreras will likely get the other game on Saturday as long as his ankle is feeling fine. The Cubs clearly, by him not breaking anything, got a break with this. Losing him would have been very scary but he should be fine in short order.

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The Chicago Cubs avoided a Willson Contreras injury disasterVincent Pariseon June 3, 2022 at 12:00 pm Read More »

4 Chicago Bears players who will not return after 2022 seasonRyan Heckmanon June 3, 2022 at 11:00 am

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This year, the Chicago Bears have undergone more changes than they have seen in recent years. It all started with the end-of-season press conference.

George McCaskey and Ted Phillips admitted, without bluntly admitting, that the latter would take more of a back seat and that whomever took the place of Ryan Pace would report directly to McCaskey, yet have control.

Then, in came Ryan Poles. The first-year general manager came in from one of the best franchises in the NFL in recent years, in Kansas City. Bears fans were quick to jump to conclusions, wishing and hoping he could help Chicago find similar success to the Chiefs — and soon.

Following Poles, the coaching staff was assembled around Matt Eberflus and the roster began taking shape. But, the changes are far from over — and there will be even more next year.

The Chicago Bears will look even more different in 2023, as many players will no longer be back with the team after 2022.

The Bears already cut ties with so many veterans this year. The Ryan Pace era is slowly coming to an end, but the roster still has a few of his imprints.

Now, obviously Justin Fields isn’t going anywhere. But, very few players from the Pace era are considered safe. Come the 2023 offseason, this team is going to have even more new faces than it does right now — and that’s a good thing.

So, who on this current Bears roster will survive past the 2022 season? Will there be many left from the 2021 team?

In short, no. But, there are four key contributors who will likely play their last game with the Bears during this coming season. Next year, they will be gone.

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4 Chicago Bears players who will not return after 2022 seasonRyan Heckmanon June 3, 2022 at 11:00 am Read More »

We don’t want to take away your guns, we only want sensible gun laws

We don’t want to take away your guns, we only want sensible gun laws

“The other piece of legislation is the crime bill. As of today, it no longer exists. I’m throwing it out. I’m throwing it out and writing a law that makes sense. You cannot address crime prevention without getting rid of assault weapons and handguns. I consider them a threat to national security, and I will go door to door if I have to, but I’m gonna convince Americans that I’m right, and I’m gonna get the guns.” ~Andrew Sheperd

Buffalo. Uvalde. Tulsa. Three mass shootings since May 14. Three mass shootings in less than three weeks. Thirty-one people have been murdered in the last nineteen days. All of them were victims of assault weapons.

The shooter in Tulsa purchased his weapon and three hours later walked into a hospital where he shot four people. THREE HOURS!!! How can we continue to let that occur? Only in America does this happen. There has to be a better way. There has to be a more sensible way.

The quote at the top is from the movie “The American President.” It’s a great soundbite, but it’s not realistic in this country in 2022. It’s also not what we non-gun owners really want, even though extremists on the other side will constantly tell you differently. We don’t want to take away your guns. We don’t want to deprive you of your second amendment rights. We only want reasonable laws for purchasing a firearm.

Is it too much to ask to have a background check for anyone who wants to purchase a gun? If you believe that mental health issues are the problem for these shootings, a good background check would keep the guns out of the hands of troubled individuals that shouldn’t have them.

Is it too much to have a waiting period between the time of purchase and the time you take possession of the gun? A three-day waiting period might have given the assailant in Tulsa enough time to reconsider his actions.

Is it too much to raise the age for being able to purchase a gun to twenty-one years old? Eighteen is too young to own a gun. There are kids….yes, kids…that age still in high school. Do you really want a high school student to be able to buy a gun?

Is it too much to reinstate the ban on assault weapons? The one constant in almost all of these mass shootings is that they’re done with an assault weapon. Does anyone really need one of these weapons?

The four simple, realistic, reasonable rules for purchasing a gun that doesn’t take away anyone’s rights. Four simple, realistic, reasonable rules that keep may keep people safe. Will they stop mass shootings? Probably not; someone who wants to do this will find a way. Will it make it harder for that person? Absolutely! It’s certainly better than doing nothing. Doing nothing led to what happened in Buffalo, Uvalde and Tulsa. Doing nothing has shown that we’ll be sadly mourning more victims sooner than later.

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We don’t want to take away your guns, we only want sensible gun laws Read More »

‘It’s one game’: Dubs ‘fine’ after stunning G1 losson June 3, 2022 at 7:42 am

SAN FRANCISCO — Not long after Golden State Warriors‘ fourth-quarter meltdown to drop a rare Game 1 in the coach Steve Kerr era, a relaxed Draymond Green began setting the tone for the team entering Game 2.

“It’s fine,” Green said after the Boston Celtics stunned the Warriors, 120-108. “You get a chance to do something else, do it in a different way, embrace the challenge. We’ve always embraced challenges. It’s no different. We’ll embrace this one. So no, it’s not a hit to the confidence at all not one bit.

“… It’s just nothing to panic about.”

For only the third time in the Kerr era, the Warriors lost a series opener. They were 21-2 in Game 1s entering Thursday night. And the Warriors were on track to win another Game 1 when they went up 87-72 with 2:10 remaining in the third quarter.

But then they were blindsided by a 48-18 run by the Celtics, who drilled nine 3-pointers and scored 40 points in the fourth quarter.

“Obviously everybody is down,” Kerr said. “You want to go out and win the first one. We had every opportunity, 12-point lead going into the fourth. Guys are bummed, as you would expect. But it’s a seven-game series for a reason. I think you give Boston credit. They came in and earned the win. Played a great fourth quarter. We’ll come in, watch the film and see where we can get better, and you know, it’s one game.”

This is the first time this season these Warriors have fallen behind 1-0 in a series. In fact, it was their first home loss this postseason, dropping them to 9-1 at Chase Center during this run.

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The Warriors have been in this position twice before. They lost Game 1 during the 2016 Western Conference Finals to the Oklahoma City Thunder. And they lost Game 1 of the 2019 NBA Finals to the Toronto Raptors. In both cases, the Warriors won Game 2. They came back from down 3-1 to beat the Thunder but lost in six games to the Raptors in their previous Finals appearance.

And they also know they’ve won at least one road playoff game in an NBA-record 26 straight playoff series. Game 2 is at Chase Center on Sunday.

“I remember just putting [those Game 1 losses] past us,” said Klay Thompson, who shot 6-for-14 and scored 15 points. “There’s no reason to hold onto a loss when you have another game so soon. I remember watching film and realizing, there’s many things we can do better, and applying those strategies.

“So it’s pretty simple. And I just know we’ll be better Game 2. I’ll be better.”

The last time the Warriors rebounded from a shocking loss was when they eliminated the Memphis Grizzlies in Game 6 after losing Game 5 by 39 points.

But even then, they led 3-2 in the series. Now, they find themselves down 1-0 in just about a must-win situation at home on Sunday to avoid an 2-0 hole heading to Boston.

“It’s not ideal,” said Stephen Curry, who scored 21 points in the first quarter before finishing with 34 points. “But I believe in who we are and how we deal with adversity, how we responded all year, how we’ve responded in the playoffs after a loss. So learn a lot from that fourth quarter.”

The Warriors have two days to make their adjustments.

“We know they are a good team,” Curry said. “So are we. We have to respond on Sunday.”

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‘It’s one game’: Dubs ‘fine’ after stunning G1 losson June 3, 2022 at 7:42 am Read More »

‘Resilient’ C’s rain 3s in 4th to stun Warriors in G1on June 3, 2022 at 7:42 am

SAN FRANCISCO — After yet another ugly third quarter in a playoffs full of them for the Boston Celtics, it looked to all the world like the Golden State Warriors were on their way to claiming Game 1 of the NBA Finals at Chase Center on Thursday night.

But then the fourth quarter started. And, after an avalanche of Celtics 3-pointers, this game — and series — was completely turned on its head.

Boston hit its first seven 3-pointers to open the fourth and outscored Golden State 40-16 to stun the Warriors 120-108. In doing so, Boston became the first team in NBA Finals history to win by double-digits after entering the fourth quarter trailing by double-digits, per ESPN Stats & Information research.

“Being resilient has been the word for this year,” Payton Pritchard said. “I think it showed tonight.”

It certainly did in the second half. Boston has struggled the entire playoffs in the third quarter, and did again in Game 1, as it went up against a Warriors team that has historically dominated coming out of the halftime break.

The Celtics were outscored 38-24 in the third. They committed five turnovers. They let Golden State get going from 3-point range. And Jayson Tatum and Jaylen Brown combined to shoot 2-for-10 from the field.

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At that point, Chase Center — hosting its first ever NBA Finals game — was rocking. The celebration was seemingly on. But, inside Boston’s huddle, the feeling was different.

“The message at the start of the fourth was, ‘We’ve been here before,'” Tatum said. “We know what it takes to overcome a deficit like that.

“Obviously that’s a great team. It’s not going to be easy. But just knowing we’ve been in that situation before and we’ve gotten our self out of it. We had a lot of time left, right? It wasn’t time to hang your head or be done, it was time to figure it out.”

The Celtics proceeded to do just that. It helps, of course, when a team comes out and buries its first seven 3-pointers, as Boston did. But it went beyond that. The Celtics finished the fourth quarter 9-for-12 from 3-point range.

Golden State, on the other hand, shot only 7-for-17 from the field. The Celtics stopped turning the ball over, putting up an absurd 12-to-1 assist-to-turnover ratio in the fourth. Boston’s plus-24 scoring margin in the fourth quarter was the best in an NBA Finals game.

And the Celtics got contributions from up and down the roster, including Celtics coach Ime Udoka leaving the reigning Defensive Player of the Year Marcus Smart on the bench for most of the fourth quarter, opting instead to ride Pritchard for the biggest moments of Boston’s season thus far.

“We pride ourselves on everybody being able to contribute on both ends,” Udoka said. “That’s rewarding, especially on a night when your best guy has an off night, others step up.”

Derrick White continued his brilliant play since the birth of his child early in the Eastern Conference finals, scoring 21 points off the bench and hitting five 3-pointers.

Al Horford, playing in his first NBA Finals game after previously being the record holder for playoff games played without a Finals appearance, had 26 points, six rebounds and three assists, including hitting all four shots he took in the fourth quarter — and set his career high with six 3-pointers.

“It wasn’t our best game, but we continued to fight and find different ways to get this win,” said the Celtics’ Al Horford after the victory over the Warriors. Jed Jacobsohn-Pool/Getty Images

Even with Tatum struggling, going 3-for-17 from the field, he still finished with 13 assists to just two turnovers, and was plus-27 in the fourth quarter without scoring a single point. He finished with four assists and no turnovers while missing all three shots he took in the quarter.

“Ecstatic,” Tatum said with a smile, when asked how he felt about the game. “Forty points in the fourth quarter … guys made big shots, timely shots as well. And we won.

“I had a bad shooting night. I just tried to impact the game in other ways. We’re in the championship. We’re in the Finals. All I was worried about was trying to get a win, and we did. That’s all that matters at this point.

“So I don’t expect to shoot that bad again. But if it means we keep winning, I’ll take it.”

That was the message across the board from the Celtics: That they managed to steal Game 1 while still not playing their best. Yes, they hit shots, going 21-for-41 from 3-point range. But they had that sloppy third quarter and also got off to a slow start to begin the game, when a roster that didn’t feature a single player with NBA Finals experience looked like it at times in the first quarter.

“Just continue to play. That was our message throughout the whole game,” Horford said. “They’re such a good team. And for us, it was just, you know, continue to play no matter what.

“And our guys, that’s what we did. It wasn’t our best game, but we continued to fight and find different ways to get this win.”

In many ways, this game was a microcosm of Boston’s roller-coaster season. The Celtics were under .500 in late January, before tearing through the NBA over the final 35 games of the regular season, posting the best offensive and defensive ratings in the league over that stretch.

Boston then endured two difficult seven-game series against the Milwaukee Bucks and Miami Heat to get here, including winning elimination games on the road against both teams. They now have become the first team to beat the Warriors at Chase Center in a playoff game.

Now, after entering the NBA Finals having played 12 games in 23 days across the Eastern Conference semifinals and finals, Boston will now get another three days rest and prepare to play here again in Game 2 Sunday night, when the Celtics will have an opportunity to put a stranglehold on this series with another victory.

“It just says what we’ve been doing all year,” Smart said. “We’ve been counted out all year. Rightfully so. We’ve had moments. But we continue to fight. That’s who we are.

“I think over the last couple months, that’s our identity. I think it stuck with us for a reason.”

And, as a result, the Celtics are three wins away from an NBA title.

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‘Resilient’ C’s rain 3s in 4th to stun Warriors in G1on June 3, 2022 at 7:42 am Read More »

Silver eyes tweaks to voting process for All-NBAon June 3, 2022 at 4:15 am

SAN FRANCISCO — Commissioner Adam Silver said the NBA is considering switching the voting process for All-NBA selections each season from the current position-based system to one where voters select the 15 best players regardless of position. Silver said it is something he plans to address with the National Basketball Players Association.

“In terms of determinations for All-NBA, I think a fair amount of consideration is going into whether [the media] should just be picking top players than be picking by position,” Silver said at a news conference ahead of Game 1 of the NBA Finals. “I think we are a league that has moved increasingly toward position-less basketball, and the current system may result in some inequities based on the happenstance of what your position is.

“So that is something we’re looking at. It’s something that we will discuss with the Players Association because it has an impact on incentives and players contracts, and it has, you know, deep meaning for their legacy as well. So we will look at those things.”

The topic of whether the ballot should continue to be determined by positions has picked up steam over the past two years, as two centers — Nikola Jokic of the Denver Nuggets and Joel Embiid of the Philadelphia 76ers — finished 1-2 in the league’s voting for its Most Valuable Player award.

But because of the current system, only one of them has the ability to be a first team All-NBA player, while the other — in this case, Embiid both last season and this one — would have to be a second-team selection.

Silver also said there will be more discussions about whether contract bonuses will be tied to media awards voting, but also added that both sides have agreed that it is the best of a series of imperfect options.

“In terms of the ultimate selection process and, to your point that in some cases can have a direct financial impact on a player’s contract, right now we agreed with the Players Association to use those designations to trigger certain bonuses in players’ contracts, frankly because we couldn’t come up with a better way that would feel objective to everyone involved,” Silver said.

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Throughout his roughly 30-minute session with reporters, Silver touched on a number of topics:

o Both the NBA and NBPA have the ability to opt out of the current collective bargaining agreement in December ahead of it expiring next summer. It was a similar situation the last time the deal was up in 2017, with both sides agreeing to a new deal in December 2016 before the opt-out date arrived.

Silver said it was his hope a similar blueprint would be followed this time around, but said it was a bit too early to say that would be the case, given in part his still getting to know the newly appointed executive director of the NBPA, Tamika Tremaglio.

“I think we all know that for any negotiation, seemingly collective bargaining in particular, deadlines are really helpful to get people to push their best offers across the table,” Silver said.

Silver also added that all of the discussions both sides have had over the past two-and-a-half years over everything that’s gone on because of the COVID-19 pandemic has led to them talking more than ever before, which helped increase his belief of a deal being agreed to amicably once again.

o Silver said the idea of a midseason tournament remains on the table, though is not yet finalized, as more discussions with the NBPA are required. In addition, when asked about players dealing with wear-and-tear on their bodies over the course of an 82-game season Silver said he’d potentially be open to discussions of shortening the season — but only if it could be proven to help mitigate injuries.

“As I have said before, what we don’t see is increased numbers of injuries as the season goes on. It’s not as if because of fatigue over the course of a season, you see more injuries,” Silver said. “We do see a connection between actual fatigue, for example, from back-to-backs or three in a row. We think that potentially can lead to more injuries.”

o As he has in the past, Silver shot down the idea of expansion happening in the near-term, though he did again reiterate it is something that the league is going to do again at some point. He went on to say one potential issue is the dilution of talent as a result of expansion.

“Even sort of adding another 30 players or so that are roughly comparable, there still are only so many of the truly top-tier super talents to go around,” Silver said. “That is something on the mind of the other teams as we think about expansion.”

o Silver said the NBA has lost “hundreds of millions” because of its strained relationship with China, and said that is an acceptable cost of doing business when it comes to protecting free speech of the league’s players, coaches and workers.

“We accept that, and I said that at the time when we said we stand behind our players and team executives, their right to free expression, whether about issues in the United States or issues any place in the world, if those are the consequences, that’s what I mean that our values travel with us,” Silver said. “Others, as you know, since then have spoken out about their views around China and other places in the world, and if the consequences are that we’re taken off the air or we lose money, we accept that.”

Silver also said he continues to believe engaging with China is not inconsistent with the league’s values in light of alleged human-rights violations taking place within the country.

o When asked about women being far away from being a head coach, Silver said it remains a work in progress. He said Becky Hammon’s move to the WNBA as coach of the Las Vegas Aces shouldn’t be seen as a negative thing.

“But I’ve said it before, and I should have said earlier, there is no reason that women shouldn’t be head coaches and more of them shouldn’t be assistant coaches in the NBA,” Silver said. “There’s no reason why there shouldn’t be more women officials. We have made progress in both those areas around the league now. There are a lot more female assistants at our teams, but we do have to break through that glass ceiling.”

Silver also said the NBA increasing its number of black coaches to 15 with the hiring of Darvin Ham by the Los Angeles Lakers last month is a product of the league continuing to emphasize the need for diversity.

o When asked whether a positive test for COVID-19 next year would mean a player would be unable to play, Silver said that recommendation would come from medical personnel, and that it was too early to say, adding that the NBA is only a small part of the world in terms of learning how to live with the virus moving forward.

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Silver eyes tweaks to voting process for All-NBAon June 3, 2022 at 4:15 am Read More »