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AnxietySheri McIntoshon June 6, 2020 at 9:37 pm

Spiritual and Physical Wellness

Anxiety

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AnxietySheri McIntoshon June 6, 2020 at 9:37 pm Read More »

Covid-19 v The Spanish Flu: Why we need to pay close attention to the similaritiesTeppi Jacobsenon June 6, 2020 at 7:55 pm

When You Put It That Way

Covid-19 v The Spanish Flu: Why we need to pay close attention to the similarities

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Covid-19 v The Spanish Flu: Why we need to pay close attention to the similaritiesTeppi Jacobsenon June 6, 2020 at 7:55 pm Read More »

Chicago Blackhawks Playoffs: A look at Edmonton Oilers superstarsVincent Pariseon June 6, 2020 at 11:00 am

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Chicago Blackhawks Playoffs: A look at Edmonton Oilers superstarsVincent Pariseon June 6, 2020 at 11:00 am Read More »

DePaul Basketball: Blue Demons’ Jean Lenti-Ponsetto to retireTim Healeyon June 6, 2020 at 1:00 pm

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DePaul Basketball: Blue Demons’ Jean Lenti-Ponsetto to retireTim Healeyon June 6, 2020 at 1:00 pm Read More »

Andrew Alexander out at Second CityKerry Reidon June 6, 2020 at 2:30 am

In response to worldwide protests over the killing of George Floyd and other Black citizens by police, many arts organizations and other nonprofits publicly proclaimed their solidarity with the protesters and the Black Lives Matter movement. Second City tweeted their support on May 31, along with a quote from Dr. Martin Luther King (“There comes a time when silence is betrayal”) and the message “To say nothing is to be complicit. Black lives, stories, art, and souls matter.”

Dewayne Perkins, a Marquette Park native and DePaul grad who worked with the Wells Street comedy behemoth in several capacities, including as a member of a national touring company and in 2015’s Training Center show No Selfie Control before becoming a television writer (he has written for Brooklyn 99, among other projects), retweeted Second City’s BLM statement.

And he added several more of his own. “You remember when the black actors wanted to put on a Black Lives Matter Benefit show and you said only if we gave half of the proceeds to the Chicago PD, because I will never forget.”

A tsunami of tweets from other BIPOC artists and Second City alumni followed, calling out institutional racism. It was reminiscent of the controversy surrounding the 2016 Second City e.t.c. revue A Red Line Runs Through It, when half of the cast quit in response to what actor Peter Kim described in a Chicago magazine essay as an environment where audiences “hurled increasingly racist, homophobic, and misogynistic comments at me and my castmates: comments demeaning my Asian ethnicity, using the f-word to degrade my homosexuality, and shouting ‘whores’ at the women.” In response to the exit of the actors, Andrew Alexander, Second City’s owner, CEO, and executive producer, shuffled around some of the management team.

But after the Twitter backlash, and with the Second City empire (which includes outposts in Los Angeles and Toronto along with the mothership in Piper’s Alley) shuttered by COVID-19, Alexander, 76, announced his departure on Friday, June 5 in a memo now available on the company website. In this valedictory, he appeared to accept responsibility for the failures to address institutional racism in a meaningful way.

“The company has grown significantly–yet culturally homogeneously. There is no excuse for it, and I am not defending it,” Andrews wrote. “I succumbed to (what I now realize was) my unconscious biases, the biases of the theater community, and the biases of the city in which The Second City is embedded. I surrounded myself with people mostly of my own race and culture. As a theater producer, I like to think I have good instincts, not just commercially, but also as it relates to what is right. As an administrator, I have not always had good instincts. While diversifying the theater artistically, I failed to create an anti-racist environment wherein artists of color might thrive. I am so deeply and inexpressibly sorry.”

Alexander went on to say, “I am stepping down and fully removing myself from overseeing The Second City’s operations and policies and will divest myself from the company as it stands. The next person to fill the Executive Producer position will be a member of the BIPOC community. That’s a commitment I’m proud to make.”

Alexander, who produced the legendary sketch television series SCTV, took over the Toronto Second City operations in 1974 from Second City cofounder Bernie Sahlins and then became co-owner of the Chicago original in 1985, also overseeing revues for decades as the executive producer.

Alexander owns 50 percent of the company, and under his leadership, Second City expanded its brand through a range of initiatives, including corporate training and expansion of both the Training Center facilities and additional performance venues in Piper’s Alley. It’s unclear right now how the for-profit enterprise will move forward with changing leadership and who might be in contention to take over Alexander’s role, particularly given the economic turmoil of the coronavirus shutdown that has caused massive layoffs and drops in revenue throughout the entertainment sector.

In addition to the announcement of Alexander’s departure, Second City publicly committed to several other steps to address the problems with lack of diversity and institutional racism called out by the alumni on Twitter and by many others over the years.

“The Second City commits to reviewing internal hiring, casting, and student recruitment practices to ensure we are actively identifying and removing barriers to access and opening the doors to BIPOC in every area of the company. The Second City commits to using our resources to produce art by and for BIPOC artists and diversifying audiences in our theaters. We commit to company wide anti-racist training and education. The Second City will make ongoing financial and in-kind donations to organizations working to dismantle systems of oppression, as well as to Black-owned businesses and schools in underserved communities.”

How that plays out also remains to be seen. v






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Andrew Alexander out at Second CityKerry Reidon June 6, 2020 at 2:30 am Read More »

Say His Name: Robert (Bobby) Russ AKA Big Fluff murdered by CPD on June 5, 1999Deanna Burrellon June 5, 2020 at 11:02 pm

The Red Cup Adventures

Say His Name: Robert (Bobby) Russ AKA Big Fluff murdered by CPD on June 5, 1999

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Say His Name: Robert (Bobby) Russ AKA Big Fluff murdered by CPD on June 5, 1999Deanna Burrellon June 5, 2020 at 11:02 pm Read More »

Donald Trump vs Mayor Muriel Bowser, Lisa Murkowski and the Generals in The Week In ReviewHoward Mooreon June 6, 2020 at 9:51 am

I’ve Got The Hippy Shakes

Donald Trump vs Mayor Muriel Bowser, Lisa Murkowski and the Generals in The Week In Review

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Donald Trump vs Mayor Muriel Bowser, Lisa Murkowski and the Generals in The Week In ReviewHoward Mooreon June 6, 2020 at 9:51 am Read More »

Here’s What to Expect About Dining at Chicago RestaurantsLindsey Congeron June 5, 2020 at 9:29 pm

The exact date we will be able to eat at a restaurant is still unknown, but Chicago is already started to prepare for that glorious day. Of course, how restaurants and guests act will be very different than pre-coronavirus. The city released guidelines that restaurants must follow if they want to reopen.

Photo Credit: Twisted Spoke

Here are some of the highlights:

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  • Contactless pickup will still be available.
  • People are encouraged to use contactless payment.
  • Outdoor dining will be allowed, as long as social distancing protocols are followed.
  • Signs regarding hygiene, social distancing, PPE, and more should be posted throughout the facilities.
  • Employees are required to wear a face mask at all times, and guests are required to wear a mask when not seated.
  • Social distancing of at least six feet is still encouraged.
  • Employees should frequently wash their hands and disinfect the facilities.
  • Flexible time off is available if employees are feeling sick.
  • No more self-serving drink and food stations.

In addition, you won’t be able to go out to eat with a huge group of friends. All gatherings must be limited to no more than 10 people, with only six people allowed at each table that are spread at least six feet apart. You also likely won’t see any menus in restaurants — many restaurants will either switch to digital menus or fixed menu boards whenever possible. 

Chicago restaurants will be a bit cleaner; employees are required to clean and sanitize the entire restaurant before opening and as frequently as every 30 minutes. Bathrooms should be monitored, cleaned, and sanitized, often.

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The state is also suggesting that restaurant owners monitor the health of their employees and recommend that employees do a wellness check before coming to work every day. The guidelines also say that restaurants could take temperature checks or do other health screenings before allowing employees to work.

Photo Credit: Wells on Wells

One of the biggest topics still up for debate is regarding capacity. The maximum number of people allowed on a patio will be dictated by how many tables can fit within the space while still adhering to social distancing rules. While there were rumors of shutting down sidewalks for patios, the guidelines don’t make any mention of this. Right now, the guidelines merely suggest that whenever possible, a restaurant should set up an “impermeable barrier” from the sidewalks.

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Another decision that still needs to be made is what is considered an indoor space or an outdoor space. Currently, the language in the guidelines indicates that “dining areas considered outdoors include rooftops, rooms with retractable roofs and indoor spaces where 50-percent or more of a wall can be removed via the opening of windows, doors, or panels provided that dining tables are within eight feet from such openings.”

One of the main concerns of Mayor Lightfoot, restaurant owners, and Chicagoans, in general, is the city’s unpredictable weather patterns. A day of rain or extreme wind might put a damper on outdoor seating availability. By allowing indoor dining spaces that can be opened to the outdoors, it might allow restaurants to resume service with minimal disruption from the weather.

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Before restaurants can reopen, Mayor Lori Lightfoot is waiting for Chicago to hit certain health benchmarks, but it is expected to happen by June 10.

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Featured Image Credit: Chop Shop

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Here’s What to Expect About Dining at Chicago RestaurantsLindsey Congeron June 5, 2020 at 9:29 pm Read More »

These Chicago Artists Created Jaw-dropping Murals to Raise Funds for COVID-19 ReliefAudrey Snyderon June 5, 2020 at 10:17 pm

As part of an initiative called Murals for Medical Relief, Chicago artists have been painting murals throughout the month of May in an effort to help raise funds for local hospitals’ COVID-19 relief funds.

chicago murals
Photo Credit: Brian Rich

Murals for Medical Relief is a collaboration between local companies Muros and VINCO. Muros, which describes itself on its website as a “global art activation agency,” focuses on creating partnerships between artists and businesses, using mural and street art as another platform for brands while facilitating meaningful visual art in the communities those businesses inhabit. VINCO was founded by three former Northwestern University students and aims to provide local artists of all disciplines with resources and opportunities to have their work seen and heard.

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Together, these companies have given artists the space to create murals inspired by Chicago healthcare workers. Not only are the murals meant to encourage others to give back (the initiative has established its own GoFundMe campaign benefiting hospitals), but they are available for purchase in the form of prints, the profits from which are split between the relief funds of Chicago hospitals and the artists themselves. These healthcare recipients include Cook County Health, Northwestern Memorial, and Rush University Medical Center.

chicago murals
Photo Credit: (Sub)Urban Warrior Facebook

Among the artists involved is Dwight White II. One of the founders of VINCO, he began exploring painting and art in general after an injury during his time as a Northwestern student-athlete changed the trajectory of his life. White has since found solace in creating art and sees its potential for helping others through dark times. Though he has said he’s “only been in this game for a few years now,” he has fully embraced art’s capacity for engaging the people of a community and looks forward to continuing to be a part of that process. His mural depicts a healthcare worker wearing a mask (which features the Chicago flag) and surrounded by flowers, a shield, and a brightly-colored banner in the background.

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(Sub)Urban Warrior, another contributing artist, is based in the Chicago suburbs and is inspired largely by animal imagery. She often creates what she lovingly calls “Beasties,” which are creatures featuring anatomical characteristics of both animals and humans — usually in bright, bold colors. The central focus of the mural she has painted is a bird which she describes as an amalgam of a crane, swan, and phoenix, all meant to evoke “grace, poise, and resilience.” In the background is a depiction of a heartbeat as it appears on a heart monitor.

Photo Credit: Muros Facebook

In addition to information on and photos of the work done so far, the Murals for Medical Relief website also provides a map that highlights the locations of these murals. All situated on the outskirts of the Illinois Medical District, these location markers are accompanied by links to directions, as well as an update on each mural’s status (“completed” or “in-progress”).

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To take a look at the mural map or learn more about the work of Murals for Medical Relief, visit the initiative’s website.

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These Chicago Artists Created Jaw-dropping Murals to Raise Funds for COVID-19 ReliefAudrey Snyderon June 5, 2020 at 10:17 pm Read More »

Heartbreak, melodic intricacy, and lush arrangements shape Owen’s tenth album, The AvalancheScott Morrowon June 5, 2020 at 9:45 pm

Few indie-rock artists are more prolific than singer-songwriter Mike Kinsella, who’s been playing in Illinois bands since the late 80s, including Cap’n Jazz, Joan of Arc, and American Football. The latter band reunited in 2014 following a 14-year break and subsequently released two acclaimed albums, 2016’s American Football (or LP2) and last year’s American Football (LP3). Now the singer and multi-instrumentalist is set to release The Avalanche (Polyvinyl), the tenth studio album from his solo project, Owen. Produced by Bon Iver drummer and fellow musical Swiss army knife Sean Carey (who recorded Owen’s ninth LP, The King of Whys), the nine-song album is typical Kinsella: full of beautiful, intricate melodies, lush arrangements, and naked lyrics. Whatever the project, Kinsella pours his life into his writing, and The Avalanche is no exception. His lyrics on last year’s American Football LP were metaphorical and opaque, with allusions to heartbreak, self-medication, and a broken father-son relationship. By contrast, The Avalanche is straightforward about his personal issues, and frankly addresses the end of his marriage. Over the folksy acoustic melody, hushed brush strokes, and pedal steel of “Dead for Days,” Kinsella sings, “Now I’ve got friends that don’t know me / A wife that’s disowned me / You in concept only to miss / And I’ve been sober for over two weeks.” Accompanied by the light alt-country vibe of “The Contours,” he confesses, “I’m in therapy / She’s in therapy / Turns out all the answers are just questions / For next week’s sessions.” But perhaps most cutting is “Mom and Dead,” which is also the album’s most musically emotive song, with cascading guitars and a beautiful glockenspiel sequence over descending bowed cello. As the track slowly climaxes, Kinsella sings, “How can you live without me? / Who’ll pour your drinks? / Who’ll make your heart beat?” It’s often said that pain makes for great art, and The Avalanche is the latest proof. v

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Heartbreak, melodic intricacy, and lush arrangements shape Owen’s tenth album, The AvalancheScott Morrowon June 5, 2020 at 9:45 pm Read More »