If the ChicagoBlackhawks lose the “play in” series, a chance at the first pick is still there.
The players on the Chicago Blackhawks couldn’t care less about the Draft Lottery right now. Players always want to win and rightfully so. They want to defeat the Edmonton Oilers so they have a chance at the playoffs. It is a strange season because of the COVID-19 pandemic and the Draft Lottery is a no exception. There was something that happened during the drawing that shook the hockey would and could have some crazy effects for years to come.
The Draft Lottery drew names for the first three picks in the draft. The third overall pick is going to the Ottawa Senators, the second pick belongs to the Los Angeles Kings, and the first overall pick was won by a placeholder. That means that the teams that fail to advance past the play-in round will have a second drawing with equal odds.
That means that there is a chance that the Chicago Blackhawks earn the first overall pick. If they lost to the Edmonton Oilers in that series, they will be in the second wave of the lottery. As mentioned before, the players playing for their own careers do not care one bit and are going to try their very best to win as much as they can.
With Connor McDavid and Leon Draisaitl leading the way on the other side, they definitely don’t want to lose because they see themselves as good enough to win the Cup. Nobody is saying that you should be rooting against your favorite team but whoever wins this pick is going to be a very happy team for a long time.
Alexis Lafreniere is a brilliant player that plays for the Rimouski Oceanic of the QMJHL. He is going to be the first overall pick in the Draft to whoever claims this pick. If Chicago won this pick, he would immediately join their top-six forward group. He would also potentially even be their best player not named Patrick Kane (or maybe Jonathan Toews) right away. He would allow those two guys to ride off into the sunset by playing some great hockey down the stretch of their careers.
As mentioned before, nobody is going to actively root against their team. With that said, having a chance at Lafreniere could be more worth it than getting smoked by the St. Louis Blues, Colorado Avalanche, Vegas Golden Knights, or Dallas Stars in the first round. This is going to be very interesting to see how it plays out.
Oh, Lady O! I love it when you tackle topics and issues that people as a whole does not want any affiliation with. I remember vividly when she invited Klan members and other white supremacy organizations to her show, as if that would make their racist viewpoints against blacks any different, especially when our beloved host was as black as they came. Making that decision was a very bold one on her end, not to mention that her new career at A.M. Chicago could have been in jeopardy. Most importantly, Oprah’s life was very much at stake although I never read anywhere that she discussed it.
In 2004, my very best friend and I had the pleasure of being invited to Oprah’s Life Class. The topic was about single fathers and I’m guessing Oprah’s upcoming documentary may touch on this a bit. The only difference now is that racism has reared its ugly head once and all. For those of us who believed that social media and the frivolous use of cell phones has been the demise of our young black youth, can now really appreciate the young person being at the right place at the right time when recording the brutal mistreatment of George Floyd, leading to his death by a police officer, someone who is supposed to “Serve and Protect”.
Oprah’s latest documentary “Where Do We Go From Here?” questioning what black Americans are supposed to do now or what should they expect from our elected officials. I’m not a black man, Oprah, but a black woman who has two autistic sons. The only answer I can give is that I have to keep on keeping on. I constantly tell my oldest son (he’s 27, mild-mannered, never been to jail, sold drugs or used drugs) that in spite of his light-skin that there are places here in America where he is still considered a “nigger” and that he will racially profiled at some point in his life.
It’s a horrible feeling when your black son or daughter are not home and you suddenly hear gunshots and the siren from an ambulance. You pray that it’s not your child; it’s a sad state of affairs that we as black people will never experience a peaceful lifestyle. It hurts a great deal that a black child had to sing that all he wants to do is live. This child should be thinking about graduating high school and going to college, but instead they’re mind is on whether they are going to make it back home to their families.
Oprah’s upcoming documentary interviewing 100 black fathers will include Tyler Perry, Courtney B. Vance, and other beloved fathers we know, will be shown Tuesday, June 30, 2020 at 9 p,m. on OWN. Please check your local listing.
I’m an author and playwright of urban fiction, a mom of two boys with autism, and have lupus. I lived my formative years in the Cabrini-Green Housing Projects. I have an article about my thoughts of the demise of Cabrini-Green on Page Four of the Chicago RedEye titled “Eyesore yes, but public housing was our home” (April 2010) and a lupus article titled “Butterfly is more than some ink on my leg” (May 2010).
Show Me Chicago previews, reviews and expresses opinions on what’s happening in Chicago from Blockbuster Theater, to what’s new in dining, arts, and the neighborhoods.
Abby Hempy has recently launched the Grassroots Motorsports $2000 Challenge Team BMW Art Car-Inspired Engineering Project to Benefit Local Dance Studio in Houghton, Michigan.
Entering Hempy’s home, one would immediately notice all the paintings, notes Hempy. One on every wall. “Art, in all forms, is important to me,” says Hempy. Her “escape” from studying at school for hours every day feels like a full-time job, she says. The way she breaks up the monotony is often by painting. Hempy shares that she will “dig out acrylic tubes, select brushes, and brainstorm before a white canvas” as she lets the stress stream down the brush bristles onto blank fabric. Without really thinking, says Hempy, she just does it.
A rare person, Abby Hempy is a left-brain, mechanically-inclined thinker. Her love for cars is as strong as her love for dancing. Studying Mechanical Engineering at Michigan Technological University, Abby is a second-year master’s student who spends her evening at the Superior School of Dance, participating in the 47 North Bellydance Troupe!
At the same time, she is doing research on torque converters for Ford Motor Co. During her “free time,” she explores the Keweenaw, paints, welds, dances and sews! So far, her motorsports history includes the Gambler 500, demolition derbies and dirt-track races. Her biggest challenge though is coming up and will include completing a car for the Grassroots Motorsports $2000 Challenge. In only four months, she is raising $2,020 and travel expenses so that she may compete
Grassroots Motorsports (GRM) magazine started the competition in the year 2000 and has increased the budget by $1 a year. A BMW, says Abby, was a choice of the ‘best automobile available” if she wanted to be successful. So, she registered her 1998 528i BMW for the GRM $2000 race. Her vehicle choice also included a little nostalgia for a 1984 533i she drove in high school, as well as creating artwork. In 1975, BMW commissioned a project to encourage work-renowned artists to use a race car to compete in the 24 Hours of Le Mans as a canvas.
The most recent art car was in 2017, designed by Cao Fei. Other designs included work from such artists as Roy Lichtenstein, Andy Warhol, Jenny Holzer, Frank Stella and David Hockney. Abby’s team-name Onofrio Pollock Racing, is inspired by Rochester, MN local mixed-media artist Judy Onofrio, and famous painter Jackson Pollock.
Abby’s white BMW will be a means for her to express her artwork. Still under wraps, the BMW is rumored to have hints of mosaic and copper as a nod to Copper country in the Upper Peninsula of Michigan.
The GRE $2000 Challenge will take place in Gainesville, FL this year, October 23-24. The BMW will compete in an autocross and drag race. A judging portion will take place, discussing alterations, budget and appearance. Abby will get to the event by driving the BMW itself, stopping along the way to visit sponsors and supporters to display the artwork.
Abby wants to raise $3,500 for the program, $2,020 for the car, and money for travel expenses, gas and tools. A small budget-it would seem-for anyone involved in car racing, it seems like a lot to a struggling college student! Any money left over will go to the Superior School of Dance in MI, to help fund graduating dancers pursuing their education. Abby’s aim is to not only support their career, but also to teach them the creative side of engineering.
Assisting Abby to run the team are key advisors who will serve as mentors. Those experts include driver Sarah Montgomery, the Shift Up Now Ambassador, tire engineer Ashley Gliss from Michelin North America, and Dean Case, motorsports consultant and part of the SAE Industrial Lecture Program.
Other members of the crew include her chosen driver Tucker Alsup of Advanced Power Systems Laboratory, and two former Baja students John Bloom and Jonathon Lindforts. In addition to the ‘experts,’ there are volunteers and mechanical engineering graduate students.
If you’re interested in learning more and witnessing the building of the car, go to the Onofrio Pollock Racing Facebook page. If you’re so motivated to donate to the cause, go to Venmo. You can also email the team at [email protected]. One can make a contribution of $50 and get a t-shirt and space for a hand-painted sponsor name on the car! Contributors of $200 or more receive the resume-book of team members and company sticker.
Building esteem for women (and men) through passion for the sports car. Brought to you by a certifiable car nut by night and weekends, who happens to be a veteran psychotherapist by day.
Show Me Chicago previews, reviews and expresses opinions on what’s happening in Chicago from Blockbuster Theater, to what’s new in dining, arts, and the neighborhoods.
According to an article in the Washington Post, Americans spend $35 billion yearly on supplements. (This includes vitamins, minerals, and herbal products.) We consistently receive information on how taking a particular supplement will improve our health. The advertising and marketing that comes to our attention can seduce us with promises of wonderful results.
This blog is not to encourage or discourage anyone from taking supplements. I take vitamins. My doctor recommended that I take calcium and vitamin D. I wanted to write this blog to encourage you as an individual to consider if you are taking the right supplements and not wasting your time and money or risking your health taking something you should not take.
Some supplements contain ingredients that have a powerful impact on the body. This could make them hazardous to your health. If you take supplements, read the labels to make sure you are aware of all the ingredients included in the product.
Most healthcare professionals believe we should get our vitamins and minerals from a balanced diet; however, some people may need to take supplements to reach the recommended amount of nutrients they need for their bodies. If you are a certain age, vegan, have dietary restrictions, or you have a medical condition that stops your body from absorbing certain nutrients, you may need to take supplements. Supplements should not be used as a substitute for eating a healthy diet. If you take supplements they should be used as the title suggests-a supplement. Avoid taking large doses of any supplement.
Before taking any supplement talk to your doctor. Discuss any possible side effects and interactions with any medications you take.
I have been interested in preventive medicine since my childhood. In the 70s, my aunt would take me with her to meet with a doctor who emphasized preventive medicine. A lot of the things that doctor discussed then has become standard today.
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For part one of the arrival of T.S. Eliot in my Imaginary Writers’ Room, click here. With the affectionate thanks of the author to W.G. for helping to consider the committee and to A.W. for his Michelangelo comment on part one.
“Who is it?” said Daphne du Maurier.
“Oh, do not ask ‘Who is it?’ Let him in to make his visit,” I blurted out.
T.S. Eliot blushed. “You remember ‘Prufrock,'” he told me as he walked past Sir Arthur Conan Doyle and came into the Imaginary Writers’ Room in my mind. “But a visit?”
“Just being poetic,” I said quickly. “You may stay as long as you like. I want more poetry around here,” I said.
Conan Doyle fidgeted. “But Margaret, your detective story… your essays!” he said.
“I’m no giving them up, Mr. Chairman — Arthur,” I said, smiling with what I hoped looked like determination. “But the poets remind me about using words consciously, lovingly even.”
With that glint in Robert Burns’ eye, I saw Arthur’s logic in having a separate side of the table for ladies. Agatha Christie glared at Burns better than I could.
“Have I not shown you the value of precision with words?” said Arthur.
“Yes, of course you have,” I said. “Come at once if convenient,” I began.
“If inconvenient, come all the same,” Arthur and Agatha finished the famous message along with me — and, I was surprised to note, so did T.S. Eliot.
“You know that story, too!” I said to Eliot. “Until lately, I thought it was just ‘The Final Problem’ that you liked.”
Arthur sighed. “Do we need to go over this waterfall again, Margaret?”
I tried to smile — it was fresher than asking about well-trodden ground — but ‘The Final Problem” and its waterfall have always struck me as powerfully sad stuff. “Arthur,” I said helplessly, “I think we do if Tom’s going to stay. And I want him to stay.”
“You don’t want me to come and go from the room?” said Eliot.
“No, it’s the writers’ room, after all,” I told him. “If you’re going to come and go, talking of Michelangelo –“
“The Imaginary Artists’ Room is over by my other ear,” I said. “I’m not sure Michelangelo is there very much. I mostly just let the Impressionists hang out. After all, it’s so close to the French area of my memory.”
“Ah, I’ll stay here then,” said Tom. “It seems a congenial spot for those of us who love words.”
“Margaret has seen to that,” said Daphne, “from the very first sentences that invited us all in.”
“You and your first sentences,” I said affectionately. “Why, if I could get back that one I was drafting last night –“
Agatha Christie patted my arm and said “Now, Margaret, don’t get Daphne going about ‘last night’ sentences again.” Her face fell. “Last night and again. Oh dear.”
“Oh, this is going to be fun,” said Eliot. “I should make a lot of new memories here for Margaret.”
“It’s not exactly my choice — you just all make yourself so much a part of my mind that I want you to have a special space here, in my imagination,” I said, pointedly looking all around the room. “But yes, music has been important for teaching me more about Tom’s poetry.”
“Oh, not the cats,” said T.S. Eliot.
“Yes, ‘Old Possum’s Book of Practical Cats,'” I said.
“You’ve read it?” said Eliot.
“I own it,” I said. “Of course, cat-loving friends in my life made sure of that. But how could you leave Grizabella out of things?”
The committee members nodded to each other. They can hear what goes on in the music room — and between my ears generally.
“I was attracted to ‘Prufrock’ and ‘The Waste Land’ as a sad teenager,” I began.
“Now, Margaret, don’t be redundant,” said Arthur gently.
“As a teenager,” I continued, “I’d have loved to find ‘Rhapsody on a Windy Night,’ but I just found it before you got here,” I told Eliot.
“You did?” he said, a little uncomfortable.
“Oh, everything’s being saved now, whether the author likes it or not,” I told him.
“I thought the rhapsody wouldn’t fit with the poems about the cats,” he said. “But someone else made sure it did.”
Arthur gave me a suspicious smile. “His times, not mine?” he said.
“You must admit they were different,” I said quickly.
“Well, settle in, Mr. Eliot, and we’ll have a long talk,” said Arthur.
Robert Burns slid his chair over and Louis Stevenson abandoned the sofa for once, settling in on the men’s side of the table.
Oh, this was going to be the source of a great new memory. A new day had begun.
Margaret Serious has a page on Facebook.
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I moved to Chicago from the south suburbs in 1986. I have diverse interests, but I love writing about what I’m interested in. Whether it’s a personal interest or part of my career, the correct words to get the idea across are important to me. I love words and languages — French and Scottish words enrich my American English. My career has included years as a journalist and years working in museums, and the two phases were united by telling stories. I’m serious about words and stories. So here I am, ready to tell stories about words and their languages.
Show Me Chicago previews, reviews and expresses opinions on what’s happening in Chicago from Blockbuster Theater, to what’s new in dining, arts, and the neighborhoods.
I’m Jerry Partacz, happily married to my wife Julie for over 40 years. I have four children and eleven grandchildren. I’m enjoying retirement after 38 years of teaching. I now have an opportunity to share my thoughts on many things. I’m an incurable optimist. I also love to solve crossword puzzles and to write light verse. I love to read, to garden, to play the piano, to collect stamps and coins, and to watch “Curb Your Enthusiasm”.
Show Me Chicago previews, reviews and expresses opinions on what’s happening in Chicago from Blockbuster Theater, to what’s new in dining, arts, and the neighborhoods.
Barron’s: you’re really going to continue to deify Elon Musk, who effectively deemed coronavirus a political distraction and defied/sued Alameda County shelter-in-place orders to stay open and re-open the Tesla factory? Workers tested positive shortly after re-opening, and others who spoke out against the unsafe conditions and stayed home to stay safe were subsequently fired. He lied about producing ventilators, instead delivered sleep apnea breathing machines, and claimed credit for saving the world. He falsely claimed children are “basically immune” to covid and proclaimed that new cases would be “close to zero” by the end of April “based on current trends.” He continued to question and ignore science, despite continually calling on everyone else to consider his pseudoscience.
And that’s just a hint of his “leadership” during coronavirus. Tesla factories are known to have higher than industrial-average injury rates due to unsafe conditions, and a whistleblower was fired. And the time he and his fanboy army doxxed a Tesla critic, by calling his employer? Remember the time he called a British rescue diver (for the Thai kids stuck in a cave) a “pedo guy” amidst one of his hundreds of Twitter spats? And recall half of his defamation defense was basically, “who among us hasn’t called someone a pedo guy?”
And let’s not forget the one incident that Barron’s readers might care about: that time he tweeted he was taking Tesla private at $420/share, declaring, “Funding secured.” He lost his chairmanship of Tesla over it and caught a light slap on the wrist from the SEC. Meanwhile he continues to mislead investors by providing outrageously impossible goal and milestone dates, which he has virtually never achieved (Tesla’s financial position, readiness of vehicle/SpaceX launches/production rates, synergies with Solar City, etc.). At one point he basically said, “I’ve never been on time for any of my deliveries, why would you expect us to start now?” Because that’s how the rest of the responsible investment/adult community behaves, Elon.
And though it was an amazing accomplishment, it’s important to note that the SpaceX launch allowed Elon Musk to claim credit for the leadership and hard work of female President and COO of SpaceX, Gwynne Shotwell. You know he wasn’t really running the ship because he was busy calling the Alameda County health orders fascist, visiting with Joe Rogan, and (theoretically) being a father to a new baby. Moreover, the launch and the ongoing privately-funded space race merely represent the megalomaniac desires of billionaires’ to occupy everything and live forever.
This man is the worst kind of leader and is effectively a mini version of Donald Trump. He is narcissist who will do whatever it takes, including risking the lives of others, to get what he wants. If Musk’s pandemic leadership is lauded in any way, we are really in trouble for November.
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Summer days and summer music, funny how memory works sometimes.
There was a song in my head, or a fragment of a song–sweet summer days, sweet summer days–but I could not remember the rest of the song or who had done it.
Yes, there is a song “Sweet Summer Days” and it’s a very good song, but it’s not the song I was thinking of.
However, thanks to the internet, I was able to find the one that was playing in my head again and I’m so happy to share it with you. Here are the actual lyrics—
Hot Fun in the Summertime
Sly & The Family Stone
All: End of the spring and here she comes back
Hi Hi Hi Hi there
Them summer days, those summer days
That’s when I had most of my fun, back
High high high high there
Them summer days, those summer days
Rose: I “cloud nine” when I want to
Freddie: Out of school, yeah
Larry: County fair in the country sun
Sly: And everything, it’s true, ooh yeah
All: Hot fun in the summertime x 4
All: First of the fall and then she goes back
Bye bye bye bye there
Them summer days,…
Source: LyricFind
And here’s Sly & the Family Stone singing that song from 1969–“Hot Fun in the Summertime” –Enjoy!
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I am originally a country girl from downstate Illinois. I was a Chicago girl in Rogers Park by the Lake. Now I live in Oak Park, by the Blue Line and the Congress Expressway. I write about the weather and other things.
I hope you enjoy and join in these observations. Welcome to Chicago Weather Watch!
Show Me Chicago previews, reviews and expresses opinions on what’s happening in Chicago from Blockbuster Theater, to what’s new in dining, arts, and the neighborhoods.
The new third full-length from Seattle five-piece Eye of Nix, Ligeia (Prophecy), is a gloriously self-possessed howl and wail that floats through the walls between genres like a vengeful ghost. In a 2015 interview with Vice, front woman Joy Von Spain eloquently described the band’s process: “A piece or song that begins in silence and climbs to these weird places, pushing icy noise into blast beats and screams or aria high notes, takes a lot of structural choices. You have to build bridges to find a way there.” To that end, the band members draw on their individual strengths to collectively forge those paths. Drummer Luke LaPlante is an MVP here, his forceful versatility giving a muscular underpinning to the band’s flights of fancy: when “Stranded” breaks from its dreamy intro into its roaring metallic phase, it’s like getting curb-stomped by the Cocteau Twins. Eye of Nix’s songwriting palette includes tones of brown and gold as well as black: they’ve cited Swans and Wovenhand as influences, and those bands’ organic apocalyptic sensibility can be heard in Eye of Nix’s more romantic moments. The album is named after an Edgar Allan Poe character who could be described as his ideal woman: beautiful, brilliant, and doomed. The title track–one of my favorite songs so far this year–evokes Ligeia’s femininity, using layers of clean, eerie vocals and watery guitar jangle to ethereal effect. A similar spirit pervades the video for the heavy, surging “Concealing Waters,” directed by Joseph Seuferling, who’s also designed visuals for the band’s concerts–I hope that someday soon we’ll have a chance to safely experience Eye of Nix bring it all together onstage. v
If you ask Google to translate “Bonjintan” from Japanese into English, it will tell you the word means “ordinary person”–but there’s nothing ordinary about the leader of this international quartet. Akira Sakata, born in Hiroshima early in 1945, has had a dazzlingly varied career: he’s a marine biologist who lectures on water fleas and biodiversity; a former television comedian and media personality who once appeared in a Seiko watch commercial with Grace Jones; and a jazz saxophonist whose work encompasses smooth adaptations of Japanese folk and toe-to-toe slugfests with the likes of Peter Brotzmann. At age 75, he no longer has to prove a thing, but he isn’t letting himself coast: he sounds engaged and exploratory throughout Bonjintan’s latest release, Dental Kafka. Sakata’s bandmates in Bonjintan include his compatriot Tatsuhisa Yamamoto on drums, former Chicagoan Jim O’Rourke on double bass, and Roman-born Giovanni Di Domenico on keyboards, but their collective acumen enables him to move fluidly among approaches. The album opens with an eerie exploration of high string frequencies and drifting piano figures, which sets the stage for a growling vocal entrance by Sakata that sounds like a cross between a soliloquy in a Noh play and a voice-over in a noir film. On the title track, Sakata’s keening alto sax hovers over the combo’s roiling free-jazz accompaniment, but a more intimate tone emerges when the bandleader switches to clarinet for the last half of this nearly hour-long set. v
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