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Gabriel Garzon-Montano concocts a soulful pop melange with Spanglish flairCatalina Maria Johnsonon October 2, 2020 at 10:00 pm

The first time I saw Gabriel Garzon-Montano in concert was at South by Southwest in 2017. His appearance had generated a lot of buzz; a song from his 2014 EP, Bishoune: Alma del Huila, had been sampled for Drake’s 2015 track “Jungle,” and the multi-instrumentalist and singer-songwriter had recently released his debut full-length, Jardin. Partway through his performance, he had an audio issue with his keyboard, and as sound technicians addressed it, he kept the crowd engaged by unexpectedly delving into his Colombian heritage: he grabbed a mike and launched into an impeccable a cappella version of the traditional Afro-Colombian fisherman’s tune “El Pescador,” singing in Spanish and gyrating his hips, and then returned to his reconnected keyboard to complete his set. Blessed with a sweet croon and a supple falsetto, Garzon-Montano can cover a lot of territory, and he rarely veers into the conventional. His sound melds influences from both his parents–he was born in New York to a father with Colombian roots and French mother who played classical and experimental music and was once part of Philip Glass’s ensemble–as well as from his own Latino Brooklynite identity. On Aguita the chameleonic musician shape-shifts with Spanglish flair–as usual he combines hip-hop, R&B, funk, and soul, augmented with new forays into reggaeton and trap–and he occasionally frames his mix of genres with string-rich orchestral backing. Sometimes his songs plunge into the pathos of loss and change (he explores his grief over his mother’s passing on “Moonless”) or the possibilities of cathartic frenzy in the dance club (the title track and “Muneca,” his first tunes recorded fully in Spanish), but no matter the topic, Garzon-Montano never fails to intrigue and delight. v

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Gabriel Garzon-Montano concocts a soulful pop melange with Spanglish flairCatalina Maria Johnsonon October 2, 2020 at 10:00 pm Read More »

Bless the Mad pay homage to Black music history–and to Chicago–on their self-titled debutLeor Galilon October 2, 2020 at 9:09 pm

Chicago natives and lifelong hip-hop heads Ibrahem Hasan and Matthew Rivera met decades ago while crate digging at a flea market. Their new self-titled debut as Bless the Mad, released by their own Stay the Course label, exudes a collector’s care for music history and a producer’s ear for finding overlooked diamonds and giving them brilliant new settings. Even the album’s artwork contributes to the vibe, collaging together images steeped in the lore of Chicago architecture and music–it includes the logo for Phil Cohran’s jazz band the Artistic Heritage Ensemble, which looks like two Xes connected by a bold line, and a business card for infamous local music reseller Record Al. Bless the Mad understand the spirit that connects the blues, jazz, gospel, soul, R&B, funk, and hip-hop, and they spend the entirety of Bless the Mad stitching together distinctive elements from all those genres into blissed-out, kaleidoscopic music. Though these tracks sound like sample-heavy hip-hop–especially the beats–Hasan and Rivera have built them entirely from scratch, with help from a small community of Brooklyn musicians that includes bassist Diego Alzate, drummer Flavio dos Santos Silva, multi-instrumentalist and vocalist Edson Sean, and vocalist Silka. On “Ancestors, Pt. 2,” a reflective funk melody buoys blurry voices as they recite the names of past greats–Alice Coltrane, J Dilla, Art Blakey, Charles Stepney–in an act of homage that helps link Bless the Mad to this chain of history. v

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Bless the Mad pay homage to Black music history–and to Chicago–on their self-titled debutLeor Galilon October 2, 2020 at 9:09 pm Read More »

Chicago Bears: 4 lies about the Mitchell Trubisky benchingRyan Heckmanon October 2, 2020 at 1:00 pm

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Chicago Bears: 4 lies about the Mitchell Trubisky benchingRyan Heckmanon October 2, 2020 at 1:00 pm Read More »

Chicago White Sox: Rick Renteria needs to be firedJordan Campbellon October 2, 2020 at 12:00 pm

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Chicago White Sox: Rick Renteria needs to be firedJordan Campbellon October 2, 2020 at 12:00 pm Read More »

Chicago White Sox: Trevor Bauer needs to be a priorityJordan Campbellon October 2, 2020 at 2:00 pm

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Chicago White Sox: Trevor Bauer needs to be a priorityJordan Campbellon October 2, 2020 at 2:00 pm Read More »

Chicago Cubs: Where do the Cubs go from here after playoff exit?Usayd Koshulon October 2, 2020 at 11:41 pm

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Chicago Cubs: Where do the Cubs go from here after playoff exit?Usayd Koshulon October 2, 2020 at 11:41 pm Read More »

PHOTOS: Former bachelor pad of columnist Mike Royko sells in Lakeview for $900,000ChicagoNow Staffon October 2, 2020 at 2:15 pm

ChicagoNow Staff Blog

PHOTOS: Former bachelor pad of columnist Mike Royko sells in Lakeview for $900,000

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PHOTOS: Former bachelor pad of columnist Mike Royko sells in Lakeview for $900,000ChicagoNow Staffon October 2, 2020 at 2:15 pm Read More »

As a Black man, can I be friends with a Trump voter?Brian C. Thomason October 2, 2020 at 12:39 pm

Your Doubting Thomas

As a Black man, can I be friends with a Trump voter?

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As a Black man, can I be friends with a Trump voter?Brian C. Thomason October 2, 2020 at 12:39 pm Read More »

Thank Goodness for the Courtscitizen john q publicon October 2, 2020 at 4:12 pm

Go Do Good!

Thank Goodness for the Courts

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Thank Goodness for the Courtscitizen john q publicon October 2, 2020 at 4:12 pm Read More »

How to Make Your Business Handicap AccessibleMartin Bankson October 2, 2020 at 4:05 pm

Small Business Blog

How to Make Your Business Handicap Accessible

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How to Make Your Business Handicap AccessibleMartin Bankson October 2, 2020 at 4:05 pm Read More »