What’s New

Get the Chicago Reader in print every other week

The next Reader print issue is the issue of September 1. It will be distributed to locations beginning on Wednesday, August 31.

Many Reader boxes including downtown and transit line locations will be restocked on the Wednesday following each issue date.

The latest issue

The latest print issue of the Reader is the issue of August 18, 2022.

You can download the print issue as a free PDF.

The Chicago Reader is published in print every other week and distributed free to the 1,100 locations on this map (which can also be opened in a separate window or tab). Copies are available free of charge—while supplies last.

Never miss a copy! Paid print subscriptions are available for 12 issues, 26 issues, and for 52 issues from the Reader Store.

Chicago Reader 2022 print issue dates

The Chicago Reader is published in print every other week. Issues are dated Thursday. Distribution usually happens Wednesday morning through Thursday night of the issue date. Upcoming print issue dates through December 2022 are:

9/1/20229/15/20229/29/202210/13/202210/27/202211/10/202211/24/202212/8/202212/22/2022

Download the full 2022 editorial calendar is here (PDF).

See our information page for advertising opportunities.

2023 print issue dates

The first print issue in 2023 will be published three weeks after the 12/22/2022 issue, the final issue of 2022. The print issue dates through March 2023 are:

1/12/20231/26/20232/9/20232/23/20233/9/20233/23/2023

Related


[PRESS RELEASE] Baim stepping down as Reader publisher end of 2022


Chicago Reader hires social justice reporter

Debbie-Marie Brown fills this position made possible by grant funding from the Field Foundation.


[PRESS RELEASE] Lawyers for Social Justice Reception

Benefitting The Reader Institute for Community Journalism,
Publisher of the Chicago Reader

Read More

Get the Chicago Reader in print every other week Read More »

Hocus-pocusBen Joravskyon August 26, 2022 at 5:54 pm

The South Terminal at the CTA’s 95th/Dan Ryan Red Line stop. Credit: Chicago Transit Authority licensed under CC BY-NC-ND 2.0

As the years roll by, mayors and aldermen come and go but the great Tax Increment Financing scam stays forever.

Oh, TIFs, TIFs, TIFs. Haven’t written about them in awhile. But they’re always on my mind, to paraphrase the great Willie Nelson.

They’re particularly on my mind as I follow the falsehoods advanced by both sides in regards to the proposed Red Line TIF district, which would help pay for extending the Red Line south from 95th to 130th. 

For what it’s worth, I support extending the Red Line—the city should have done it decades ago. Might have helped fortify the south side and stave off the disinvestment of the last 30 or so years. Guess we’ll never know.

Anyway, back to the untruths in the debate over the TIF district. Let’s start with this nugget from a CTA spokeswoman, who told the Sun-Times, “One’s property taxes will not change because their property is in a Transit TIF [because it] is not an additional tax levy.”

I realize the CTA is trying to neutralize opposition, but this statement is flat out wrong. Property taxes will most definitely change because of that TIF. They’ll go up. And that’s because TIFs raise your property taxes. As soon as a TIF district is created, your property taxes go up. 

TIFs are essentially a surcharge the mayor and aldermen slap on your property tax—only they don’t tell you they’re slapping it on your property tax. ’Cause they don’t want you to know you’re paying it. Otherwise, you might stir from your slumber and object.

They just let you pay it. And you do pay it. Even renters, who may never even see a property tax bill. Their landlords generally pass on the tax hikes in the form of higher rents.

Most importantly—it’s not just property owners in a specific TIF district who pay the increase. Every Chicago property owner pays more in taxes when a TIF district is created, even if they live outside the district being created.

So, yes, constituents of Alderpeople Pat Dowell and Brian Hopkins—who’ve been bellyaching the most about the Red Line extension—will pay more in taxes to extend the Red Line. But so will constituents in Beverly and Rogers Park and Austin and Little Village and so on and so forth.

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

A TIF limits the amount of property in a TIF district that the taxing bodies—the park district, CPS, the city, the county, etc.—can tax.

As a result, tax rates rise citywide to compensate for the tax dollars the schools, city, parks, etc. aren’t getting from property in TIF districts.

How much more in property taxes have we paid for the dozens of TIF districts our mayors and aldermen have created over the years? I don’t know—the city keeps that information a secret.

Now, it is true that the south side transit TIF is not an “additional tax levy,” as the CTA spokeswoman puts it. But so what? That statement is classic misdirection, intended to confuse you. There are more than one ways to hike your property taxes. The government can budget to spend more money—i.e., raise the tax levy. Or they can increase the tax rate.

And, again, that’s what TIFs do: they raise the property tax rate throughout the city.

Now let’s deal with the untruth offered by Alderpeople Dowell, Hopkins, and Anthony Beale, who are making a major deal out of the fact that “the money for this project will be generated between Madison and Pershing . . .  and it will all be spent at 130th. That wouldn’t have been allowed previously,” as Hopkins told the Sun-Times.

Their outrage over TIF dollars being spent outside a specific TIF district is laughable given that it happens all the time. It’s called porting. Dowell, of all people, should know about porting. TIF money intended to be spent building Wintrust Arena in her near south side ward wound up being spent at Navy Pier.

Many schools all over the city and Millennium Park were built with property tax dollars ported in from adjacent TIF districts. Mayor Daley was planning to pay for his Olympics with TIF money ported in from all over town. Funny, I never heard Dowell or Beale or Hopkins (formerly an aide to Cook County Commissioner John Daley, Mayor Daley’s brother) complain about that.

Because TIFs are citywide tax hikes, Chicagoans routinely pay for TIF-funded projects that are nowhere near where they live.

So, no, the property tax used to fund the Red Line extension will not be “generated between Madison and Pershing,” as Hopkins claims.

Instead, it would be generated throughout the city. Because—one more time—TIFs raise everyone’s property taxes.

I hate to say it, but the lament about people in the loop paying for the Red Line sounds like Ronald Reagan talking about welfare recipients using food stamps to buy booze. It’s a way to inflame the middle class into thinking they’re carrying the burden for the poor.

When, in fact, it’s the other way around with Chicago’s TIF program—it generally favors rich neighborhoods over poor ones. As I’ve written many times.

Thus, residents from Beale’s Roseland-based ward pay more in property taxes to fund the Lincoln Yards project in Hopkins’s ward.

Maybe it’s time taxpayers in gentrifying neighborhoods return the favor, so to speak. And spend a little extra property tax dollars to help Roseland, which needs the investment a lot more than Lincoln Yards. That’s for sure.

The real question is—are residents willing to raise their property taxes to promote development by extending the Red Line?

That question probably won’t be asked. Just as residents weren’t asked whether they wanted to raise their property taxes to help pay for Lincoln Yards.

Instead, the city and the CTA will pretend TIFs don’t raise your property taxes. They’ve gotten away with this hocus-pocus for over 30 years—no need for them to stop it now.

The Latest from the Ben Joravsky Show

Delmarie Cobb–Changing Tides
01:16:42

“School Aid” and Henry Davis, Jr.
57:04

David Faris–President Godfather
55:41

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TIFs for Dummies

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The city’s TIFs will generate a record $561 million this tax year. Which means more money for the mayor to sneakily divert into vanity projects like Navy Pier.

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Hocus-pocusBen Joravskyon August 26, 2022 at 5:54 pm Read More »

Get the Chicago Reader in print every other weekChicago Readeron August 26, 2022 at 5:50 pm

The next Reader print issue is the issue of September 1. It will be distributed to locations beginning on Wednesday, August 31.

Many Reader boxes including downtown and transit line locations will be restocked on the Wednesday following each issue date.

The latest issue

The latest print issue of the Reader is the issue of August 18, 2022.

You can download the print issue as a free PDF.

The Chicago Reader is published in print every other week and distributed free to the 1,100 locations on this map (which can also be opened in a separate window or tab). Copies are available free of charge—while supplies last.

Never miss a copy! Paid print subscriptions are available for 12 issues, 26 issues, and for 52 issues from the Reader Store.

Chicago Reader 2022 print issue dates

The Chicago Reader is published in print every other week. Issues are dated Thursday. Distribution usually happens Wednesday morning through Thursday night of the issue date. Upcoming print issue dates through December 2022 are:

9/1/20229/15/20229/29/202210/13/202210/27/202211/10/202211/24/202212/8/202212/22/2022

Download the full 2022 editorial calendar is here (PDF).

See our information page for advertising opportunities.

2023 print issue dates

The first print issue in 2023 will be published three weeks after the 12/22/2022 issue, the final issue of 2022. The print issue dates through March 2023 are:

1/12/20231/26/20232/9/20232/23/20233/9/20233/23/2023

Related


[PRESS RELEASE] Baim stepping down as Reader publisher end of 2022


Chicago Reader hires social justice reporter

Debbie-Marie Brown fills this position made possible by grant funding from the Field Foundation.


[PRESS RELEASE] Lawyers for Social Justice Reception

Benefitting The Reader Institute for Community Journalism,
Publisher of the Chicago Reader

Read More

Get the Chicago Reader in print every other weekChicago Readeron August 26, 2022 at 5:50 pm Read More »

Chinatown hip-hop, Summer Skate, Dracula, and dance

Have you hit a summer festival in Chinatown yet? Starting today through Sunday, Hip Hop in Chinatown is happening at Chinatown Square (2133 S. China Pl.), a three-day festival celebrating Chicago hip-hop while subtly intimating the relationship of immigrant communities to music, fashion, and street culture. From 2-9 PM today, there will be a street dance championship featuring both solo and crew performances; today’s judges include award-winning local dancer Kid Nimbus. Saturday includes a dance workshop (sorry, registration has closed) followed by parties, and 2-9 PM Sunday is nonstop local hip-hop music. Oh, and did we mention it’s free? To learn more or see a complete schedule of events, check out the Hip Hop in Chinatown Instagram and event page. (MC)

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Enjoy the twilight days of summer with a free outdoor roller disco. The Chicago Park District has teamed up with Vocalo to host Summer Skate at McKinley, a summer skate party, as part of their Night Out in the Parks Series. From 6-9:30 PM, DJ Dreea and DJ All the Way Kay will take turns dropping beats to inspire skaters in McKinley Park’s (2210 W. Pershing) seasonal ice rink, which will be transformed into a roller skating rink for the occasion. Skates will be available to rent for free—but you’re welcome to bring your own! No wheel restrictions. Go to Vocalo Radio’s website to learn more. (MC)

Many people are familiar with Orson Welles’s infamous 1938 radio version of The War of the Worlds, which caused a mass panic when listeners who tuned in late on October 30 thought that an actual Martian invasion was taking place. Less well known is Welles’s Mercury Theatre on the Air version of Dracula from earlier the same year. Now Glass Apple Theatre takes a bite at the material in a new stage adaptation (entitled, sensibly enough, Orson Welles’ Dracula), directed by company founder and artistic director Brian McKnight, who incorporated some material from Bram Stoker’s original not used by Welles. This pre-Halloween fright-show classic opens tonight at Raven Theatre (6157 N. Clark) and runs through 9/25 (Thu-Sat 7:30 PM, Sun 3 PM). Tickets are $25 ($15 students, seniors, military, veterans, and industry); information and reservations at glassappletheatre.com. (KR)

Chicago Dance Crash celebrates 20 years of combining street and concert dance with Booms Day, opening tonight at 7 PM at the Ruth Page Center for the Arts (1016 N. Dearborn) and continuing Fri-Sat 7 PM through 9/10. The framing narrative device is that, after a vague “boom” has taken the fun out of everything, an eight-year-old keeps her distance with only her boombox as company. But soon the apocalyptic landscape becomes more populated, with friends and foes alike, which forces her to confront choices between “friends or family, love or blood, peace or freedom.” Appropriate for all ages, the show is directed by Chicago Dance Crash artistic director Jessica Deahr, written by Mark Hackman, and choreographed by artists from across the country, including Deahr, Crash rehearsal director KC Bevis, Archangels Chicago artistic director Annie Franklin, hip-hop and street dance specialist Jimmy Weeden, and LA-based dancemaker James Gregg. Tickets are $25 adult, $15 12 and under at chicagodancecrash.com. (KR)

Read More

Chinatown hip-hop, Summer Skate, Dracula, and dance Read More »

Listen to The Ben Joravsky Show

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

With support from our sponsors

Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


State of anxiety

Darren Bailey’s anti-Semitic abortion rhetoric is part of a larger MAGA election strategy. Sad to say, so far it’s worked.


MAGA enablers

Andrew Yang and his third party lead the way for Trump.


Biased driving

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Listen to The Ben Joravsky Show Read More »

Listen to The Ben Joravsky ShowBen Joravskyon August 26, 2022 at 7:01 am

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

With support from our sponsors

Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


State of anxiety

Darren Bailey’s anti-Semitic abortion rhetoric is part of a larger MAGA election strategy. Sad to say, so far it’s worked.


MAGA enablers

Andrew Yang and his third party lead the way for Trump.


Biased driving

Mayor Lightfoot uses NASCAR to lure the “Let’s Go Brandon” crowd to town.

Read More

Listen to The Ben Joravsky ShowBen Joravskyon August 26, 2022 at 7:01 am Read More »

Chinatown hip-hop, Summer Skate, Dracula, and danceMicco Caporale and Kerry Reidon August 26, 2022 at 5:07 pm

Have you hit a summer festival in Chinatown yet? Starting today through Sunday, Hip Hop in Chinatown is happening at Chinatown Square (2133 S. China Pl.), a three-day festival celebrating Chicago hip-hop while subtly intimating the relationship of immigrant communities to music, fashion, and street culture. From 2-9 PM today, there will be a street dance championship featuring both solo and crew performances; today’s judges include award-winning local dancer Kid Nimbus. Saturday includes a dance workshop (sorry, registration has closed) followed by parties, and 2-9 PM Sunday is nonstop local hip-hop music. Oh, and did we mention it’s free? To learn more or see a complete schedule of events, check out the Hip Hop in Chinatown Instagram and event page. (MC)

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Enjoy the twilight days of summer with a free outdoor roller disco. The Chicago Park District has teamed up with Vocalo to host Summer Skate at McKinley, a summer skate party, as part of their Night Out in the Parks Series. From 6-9:30 PM, DJ Dreea and DJ All the Way Kay will take turns dropping beats to inspire skaters in McKinley Park’s (2210 W. Pershing) seasonal ice rink, which will be transformed into a roller skating rink for the occasion. Skates will be available to rent for free—but you’re welcome to bring your own! No wheel restrictions. Go to Vocalo Radio’s website to learn more. (MC)

Many people are familiar with Orson Welles’s infamous 1938 radio version of The War of the Worlds, which caused a mass panic when listeners who tuned in late on October 30 thought that an actual Martian invasion was taking place. Less well known is Welles’s Mercury Theatre on the Air version of Dracula from earlier the same year. Now Glass Apple Theatre takes a bite at the material in a new stage adaptation (entitled, sensibly enough, Orson Welles’ Dracula), directed by company founder and artistic director Brian McKnight, who incorporated some material from Bram Stoker’s original not used by Welles. This pre-Halloween fright-show classic opens tonight at Raven Theatre (6157 N. Clark) and runs through 9/25 (Thu-Sat 7:30 PM, Sun 3 PM). Tickets are $25 ($15 students, seniors, military, veterans, and industry); information and reservations at glassappletheatre.com. (KR)

Chicago Dance Crash celebrates 20 years of combining street and concert dance with Booms Day, opening tonight at 7 PM at the Ruth Page Center for the Arts (1016 N. Dearborn) and continuing Fri-Sat 7 PM through 9/10. The framing narrative device is that, after a vague “boom” has taken the fun out of everything, an eight-year-old keeps her distance with only her boombox as company. But soon the apocalyptic landscape becomes more populated, with friends and foes alike, which forces her to confront choices between “friends or family, love or blood, peace or freedom.” Appropriate for all ages, the show is directed by Chicago Dance Crash artistic director Jessica Deahr, written by Mark Hackman, and choreographed by artists from across the country, including Deahr, Crash rehearsal director KC Bevis, Archangels Chicago artistic director Annie Franklin, hip-hop and street dance specialist Jimmy Weeden, and LA-based dancemaker James Gregg. Tickets are $25 adult, $15 12 and under at chicagodancecrash.com. (KR)

Read More

Chinatown hip-hop, Summer Skate, Dracula, and danceMicco Caporale and Kerry Reidon August 26, 2022 at 5:07 pm Read More »

Laugh Factory prepares to go All In with accessibility in comedy

The very phrase “stand-up comedy” is arguably ableist: even though there are many working comedians who use wheelchairs or who have other disabilities, comedy clubs (like a lot of entertainment venues) still have a ways to go to address issues of accessibility for patrons and performers alike. But Nicholas Dunnigan is hoping to change that a little bit.

Dunnigan started out just a few months ago as an intern at Chicago’s Laugh Factory, even though his ultimate goal is to start his own theater company. “I wanted accessibility to sort of be one of the central pieces of my theater company. But that was kind of on the back burner when I got to work at the Laugh Factory. For my internship I had to come up with projects that could benefit the club in some capacity. I had all these different projects, like a merch stand, for example, which was one of the projects I came up with that got rejected. 

“Then one day we had a show that was entirely in Portuguese, and this regular came in. And I seated her, and I told her, ‘Hey, just so you know, the show’s entirely in Brazilian Portuguese.’ And she was like, ‘OK.’ And then five minutes into the show she left. And she said, ‘I thought I could handle it. I can’t. But if you had a show that was in ASL, I could do that.’”

That exchange became what Dunnigan calls “a lightbulb moment.” He began thinking about not just having ASL interpreters at Laugh Factory but creating a more welcoming environment for audiences and performers who have disabilities. What he’s come up with is All In Comedy, a disability-inclusive show scheduled for Sunday, October 23 at 8 PM. The lineup will be comprised entirely of comedians with disabilities (he’s still nailing down the final program), and there will be ASL interpreters, large-print menus for guests with visual impairments, and dimmed lighting for patrons with sensory sensitivity.

Dunnigan of course isn’t the first person to produce a showcase for comedians with disabilities; he notes that Second City did a disability community showcase at their Toronto theater. Laugh Factory in Hollywood and other LA clubs participated for years in the Norman G. Brooks Standup Comedy Showcase, presented by the Media Access Office (a program of the California Employment Development Department) and the Friends of Californians with Disabilities. Before they closed down during the pandemic (though they are soon to reopen under new leadership), iO presented “Who Dis,” a showcase founded by comedian Liz Komos and featuring performers from the mental health, chronic illness, and disability communities. 

Dunnigan notes that Laugh Factory has provided ASL interpreters in the past if performers request them, “but it’s not like a regular thing, or it’s not like the exact idea of the show, you know? If someone needs it, they’ll get it. But it’s not like an accessibility-centered show.”

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Originally, Dunnigan thought the showcase might be “half comics who did live with disability and the other half who just worked really well with ASL interpreters.” But as he dove into watching clips, he realized it would be easy to bring in enough comedians with disabilities to create a full lineup. Most of the performers will be local, with the exception so far of Michigan-based comic Jacob Barr. “I actually met him at the open mike at Laugh Factory. He went up after me. He killed. He was so funny,” says Dunnigan. “I bought him a drink. I told him I was looking at doing this showcase and he was so excited.”

As for ASL interpretation, Dunnigan notes that he’s looking for interpreters who have worked with theater. “Interpreting theater and interpreting comedy, that’s kind of very close together. It’s all about the bridge. It’s all about the timing. It’s all about the delivery, whether you are doing Death of a Salesman or you’re telling a dick joke.” He adds that the ASL interpreters Laugh Factory usually works with “understand sort of the different quirks of each of the comedians, because each comic is gonna be different.”

Dunnigan hopes that All In can become a regular feature at Laugh Factory and will encourage other comedy clubs to highlight performers with disability on an ongoing basis. “We do scene shows at Laugh Factory quite often. As I said, there was a show that was entirely in Brazilian Portuguese. We have Latinx-style comedy. We have shows centered around race. Representation is very important, whoever you’re representing. But this was just one thing that we didn’t really have.” 

Criss Henderson Courtesy Chicago Shakespeare Theater

Criss Henderson leaving Chicago Shakespeare

After 33 years in the job, Chicago Shakespeare Theater’s executive director Criss Henderson announced earlier this week that he’s stepping down at the end of the year. His announcement comes nearly six months after founding artistic director Barbara Gaines announced that she’s leaving the company in 2023

This is just the latest in a string of personnel changes at the top for major Chicago theaters. But though Henderson wasn’t there at the very birth of Chicago Shakes (which began back in 1986 with a performance of Henry V on the rooftop of the Red Lion on Lincoln), he and Gaines have been so closely aligned in the company’s growth that it’s not entirely surprising that he would decide to leave around the same time. Under Henderson and Gaines’s leadership, the company moved to their two-venue theater on Navy Pier in 1999 and expanded next door to The Yard in 2017. They also focused on international productions, both by taking Chicago Shakes shows abroad and by producing the lauded WorldStage series at home.

Chicago Shakes board president Mark Ouweleen notes that the company will hire interim leadership after Henderson’s departure, and Henderson will continue on a consulting basis through 2023. No successor for Gaines has been named as of yet.

Jeff Award nominations announced

On Tuesday, the Joseph Jefferson Awards committee announced the nominees for the Equity Awards. (Per Jeffs tradition, the categories for best production, best director, and the design elements are divided by “large” and “midsize” theaters operating under Equity contracts, while performers and playwrights all compete head-to-head regardless of theater size; the non-Equity Jeffs are usually presented in the spring.) 

In recognition of the ongoing challenges of producing in the pandemic, this year the Jeffs include categories for short-run productions (nine to 17 performances). Since most of those nominated are the only ones in their categories—including About Face’s staging of Terry Guest’s The Magnolia Balletfor best production, Congo Square’s What to Send Up When It Goes Downfor best ensemble (which returns September 24 in a coproduction with Lookingglass), Angela Webber Miller for her scenic design for Theater Wit’s Who’s Holiday!, and Natalie Y. Moore’s The Billboard with 16th Street Theater for best new work—it seems a safe bet to say they’ll win. 

By the numbers, suburban Drury Lane and the Goodman had the most nominations, with 21 and 20, respectively (the latter reflecting four coproductions). In the midsize categories, TimeLine got ten noms, including one for best new work (Tyla Abercrumbie’s Relentless, which opened with TimeLine at Theater Wit and subsequently moved to the Goodman’s Owen stage). The single show with the most nominations (eight total) was Paramount Theatre in Aurora’s staging of Kinky Boots. Among individual artists, sound designer and composer Christopher Kriz topped the list with five nominations (including for his original music in Relentless).

The ceremony will be held Monday, October 17, at Drury Lane Oakbrook—the first live Jeff Awards show since the 2020 shutdown. 

Read More

Laugh Factory prepares to go All In with accessibility in comedy Read More »

Laugh Factory prepares to go All In with accessibility in comedyKerry Reidon August 26, 2022 at 4:09 pm

The very phrase “stand-up comedy” is arguably ableist: even though there are many working comedians who use wheelchairs or who have other disabilities, comedy clubs (like a lot of entertainment venues) still have a ways to go to address issues of accessibility for patrons and performers alike. But Nicholas Dunnigan is hoping to change that a little bit.

Dunnigan started out just a few months ago as an intern at Chicago’s Laugh Factory, even though his ultimate goal is to start his own theater company. “I wanted accessibility to sort of be one of the central pieces of my theater company. But that was kind of on the back burner when I got to work at the Laugh Factory. For my internship I had to come up with projects that could benefit the club in some capacity. I had all these different projects, like a merch stand, for example, which was one of the projects I came up with that got rejected. 

“Then one day we had a show that was entirely in Portuguese, and this regular came in. And I seated her, and I told her, ‘Hey, just so you know, the show’s entirely in Brazilian Portuguese.’ And she was like, ‘OK.’ And then five minutes into the show she left. And she said, ‘I thought I could handle it. I can’t. But if you had a show that was in ASL, I could do that.’”

That exchange became what Dunnigan calls “a lightbulb moment.” He began thinking about not just having ASL interpreters at Laugh Factory but creating a more welcoming environment for audiences and performers who have disabilities. What he’s come up with is All In Comedy, a disability-inclusive show scheduled for Sunday, October 23 at 8 PM. The lineup will be comprised entirely of comedians with disabilities (he’s still nailing down the final program), and there will be ASL interpreters, large-print menus for guests with visual impairments, and dimmed lighting for patrons with sensory sensitivity.

Dunnigan of course isn’t the first person to produce a showcase for comedians with disabilities; he notes that Second City did a disability community showcase at their Toronto theater. Laugh Factory in Hollywood and other LA clubs participated for years in the Norman G. Brooks Standup Comedy Showcase, presented by the Media Access Office (a program of the California Employment Development Department) and the Friends of Californians with Disabilities. Before they closed down during the pandemic (though they are soon to reopen under new leadership), iO presented “Who Dis,” a showcase founded by comedian Liz Komos and featuring performers from the mental health, chronic illness, and disability communities. 

Dunnigan notes that Laugh Factory has provided ASL interpreters in the past if performers request them, “but it’s not like a regular thing, or it’s not like the exact idea of the show, you know? If someone needs it, they’ll get it. But it’s not like an accessibility-centered show.”

Did you know? The Reader is nonprofit. The Reader is member supported. You can help keep the Reader free for everyone—and get exclusive rewards—when you become a member. The Reader Revolution membership program is a sustainable way for you to support local, independent media.

Originally, Dunnigan thought the showcase might be “half comics who did live with disability and the other half who just worked really well with ASL interpreters.” But as he dove into watching clips, he realized it would be easy to bring in enough comedians with disabilities to create a full lineup. Most of the performers will be local, with the exception so far of Michigan-based comic Jacob Barr. “I actually met him at the open mike at Laugh Factory. He went up after me. He killed. He was so funny,” says Dunnigan. “I bought him a drink. I told him I was looking at doing this showcase and he was so excited.”

As for ASL interpretation, Dunnigan notes that he’s looking for interpreters who have worked with theater. “Interpreting theater and interpreting comedy, that’s kind of very close together. It’s all about the bridge. It’s all about the timing. It’s all about the delivery, whether you are doing Death of a Salesman or you’re telling a dick joke.” He adds that the ASL interpreters Laugh Factory usually works with “understand sort of the different quirks of each of the comedians, because each comic is gonna be different.”

Dunnigan hopes that All In can become a regular feature at Laugh Factory and will encourage other comedy clubs to highlight performers with disability on an ongoing basis. “We do scene shows at Laugh Factory quite often. As I said, there was a show that was entirely in Brazilian Portuguese. We have Latinx-style comedy. We have shows centered around race. Representation is very important, whoever you’re representing. But this was just one thing that we didn’t really have.” 

Criss Henderson Courtesy Chicago Shakespeare Theater

Criss Henderson leaving Chicago Shakespeare

After 33 years in the job, Chicago Shakespeare Theater’s executive director Criss Henderson announced earlier this week that he’s stepping down at the end of the year. His announcement comes nearly six months after founding artistic director Barbara Gaines announced that she’s leaving the company in 2023

This is just the latest in a string of personnel changes at the top for major Chicago theaters. But though Henderson wasn’t there at the very birth of Chicago Shakes (which began back in 1986 with a performance of Henry V on the rooftop of the Red Lion on Lincoln), he and Gaines have been so closely aligned in the company’s growth that it’s not entirely surprising that he would decide to leave around the same time. Under Henderson and Gaines’s leadership, the company moved to their two-venue theater on Navy Pier in 1999 and expanded next door to The Yard in 2017. They also focused on international productions, both by taking Chicago Shakes shows abroad and by producing the lauded WorldStage series at home.

Chicago Shakes board president Mark Ouweleen notes that the company will hire interim leadership after Henderson’s departure, and Henderson will continue on a consulting basis through 2023. No successor for Gaines has been named as of yet.

Jeff Award nominations announced

On Tuesday, the Joseph Jefferson Awards committee announced the nominees for the Equity Awards. (Per Jeffs tradition, the categories for best production, best director, and the design elements are divided by “large” and “midsize” theaters operating under Equity contracts, while performers and playwrights all compete head-to-head regardless of theater size; the non-Equity Jeffs are usually presented in the spring.) 

In recognition of the ongoing challenges of producing in the pandemic, this year the Jeffs include categories for short-run productions (nine to 17 performances). Since most of those nominated are the only ones in their categories—including About Face’s staging of Terry Guest’s The Magnolia Balletfor best production, Congo Square’s What to Send Up When It Goes Downfor best ensemble (which returns September 24 in a coproduction with Lookingglass), Angela Webber Miller for her scenic design for Theater Wit’s Who’s Holiday!, and Natalie Y. Moore’s The Billboard with 16th Street Theater for best new work—it seems a safe bet to say they’ll win. 

By the numbers, suburban Drury Lane and the Goodman had the most nominations, with 21 and 20, respectively (the latter reflecting four coproductions). In the midsize categories, TimeLine got ten noms, including one for best new work (Tyla Abercrumbie’s Relentless, which opened with TimeLine at Theater Wit and subsequently moved to the Goodman’s Owen stage). The single show with the most nominations (eight total) was Paramount Theatre in Aurora’s staging of Kinky Boots. Among individual artists, sound designer and composer Christopher Kriz topped the list with five nominations (including for his original music in Relentless).

The ceremony will be held Monday, October 17, at Drury Lane Oakbrook—the first live Jeff Awards show since the 2020 shutdown. 

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Laugh Factory prepares to go All In with accessibility in comedyKerry Reidon August 26, 2022 at 4:09 pm Read More »

The Chicago Bears could have two wide receiver options soonRyan Heckmanon August 26, 2022 at 2:00 pm

Just days away from the regular season, the Chicago Bears still don’t have answers at the wide receiver position.

Darnell Mooney is the clear-cut number one, with Equanimeous cementing himself as the number two. Rookie Velus Jones Jr. will likely start out as the number three guy, starting in the slot as long as Byron Pringle remains out with injury.

But, beyond those guys, the Bears have a bunch of question marks — and even then, the starters don’t quite inspire confidence as Mooney is the only established pro.

Soon, though, rosters will be seeing a lot of change. Teams have to cut their rosters down to 53 players in just four days, meaning there will be plenty of guys hitting waivers that the Bears could look at.

One of those options is a rather young, former second-round pick, still presenting some upside. Denzel Mims of the New York Jets has requested a trade as of Thursday afternoon, and may just end up being cut when it’s all said and done.

Ryan Poles and the Chicago Bears should give Denzel Mims a look if he’s cut, along with other potential veteran options.

Mims came to the league out of Baylor as a big play guy, who could make those tough catches up in the air and down the sideline. Two seasons in, though, he hasn’t quite made the impact Jets fans would have liked to see.

Denzel Mims finds a hole in the defense for a big gain. @Zel5Zelly

?: #ATLvsNYJ on ESPN?: Stream on NFL+ https://t.co/3fttuL9BM4 pic.twitter.com/iQMLBQci5h

— NFL (@NFL) August 23, 2022

Having his best offseason of work to date, though, Mims feels he is deserving of some serious playing time. Although, the Jets re-signed Braxton Berrios, committed to Corey Davis, drafted Elijah Moore in 2021 and drafted Garrett Wilson this year.

It may be too little too late for Mims in New York, thus the trade request.

To date, Mims has just 31 receptions for 490 yards and zero touchdowns in the NFL. But, the 6-foot-3 wideout is still 24 years old and has plenty to prove — much like N’Keal Harry, which is why the Bears took a flier on him also.

Meanwhile, another AFC wide receiver could soon be looking for a new home. Kansas City Chiefs wideout and notable veteran Josh Gordon is fighting for a roster spot at the moment, following a tumultuous offseason within the Chiefs’ wide receiving room.

The Chiefs lost Tyreek Hill via trade, along with Demarcus Robinson and Byron Pringle via free agency. Bringing in JuJu Smith-Schuster and Marquez Valdes-Scantling as the de facto starters, the Chiefs also drafted Skyy Moore and have Mecole Hardman there still — that makes up the top four, right there.

Head coach Andy Reid didn’t exactly give Gordon a guarantee when speaking about his camp a few days ago, simply speaking in generalities and saying he likes Gordon’s attitude. Reid noted that Gordon has played with the ones, twos and threes throughout camp, so his roster spot is anything but concrete, although anything is possible.

Gordon may not be the talent he once was, after being in and out of the league several times, but his experience could still be enough to warrant a roster spot and allow Justin Fields to develop further.

Whether it’s Gordon, Mims, or another option, the likelihood of the Bears bringing in a receiver following the final cut-downs is high.

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The Chicago Bears could have two wide receiver options soonRyan Heckmanon August 26, 2022 at 2:00 pm Read More »