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To Lori Lightfoot: We all say F.U. to Donald TrumpHoward Mooreon May 30, 2020 at 5:16 pm

I’ve Got The Hippy Shakes

To Lori Lightfoot: We all say F.U. to Donald Trump

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To Lori Lightfoot: We all say F.U. to Donald TrumpHoward Mooreon May 30, 2020 at 5:16 pm Read More »

This is how to stop the rioting: white people must fight for justice because Black Lives MatterKerri K. Morrison May 30, 2020 at 3:35 pm

Cancer Is Not A Gift

This is how to stop the rioting: white people must fight for justice because Black Lives Matter

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This is how to stop the rioting: white people must fight for justice because Black Lives MatterKerri K. Morrison May 30, 2020 at 3:35 pm Read More »

Bad Cops Make 98% of GOOD COPS Cringe With Anger/ When a Society fails it’s Most Vulnerable Citizens./BOB ANGONEon May 30, 2020 at 8:34 pm

JUST SAYIN

Bad Cops Make 98% of GOOD COPS Cringe With Anger/ When a Society fails it’s Most Vulnerable Citizens./

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Bad Cops Make 98% of GOOD COPS Cringe With Anger/ When a Society fails it’s Most Vulnerable Citizens./BOB ANGONEon May 30, 2020 at 8:34 pm Read More »

Is Your Scale Controlling You?Sheri McIntoshon May 30, 2020 at 7:47 pm

Spiritual and Physical Wellness

Is Your Scale Controlling You?

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Is Your Scale Controlling You?Sheri McIntoshon May 30, 2020 at 7:47 pm Read More »

Bundesliga’s piped in sound makes for an interesting debateDan Santaromitaon May 30, 2020 at 6:03 pm

Soccer Obsessive

Bundesliga’s piped in sound makes for an interesting debate

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Bundesliga’s piped in sound makes for an interesting debateDan Santaromitaon May 30, 2020 at 6:03 pm Read More »

Chicago Cubs: Five prospects destined for the expanded rosterRyan Sikeson May 30, 2020 at 12:00 pm

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Chicago Cubs: Five prospects destined for the expanded rosterRyan Sikeson May 30, 2020 at 12:00 pm Read More »

Chicago Blackhawks: Would it be better to lose to Edmonton?Vincent Pariseon May 30, 2020 at 11:00 am

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Chicago Blackhawks: Would it be better to lose to Edmonton?Vincent Pariseon May 30, 2020 at 11:00 am Read More »

As Sports Move Closer to Return, Labor Issues Take Center StagePaul M. Bankson May 30, 2020 at 4:04 am

The Patriotic Dissenter

As Sports Move Closer to Return, Labor Issues Take Center Stage

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As Sports Move Closer to Return, Labor Issues Take Center StagePaul M. Bankson May 30, 2020 at 4:04 am Read More »

Indigo Girls see the past clearly on Look LongSalem Collo-Julinon May 29, 2020 at 5:20 pm

Singer-songwriters Amy Ray and Emily Saliers have been playing folk-rock guitar and singing harmonies together since the early 80s, when they were high school students in Decatur, Georgia. In 1985, they began performing as the Indigo Girls, and their earnest lyrics and dual guitars earned them a loyal and dedicated fan base that grew exponentially after the 1988 release of their self-titled second album (which was also their major-label debut). An Indigo Girls concert can feel like a fun night at summer camp: nearly everyone sings along. Their new 15th studio album, Look Long, doesn’t stray far from the template that the duo has established, but why mess with a formula that’s worked for so long? Most of the songs on Look Long highlight the perspectives of middle-aged people reviewing their pasts with wistful affection: “When We Were Writers,” for instance, is a heavy-handed, nostalgic ode to being young, creative, and “pulling all-nighters.” I’m especially taken with the bittersweet ballad “Country Radio,” where Saliers draws on her experience growing up gay in 1970s Georgia. The protagonist (whose gender is carefully unspecified) says that every night after a shift at the mall food court, they listen to country songs about idyllic boy-girl romances and get swept away in the stories–even though the songs are selling a heterosexual fantasy that isn’t for them. “I want to know what it’s like to fall in love / Like most of the rest of the world,” Saliers sings. “I’m just a gay kid in a small town / Who loves country radio.” Look Long is filled with the sort of didactic lyrics that folk rockers with their hearts on their sleeves can’t resist (and for which they’re often derided). But I’m grateful that the Indigo Girls are still laying it all out there–there’s always a small-town kid who needs to hear it. v

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Indigo Girls see the past clearly on Look LongSalem Collo-Julinon May 29, 2020 at 5:20 pm Read More »

Steve Earle examines a mining tragedy to engage listeners across the political spectrum on Ghosts of West VirginiaMonica Kendrickon May 29, 2020 at 5:17 pm

On April 5, 2010, a coal-dust explosion at Massey Energy’s Upper Big Branch Mine in Raleigh County, West Virginia, killed 29 miners. Though subsequent investigations found that a pervasive pattern of negligence and safety violations had led to the entirely preventable tragedy, in 2015 Massey Energy CEO Don Blankenship got off with a slap on the wrist: a single misdemeanor conviction for conspiring to violate mine safety and health standards and a one-year prison sentence. In 2018 he unsuccessfully ran for Senate as a Republican and–lest anyone think he’s the least bit repentant for his role in such a massive loss of life–he’s currently running for president with the far-right-wing Constitution Party. The Upper Big Branch Mine disaster briefly cast a bright national light on Appalachia, including the big-business exploitation of local workers and natural resources, the bitter class divides among its communities, and the love-hate relationship its residents have with a fading industry that’s shaped so much of the region’s economy and cultural life. All of these conversations coalesce on Steve Earle’s 20th studio album, Ghosts of West Virginia. He wrote seven of the ten songs on Ghosts for Coal Country, a play by “documentary theater” playwrights Erik Jensen and Jessica Blank that premiered at New York’s Public Theater in early March. Earle adapted gospel, country, bluegrass, and blues to a narrative-song style, and while he played the material solo onstage during the play’s run, on the album he’s backed by his band, the Dukes. While some of his compositions, including “Heaven Ain’t Goin’ Nowhere” and “If I Could See Your Face Again,” sound ancient, he makes the traditional “John Henry” his own (John Henry is also the name of one of Earle’s sons, so I bet he’s wanted to put his spin on that tune for a long time). Earle, who is well-known for his leftist leanings, has said that he wants to engage with people who aren’t on his side of the political spectrum, and in West Virginia, left-right divisions also play out in a decades-long struggle between those devoted to coal as a traditional way of life and those who have turned toward environmental activism and a postcoal economy. “Union, God and Country” is Earle’s stab at opening the conversation by finding shared ground in West Virginia’s history of fierce labor battles, which is a source of pride for many locals. “Devil Put the Coal in the Ground” is a country-blues stomper that puts a dead-on folkloric spin on the contradiction of loving coal and hating it. The album’s heart is probably the brooding, furious “It’s About Blood,” which ends with a spoken-word vigil: a recitation of the names of all 29 men who perished in the mine explosion. But Earle prevents the record from wallowing in despair–and helps protect it from accusations that it’s the sort of poverty porn rightly criticized in the region–by lightening the mood with “Fastest Man Alive,” which celebrates one of West Virginia’s favorite sons, ace pilot Chuck Yeager. v

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Steve Earle examines a mining tragedy to engage listeners across the political spectrum on Ghosts of West VirginiaMonica Kendrickon May 29, 2020 at 5:17 pm Read More »