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Surprising parallels to today in novels about the plagueon July 13, 2020 at 3:44 pm

Retired in Chicago

Surprising parallels to today in novels about the plague

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Surprising parallels to today in novels about the plagueon July 13, 2020 at 3:44 pm Read More »

It’s upchuck time! Trump tries to pull the Wool(ery) over our eyes.on July 13, 2020 at 2:33 pm

The Quark In The Road

It’s upchuck time! Trump tries to pull the Wool(ery) over our eyes.

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It’s upchuck time! Trump tries to pull the Wool(ery) over our eyes.on July 13, 2020 at 2:33 pm Read More »

PHOTOS: Golfers share photos of themselves out on the course during social distancingon July 13, 2020 at 4:10 pm

ChicagoNow Staff Blog

PHOTOS: Golfers share photos of themselves out on the course during social distancing

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PHOTOS: Golfers share photos of themselves out on the course during social distancingon July 13, 2020 at 4:10 pm Read More »

PHOTOS: Chicago Blackhawks are back at training campon July 13, 2020 at 9:09 pm

ChicagoNow Staff Blog

PHOTOS: Chicago Blackhawks are back at training camp

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PHOTOS: Chicago Blackhawks are back at training campon July 13, 2020 at 9:09 pm Read More »

So Much to Love About 618 5th Street in Wilmetteon July 13, 2020 at 8:45 pm

North Shore Real Estate Chatter

So Much to Love About 618 5th Street in Wilmette

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So Much to Love About 618 5th Street in Wilmetteon July 13, 2020 at 8:45 pm Read More »

PHOTOS: Patios fill up with diners venturing out in Chicago areaon July 13, 2020 at 4:15 pm

ChicagoNow Staff Blog

PHOTOS: Patios fill up with diners venturing out in Chicago area

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PHOTOS: Patios fill up with diners venturing out in Chicago areaon July 13, 2020 at 4:15 pm Read More »

End Days Near: Vienna Beef Factory Closeson July 13, 2020 at 11:19 pm

Hot Dog Diaries

End Days Near: Vienna Beef Factory Closes

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End Days Near: Vienna Beef Factory Closeson July 13, 2020 at 11:19 pm Read More »

Bob Nanna lays his post-divorce life bare on Celebration Stateson July 13, 2020 at 5:00 pm

Midwestern emo cornerstone Bob Nanna made his bones working guarded feelings into nervy posthardcore with anthemic ambitions. Nanna started his streak in the early 90s with teenage band Friction, and by the end of the decade he’d established himself as scene royalty, fronting Braid and then Hey Mercedes. He also took up writing solo material in 1997, and in the mid-2000s he began issuing it as City on Film. As prolific as he’s been, only now is he finally releasing music under his given name. The timing is significant: Celebration States (New Granada) is his first album since his divorce. He recorded these songs–the most openly autobiographical of his career so far–on what would’ve been his anniversary last year. Atop unvarnished acoustic guitars, he sings about his dissolving marriage and the malaise that followed in diaristic detail, but even at his lowest–suffering from loneliness that keeps him up at night (“Come Home”), self-medicating with pills (“In Reverse”)–he never lets himself abandon his sense of personal responsibility. Ultimately Celebration States is less a breakup record and more a measured recollection of the difficult steps he took to build a new life afterward. In most other contexts, Nanna pushes his voice till it starts to unravel, but here he’s gentle with his throat–and eventually with himself. v

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Bob Nanna lays his post-divorce life bare on Celebration Stateson July 13, 2020 at 5:00 pm Read More »

Prolific Chicago rapper Chris Crack shows off his range on Cute Boyson July 13, 2020 at 1:00 pm

In June, Chicago rapper Chris Crack self-released Cute Boys (The Rise of Lil Delicious) on Bandcamp roughly two months after dropping White People Love Algorithms. Most artists releasing 36 songs in a couple months would qualify as prolific, but Chris Crack isn’t most artists; last year, he’d put out four albums by July. All of which is to say we could very well be at the beginning of a new deluge from one of the country’s most prodigious underground MCs. Chris has a puckish streak, and his vocal inflections can cut like barbed wire. His stylish, irascible verses are shot through with humor (he released an album called Troll Till They Fold in 2016), but Cute Boys also highlights his flexibility as a vocalist: much of the album marinates in bubble-bath R&B, somnambulant jazz, or twilight boogie, all of which he complements with sensual singing. But Chris doesn’t spend long focused on any particular style or mood–it’s as though he’s driven by whatever novel idea inspires him to get on the mike and start recording, and that only seems to intensify the animated fervor of his vocals. On “White Lies Cost Black Lives,” his morose hook captures the anxiety, anger, and grief that erupt when white cops kill Black people, and his sullen lilt hints at the despair that grows every time it happens again. v

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Prolific Chicago rapper Chris Crack shows off his range on Cute Boyson July 13, 2020 at 1:00 pm Read More »

HHY & the Macumbas soundtrack the bonfire at the end of the worldon July 13, 2020 at 11:00 am

click to enlarge
HHY & the Macumbas - COURTESY NYEGE NYEGE TAPES

No sensible person can argue against the proposition that America is crying out for a cleansing ritual fire. The only grounds for disagreement that I can see concern which oppressive institutions should be fed to the flames first. As it happens, I’ve recently discovered a wonderful soundtrack for torching prisons of all kinds.

HHY & the Macumbas make just that kind of liberatory music. This Portuguese group have existed in one form or another since 2008, but I learned about them only last month, when Kampala label Nyege Nyege Tapes released Camouflage Vector: Edits From Live Actions 2017-2019 on June 3 (I bought it as part of my July “Bandcamp day” binge). If you know that Nyege Nyege Tapes has also put out two EPs by brilliant drums-and-synths troupe Nihiloxica, whose membership is split between Uganda and the UK, then I’m going to flatter myself and take credit because I mentioned it in these pages nine months ago.

Based in the city of Porto and arising from its multifarious arts collective SOOPA, HHY & the Macumbas have no fixed membership. Nine people are credited on the cover of Camouflage Vector, but I’m only sure that one of them has been involved from the start: bandleader Jonathan Uliel Saldanha, the artist, musician, and composer who founded SOOPA in 1999. His other projects have included Oxidation Machine, a 40-hour immersive noise-and-light installation, and the stage piece Shark: The Celestial Emporium of Benevolent Knowledge, a mock execution of “bodies” created by bundling trash into human shapes.

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A portion of HHY & the Macumbas' stage setup, minus the personnel - COURTESY NYEGE NYEGE TAPES

Some parts of Camouflage Vector were recorded in a club in Barcelos, others inside a huge oil tank on Tenerife in the Canary Islands; two tracks include live contributions from UK dub producer Adrian Sherwood. These aren’t songs so much as they are evocations–and what they evoke is a subterranean place, full of smoke and infernal red light but bustling with all types and colors of life. It’s the chaotic, left-hand obverse of the daylight world and its sterile, gleaming white-collar rationalizations for exploitation, racism, genocide, and environmental apocalypse.

Frenzied, mutating cycles of hand drums and trap set tangle in a dense polyrhythmic weave beneath sinister smears and screams of brass, while synths buzz and pulse and a kick drum throbs like your heartbeat when you can feel it in your eyes. Everything is bathed in “skull cave echo,” as Saldanha puts it. “It comes with a love for trance, otherness, and sound pressure,” he explains.

I especially love the dislocating effect of the music’s multiple simultaneous metabolic rates. The layers of percussion sometimes phase with one another or slip in and out of sync; the horns move with stately, almost funereal deliberation while everything else boils with deranged fury. All we need now is the biggest bonfire since the Big Bang, so we can all dance around it. v


The Listener is a weekly sampling of music Reader staffers love. Absolutely anything goes, and you can reach us at [email protected].

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HHY & the Macumbas soundtrack the bonfire at the end of the worldon July 13, 2020 at 11:00 am Read More »