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Siakam, Koloko make NBA history for Cameroonon October 25, 2022 at 1:24 am

MIAMI — Pascal Siakam and Christian Koloko made history for their native Cameroon on Monday night. And they might be involved in more later this week.

Siakam and Koloko were both in the starting lineup for the Toronto Raptors against the Miami Heat. It marked the first time in NBA history that two players from Cameroon started a game together.

Monday’s game marked the 31st time in NBA history that two players from Cameroon started the same game — but in each of the first 30 instances, they were starting on opposite teams. Most of those were games between the Raptors and Philadelphia 76ers, ones that featured Siakam and Joel Embiid.

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There have never been three starters from Cameroon in the same game. That may change this week; the Raptors play Philadelphia on Wednesday and Friday. Embiid, Siakam and Koloko are all former Basketball Without Borders Africa campers.

Koloko, a 7-foot-1 rookie, got his first start in his fourth career game and took the spot vacated by Scottie Barnes — who was sidelined by a sprained ankle. Siakam is in his seventh season with the Raptors and his fifth as a full-time starter.

Both Koloko and Siakam hail from Douala, a city of nearly 6 million on the Atlantic Ocean coast. Monday’s game in Miami tipped off at 12:40 a.m. Tuesday in their home city.

Koloko making his NBA debut last week was a big deal in his homeland, as evidenced by all the middle-of-the-night texts he was getting from friends and family in Cameroon.

“I remember those times, being in that moment where everyone is excited for you,” Siakam told The Canadian Press last week. “Who would have thought we’d both be here? That’s crazy.”

Koloko is the fifth native of Cameroon to start an NBA game, joining Siakam, Embiid, Luc Mbah a Moute and Ruben Boumtje-Boumtje.

The Raptors have eight international players on their roster, marking the second consecutive season with Toronto leading the league in that department to start the season.

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Siakam, Koloko make NBA history for Cameroonon October 25, 2022 at 1:24 am Read More »

Advertise in our Nonprofit IssueAmber Nettleson October 24, 2022 at 5:58 pm

The Chicago Reader’s nonprofit issue publication date is Nov. 24, 2022.

We are offering any nonprofits our 26x rate PLUS 15% off for the nonprofit issue, on any size display ad. Display ads will be featured throughout the Nonprofit Issue (11/23/22), and you can specify if you want to appear in a specific section of the paper (news, arts, theater, etc.) (we will adhere to those specifications as space permits).

Rates:

Nonprofit ratesBase Rate26x rate26x +15% OFF (Your Price)Full Premium*$2,950$2,220$1,887FULL$2,700$2,025$1,7213/4 Page$2,330$1,740$1,4791/2 Page$1,400$1,050$8931/3 Page$975$740$6291/4 Page$800$600$5101/6 Page$535$405$3441/8 Page$435$330$2811/12 Page$265$200$170

*Full Premium includes Pages 3, 5, Inside Front, Inside Back. 

Booking deadline is noon Tuesday, Nov. 15. Full color and design services are included at no additional charge, if needed.

Please let me know if you have any questions! Happy to hop on the phone to discuss, or you can set some time with me. — Amber Nettles 

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Advertise in our Nonprofit IssueAmber Nettleson October 24, 2022 at 5:58 pm Read More »

Advertise in our Nonprofit Issue

The Chicago Reader’s nonprofit issue publication date is Nov. 24, 2022.

We are offering any nonprofits our 26x rate PLUS 15% off for the nonprofit issue, on any size display ad. Display ads will be featured throughout the Nonprofit Issue (11/23/22), and you can specify if you want to appear in a specific section of the paper (news, arts, theater, etc.) (we will adhere to those specifications as space permits).

Rates:

Nonprofit ratesBase Rate26x rate26x +15% OFF (Your Price)Full Premium*$2,950$2,220$1,887FULL$2,700$2,025$1,7213/4 Page$2,330$1,740$1,4791/2 Page$1,400$1,050$8931/3 Page$975$740$6291/4 Page$800$600$5101/6 Page$535$405$3441/8 Page$435$330$2811/12 Page$265$200$170

*Full Premium includes Pages 3, 5, Inside Front, Inside Back. 

Booking deadline is noon Tuesday, Nov. 15. Full color and design services are included at no additional charge, if needed.

Please let me know if you have any questions! Happy to hop on the phone to discuss, or you can set some time with me. — Amber Nettles 

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Advertise in our Nonprofit Issue Read More »

Silver: Changes greatly reduced incentive to tankon October 24, 2022 at 9:59 pm

In an interview with ESPN’s Malika Andrews on “NBA Today,” NBA commissioner Adam Silver said that he believes the changes the league has made to its system in recent seasons, from flattening the lottery odds to adding the play-in tournament, have greatly reduced the incentives for teams to tank for high-profile prospects, including French phenom Victor Wembanyama.

“You’re dealing with a 14% chance of getting the first pick,” Silver said. “I recognize at the end of the day analytics are what they are and it’s not about superstition. A 14% chance is better than a 1% chance or a no percent chance. But even in terms of straightforward odds, it doesn’t benefit a team to be the absolute worst team in the league, and even if you’re one of the poor-performing teams, you’re still dealing with a 14% chance [of winning the lottery].

“It’s one of these things where there’s no perfect solution, but we still think a draft is the right way to rebuild your league over time. We still think it makes sense among partner teams, where a decision was made where the worst-performing teams are able to restock with the prospects of the best players coming in. So we haven’t come up with a better system.”

Last week, Silver spoke to employees of the Phoenix Suns in the wake of the findings of the investigation into the conduct over the past two decades of team owner Robert Sarver and his eventual decision to sell his stakes in both the Suns and the WNBA’s Phoenix Mercury. ESPN’s Baxter Holmes reported, as part of that conversation, that Silver said the idea of relegation has been previously discussed by the NBA as one possible solution to give teams an incentive to compete.

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But as part of his interview Monday afternoon, Silver said there is no realistic way for that system to be put in place in the NBA.

“I can’t say I was deadly serious about relegation, because we don’t have the same system as European soccer and it would make no sense to send an NBA team to the G League or a G League team to the NBA,” Silver said.

“But obviously that is how other leagues deal with situations like this where they force teams to stay competitive because the consequences of finishing at the bottom of the league are dramatically detrimental to the health of the team. But it’s something as I was saying to the folks in Phoenix that we keep our eye on. We understand we are selling competition to our fans.”

With regards to another hot-button topic in NBA circles these days — the prospect of expansion — Silver said jokingly that “word traveled fast” when LeBron James said earlier this month that he hoped to one day be part of the ownership group of an expansion team in Las Vegas. But while Silver said expansion will be back on the table again in the future, he reiterated his prior stance that the league both wants to get through the upcoming collective bargaining discussions with the National Basketball Players Association — both sides can opt out of the current deal by the end of this year — and its new television rights deal, which should be wrapped up in the next year or so ahead of the current deal expiring in 2025, before eventually shifting back to expansion.

One thing that is front of mind for Silver is the status of WNBA star Brittney Griner, who remains in custody in Russia as she has been since February. Silver said that, after the NBA was initially told not to put a bigger spotlight on Griner’s story, he and the league have been doing everything possible to try to bring her back to the United States.

“[We] have been very public about our belief that she deserves to be released at this point,” Silver said. “Even to the extent she was convicted of a minor crime, any punishment at this point is dramatically disproportionate. There should be mercy, of course, for anyone in her position, and we’ve had direct conversations with the White House, with the State Department, you heard opening night, Steph Curry spoke out about her incarceration … to be quite honest, we are doing everything we know available to us, which is to continue to raise her profile and have direct conversations with the U.S, government on all levels.

“But beyond that, it’s frustrating for everyone, it’s enormously frustrating for her family, but I’m not sure what else we could be doing right now.”

As for the reason Silver was in Phoenix speaking to Suns employees, he said he understood having a system that, in part, has a need for employees to call an anonymous tip line “isn’t going to work for everyone.” He added that there needs to be an emphasis on training and ongoing dialogue with team employees to ensure that the proper climate is in place within NBA teams to ensure all employees are being treated in the way they deserve to be.

“One of the things we’ve begun doing this year is having direct conversations with the human resources groups at every team to ensure proper training is in place, that teams can have their own systems of hotlines and things, even independent of what the league does,” Silver said. “[We are] talking about these issues regularly with our board of governors, who ultimately oversee all of our teams, bringing heightened attention to issues around diversity and inclusion, and our teams being part of that is being true to the data, continuously talking about what we are seeing in our teams in terms of hiring practices, who is in positions of leadership.

“Our goal is to operate under best practices, not uniquely to the NBA or for a sports league but for whatever best of class is in industries, and that’s something we’re learning about all the time, and we have professionals focused on it.”

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Silver: Changes greatly reduced incentive to tankon October 24, 2022 at 9:59 pm Read More »

Patching things up

Continents, a 2022 installation by Amanda Christine Harth representing North America (left) and Africa (right). Made from cotton canvas, indigo dye, and red cotton thread. Credit: Ray Abercrombie

For International Repair Day on Saturday, October 15, artist and environmental activist Jenny Kendler, 42, hosted “Before and After: Mending a Life” along with artists Catherine Schwalbe and Katie Vota. The event took place next to Mending Wall, Kendler’s interactive installation currently on view outside of the Field Museum. At “Before and After: Mending a Life,” attendants were encouraged to bring and repair textiles from their own homes, and together “consider mending in your life, your community, our world,” according to Kendler’s website. Tools and supplies such as thread, elastic, and buttons were provided, and no experience was necessary to participate.

Mending Wall is a collaborative project created by Kendler and inspired by Robert Frost’s poem of the same name, as well as Ursula Le Guin’s Earthsea novels, and a visit Kendler made to the Wailing Wall in Jerusalem. The project consists of a 25-foot and dry-stacked stone wall, built from reclaimed Chicago cobblestone. Visitors of all ages are invited to write messages addressing their “individual hopes and fears in this moment of intersecting crisis” and place them in the cracks of the mortarless wall. With the help of the Pandemic Collections team at the Field, the messages will be on display in the near future at the museum, and they will also be archived to be hopefully shared 100 years from now. 

Jenny Kendler’s Mending Wall Credit: Courtesy Jenny Kendler

Kendler explains how a wall can help mend our divides. “This wall is a partial wall, tumbling down at the ends . . . it implies impermanence, porosity. As Frost says, ‘Something there is that doesn’t love a wall . . .’ The wall reminds us that our city, our communities, are constructed from materials, whether literal or cultural, that were hewn, shaped, and well-worn by those who lived here before us. Do we want to keep walls intact, or like the wall in the project, will we let them fall, or even work actively to dismantle them? At the conclusion of Mending Wall the [accompanying] native plant garden will remain, but the wall itself will be disassembled and the stones distributed to gardens throughout the city.”

Speaking of well-worn or repurposed walls, the Epiphany Center for the Arts, which used to be the historic Church of the Epiphany in its previous incarnation, is currently displaying Amanda Christine Harth’s “Blue Collar,” an exhibition about the often overlooked contribution of Africa and African Americans to denim textiles. It features indigo-dyed textiles, customized denim garments, and original denim quilts created by the artist—many of them representing the Black experience in America, and their connection to the fabric. “There are so many more stories to be told about the true history of Black people’s contribution to denim culture,” says Harth, 34, who has been celebrating the fabric in multiple ways over the years. 

Amanda Christine Harth, Jeans, 2002 (denim, cotton, indigo) Credit: Isa Giallorenzo

“In 2016 and 2017, I cocurated an exhibition with Ciera McKissick of AMFM called ‘Indigo Nation’ at Chicago Art Department in Pilsen. It was a denim exhibition and pop-up highlighting local artists and designers. I continued to study denim culture and started learning more about the history of indigo. During this time I continued to host other workshops and events focused on creative entrepreneurship and streetwear fashion,” Harth says. “In 2019, I opened a weekend exhibit, ‘Museum of Streetwear,’ showcasing local fashion designers including denim pieces by Ron Louis and Dearborn Denim. In November 2021, I conducted an artist residency at SAIC at Homan Square on the intersectionality of denim culture and Black culture. At the end of my residency I worked with the denim fashion icon Michael White and multimedia artist Alexandria Eregbu to create a community quilt of upcycled denim and other textiles with residents of Homan Square.”

With all this experience, Harth has become an authority when it comes to denim. Her continuing interest in connecting streetwear, art, and local designers is certainly a force for good for our local fashion community. Though small in size, her exhibition at Epiphany is a delightful culmination of all her work during these years. Displayed in Epiphany’s Guild Room, which happens to be blue, Harth’s works prove how versatile denim can be, and do justice to indigo’s reputation for being a celestial color. 

“Blue Collar”Through 11/19 by appointment (email [email protected]) or viewable during events, Epiphany Center for the Arts, 201 S. Ashland, 312-421-4600, epiphanychi.com

Mending Wall On view through 2024 near the Field Museum’s northeast corner in the Museum Campus area, 1400 S. DuSable Lake Shore Dr., jennykendler.com

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Patching things upIsa Giallorenzoon October 24, 2022 at 6:31 pm

Continents, a 2022 installation by Amanda Christine Harth representing North America (left) and Africa (right). Made from cotton canvas, indigo dye, and red cotton thread. Credit: Ray Abercrombie

For International Repair Day on Saturday, October 15, artist and environmental activist Jenny Kendler, 42, hosted “Before and After: Mending a Life” along with artists Catherine Schwalbe and Katie Vota. The event took place next to Mending Wall, Kendler’s interactive installation currently on view outside of the Field Museum. At “Before and After: Mending a Life,” attendants were encouraged to bring and repair textiles from their own homes, and together “consider mending in your life, your community, our world,” according to Kendler’s website. Tools and supplies such as thread, elastic, and buttons were provided, and no experience was necessary to participate.

Mending Wall is a collaborative project created by Kendler and inspired by Robert Frost’s poem of the same name, as well as Ursula Le Guin’s Earthsea novels, and a visit Kendler made to the Wailing Wall in Jerusalem. The project consists of a 25-foot and dry-stacked stone wall, built from reclaimed Chicago cobblestone. Visitors of all ages are invited to write messages addressing their “individual hopes and fears in this moment of intersecting crisis” and place them in the cracks of the mortarless wall. With the help of the Pandemic Collections team at the Field, the messages will be on display in the near future at the museum, and they will also be archived to be hopefully shared 100 years from now. 

Jenny Kendler’s Mending Wall Credit: Courtesy Jenny Kendler

Kendler explains how a wall can help mend our divides. “This wall is a partial wall, tumbling down at the ends . . . it implies impermanence, porosity. As Frost says, ‘Something there is that doesn’t love a wall . . .’ The wall reminds us that our city, our communities, are constructed from materials, whether literal or cultural, that were hewn, shaped, and well-worn by those who lived here before us. Do we want to keep walls intact, or like the wall in the project, will we let them fall, or even work actively to dismantle them? At the conclusion of Mending Wall the [accompanying] native plant garden will remain, but the wall itself will be disassembled and the stones distributed to gardens throughout the city.”

Speaking of well-worn or repurposed walls, the Epiphany Center for the Arts, which used to be the historic Church of the Epiphany in its previous incarnation, is currently displaying Amanda Christine Harth’s “Blue Collar,” an exhibition about the often overlooked contribution of Africa and African Americans to denim textiles. It features indigo-dyed textiles, customized denim garments, and original denim quilts created by the artist—many of them representing the Black experience in America, and their connection to the fabric. “There are so many more stories to be told about the true history of Black people’s contribution to denim culture,” says Harth, 34, who has been celebrating the fabric in multiple ways over the years. 

Amanda Christine Harth, Jeans, 2002 (denim, cotton, indigo) Credit: Isa Giallorenzo

“In 2016 and 2017, I cocurated an exhibition with Ciera McKissick of AMFM called ‘Indigo Nation’ at Chicago Art Department in Pilsen. It was a denim exhibition and pop-up highlighting local artists and designers. I continued to study denim culture and started learning more about the history of indigo. During this time I continued to host other workshops and events focused on creative entrepreneurship and streetwear fashion,” Harth says. “In 2019, I opened a weekend exhibit, ‘Museum of Streetwear,’ showcasing local fashion designers including denim pieces by Ron Louis and Dearborn Denim. In November 2021, I conducted an artist residency at SAIC at Homan Square on the intersectionality of denim culture and Black culture. At the end of my residency I worked with the denim fashion icon Michael White and multimedia artist Alexandria Eregbu to create a community quilt of upcycled denim and other textiles with residents of Homan Square.”

With all this experience, Harth has become an authority when it comes to denim. Her continuing interest in connecting streetwear, art, and local designers is certainly a force for good for our local fashion community. Though small in size, her exhibition at Epiphany is a delightful culmination of all her work during these years. Displayed in Epiphany’s Guild Room, which happens to be blue, Harth’s works prove how versatile denim can be, and do justice to indigo’s reputation for being a celestial color. 

“Blue Collar”Through 11/19 by appointment (email [email protected]) or viewable during events, Epiphany Center for the Arts, 201 S. Ashland, 312-421-4600, epiphanychi.com

Mending Wall On view through 2024 near the Field Museum’s northeast corner in the Museum Campus area, 1400 S. DuSable Lake Shore Dr., jennykendler.com

RELATED STORIES


Indigo Nation paints Pilsen blue

Street View covers the denim-centered Indigo Nation event in Pilsen.


The natural selection of Jenny Kendler

Jenny Kendler, first-ever artist in residence for the Natural Resources Defense Council, makes complex work about the weird relationship between humans and the natural world.


The Museum of Streetwear enshrines young Chicago designers (for a weekend)

Amanda Harth and Runwayaddicts have set up a space to talk about how our city does fashion differently.

Read More

Patching things upIsa Giallorenzoon October 24, 2022 at 6:31 pm Read More »