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PHOTOS: Glenview 4-bedroom home overlooking golf course: $2.05Mon November 18, 2020 at 1:36 pm

ChicagoNow Staff Blog

PHOTOS: Glenview 4-bedroom home overlooking golf course: $2.05M

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PHOTOS: Glenview 4-bedroom home overlooking golf course: $2.05Mon November 18, 2020 at 1:36 pm Read More »

My Evolving Relationship with Adoptionon November 18, 2020 at 11:32 am

Portrait of an Adoption

My Evolving Relationship with Adoption

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My Evolving Relationship with Adoptionon November 18, 2020 at 11:32 am Read More »

Veteran pedal steel guitarist Susan Alcorn releases her first album as a bandleaderon November 17, 2020 at 2:00 pm

No one else plays the pedal steel guitar like Susan Alcorn. She combines a command of the instrument’s orchestral range with an improvisational fluency that lets her take the instrument far beyond its usual idiomatic settings. She began playing professionally in Chicago country bars in the mid-1970s, then went on to hone her chops in Texas western-swing and country bands. But in 1990 she tapped into another Lone Star sound–the “deep listening” philosophy of Houston-born composer Pauline Oliveros–and she’s been courting unpredictability ever since. Since the late 90s, Alcorn has worked mainly in jazz and freely improvised settings, though in 2015 she recorded an album of Astor Piazzolla’s tangos. She’s added lush harmonies to the rigorously arranged music of the Mary Halvorson Octet, and on 2019’s Invitation to a Dream she spontaneously generated intricate structures with horn players Joe McPhee and Ken Vandermark. One thing Alcorn hasn’t done is put together a band to play her compositions, but that changes with her new album, Pedernal. The crack group on the record–guitarist Halvorson, bassist Michael Formanek, violinist Michael Feldman, and drummer Ryan Sawyer–ably negotiates her music’s sudden shifts in style, mood and structure. “R.U.R.” starts out with a zigzagging theme worthy of Anthony Braxton, then slingshots into a passage of fleet, swinging bebop. The title piece moves abruptly between a stately melody and passages of free-falling chaos. And “Northeast Rising Sun” transforms a phrase Alcorn learned from qawwali singing into a loping, country-tinged celebration. v

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Veteran pedal steel guitarist Susan Alcorn releases her first album as a bandleaderon November 17, 2020 at 2:00 pm Read More »

Minsk postpunks Molchat Doma transform gloom into resilience on Monumenton November 17, 2020 at 6:00 pm

Like many Americans, I was awestruck by images of the historic Belarusian protests against President Alexander Lukashenko (“Europe’s last dictator”) that exploded after the country’s August elections. But reports of police brutality from Belarus–and the growing chorus of international academics and reporters warning that Americans could soon find themselves in a similar spot–added sinister, unsettling overtones to those inspiring photos of mass rallies standing against corruption. In late August, Minsk postpunk trio Molchat Doma joined 23 other artists from various countries on the compilation For Belarus, a Bandcamp-only benefit for the Belarus Solidarity Foundation, and on their new third album, Monument, they maintain their indefatigable spirit, threading together influences from Russian rock and Western groups such as Joy Division and Depeche Mode. Molchat Doma recall the tradition of 80s Iron Curtain rock bands, who united people across political and geographical lines by offering hope, escape, and a form of civil disobedience you could dance to (and who sometimes found ingenious ways to distribute their music). Molchat Doma’s Russian-language lyrics are rarely overtly political–they focus more on sadness, relationships, and observations of everyday life–but the band are nonetheless clearly subversive, if sometimes also fatalistic. On the relatively sunny “Discoteque,” which pays homage to Depeche Mode’s “I Just Can’t Get Enough,” vocalist Egor Shkutko sings, “I don’t give a damn about what will happen to me later / I dance like a god because tomorrow will not be the same.” Tracks such as “Obrechen” (“Doomed”) and “Udalil Tvoy Nomer” (“Deleted Your Number”) feel forlorn and despairing, but the uptempo “Zvezdy” (“Stars”) seems to twinkle like its namesake, and the guitar line that bounces through “Leningradsky Blues” even adds a hint of fun. Molchat Doma aren’t reinventing the wheel, but they’ve expanded their turf on Monument with fresh songwriting and sticky hooks. Belarus and the U.S. are hardly the only countries wrestling with cultural and political reckonings, so let’s hope that as Molchat Doma continue to build an audience around the world, their music powers dance parties–and revolutions–for years to come. v

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Minsk postpunks Molchat Doma transform gloom into resilience on Monumenton November 17, 2020 at 6:00 pm Read More »

What’s in a name?on November 17, 2020 at 9:11 pm

Star Gazing

What’s in a name?

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What’s in a name?on November 17, 2020 at 9:11 pm Read More »

Thanksgiving Dinner 2020on November 17, 2020 at 9:29 pm

A Bite of Chicago

Thanksgiving Dinner 2020

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Thanksgiving Dinner 2020on November 17, 2020 at 9:29 pm Read More »

Pumpkin Everywhere Except the Pieon November 17, 2020 at 9:47 pm

A Bite of Chicago

Pumpkin Everywhere Except the Pie

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Pumpkin Everywhere Except the Pieon November 17, 2020 at 9:47 pm Read More »

November in Amberon November 17, 2020 at 9:40 pm

Chicago Weather Watch

November in Amber

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November in Amberon November 17, 2020 at 9:40 pm Read More »

WNBA Star Cheyenne Parker Appears On BET “SMOKE” DOCUMENTARY ft. Rapper NASon November 18, 2020 at 3:23 am

Just N

WNBA Star Cheyenne Parker Appears On BET “SMOKE” DOCUMENTARY ft. Rapper NAS

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WNBA Star Cheyenne Parker Appears On BET “SMOKE” DOCUMENTARY ft. Rapper NASon November 18, 2020 at 3:23 am Read More »

Trump fires director of federal agency who vouched for security of 2020 electionon November 18, 2020 at 2:24 am

WASHINGTON — President Donald Trump on Tuesday fired the director of the federal agency that vouched for the reliability of the 2020 election.

Trump fired Christopher Krebs in a tweet, saying his recent statement defending the security of the election was “highly inaccurate.”

While abrupt, the dismissal was hardly surprising. Krebs, director of the Cybersecurity and Infrastructure Security Agency, had offered a stream of statements and tweets over the past week attesting to the integrity of the election, directly contradicting Trump’s false assertions of widespread fraud without mentioning the president by name.

The firing of Krebs, a Trump appointee, comes as Trump is refusing to recognize the victory of Democratic President-elect Joe Biden and removing high-level officials seen as insufficiently loyal. He fired Defense Secretary Mark Esper on Nov. 9, part of a broader shakeup that put Trump loyalists in senior Pentagon positions.

A former Microsoft executive, Krebs ran the agency, known as CISA, from its creation in the wake of Russian interference with the 2016 election through the November election. He won bipartisan praise as CISA coordinated federal state and local efforts to defend electoral systems from foreign or domestic interference.

Krebs has repeatedly pushed back against false claims that the election was tainted. Earlier Tuesday, he tweeted out a report citing 59 election security experts saying there is no credible evidence of computer fraud in the 2020 election outcome.

Trump fired back on Twitter later in the day. He repeated unsubstantiated claims about the vote and wrote “effective immediately, Chris Krebs has been terminated as Director of the Cybersecurity and Infrastructure Security Agency.”

Krebs, from his personal Twitter account, responded: “Honored to serve. We did it right. Defend Today, Secure Tomorrow.” He closed with the phrase “Protect 2020,” which had been his agency’s slogan ahead of the election.

Officials with CISA and its parent agency, the Department of Homeland Security, had no immediate comment.

Rep. Adam Schiff, D-Calif., chairman of the House intelligence committee, assailed Trump for “retaliating against Director Krebs and other officials who did their duty. It’s pathetic, but sadly predictable that upholding and protecting our democratic processes would be cause for firing.”

Krebs kept a low profile even as he voiced confidence ahead of the November vote and, afterward, knocked down allegations that the count was tainted by fraud. The repudiation of Trump was notable coming from a component of DHS, which has been criticized for seeming to be too closely aligned with the president’s political goals.

CISA issued statements dismissing claims that large numbers of dead people could vote or that someone could change results without detection.

It also distributed a statement from a coalition of federal and state officials concluding there was no evidence that votes were compromised or altered in the Nov. 3 election and that the vote was the most secure in American history.

Krebs avoided ever directly criticizing the president and tried to stay above the political fray, even as he worked to contradict misinformation coming from the president and his supporters. “It’s not our job to fact check the president,” he said at a briefing with reporters on the eve of the election.

CISA works with the state and local officials who run U.S. elections as well as private companies that supply voting equipment to address cybersecurity and other threats while monitoring balloting and tabulation from a control room at its headquarters near Washington. It also works with industry and utilities to protect the nation’s industrial base and power grid from threats.

The agency enjoys a good reputation among its core constituency — the state and local election officials who rely on its advice and services at a time of near-constant cyberattack — as well as on Capitol Hill, where lawmakers recently proposed an increase of its annual budget of around $2 billion.

His removal is a “disturbing sign for American government,” said California Secretary of State Alex Padilla.

“Chris Krebs has been an accessible, reliable partner for elections officials across the country, and across party lines, as we have fortified our cyber defenses since 2016,” Padilla said. “Our elections infrastructure has become stronger because of leaders like Chris Krebs and in spite of the actions and lies coming from the White House.”

Amid recent reports that Krebs feared he might be fired, Rep. Bennie Thompson, chairman of the House Homeland Security Committee, had said he was concerned and sent a text to the director to ask him if he was OK. The response was, in effect, “for now,” the Mississippi Democrat said.

“It’s a shame if someone with his talent is all of a sudden, muzzled,” Thompson said. “I have not seen a partisan bone in his body. He’s been a consummate professional.”

Rep. Jim Langevin, a Rhode Island Democrat who focuses on cybersecurity issues, had called on his Republican colleagues to stand up for him before he could be removed from his post. “Chris Krebs and CISA have done so well under his leadership because he and his team have kept their heads down and done the job they were tasked with doing and not gotten caught up in partisan politics,” Langevin said.

The agency emerged from rocky beginnings. Just before President Barack Obama left office, the U.S. designated election systems as critical national security infrastructure, like dams or power plants, as a result of the interference by Russia, which included the penetration of state elections systems as well as massive disinformation.

Some state election officials and Republicans, suspicious of federal intrusion on their turf, were opposed to the designation. The National Association of Secretaries of State adopted a resolution in opposition to the move in February 2017. But the Trump administration supported the designation, and, eventually, skeptical state officials welcomed the assistance.

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Trump fires director of federal agency who vouched for security of 2020 electionon November 18, 2020 at 2:24 am Read More »