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Listen to The Ben Joravsky ShowBen Joravskyon July 13, 2022 at 8:06 pm

Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

With support from our sponsors

Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


Trigger’s back

MAGA won’t rest until they make abortions as illegal in Illinois as they are in Mississippi.


A flexible position on free speech

Looks like Elon Musk believes in free speech for everyone except his SpaceX employees.


Not a dream

The casino may actually be worse for Chicago than the dreaded parking meter deal.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

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Listen to The Ben Joravsky ShowBen Joravskyon July 13, 2022 at 8:06 pm Read More »

Wolves co-owner A-Rod: ‘NBA has welcomed me’on July 13, 2022 at 10:37 pm

LAS VEGAS — Alex Rodriguez was standing near his courtside seat, oblivious to a few fans who were snapping a quick photo of him as they walked by.

He was watching the Minnesota Timberwolves warm up instead.

Rodriguez — currently part of the Timberwolves’ ownership group, with plans in place for him and business partner Marc Lore to assume control from Glen Taylor and become primary owners next year — said Wednesday that he’s enjoying his transitions from baseball to basketball and from player to executive. He noted that he’s still learning.

“I mean, I come at it from a different perspective, being in baseball for about a quarter of a century, and now it’s interesting to take my experience from Major League Baseball, from broadcasting and now being here as an owner,” Rodriguez said in an interview with The Associated Press before watching Minnesota’s summer league game in Las Vegas against Milwaukee. “It’s been great. The NBA has welcomed me with open arms.”

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And the Wolves haven’t exactly been sitting around idly since Rodriguez and Lore started their ownership process.

Minnesota has been one of the biggest stories in the league this offseason, first by luring executive Tim Connelly away from the Denver Nuggets to take over as president of the Timberwolves. Then came the trade, acquiring Rudy Gobert from Utah for a slew of players and draft picks, a move that created perhaps the top frontline in the NBA with Gobert playing alongside Karl-Anthony Towns.

“It’s all about the fans in Minnesota. I think they deserve a winner,” Rodriguez said. “They deserve consistency, they deserve continuity. And I think across the board, we’ve seen that. … If you’re a fan, there’s a lot to cheer for. There’s a lot to be excited about. And I think when you can forecast predictability, it’s good for the energy of the town.”

Taylor agreed to sell the Timberwolves for $1.5 billion last year to Lore and Rodriguez. Lore became Walmart’s e-commerce chief in 2016, when the retail giant bought his Jet.com startup in an attempt to boost online business.

Rodriguez hit 696 home runs over 22 major league seasons, with the New York Yankees, Seattle Mariners and Texas Rangers. His last season on the field was 2016, marking the end of a career that was tainted by performance-enhancing drug use he later admitted to. He has invested in an array of businesses outside of basketball, serves as a trustee at the University of Miami — the baseball stadium there bears his name, even though he never played for the Hurricanes — and now finds himself learning a new game.

But he already speaks of it like a seasoned pro, talking about what Wolves guard D’Angelo Russell can do in pick-and-roll situations, how he thinks Gobert — a three-time defensive player of the year — is underrated offensively and why it was important to extend coach Chris Finch’s contract this past spring.

It’s busy, and that’s what he wants.

“Team ownership is 365, 24/7,” Rodriguez said, “I knew that [NBA commissioner] Adam Silver and his team were great, but they’re even better than what they project. His senior management team, all the way through, they’re really incredible. They add tons of value. And I think they’re great at welcoming people, whether you’re a player, media, owner, executive into the room, and they know how to do that better than anyone.”

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Wolves co-owner A-Rod: ‘NBA has welcomed me’on July 13, 2022 at 10:37 pm Read More »

Chicago gets its first big reggaeton festival

Reggaeton is an expression of movement, release, sexuality, storytelling, connection, and fashion. It’s taken over the world of pop music, despite the Puerto Rican government’s many attempts to erase it during the 1990s and 2000s. And Chicago now has a chance to experience this forbidden and infectious sound on an unprecedented scale: brought to you by Grass Root Events (which also produces the Michelada Fest and the My House Music Fest), Mas Flow bills itself as the midwest’s first reggaeton festival.

Summertime Chicago might be the only reason some of us put up with winter. Windows are down, air is flowing, booty shorts are everywhere, and the beaches are packed. It’s the perfect weather to turn up your speakers and vibe to reggaeton: heavy kicks, deep snares, catchy lyrics, and a swing that speaks to your body to create sultry movements. The vibrations of reggaeton throb out of so many cars in the city. Needless to say, Chicagoans are fans, and we’ve been fans since before Daddy Yankee’s “Gasolina” hit English-speaking radio stations back in 2004 and ’05. “Estamo’ aqui pa’l perreo!” We are here for el perreo! 

Mas FlowThis three-day reggaeton festival runs Fri 7/15 through Sun 7/17, but at publication time daily schedules had not been announced. Artists not yet assigned to a day include Marce, JBro Bugatti, Abel, Ora, Gio Sandz, 2 Deep, Yoryi, Miriam, Chava, Hyro, Dos Flakos, Mamicana, Jubal, Wreck, Maverii, Geno y Nony, Aksel, J. Santos, Karennoid, Cachorra, Los Desvelados, Lalezka, Chapulin, Mo Mami, Enigma, and Lite. Three-day passes $225, $425 VIP, 12+

Perreo is a mix of Afro-Caribbean dance moves that includes a twerk, a grind, and a whine (a gyrating body movement with another person). But you can also dance it by yourself: “Yo perreo sola,” I perreo alone. Perreo gives us the freedom to embrace our sexuality and sensuality through dance. It is liberation from social constructs about the body in a public space, especially for women and queer people. 

Mas Flow day oneZion & Lennox headline. Other artists include Guaynaa, Lenny Tavarez, Mariah Angeliq, and Nina Sky. Fri 7/15, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

Mas Flow day twoDon Omar headlines. Other artists include Ivy Queen, Tito El Bambino, De La Ghetto, and DJ Playero. Sat 7/16, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, VIP sold out, 12+

Mas Flow day threeTego Calderón headlines. Other artists include Manuel Turizo, Cnco, Emilia, and Baby Ranks. Sun 7/17, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

As we’ve all witnessed with the overturning of Roe v. Wade, people are constantly regulating women’s bodies, and perreo is an expression of autonomy from that oppression. The movements can be erotic, and with the right person, they might lead that way. The carnal nature of perreo and reggaeton is one of the reasons that Puerto Rican officials tried to censor the music. 

In the mid-90s, authorities on the island cracked down on perreo parties and demonized the music’s fans. “If they heard you bumping reggaeton from your car, they’d break your tape and fine you $500,” Puerto Rican producer DJ Nelson told Rolling Stone in 2018. In the 2010s, the Cuban government banned some reggaeton from state-owned media and venues. As recently as 2020, a Colombian senator was trying to censor reggaeton lyrics if they’d be played in public spaces. 

The story of reggaeton is culture. It’s a story of resistance, diaspora, and people who live in spaces deemed “hood” or “ghetto.” It’s become the voice that everyone hears. This narrative began more than 100 years ago with the immigration of Jamaican and other Afro-Caribbean people to work on the Panama Canal. The music of this population—reggae, calypso, soca—was translated into reggae en español and dancehall in Panama in the late 70s. 

The resulting hybrid genres were political, and they spoke about daily life in the hood and discrimination against Black people. It was then that reggae en español became a sign of resistance. People played the music and reclaimed African hairstyles as political statements about Black pride. 

The music made its way to New York via Panamanian artist El General in 1985. At the same time, hip-hop was happening, and Puerto Rican people were very much part of it. Puerto Ricans routinely traveled between New York and the island, and this migration allowed the music to fly its way to Puerto Rico, where it evolved into “underground”—which we now know as reggaeton. Without those moments of exchange and migration, we wouldn’t have reggaeton. In a way, reggaeton is an expression of a borderless world. 

The Mas Flow festival showcases some of the most legendary and historic reggaeton artists, as well as many of the genre’s important newcomers. Afro-Puerto Rican artists Zion & Lennox headline Friday night. They’ll have you dancing passionately in love, whether you have a significant other or you’ve been single for years. They’re pioneers of romantic reggaeton—heart eyes everywhere. 

This Zion & Lennox classic appears on the 2003 compilation Mas Flow, which helped reggaeton break out globally.

Also performing on Friday is Mariah Angeliq, a Puerto Rican and Cuban reggaetonera from Miami whose songs empower us to feel like sexy women, regardless of our gender. That same day, the Puerto Rican twins in the duo Nina Sky will give us the throwbacks we want to hear, especially 2004’s “Oye Mi Canto,” an anthem that celebrates Latinidad in the best way—through sound and dance. 

Nina Sky sing on the 2004 N.O.R.E. hit “Oye Mi Canto.”

Saturday’s bill features a can’t-miss artist: DJ Playero, who was there from the beginning of reggaeton, back when it was called “underground.” He made mixtapes and recorded practically all the MCs in Puerto Rico, including a young Daddy Yankee. Saturday’s closing act is Afro-Puerto Rican singer, record producer, actor, and hit maker Don Omar. We’ll likely hear his new single, “Soy Yo,” and some of his classic hits. 

She’s lower on Saturday’s bill, but I’m very excited for La Queen, La Diva, La Caballota: Ivy Queen! Like DJ Playero, Ivy Queen was present during the conception of what we experience now as reggaeton culture. She pushed the boundaries of reggaeton and gave a voice to us women who wanted to be sexy and dance. Her song “Yo Quiero Bailar” is all about women’s freedom to just dance and not be expected to go home with our dancing partners. 

Ivy Queen first released “Yo Quiero Bailar” in 2003.

Apart from being an amazing musician, a fashion icon, and a TikTok star, Ivy Queen is also a cultural historian. In 2021 she hosted the Spotify podcast Loud: The History of Reggaeton, looking through the eyes of reggaetoneros to share the resilience and passion that drove the growth of the music. 

On Sunday, the fest’s final day, the bookings include two notorious artists: Baby Ranks and Tego Calderón. Baby Ranks, an Afro-Puerto Rican and -Dominican artist, stars on a 2005 compilation album called Más Flow 2 put together by producers Luny Tunes—he appears on several songs, including the celebration of older women “Mayor Que Yo.” Tego Calderón, a proud Black Boriqua, closes out Sunday. He exudes sauce, with so much flow and so much finesse. Expect to be hypnotized by his voice, his Blackness, and his conscious lyrics that speak on the Black experience and anti-capitalism. 

Tego Calderón released “Cosa Buena” on a compilation called Planet Reggae in 2002.

Mas Flow not only brings us these great artists (and all the others I haven’t mentioned), it also hosts a plethora of DJs and producers. Cachorra from Mexico brings neoperreo; Dos Flakos, a Dominican duo from the Bronx, bring Latin-infused dance music. Also on the lineup are some of Chicago’s hottest DJs, including Gage Park reggaeton DJ Karen Valencia, aka Karennoid from Milwaukee-based DJ collective Agua de Rosas. 

“This festival is enriching the already diverse festivals we have in Chicago,” says Karennoid. “Festivals like this drive the music forward, celebrating the love we have for reggaeton in the midwest. This is not just a genre—it is a culture, language, fashion. We’re celebrating the genre’s many evolutions and imaginings. There are so many people imagining reggaeton in their own way.” 

Don’t miss the magic at Mas Flow. Let the music take over your body, and dance your worries—and the weekend—away.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

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Chicago gets its first big reggaeton festival Read More »

Chicago gets its first big reggaeton festivalNancy Sánchez Tamayoon July 13, 2022 at 8:45 pm

Reggaeton is an expression of movement, release, sexuality, storytelling, connection, and fashion. It’s taken over the world of pop music, despite the Puerto Rican government’s many attempts to erase it during the 1990s and 2000s. And Chicago now has a chance to experience this forbidden and infectious sound on an unprecedented scale: brought to you by Grass Root Events (which also produces the Michelada Fest and the My House Music Fest), Mas Flow bills itself as the midwest’s first reggaeton festival.

Summertime Chicago might be the only reason some of us put up with winter. Windows are down, air is flowing, booty shorts are everywhere, and the beaches are packed. It’s the perfect weather to turn up your speakers and vibe to reggaeton: heavy kicks, deep snares, catchy lyrics, and a swing that speaks to your body to create sultry movements. The vibrations of reggaeton throb out of so many cars in the city. Needless to say, Chicagoans are fans, and we’ve been fans since before Daddy Yankee’s “Gasolina” hit English-speaking radio stations back in 2004 and ’05. “Estamo’ aqui pa’l perreo!” We are here for el perreo! 

Mas FlowThis three-day reggaeton festival runs Fri 7/15 through Sun 7/17, but at publication time daily schedules had not been announced. Artists not yet assigned to a day include Marce, JBro Bugatti, Abel, Ora, Gio Sandz, 2 Deep, Yoryi, Miriam, Chava, Hyro, Dos Flakos, Mamicana, Jubal, Wreck, Maverii, Geno y Nony, Aksel, J. Santos, Karennoid, Cachorra, Los Desvelados, Lalezka, Chapulin, Mo Mami, Enigma, and Lite. Three-day passes $225, $425 VIP, 12+

Perreo is a mix of Afro-Caribbean dance moves that includes a twerk, a grind, and a whine (a gyrating body movement with another person). But you can also dance it by yourself: “Yo perreo sola,” I perreo alone. Perreo gives us the freedom to embrace our sexuality and sensuality through dance. It is liberation from social constructs about the body in a public space, especially for women and queer people. 

Mas Flow day oneZion & Lennox headline. Other artists include Guaynaa, Lenny Tavarez, Mariah Angeliq, and Nina Sky. Fri 7/15, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

Mas Flow day twoDon Omar headlines. Other artists include Ivy Queen, Tito El Bambino, De La Ghetto, and DJ Playero. Sat 7/16, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, VIP sold out, 12+

Mas Flow day threeTego Calderón headlines. Other artists include Manuel Turizo, Cnco, Emilia, and Baby Ranks. Sun 7/17, 1-10 PM, Calumet Park Beach, 9801 S. Ave. G, $100, $175 VIP, 12+

As we’ve all witnessed with the overturning of Roe v. Wade, people are constantly regulating women’s bodies, and perreo is an expression of autonomy from that oppression. The movements can be erotic, and with the right person, they might lead that way. The carnal nature of perreo and reggaeton is one of the reasons that Puerto Rican officials tried to censor the music. 

In the mid-90s, authorities on the island cracked down on perreo parties and demonized the music’s fans. “If they heard you bumping reggaeton from your car, they’d break your tape and fine you $500,” Puerto Rican producer DJ Nelson told Rolling Stone in 2018. In the 2010s, the Cuban government banned some reggaeton from state-owned media and venues. As recently as 2020, a Colombian senator was trying to censor reggaeton lyrics if they’d be played in public spaces. 

The story of reggaeton is culture. It’s a story of resistance, diaspora, and people who live in spaces deemed “hood” or “ghetto.” It’s become the voice that everyone hears. This narrative began more than 100 years ago with the immigration of Jamaican and other Afro-Caribbean people to work on the Panama Canal. The music of this population—reggae, calypso, soca—was translated into reggae en español and dancehall in Panama in the late 70s. 

The resulting hybrid genres were political, and they spoke about daily life in the hood and discrimination against Black people. It was then that reggae en español became a sign of resistance. People played the music and reclaimed African hairstyles as political statements about Black pride. 

The music made its way to New York via Panamanian artist El General in 1985. At the same time, hip-hop was happening, and Puerto Rican people were very much part of it. Puerto Ricans routinely traveled between New York and the island, and this migration allowed the music to fly its way to Puerto Rico, where it evolved into “underground”—which we now know as reggaeton. Without those moments of exchange and migration, we wouldn’t have reggaeton. In a way, reggaeton is an expression of a borderless world. 

The Mas Flow festival showcases some of the most legendary and historic reggaeton artists, as well as many of the genre’s important newcomers. Afro-Puerto Rican artists Zion & Lennox headline Friday night. They’ll have you dancing passionately in love, whether you have a significant other or you’ve been single for years. They’re pioneers of romantic reggaeton—heart eyes everywhere. 

This Zion & Lennox classic appears on the 2003 compilation Mas Flow, which helped reggaeton break out globally.

Also performing on Friday is Mariah Angeliq, a Puerto Rican and Cuban reggaetonera from Miami whose songs empower us to feel like sexy women, regardless of our gender. That same day, the Puerto Rican twins in the duo Nina Sky will give us the throwbacks we want to hear, especially 2004’s “Oye Mi Canto,” an anthem that celebrates Latinidad in the best way—through sound and dance. 

Nina Sky sing on the 2004 N.O.R.E. hit “Oye Mi Canto.”

Saturday’s bill features a can’t-miss artist: DJ Playero, who was there from the beginning of reggaeton, back when it was called “underground.” He made mixtapes and recorded practically all the MCs in Puerto Rico, including a young Daddy Yankee. Saturday’s closing act is Afro-Puerto Rican singer, record producer, actor, and hit maker Don Omar. We’ll likely hear his new single, “Soy Yo,” and some of his classic hits. 

She’s lower on Saturday’s bill, but I’m very excited for La Queen, La Diva, La Caballota: Ivy Queen! Like DJ Playero, Ivy Queen was present during the conception of what we experience now as reggaeton culture. She pushed the boundaries of reggaeton and gave a voice to us women who wanted to be sexy and dance. Her song “Yo Quiero Bailar” is all about women’s freedom to just dance and not be expected to go home with our dancing partners. 

Ivy Queen first released “Yo Quiero Bailar” in 2003.

Apart from being an amazing musician, a fashion icon, and a TikTok star, Ivy Queen is also a cultural historian. In 2021 she hosted the Spotify podcast Loud: The History of Reggaeton, looking through the eyes of reggaetoneros to share the resilience and passion that drove the growth of the music. 

On Sunday, the fest’s final day, the bookings include two notorious artists: Baby Ranks and Tego Calderón. Baby Ranks, an Afro-Puerto Rican and -Dominican artist, stars on a 2005 compilation album called Más Flow 2 put together by producers Luny Tunes—he appears on several songs, including the celebration of older women “Mayor Que Yo.” Tego Calderón, a proud Black Boriqua, closes out Sunday. He exudes sauce, with so much flow and so much finesse. Expect to be hypnotized by his voice, his Blackness, and his conscious lyrics that speak on the Black experience and anti-capitalism. 

Tego Calderón released “Cosa Buena” on a compilation called Planet Reggae in 2002.

Mas Flow not only brings us these great artists (and all the others I haven’t mentioned), it also hosts a plethora of DJs and producers. Cachorra from Mexico brings neoperreo; Dos Flakos, a Dominican duo from the Bronx, bring Latin-infused dance music. Also on the lineup are some of Chicago’s hottest DJs, including Gage Park reggaeton DJ Karen Valencia, aka Karennoid from Milwaukee-based DJ collective Agua de Rosas. 

“This festival is enriching the already diverse festivals we have in Chicago,” says Karennoid. “Festivals like this drive the music forward, celebrating the love we have for reggaeton in the midwest. This is not just a genre—it is a culture, language, fashion. We’re celebrating the genre’s many evolutions and imaginings. There are so many people imagining reggaeton in their own way.” 

Don’t miss the magic at Mas Flow. Let the music take over your body, and dance your worries—and the weekend—away.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Read More

Chicago gets its first big reggaeton festivalNancy Sánchez Tamayoon July 13, 2022 at 8:45 pm Read More »

LAST CHANCE: Get Your Tickets For Heatwave Music Festival’s Debut in ChicagoBrian Lendinoon July 13, 2022 at 7:53 pm

Heatwave Music Festival takes over Chicago this weekend, July 16 & 17 with a fully immersive, pop-art inspired event, bridging the gap between experiential art and globally leading dance music performances.The event, put on by Chicago’s leading force in live music events, Auris Presents, debuts in the Windy City at Douglass Park (1401 S Sacramento Dr, Chicago, IL 60623).

Since the world shaping works of Warhol’s Campbell Soup Cans and Lichtenstein’s Crying Girl, pop-art has always been about harnessing the power of mass-culture to turn the images of the moment on their head. Heatwave aims to tip its hat to this moment in time by creating a music-meets-art landscape of installations and environments to explore. The debut event will feature some of dance music’s most celebrated stars like Group Therapy and Anjuna powerhouse Above & Beyond, Swedish hitmakers Galantis, hip-hop influenced producer RL Grime, global superstar TIËSTO, and Canadian bass music kings Zeds Dead.

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Heatwave will welcome a full range of visual artists and creatives set to adorn Douglass Park with areas for attendees to get lost in. Highlights include DREAM with ME by Laura Kimpton and mural art by the artist Pretty Done. The festival will feature interactive installations throughout the grounds including a pop-art inspired statue garden, large puppetry from Ellie Terrell (previously with Moonlight Studios) and various photo opportunities leaving attendees feeling as if they’re immersed in a pop-art utopia.

Larger than life house inspired sounds will be on full display at Heatwave from the illustrious Oliver Heldens, Grammy-nominated Audien, South African live duo Goldfish, hitmaker Frank Walker, rising star MADDS, and sultry Counter Records signee Kasbo playing a DJ set. Billing continues with Endless Summer: Sam Feldt B2B Jonas Blue, Matoma, Borgeous, and more.

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The deeper end of electronic music’s mainstage sound continues with scene leaders like G Jones, Ekali, Blunts & Blondes, and Boombox Cartel, paired with the rap crossover stylings of Lost Kings and Yellow Claw. Bass and tech house continues its meteoric rise at Heatwave as it welcomes superstars like J. Worra, Dr. Fresch, Shiba San, and Westend to its art-clave paradise.

Heatwave will welcome a full range of to be announced visual artists and creatives set to adorn Douglass Park with areas for attendees to get lost in. These reality altering experiential elements set Heatwave apart as the most exciting addition to Chicago’s dance music calendar. The event will be led by the team behind Auris Presents, the reigning tastemakers of Chicago’s dance music and immersive festival community, and team behind Chicago live music and entertainment venues RADIUS, Concord Music Hall, PRYSM and more.

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If you still wish to attend it’s not too late! You can sign-up to be the first to get their festival passes at the Heatwave Music Festival website. For a full look at the Heatwave Music Festival Lineup, check out the IG post below.

Or, to. catch them in ABC Order:

AudienBlunts & BlondesBoombox CartelBorgeousCanablissDion TimmerDr. FreschEndless Summer: Sam Feldt B2B Jonas BlueEkaliFrank WalkerG JonesGG MagreeGoldfishJ. WorraKasbo (DJ Set)ŁaszewoLost KingsLoud LuxuryMaddsMatomaOliver HeldensPhantoms (DJ Set)Ranger TruccoRome in SilverRossyShiba SanShip WrekSlow MagicTwo FeetWestendWin & WooYellow Claw

Featured Image Credit: Luke Deakin

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LAST CHANCE: Get Your Tickets For Heatwave Music Festival’s Debut in ChicagoBrian Lendinoon July 13, 2022 at 7:53 pm Read More »

The Chicago Blackhawks sign a decent center for depthVincent Pariseon July 13, 2022 at 6:41 pm

The Chicago Blackhawks have been busy. They need people to play for them in the 2022-23 season as they have traded or let go of most of their top forwards. Now, it is about rebuilding this group. They still need some stopgaps and now they are getting them.

Earlier in the day, they signed both Max Domi and Andreas Athanasiou to one-year deals. Both of them are going to get three million dollars and a chance to raise their value before the trade deadline. Both sides are getting something good from these deals.

They weren’t done there. A little bit later, it came out that the Hawks were bringing in Colin Blackwell. Instead of getting a one-year deal, he is getting a two-year deal with an average annual value of 1.2 million dollars.

Blackwell is going to be the team’s fourth-line center for as long as they have him. They can trade him at either trade deadline too which is a nice reason to bring him in. He is the perfect player to surround a bunch of kids trying to make their way in the league.

The Chicago Blackhawks are making some low-key moves in free agency.

Along with Domi and Athanasiou, Blackwell is perfect for what Chicago is trying to do. Players that are hard to play against or guys who are really fast will be perfect role models on this team and Blackwell can help with some of that.

Blackwell is a former Harvard player that was a seventh-round pick. He started his playing career with the Nashville Predators before making his way to the New York Rangers. He had some success there before being selected by the Seattle Kraken in the expansion draft.

Seattle traded him to Toronto during their first season as a part of a big trade involving Mark Giordano. He had a nice finish with them before becoming a free agent after this year. Now, he has earned himself a nice little contract with Chicago.

As mentioned before, this is a good deal for both sides as they are each getting something they need out of it. Blackwell can make some money playing hockey while trying to prove himself worthy of another deal. For the Hawks, they are getting a depth piece that plays the right way and could get them assets later on.

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The Chicago Blackhawks sign a decent center for depthVincent Pariseon July 13, 2022 at 6:41 pm Read More »

Ramen Lord returns to the next Monday Night Foodball

Chui does exactly what you tell it to do.

That’s the name of Mike “Ramen Lord” Satinover’s gleaming, new, half-ton Yamato Richmen Type One ramen noodle machine, currently in residence in the living room of his West Loop apartment. It’s named—or at least I’ve named it—for one of the minor AI drones in the classic manga franchise Ghost in the Shell.

“I’ve been making ramen noodles for ten-plus years and the vast majority of the time I’ve done it with a hand-cranked noodle machine,” says Satinover, the obsessive ramen ronin whose periodic pop-ups consistently sell out within minutes. “Making noodles on those is brutal. The dough is crumbly and very dry and takes extreme effort to turn into anything cohesive. But with the Yamato it’s the opposite. [It] turns on and does what it is told. It does not give a fuck about you. Every dough comes together into a smooth and supple sheet. This is amazing, because now your attention can be put elsewhere in the process, but it’s also a little terrifying, because your tiny mistakes are much more difficult to correct.”

Ramen noodles by Chui. Credit: Mike Satinover

I couldn’t detect any flaws in the thick, chewy, tender, and resilient noodles his Lordship made for a group of superfans one evening last week. Since Chui’s delivery last month, he’s been inviting friends and strangers into his home to observe the process (and take home some fresh noodles), with the object of mastering this exacting machine—perfecting his game in advance of opening an eventual brick-and-mortar ramen-ya. 

They’re good enough for professionals too. He’s made noodles for staff meals at Ever, for a special at Milwaukee’s Red Light Ramen, and for a SuperHai pop-up at Ludlow Liquors (playing their own MNF on July 25).

And he’s making them for the Kedzie Inn when he returns to the next Monday Night Foodball, the Reader’s chef pop-up series on July 18.   

Tantanmen. Credit: Mike Satinover

Santinover’s offering two varieties of mazesoba, aka “mixing noodles,” or soupless ramen. One is based on Tokyo-style aburasoba, slicked with soy sauce and garlicky lard, topped with braised pork, green onion, nori, crispy shallots, and a golden, jiggling egg yolk. The other is a riff on tantanmen, with ground pork, tingly Sichuan peppercorns, sesame, and crushed cashews.  

Either way you go, the noodle is the star. “It’s slurpable and fun,” says Satinover. “It’s a thick, chewy noodle made with a good amount of egg, which adds resilience and also tenderness. Mazesoba is about texture, so I wanted a noodle that would stand up to the sauce but not dominate its flavor.”

Look alive. Tickets for this extraordinary Foodball are on sale right now, and they’ll go like lightning. There will be precious few orders available for walk-ins, beginning at 5 PM this Monday, June 18 at the Kedzie Inn in Irving Park, where barkeep Jon Pokorny will be serving up crisp, cold lager, the ideal, but perhaps superfluous, lubricant for these slippery, tentacular bowls.

Meantime, Chui suggests you contemplate the full Monday Night Foodball schedule below:

7/25: Asian stoner snacks from SuperHai

8/1: Keralan food from Thommy Padanilam of Thommy’s Toddy Shop

8/8: Indonesian home cooking with Waroeng and friends

8/15: Dylan Maysick of Diaspora Dinners

8/22: Vargo Brother Ferments

8/29: the triumphant return of Funeral Potatoes

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Ramen Lord returns to the next Monday Night FoodballMike Sulaon July 13, 2022 at 5:00 pm

Chui does exactly what you tell it to do.

That’s the name of Mike “Ramen Lord” Satinover’s gleaming, new, half-ton Yamato Richmen Type One ramen noodle machine, currently in residence in the living room of his West Loop apartment. It’s named—or at least I’ve named it—for one of the minor AI drones in the classic manga franchise Ghost in the Shell.

“I’ve been making ramen noodles for ten-plus years and the vast majority of the time I’ve done it with a hand-cranked noodle machine,” says Satinover, the obsessive ramen ronin whose periodic pop-ups consistently sell out within minutes. “Making noodles on those is brutal. The dough is crumbly and very dry and takes extreme effort to turn into anything cohesive. But with the Yamato it’s the opposite. [It] turns on and does what it is told. It does not give a fuck about you. Every dough comes together into a smooth and supple sheet. This is amazing, because now your attention can be put elsewhere in the process, but it’s also a little terrifying, because your tiny mistakes are much more difficult to correct.”

Ramen noodles by Chui. Credit: Mike Satinover

I couldn’t detect any flaws in the thick, chewy, tender, and resilient noodles his Lordship made for a group of superfans one evening last week. Since Chui’s delivery last month, he’s been inviting friends and strangers into his home to observe the process (and take home some fresh noodles), with the object of mastering this exacting machine—perfecting his game in advance of opening an eventual brick-and-mortar ramen-ya. 

They’re good enough for professionals too. He’s made noodles for staff meals at Ever, for a special at Milwaukee’s Red Light Ramen, and for a SuperHai pop-up at Ludlow Liquors (playing their own MNF on July 25).

And he’s making them for the Kedzie Inn when he returns to the next Monday Night Foodball, the Reader’s chef pop-up series on July 18.   

Tantanmen. Credit: Mike Satinover

Santinover’s offering two varieties of mazesoba, aka “mixing noodles,” or soupless ramen. One is based on Tokyo-style aburasoba, slicked with soy sauce and garlicky lard, topped with braised pork, green onion, nori, crispy shallots, and a golden, jiggling egg yolk. The other is a riff on tantanmen, with ground pork, tingly Sichuan peppercorns, sesame, and crushed cashews.  

Either way you go, the noodle is the star. “It’s slurpable and fun,” says Satinover. “It’s a thick, chewy noodle made with a good amount of egg, which adds resilience and also tenderness. Mazesoba is about texture, so I wanted a noodle that would stand up to the sauce but not dominate its flavor.”

Look alive. Tickets for this extraordinary Foodball are on sale right now, and they’ll go like lightning. There will be precious few orders available for walk-ins, beginning at 5 PM this Monday, June 18 at the Kedzie Inn in Irving Park, where barkeep Jon Pokorny will be serving up crisp, cold lager, the ideal, but perhaps superfluous, lubricant for these slippery, tentacular bowls.

Meantime, Chui suggests you contemplate the full Monday Night Foodball schedule below:

7/25: Asian stoner snacks from SuperHai

8/1: Keralan food from Thommy Padanilam of Thommy’s Toddy Shop

8/8: Indonesian home cooking with Waroeng and friends

8/15: Dylan Maysick of Diaspora Dinners

8/22: Vargo Brother Ferments

8/29: the triumphant return of Funeral Potatoes

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

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Ramen Lord returns to the next Monday Night FoodballMike Sulaon July 13, 2022 at 5:00 pm Read More »

The Chicago Blackhawks make two quick free agent signingsVincent Pariseon July 13, 2022 at 5:05 pm

The Chicago Blackhawks are not a team trying to win the Stanley Cup in 2022-23. In fact, they would probably be mad if they were kind of good and barely made the playoffs. The goal this year is to compete for the top of the 2023 NHL Draft.

It was obvious that they would only make a few small moves in free agency as they just need bodies to play for their team. They did just that after the free agency window opened in the National Hockey League.

Chicago is bringing in Max Domi and Andreas Athanasiou via free agency. They are each getting one-year deals worth three million dollars. Those are nice years for both the players and the teams for a variety of reasons.

First, the teams. The Blackhawks are going to be very bad. Both of these guys, however, fit what Kyle Davidson likes in players in different ways. Domi is hard to play against and Athanasiou is one of the fastest players in the National Hockey League.

The Blackhawks have signed forwards Andreas Athanasiou and Max Domi, according to a source.

— Scott Powers (@ByScottPowers) July 13, 2022

The Chicago Blackhawks are making some low-key free agency moves.

With some of the young kids that the Blackhawks are going to be using over the year, it will be nice to have guys like this around for a while. Each of them can be a good model of what the team wants to show off to their kids in terms of what to expect.

For the players, they are going to make some money which is always nice. They aren’t going to do much winning in a Blackhawks sweater but that will be fixed for them down the stretch of the season. The Hawks will surely trade them to contenders for assets before the trade deadline.

Athanasiou was a really nice depth piece for the Los Angeles Kings team that surprised a lot of people in 2022-23. He only played in 28 regular season games but he scored 11 goals in those games. If he can stay healthy, he will score some goals using his incredible speed.

Max Domi also adds some nice depth to the wing for Chicago. He doesn’t score now like he did when he first broke into the league but he is hard to play against and uses physicality to make an impact out there. Hawks fans will like having him on the team for a cup of coffee.

These are some low-key moves that are going to help this team continue its rebuild. Being good leaders for a while before being traded for assets would mean that the Hawks get the most out of these guys.

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The Chicago Blackhawks make two quick free agent signingsVincent Pariseon July 13, 2022 at 5:05 pm Read More »

Listen to The Ben Joravsky Show

Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays and Mondays. 

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Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


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Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Read More

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