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Capitol defenders tell the wrenching truthS. E. Cuppon July 28, 2021 at 2:01 pm

As anyone who lived through it can tell you, the scars of 9/11 do not fade with time. Twenty years later, I’m still angry and heartbroken over what happened that day, changed forever by what I saw. When I close my eyes and imagine the New York City skyline I called my home, I still see the Twin Towers. I still can’t believe it was real.

Unlike 9/11, which I watched from the streets of New York, I watched the horrific events of Jan. 6, 2021, on television, in real-time. It was shocking and sickening then, but on Tuesday, listening to four members of U.S. law enforcement describe first-hand to a House committee what happened on that day, I still can’t believe it was real.

And that, unlike 9/11, Americans did this to America.

But not only was it very real, it was, inexplicably, even worse than we knew.

It was hard to watch and listen to. Here were four uniformed heroes, choking back tears, explaining in graphic and emotional detail what they went through as they confronted a mob of violent insurrectionists hell-bent on harming them and the people in the building they were defending.

They spoke of screaming for help. They spoke of preparing to die, to never see their children again. They spoke of dealing with the long-lasting medical and psychological effects of the violence.

They compared what they had seen fighting in actual wars, and, unimaginably, found what happened at the Capitol was worse.

Officer Harry Dunn described it as “the saddest day” he’s ever experienced, of being called an N-word more than once, something that had never happened to him while wearing a uniform.

Officer Michael Fanone described the moment he thought he might be killed by insurrectionists: “I appealed to any humanity they had. I said as loud as I could manage, ‘I’ve got kids.'”

Sgt. Aquilino Gonell, emotional and angry, described the “audacity” of insurrectionists saying that he, “an Army veteran and police officer, should be executed.”

Officer Daniel Hodges described the harrowing moment a rioter told him, “You will die on your knees.”

They described in every detail the motives and demands of the people who attacked them that day: the Trump and Gadsden (“Don’t Tread On Me”) flags; the right-wing, white pride and Christian insignia; the pro-Trump chants; the unambiguous calls for Trump’s reinstatement. As Gonell testified, rioters yelled, “Trump sent us. Pick the right side. We want Trump.”

As if going through all of that trauma, wrought upon them by American citizens, and at the very Citadel of American democracy, wasn’t bad enough, they each described the final indignity: being told by certain members of Congress that what they experienced wasn’t real, wasn’t that bad; that the people who tried to kill them that day were just “tourists,” or Democrats; that they were the ones who were traitors.

“I went to hell and back to protect the people in this room,” said a visibly angered Fanone. “But too many people are telling me that hell doesn’t exist, or hell isn’t that bad.”

When asked by Rep. Liz Cheney, one of only two Republicans seated on the panel, what he thought when he heard former President Trump describe the insurrectionists as “loving,” Gonell was pointed: “It was upsetting, and a pathetic excuse for his behavior for something that he himself helped to create.”

What was so powerful about the testimony of these four officers, all of whom described their immense love of country, was how obviously heartbroken and angry they were to be betrayed in this way, and by the very Americans they vowed to protect, from the mob, to members of Congress, to the president.

That betrayal is unambiguous, and likely why most Republicans, including Trump and his cowardly lackey House Minority Speaker Kevin McCarthy, did not want this hearing to occur.

These four heroes put into stark relief the undeniable reality of that day: that a violent mob attacked America itself, because President Trump told them to.

Republicans have cravenly chosen to lie about and defend this. House GOP Conference Chair Elise Stefanik, herself chosen to replace Cheney because Cheney was being too honest about the insurrection, pre-butted the testimony Tuesday by saying: “The American people deserve to know the truth, that Nancy Pelosi bears responsibility, as speaker of the House, for the tragedy that occurred on Jan. 6.”

Shameless. Disgusting. Sickening.

And yet Stefanik’s cheap tricks are just another awful betrayal of American law enforcement officers who risked everything to defend a country they falsely assumed was better than this.

S.E. Cupp is the host of “S.E. Cupp Unfiltered” on CNN.

Send letters to [email protected].

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Capitol defenders tell the wrenching truthS. E. Cuppon July 28, 2021 at 2:01 pm Read More »

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US gymnast Simone Biles withdraws from all-around competitionWill Graves | Associated Presson July 28, 2021 at 12:21 pm

TOKYO — Simone Biles will not defend her Olympic title.

The American gymnastics superstar withdrew from Thursday’s all-around competition to focus on her mental well-being.

USA Gymnastics said in a statement on Wednesday that the 24-year-old is opting to not compete. The decision comes a day after Biles removed herself from the team final following one rotation because she felt she wasn’t mentally ready.

Jade Carey, who finished ninth in qualifying, will take Biles’ place in the all-around. Carey initially did not qualify because she was the third-ranking American behind Biles and Sunisa Lee. International Gymnastics Federation rules limit countries to two athletes per event in the finals.

The organization said Biles will be evaluated daily before deciding if she will participate in next week’s individual events. Biles qualified for the finals on all four apparatuses, something she didn’t even do during her five-medal haul in Rio de Janeiro in 2016.

The 24-year-old came to Tokyo as arguably the face of the Games following the retirement of swimmer Michael Phelps and sprinter Usain Bolt. She topped qualifying on Sunday despite piling up mandatory deductions on vault, floor and beam following shaky dismounts.

She posted on social media on Monday that she felt the weight of the world on her shoulders. The weight became too heavy after vaulting during team finals. She lost herself in mid-air and completed 1 1/2 twists instead of 2 1/2. She consulted with U.S. team doctor Marcia Faustin before walking off the field of play.

When she returned, she took off her bar grips, hugged teammates Sunisa Lee, Grace McCallum and Jordan Chiles and turned into the team’s head cheerleader as the U.S. claimed silver behind the Russian Olympic Committee.

“Once I came out here (to compete), I was like, ‘No mental is, not there so I just need to let the girls do it and focus on myself,'” Biles said following the medal ceremony.

The decision opens the door wide open for the all-around, a title that was long considered a foregone conclusion. Rebeca Andrade of Brazil finished second to Biles during qualifying, followed by Lee and Russians Angelina Melnikova and Vladislava Urazova. The four were separated by three-tenths of a point on Sunday.

Carey now finds herself in the final, capping a remarkable journey for the 21-year-old from Phoenix. She spent two years traveling the globe in an effort to pile up enough points on the World Cup circuit to earn an individual nominative spot, meaning she would be in the Olympics but technically not be part of the four-woman U.S. team.

Carey posted the second-best score on vault and the third-best on floor during qualifying, earning trips to the event finals in the process. Now she finds herself competing for an all-around medal while replacing the athlete considered the greatest of all-time in the sport.

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US gymnast Simone Biles withdraws from all-around competitionWill Graves | Associated Presson July 28, 2021 at 12:21 pm Read More »

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Decades of divas on the gig poster of the weekSalem Collo-Julinon July 28, 2021 at 11:00 am

click to enlarge
divas_posters_working_final.jpg

The gig poster for this week celebrates the tenth anniversary of a local social series that celebrates LGBTQ+ Chicago with dance music and a party atmosphere. Founded by friend of the Reader and former staffer Kristen Kaza, Slo ‘Mo began by hosting music at the Whistler in Logan Square and has since branched out into comedy shows, wellness classes, and more in various locations across the city. The outdoor Slo ‘Mo event “I’m Every Woman: Divas Through the Decades” celebrates the group’s decade of queer party programming and heralds the return of the free Millennium Park summer concert series. It features a ten-piece band led by composer and multi-instrumentalist Akenya, with guest vocalists paying homage to pop and R&B divas such as Janet Jackson, Aretha Franklin, and Mariah Carey.

Artist Kisira Hill created this week’s poster and designed the layout. Hill moved to Chicago in 2016 after studying and working in anthropology in California, and now works in graphic design and produces events for and about equity and diversity in the hospitality world.

Chicago is feeling a little safer as more people get the COVID-19 vaccine, but the city’s performance communities are still reeling from the loss of wages and tips during all those months we were staying at home. It’s not too late to do something to support the people who make nightlife happen: the Reader has compiled a list of fundraisers for out-of-work or underemployed venue staff. And you can help musicians, theater artists, and other creatives by contributing to funds that offer them direct support; the Reader lists some ideas here and here.


ARTIST: Kisira Hill
GIG: Slo ‘Mo presents “I’m Every Woman: Divas Through the Decades” featuring Akenya and friends, avery r. young, Mother Nature, Rhea the Second, Thair, Schenay Mosley, Mermaid, and DJ Vitigrrl, Mon 8/2, 6 PM, Pritzker Pavilion, Millennium Park, 201 E. Randolph, free, all ages
ARTIST INFO: kisirahill.com

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Decades of divas on the gig poster of the weekSalem Collo-Julinon July 28, 2021 at 11:00 am Read More »

Chicago sound wizard Mark Solotroff makes grounding, elegiac music on Not Everybody Makes ItMonica Kendrickon July 28, 2021 at 11:00 am

Chicago sound wizard Mark Solotroff has been wielding his powerful electronic grimoire since the mid-80s as the leader of Intrinsic Action, Bloodyminded, and Anatomy of Habit. He’s also collaborated with a who’s who of industrial and metal artists, including the Atlas Moth, Indian, Locrian, Plague Bringer, Wrekmeister Harmonies, Brutal Truth, and the Body. Then there are his side projects: in the past couple years, he’s remastered the extensive body of lo-fi synth music he released under the name Super Eight Loop, put out an album with dark-synth trio Nightmares, and revived his Milan-Chicago postindustrial collective Ensemble Sacres Garcons, who put out their first album in 25 years. Solotroff brings the sum of his experience to bear on the albums he puts out under his own name, which reflect an artistic discipline that makes each record a distinct work with its own specific intentions. His new release, Not Everybody Makes It, is somber and deliberately restrained, meant to be played at a volume that allows the ambient sounds of the listener’s home to slip through (unlike some of his other work, which is definitely meant to be heard overwhelmingly loud). With its six songs, which run about ten minutes each, Solotroff shapes sound into bite-size meditations that thread the needle between representing anxiety and soothing it. Much of his work is confrontational and violent, but he’s also a master of the elegiac (such as in Anatomy of Habit), and that’s on full display throughout Not Everybody Makes It. Like much of the music I’ve heard from the past year and a half, its emotional perimeter has been shaped in part by solitude, grief, and worry. The opening track, “Charged Matter (The Problem From the Inside),” lays down the thesis and the challenge: to ground oneself and accept a new reality, to sit with the present moment and feel the sorrow for what has been lost. Solotroff often focuses on the relationship between the body and consciousness, and the windlike sweep and nagging drone of “Attention to Flesh (Compel Yourself)” make it sound like music for a spiritual workout with a ghostly personal trainer who isn’t going to cut you any slack. Solotroff recorded and mixed the album himself in April and May 2021, and Collin Jordan mastered it at the Boiler Room in May, as vaccines were being distributed en masse and Chicago began to slowly open up. A sense of hope permeates some of the tracks, such as “Return to Pleasure (Body Into Voice),” which invokes a cautious sense of relief that can only come after a difficult ordeal. Not Everybody Makes It is a beautiful, subtle record that will reward repeated listenings. v

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Chicago sound wizard Mark Solotroff makes grounding, elegiac music on Not Everybody Makes ItMonica Kendrickon July 28, 2021 at 11:00 am Read More »