What’s New

Remy — Petraits RescueChicagoNow Staffon July 7, 2020 at 1:45 pm

Pets in need of homes

Remy — Petraits Rescue

Read More

Remy — Petraits RescueChicagoNow Staffon July 7, 2020 at 1:45 pm Read More »

Park Hye Jin’s house music transforms your room into an emotive, prismatic dance floorJoshua Minsoo Kimon July 7, 2020 at 1:00 pm

South Korean producer Park Hye Jin makes evocative house music for late nights. On her new EP, How Can I (Ninja Tune), her vocal delivery and production are poised and searing, building on the template of her 2018 debut, If U Want It. On the EP’s first track, “Like This,” she accompanies a swell of synth pads and percussion with a repeated line about how she’s opening her eyes, as if she’s been in a hypnotic trance. While If U Want It featured the scorching kiss-off “I Don’t Care,” Park takes the art of rejection to the next level on “No,” when she switches from Korean to English–and from a breathy murmur to a piercing, remorseless declamation–to tell someone to “shut the fuck up.” She’s equally frank on “Can You,” despite describing conflicting feelings; as she vacillates between singing “Can you be my baby?” and “I fucking hate you,” the barreling kick drum seems to further unsettle her already tortured mind. Park’s diverse musical palette has been evident since her 2018 self-titled mixtape, which incorporates snatches of funk and hip-hop, and she pushes her eclecticism even further this time around. On the footwork-indebted “How Come,” the most notable example, she adds a midsong blanket of shimmering synths to suffuse a vocal sample and a skittering beat with the emotional tension of her other work. No matter which mood or style she’s trying to invoke, Park transforms whatever space you’re in into a prismatic, makeshift dance floor. v

Read More

Park Hye Jin’s house music transforms your room into an emotive, prismatic dance floorJoshua Minsoo Kimon July 7, 2020 at 1:00 pm Read More »

Chicago Blackhawks: New CBA extension is great news for HawksVincent Pariseon July 7, 2020 at 1:00 pm

Read More

Chicago Blackhawks: New CBA extension is great news for HawksVincent Pariseon July 7, 2020 at 1:00 pm Read More »

Chicago Bears: Patrick Mahomes extension is a bad lookVincent Pariseon July 7, 2020 at 12:00 pm

Read More

Chicago Bears: Patrick Mahomes extension is a bad lookVincent Pariseon July 7, 2020 at 12:00 pm Read More »

Chicago Bears: 3 worse mistakes than Trubisky over MahomesRyan Heckmanon July 7, 2020 at 11:00 am

Read More

Chicago Bears: 3 worse mistakes than Trubisky over MahomesRyan Heckmanon July 7, 2020 at 11:00 am Read More »

Shots fired into crowd, wounding 6 in GreshamSun-Times Wireon July 7, 2020 at 6:54 am

Six people were wounded when someone fired shots into a group of people Monday in Gresham on the South Side.

About 10:40 p.m. a group of people were hanging out in the 1300 block of West 76th Street, when someone began shooting in their direction, striking six people, Chicago police said.

A 25-year-old man was struck in the chest and taken to Stroger Hospital in critical condition, police said. Two other men, 23 and 21, were stuck in the left thigh and buttocks and taken to the same hospital in good condition.

A 19-year-old man was struck multiple times in the back and taken to the University of Chicago Medical Center in critical condition, police said. A 20-year-old man was struck in the ankle and taken to the same hospital in good condition.

A 22-year-old woman was struck in both legs and taken to Christ Medical Center in Oak Lawn in good condition.

Minutes later, three people were wounded in a drive-by in the 7500 block of South Carpenter Street.

Area Two detectives are investigating the shootings.

Read more on crime, and track the city’s homicides.

Read More

Shots fired into crowd, wounding 6 in GreshamSun-Times Wireon July 7, 2020 at 6:54 am Read More »

Chicago Cubs: Uh oh, potential for Kris Bryant to opt-out?Ryan Sikeson July 6, 2020 at 7:15 pm

Read More

Chicago Cubs: Uh oh, potential for Kris Bryant to opt-out?Ryan Sikeson July 6, 2020 at 7:15 pm Read More »

Tatiana Hazel knows she was meant to shineCatalina Maria Johnsonon July 6, 2020 at 5:00 pm

Chicago native Tatiana Hazel has been on a journey that merges fashion, visual design, and music since she was 13 years old, when she began posting videos of herself singing and playing acoustic guitar on YouTube. Now in her early 20s, the Los Angeles-based singer-songwriter has developed a solid following while deepening her talent for applying an optimistic, determined lens to her confessional reflections on relationships, sexuality, breakups, career impasses, and other life dilemmas. On her new EP, Duality, Hazel uses her velvety vibratro to share personal tales made irresistible with sugary pop hooks, all wrapped in shimmery 1980s-inspired synth textures and the occasional disco beat. Created almost completely by Hazel, Duality is a more confident, polished production than her previous work. When I spoke to Hazel last month–shortly after she won the Latin Alternative Music Conference’s Discovery Award, which highlights the work of up-and-coming Latinx artists–she told me that the songs on Duality emerged from her determination to resist being pigeonholed into any one category. “I feel a lot of duality within myself—I’m known as a Latinx artist, but I grew up with American pop culture and spent a lot of time between Mexico and the U.S.” The EP’s upbeat, breezy tunes suggest that Hazel is resolving those tensions with ease. On “Right There,” when she sings “It’s going to be O-fucking-K,” she seems pretty convinced–and the feeling is contagious. v

Read More

Tatiana Hazel knows she was meant to shineCatalina Maria Johnsonon July 6, 2020 at 5:00 pm Read More »

Old comrades Peter Brotzmann and Fred Lonberg-Holm reunite on Memories of a TunicateBill Meyeron July 6, 2020 at 1:00 pm

German reeds player Peter Brotzmann turned 79 in March, so it would be developmentally appropriate for him to take a look back. But memories are a mixed blessing for a devoted practitioner of improvised music. While they can build up a shared understanding between partners, making it easier for them to come up with something that works in a pinch, they can also dilute or foreclose on the in-the-moment magic between players that makes the music so thrilling. Knowing this, Brotzmann has kept himself moving creatively by dissolving many productive relationships and putting others on ice for decades. The Chicago Octet/Tentet, which consisted of players living in or associated with this city, was one of his most productive ensembles between 1997 and 2011. But since Brotzmann disbanded it, he has rarely played with any of its members–until now. In 2019 Brotzmann reconnected with cellist Fred Lonberg-Holm, a founding octet member and once a frequent duet partner, for this 62-minute studio session. (Lonberg-Holm moved from Chicago to Kingston, New York, in 2017.) Neither man’s playing has mellowed, but they pay close attention to each other’s musical choices–a sharpened focus that may have arisen from their time apart. The resulting improvisations are musically varied but consistent in their dark emotional tone. The coarse tenor-sax cries and arcing, feedback-sharpened bowing on “Salp” (all the tracks are named for marine invertebrates) sounds like a funeral keen. “Pyrosomes” feels even more tragic, with Brotzmann playing slow melodies on a Hungarian tarogato while Lonberg-Holm surrounds his lines with electronically distorted smears. And on the closing “Stolidobranchia,” delicate pizzicato figures give way to a bracing spray of electronically reversed notes while the saxophonist eases into a restrained, sorrowful blues. If you’re looking for a soundtrack to your opening-up party, you should look elsewhere, but if you need to hear something that takes the full measure of what it feels like when things end, this album is your companion. v

Read More

Old comrades Peter Brotzmann and Fred Lonberg-Holm reunite on Memories of a TunicateBill Meyeron July 6, 2020 at 1:00 pm Read More »

Neil Young “Homegrown”: Four decades later, the music is timelessHoward Mooreon July 6, 2020 at 11:00 am

I’ve Got The Hippy Shakes

Neil Young “Homegrown”: Four decades later, the music is timeless

Read More

Neil Young “Homegrown”: Four decades later, the music is timelessHoward Mooreon July 6, 2020 at 11:00 am Read More »