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‘Candyman’ sequel’s new trailer, film poster revealedon June 23, 2021 at 5:44 pm

The second trailer — and movie poster — for the Chicago-based horror film sequel/reboot “Candyman” was revealed Wednesday.

The seque to the 1992 Chicago horror classic is directed by Nia DaCosta, and co-written by Jordan Peele.

The film’s trailer also shows Chicago actor Rodney L. Jones III, who was recently seen in Season 4 of “Fargo,” FX’s anthology series.

“Candyman” cast members include Yahya Abdul-Mateen II (“Watchmen,” “The Trial of the Chicago 7”), Teyonah Parris (“Chi-Raq,” “WandaVision”), Nathan Stewart-Jarrett (“Utopia”) and Colman Domingo (“Fear of the Walking Dead,” “Ma Rainey’s Black Bottom”).

While most films scheduled for 2020 release dates opted for streaming services to release content amid the COVID-19 pandemic, movie officials delayed “Candyman” to premiere the film in a communcal setting: movie theaters.

Abdul-Mateen II, an Emmy Award-winning actor, plays Anthony McCoy, an artist who moves into a luxury condo on the site of the Cabrini-Green public housing development, told the Sun-Times in a 2020 interview the film should be viewed in a “safe” way.

“I think that’s a good thing if we can do it in a safe way,” said Abdul-Mateen II. “Black horror movies are really a community experience … and I think we wanted to make a movie that we thought deserved to be experienced in the same way.”

“Candyman” is in theaters Aug. 27.

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‘Candyman’ sequel’s new trailer, film poster revealedon June 23, 2021 at 5:44 pm Read More »

City Council abruptly adjourns; no vote on renaming Lake Shore Driveon June 23, 2021 at 5:22 pm

As much as Chicago mayors would like them to, City Council meetings don’t always follow a political script. In fact, they can get downright hairy.

That’s what happened Wednesday — and it had nothing to do with the controversy over renaming Lake Shore Drive in honor of Jean Baptiste Point DuSable, which never even came to a vote.

Instead, the City Council meeting came off the rails — and got cut short– after Lightfoot went out of the regular order of business to allow Budget Committee Chairman Pat Dowell (3rd) to deliver her committee report first.

That paved the way for immediate consideration of the mayor’s appointment of Celia Meza as the first Hispanic woman to serve as Chicago’s corporation counsel.

But the meeting descended into chaos when Ald. Ray Lopez (15th), one of Lightfoot’s most outspoken City Council critics, moved to delay consideration of the Meza appointment.

The motion was seconded by Ald. Jeanette Taylor (20th), who said she was doing it on behalf of Anjanette Young, the woman who was forced to stand naked as an all-male team of Chicago police officers raided her home as she pleaded with them that they had the wrong address.

Last week, Meza filed a motion to dismiss Young’s lawsuit against the city after Young refused to accept what her attorneys viewed as a “low-ball” offer from the Lightfoot administration to settle the lawsuit for $1 million.

After Ald. Nick Sposato (38th) moved to adjourn the council meeting and reconvene at 11 a.m. Friday, Lightfoot called for a recess.

The mayor then walked off the rostrum, onto the City Council floor and toward the back of the chambers where Taylor was seated behind a pillar.

The two strong-willed women who have clashed repeatedly over the last two years then engaged in a heated argument that clearly did not go well. Lightfoot looked disgusted as she walked slowly back toward the rostrum.

After another private conversation with her floor leader, Rules Committee Chairman Michelle Harris (8th), Lightfoot gaveled the meeting back to order and recognized Public Safety Committee Chairman Chris Taliaferro (29th).

That allowed for immediate consideration of the mayor’s appointment of Annette Nance-Holt as the first Black woman to serve as Chicago’s fire commissioner.

After that, Sposato withdrew his motion to adjourn.

Meanwhile, Meza took her seat at Lightfoot’s side on the rostrum. The corporation counsel is normally seated at the mayor’s side during Council meetings to serve as parliamentarian.

Meza was Lightfoot’s counsel and senior ethics adviser when the mayor promoted her to replace Corporation Counsel Mark Flessner, who was forced out in the political fallout from the police raid on Anjanette Young’s home.

At the time, Lightfoot claimed not to know about Flessner’s attempts to block WBBM-TV (Channel 2) from airing bodycam video of the raid, which showed a crying, naked Young repeatedly asking officers what was going on as they continued to search her home. Police, it turns out, had raided the wrong address.

After Holt’s appointment was confirmed and another death resolution was considered, Harris moved to adjourn the meeting and reconvene at 1 p.m. Friday.

Ald. Anthony Beale (9th) rose to object, but Lightfoot overruled him.

Indicted Ald. Edward Burke (14th), the resident expert on Roberts Rules of Order, rose to defend Beale and say Beale’s motion to table Harris’ motion to adjourn was “not debatable.”

“Standing up and yelling without seeking recognition is not something that’s appropriate,” the mayor told Burke, her political nemesis, as Burke pointed his finger at the mayor from his seat.

“I have considered your appeal, and I’ve denied it.”

The Council then voted on Harris’ motion to set the date and time of the next meeting for 1 p.m. Friday.

The vote to adjourn was 31-18. Harris moved to adjourn one of the more bizarre City Council meetings in memory. Beale rose to table the motion. Lightfoot ruled that the motion to adjourn “takes precedence.”

Another roll call was taken. The second vote to adjourn was approved by the much-closer vote of 27-22. Lightfoot banged the gavel. The meeting was adjourned.

An anticipated showdown vote on the proposal to rename Outer Lake Shore Drive in honor of DuSable will just have to wait until Friday — maybe. So was final City Council approval of Lightfoot’s sweeping pandemic protection plan, including business reforms, worker protections and a revised midnight curfew on the citywide sale of alcohol.

After the meeting, Ald. Carlos Ramirez-Rosa (35th) tweeted, “Mayor Lightfoot is our presiding officer. It’s clear she needs to take a training on Robert’s Rules and how to properly chair a meeting. She consistently abuses of her chair position to ignore or block motions that are in order.”

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City Council abruptly adjourns; no vote on renaming Lake Shore Driveon June 23, 2021 at 5:22 pm Read More »

‘Ride Share’ isn’t always sure where it’s goingon June 23, 2021 at 5:00 pm

In the one-man play/film hybrid “Ride Share,” now streaming via Writers Theatre, writer Reginald Edmund imagines Uber (or Lyft or Via) drivers as living in a kind of purgatory.

The gig economy offers a sense of controlling one’s own destiny, freeing oneself from the confines of the nine-to-five routine. And driving has a long history of representing a uniquely American type of independence: the alluring open road as a symbol of autonomy and possibility.

But shuttling others to their destinations, over and over and over again, can lose its liberating luster awfully fast, becoming instead its own stultifying routine. The experience accumulates the petty humiliations of subservience both to the individual passengers and to the disembodied machine-boss expressing commands through the algorithmic buzzing of a cell phone app. In just a few years, newly giant ride-share companies have descended in the public mind from the promise of enabling entrepreneurship to the epitome of 21st century exploitation.

To Edmund’s credit, we see many of these elements of social injustice, made even worse by the added dimension of persistent racial inequalities, translated to an individual arc in the tale of Marcus (Kamal Angelo Bolden), a charismatic newlywed with a “cush job” who is shocked to learn that landing a multimillion-dollar account doesn’t protect him from being laid off by the smug, Ivy-educated jerk married to the boss’ niece.

Marcus doesn’t dive into the ride-share gig with feelings of great hope, but with a clear determination to make a success of it for the sake of his adoring wife and the demands of their debt. He sheds his power suit for black sweats and obsesses over his ratings, which director Simeilia Hodge-Dallaway expressionistically visualizes with large, cut-out numbers raining down on Marcus’s head.

For a while, Marcus finds a degree of pleasure in his choice of music, or in the moments between fares, when he “steps on the gas,” a phrase that becomes increasingly meaningful in Edmund’s mix of episodic realism and crafty literariness. But soon Marcus feels trapped in his small white car. His early observations of passengers possess an attitude of ironic observation (oh those catty, would-be bridesmaids), but this bemusement morphs into annoyance (the greetings of “My man” or, worse, “My dude”), and then into simmering fury when his former boss — that smug jerk — rather predictably finds his way into the backseat.

The purgatorial quality of the situation reaches its peak as Marcus describes the endless waiting for a fare at O’Hare airport, his loneliness so intense that he begins to imagine a co-driver he calls his “dark rider.” His descriptions of this shapeshifting, devilish figure bring the history of costumed chauffeurship — coachmen, jitney drivers, “Driving Miss Daisy” — into this contemporary context. And the dark rider menacingly preys — Iago-like — on Marcus’ swelling insecurities.

Purgatorial — in both a positive and negative sense — also describes the strange sense of space in this highly produced presentation, filmed on a soundstage in Los Angeles. The piece looks great (credit director of photography Tannie Xing Tang), but it is very much caught in a netherworld between theater and film, at a point where it is no longer theatrical but not yet cinematic.

Bolden, now living in L.A. but well-known to Chicago audiences from memorable roles as the title character in Pulitzer finalist “The Elaborate Entrance of Chad Deity,” delivers an outstanding turn as Marcus. He’s capable of filling any space with performative magnetism, and he finds all sorts of unexpected nuance and narrative shape in Edmund’s 80-minute monologue. But Hodge-Dalloway’s subdued filmic approach forces him to tone down the playing so much that the descriptive flourishes of this type of performance — an ability to create a whole world with words — lose poetic size. And the atmospheric momentum sometimes feels lessened rather than heightened by relatively constant, often rhythmically lulling, musical scoring.

All this could perhaps be more compelling if one could sense more — pardon the pun — drive. The relationship between Marcus and the audience is never established. And although this isn’t uncommon in one-person plays, “Ride Share” would benefit from giving Marcus’ narrative a direction and purpose, answering the questions: Why is he telling this story, and to whom?

Without it, this “Ride Share” comes off as thoughtful and attractive to look at, but removed, suspended outside time and space rather than urgently present.

Steven Oxman is a freelance writer.

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‘Ride Share’ isn’t always sure where it’s goingon June 23, 2021 at 5:00 pm Read More »

Record Violence/Ho-Hum/Renaming Lake Shore Drive Priority One/ Did the City of Big Shoulders Wave the White Flag/on June 23, 2021 at 5:18 pm

JUST SAYIN

Record Violence/Ho-Hum/Renaming Lake Shore Drive Priority One/ Did the City of Big Shoulders Wave the White Flag/

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Record Violence/Ho-Hum/Renaming Lake Shore Drive Priority One/ Did the City of Big Shoulders Wave the White Flag/on June 23, 2021 at 5:18 pm Read More »

Vanessa Bryant agrees to settle wrongful death lawsuiton June 23, 2021 at 3:53 pm

LOS ANGELES — Kobe Bryant’s widow has agreed to settle a lawsuit against the pilot and owners of the helicopter that crashed last year, killing the NBA star, their daughter Gianna, and seven others.

Vanessa Bryant, her children and relatives of other victims filed a settlement agreement notice Tuesday with a federal judge in Los Angeles but terms of the confidential deal weren’t disclosed.

If approved by the court, the settlement — first announced by KABC-TV — would end a negligence and wrongful death lawsuit filed against the estate of the pilot and the owner and operator of the helicopter that crashed into a hillside on Jan. 26, 2020.

Bryant, his 13-year-old daughter, Gianna, and six other passengers were flying from Orange County to a youth basketball tournament at his Mamba Sports Academy in Ventura County. The helicopter encountered thick fog in the San Fernando Valley north of Los Angeles.

Pilot Ara Zobayan climbed sharply and had nearly broken through the clouds when the Sikorsky S-76 helicopter banked abruptly and plunged into the Calabasas hills below, killing all nine aboard instantly before flames engulfed the wreckage.

The others killed were Orange Coast College baseball coach John Altobelli, his wife, Keri, and their daughter Alyssa; Christina Mauser, who helped Bryant coach his daughter’s basketball team; and Sarah Chester and her daughter Payton. Alyssa and Payton were Gianna’s teammates.

The National Transportation Safety Board released a report in February that blamed pilot error for the crash. The NTSB said a series of poor decisions led Zobayan to fly blindly into a wall of clouds where he became so disoriented he thought he was climbing when the craft was plunging.

The agency also faulted Island Express Helicopters Inc. for inadequate review and oversight of safety matters.

The settlement agreement would end legal action against Zobayan’s estate, Island Express Helicopters Inc. and its owner, Island Express Holding Corp. The suit alleged the companies didn’t properly train or supervise Zobayan and that the pilot was careless and negligent to fly in fog and should have aborted the flight.

Island Express Helicopters has denied responsibility and said the crash was “an act of God” it couldn’t control. It countersued two Federal Aviation Administration air traffic controllers, saying the crash was caused by their “series of erroneous acts and/or omissions.”

The settlement agreement wouldn’t include the countersuit against the federal government.

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Vanessa Bryant agrees to settle wrongful death lawsuiton June 23, 2021 at 3:53 pm Read More »

Commentary: MLB’s well-intended pitcher crackdown is instead creating a public spectacleon June 23, 2021 at 4:45 pm

This can’t go on.

Major League Baseball’s attempt to legislate illegal substances off pitchers’ bodies and out of the game couldn’t even make it through the first full night of games before it devolved into a sideshow of showmanship, head games and performance art.

Start with Philadelphia Phillies manager Joe Girardi’s daft challenge of future Hall of Famer Max Scherzer — the first skipper to touch that third rail of undressing an opposing pitcher without significant probable cause — and continue through the dozens and dozens of post-inning inspections, capped by Sergio Romo’s disrobing, and one thought comes to mind.

This is the worst possible development for the game.

Oh, the intent is noble. Not unlike the so-called steroid era, big league pitchers’ willingness to rub the nastiest substances on their persons in order to spin the ball like a Greek waiter spins plates has warped the game. Spider Tack’s gotta go, along with many of the homemade concoctions that turn any pitch into a stick-and-spin scenario.

But not like this.

When a pitcher is stopped and searched — or a manager demands an extra check in good or bad faith — an undeniable signal is sent to fans both avid and casual:

This game is screwed up.

And that favorite pitcher of yours? We think there’s a decent chance he’s cheating.

There’s lots of ways to clean up a sport. We found out Tuesday night that doing it in full public view is not one of them. The slow drip of the steroid era, its heyday spanning nearly two decades, was certainly no fun. Yet a player was never asked to submit a urine sample between innings.

After just two days of MLB’s enhanced enforcement of its foreign substances ban, you almost wish the game would return to the shadows. After all, the league’s offensive futility didn’t just disappear because pine tar and its stickier cousins were in the crosshairs. Tuesday’s scoreboard had a 3-0 and a 2-1 and a 3-2 and a 5-0 and a 3-0 on it.

Nope, just because sunscreen and pine tar are eradicated doesn’t mean the field will suddenly tilt toward batters. So it’s tempting to think, let the kids spray.

Then you look at Gerrit Cole’s spin rate.

The Yankees’ $324 million man has been under fire after a meandering non-denial about his use of Spider Tack. On Tuesday, in his first start since the crackdown, he continued a recent trend of massive spin rate drops. Cole’s sinker was down 364 rpms from his season average, or 15%. His fastball was off 245 rpms, his slider 243.

Those are what we might call statistically significant reductions. At this moment, we truly have no idea why. But it’s surely in the best interests of the game to do away with the most offensive substances and find out.

Cole pitched OK against Kansas City — seven innings, two earned runs, six strikeouts — yet he was far from the guy who punched out nearly 13 batters per inning since 2018, when he was traded to the Houston Astros and leveled up to become the game’s most dominant pitcher.

Like Cole, Scherzer was named in a lawsuit filed by former Angels visiting clubhouse manager Bubba Harkins as a pitcher who ordered tins of homemade sticky substance from Harkins. If nothing else, Girardi had a decent idea Scherzer — who pitched five decent innings in an eventual 3-2 win — might have a hard time going cold turkey off the sticky stuff.

The Phillies manager claimed that in a decade of managing against Scherzer, he’d never seen him go to his hair between pitches.

“I’m not playing games,” Girardi insisted. “I have respect for the people over there and respect for what Max does.”

So Scherzer, for a third time, offered up his glove and his cap and yes, even his balding dome for umpires to forage through, apparently finding nothing more than locally sourced perspiration.

Afterward, Scherzer hit all the high notes of righteous indignation, saying that a slightly colder night in Philadelphia forced him to seek perspiration from his head, rather than his mouth or other parts of his body, to mix with the state-supplied rosin.

“I don’t want to eat rosin. It tastes gross,” he said.

The spot checks?

“I’ll take off all my clothes if you want to see me.”

Was Girardi acting in good faith?

“I’d have to be an absolute fool to actually use something tonight, when everybody’s antenna is so high to look for anything.”

They are all valid retorts, yet, like Scherzer’s concern for a pitch that got away from him and could have struck Phillies third baseman Alec Bohm, they do little to prove or disprove anything.

Bring on the summer of calling bluffs.

“We were so stupid as hitters, saying, ‘Oh, yeah, it’s for control. We just don’t want them to hit us.’ That was such a cop-out,” says Cubs slugger and pending free agent Kris Bryant. “I love that things are kind of going the other way. If we get hit, we get on-base percentage.”

The back-and-forth consumed a significant amount of oxygen on a night celebrated prospect Wander Franco debuted in smashing style, hitting a three-run homer and reaching base three times for the Tampa Bay Rays. That alone should be alarming to MLB.

So, what now?

Well, we’re finding out just how hard it is to upend decades of accepted practice nearly halfway through a season. Logical solutions are out there — a unified and approved substance, perhaps the universal legalization of pine tar — but none that likely can be put in place midstream.

There will be more Girardi-Scherzer dust-ups. At some point, a pitcher might actually get caught, ejected and suspended. And if a manager’s demand for a pitcher inspection turns up no contraband, that skipper should be subject to “repercussions,” suggests Dodgers ace Clayton Kershaw,

Pitchers vs. Hitters vs. Managers vs. MLB isn’t what fans came to see. It’s clear that whatever justice is served, whatever marginal pitchers are exposed as frauds, the massive distraction and disruption to the sport won’t be worth it. No sense marring a season halfway through when it’d be far more pragmatic to use an off-season to workshop a solution and allow a full spring training for pitchers to grasp their new reality.

Perhaps the Scherzer saga will fast-track this system into the game’s dustbin, its New Coke of enforcement.

“Hopefully,” says Scherzer. “And hopefully, the players across the league understand that what we’re doing right now, this is not the answer.”

Read more at usatoday.com

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Commentary: MLB’s well-intended pitcher crackdown is instead creating a public spectacleon June 23, 2021 at 4:45 pm Read More »

Central intelligence could catch up to Bulls in the next three yearson June 23, 2021 at 4:15 pm

There’s the possibility of grabbing a point guard like a Daishen Nix.

Or maybe the Bulls go the draft-and-stash route for the second straight summer, targeting a Rokas Jokubaitis or Roko Prkacin – the youngest player in the 2021 draft.

Whichever direction executive vice president of basketball operations Arturas Karnisovas chooses with the 38th overall pick in next month’s draft, however, expect it to feel a bit empty.

That’s not to say that Karnisovas doesn’t have the scouting chops to unearth a second-round gem. See Nikola Jokic and the 2014 second round, when Karnisovas was the assistant general manager for Denver.

But there are far more Paul Zipsers and Cameron Bairstows in Round Two than landing an impact All-Star like a Jokic or a Draymond Green.

That’s just draft reality.

The other reality the Bulls now have to deal with in the wake of Tuesday’s lottery results? Guess which Eastern Conference division is about to be infused with some potential star power?

Life in the Central could be getting a bit tougher for the Bulls the next few seasons, with Detroit landing the top overall pick next month, and the Cleveland Cavaliers getting No. 3.

Not that anyone is ready to challenge Milwaukee for Central supremacy, but the Bulls could at least count on Cleveland and Detroit being perennial cellar dwellers the last few seasons.

That likely won’t change with just one more draft class, but the division could definitely look different in three years.

Here’s why with a lottery mock draft:

1. Detroit – Cade Cunningham – PG – Oklahoma State – The Pistons added three solid future role players in Isaiah Stewart, Saddiq Bey and Killian Hayes in last year’s draft, and now have a guard with generational-talent potential in Cunningham.

2. Houston – Evan Mobley – C – USC – Mobley has a much different physical build than Deandre Ayton, but has a very similar athleticism when it comes to shot-blocking and defending smaller players on the switch.

3. Cleveland – Jalen Green – SG – G League Ignite – Would the Cavs go backcourt once again? Why not, especially with an explosive scorer like Green. This could also make Darius Garland or more likely Collin Sexton available for trade.

4. Toronto – Jalen Suggs – PG/SG – Gonzaga – With Kyle Lowry expected out the door, the Raptors grab his replacement for the point guard position. The Bulls sob.

5. Orlando – Jonathan Kuminga – F – G League Ignite – An athletic wing that can play either forward spot is just what the rebuilding Magic ordered.

6. Oklahoma City – Scottie Barnes – F – Florida State – Like the Bulls’ Patrick Williams did in his one season at FSU, Barnes came off the bench but showed high-ceiling potential as a top recruit in the country.

7. Golden State – Davion Mitchell – PG – Baylor – The Warriors are in win-now mode, so all Mitchell will be asked to do is remain one of the top perimeter defenders in the draft class.

8. Orlando – Keon Johnson – G – Tennessee – Right behind Green as far as explosive scorers, as Magic cash in on the Bulls’ pick.

9. Sacramento – Moses Moody – F – Arkansas – Defense is NBA ready, while his offense is the wildcard.

10. New Orleans – James Bouknight – G – Connecticut – Elite scorer for a backcourt that could be elsewhere in free agency.

11. Charlotte – Franz Wagner – F – Michigan – High-intensity, high-IQ versatile forward.

12. San Antonio – Jalen Johnson – F – Duke – Versatile forward who can play-make and defend.

13. Indiana – Josh Giddey – PG/SG – Adelaide (Australia) – Brings an uncanny court vision and passing to a backcourt and does so at 6-foot-9.

14. Golden State – Corey Kispert – F – Gonzaga – Of course the Warriors add the best outside shooter in the draft.

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Central intelligence could catch up to Bulls in the next three yearson June 23, 2021 at 4:15 pm Read More »

Black man challenges critical race theory.on June 23, 2021 at 3:55 pm

The Barbershop: Dennis Byrne, Proprietor

Black man challenges critical race theory.

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Black man challenges critical race theory.on June 23, 2021 at 3:55 pm Read More »

Daily Cubs Minors Recap: Pinango homers; Maldonado extends hit streak to 10; Surprising starting pitching performances; Roster moves aboundon June 23, 2021 at 4:14 pm

Cubs Den

Daily Cubs Minors Recap: Pinango homers; Maldonado extends hit streak to 10; Surprising starting pitching performances; Roster moves abound

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Daily Cubs Minors Recap: Pinango homers; Maldonado extends hit streak to 10; Surprising starting pitching performances; Roster moves aboundon June 23, 2021 at 4:14 pm Read More »

Blackhawks broadcaster Pat Foley will step down after upcoming seasonon June 23, 2021 at 2:57 pm

The 2021-22 season will be the last for Blackhawks broadcaster Pat Foley, the team announced Wednesday morning.

The Hall of Fame play-by-play man’s contract expires at the end of next season, his 39th with the team.

“Listening to the great Lloyd Pettit fostered a love for the Chicago Blackhawks and broadcasting at an early age,” Foley said in a statement. “To follow in his footsteps and broadcast for the team for nearly 40 years is a dream come true for a Chicago native,”

Foley will call part of the upcoming season on NBC Sports Chicago while grooming his successor. The team said it is currently searching for a new play-by-play broadcaster.

“I have had conversations with the Blackhawks about my future, and because I cannot guarantee that I would like to continue beyond the length of my contract that ends after next season, they must look ahead,” Foley added. “I support and respect their plan to transition the broadcast booth.”

“Pat Foley has been synonymous with Chicago Blackhawks hockey for well over a generation,” Blackhawks chairman Rocky Wirtz said in a statement. “We are thankful for the memories Pat has created for our fans through the years and he will continue to be a part of the Blackhawks family. We are excited to begin this search for a new television play-by-play broadcaster who will create Blackhawks memories for the next generation of fans.”

Foley’s return to the Hawks’ broadcast booth in 2008 — after his initial run from 1980 to 2006 ended due to a strained relationship with management at the time — helped rejuvenate fan interest and support right before the Stanley Cup dynasty era.

Accompanied by color commentator Eddie Olczyk throughout his second tenure, Foley’s raspy voice, quick delivery, lighthearted style and banter with Olczyk have been signature sounds in Chicago households.

“Pat Foley is not just a legendary broadcaster and great partner in the booth, but I’m proud to say he is an even better friend,” Olczyk said in a statement. “Two Chicago guys calling Blackhawks hockey for the past 15 years has been a dream come true for me.”

Foley received Emmy awards for achievements in sports broadcasting in 1991, 2009, 2012, 2014, 2015 and 2016 and received the Hockey Hall of Fame Foster Hewitt Memorial Award for outstanding contributions as a hockey broadcaster in 2014.

But two missteps in recent seasons — one a racially insensitive comment about Eisbaren Berlin forward Austin Ortega, the other a joke about suicide during the Hawks’ final game in May — landed Foley in hot water and required apologies on air.

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Blackhawks broadcaster Pat Foley will step down after upcoming seasonon June 23, 2021 at 2:57 pm Read More »