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Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays, and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

With support from our sponsors

Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


It worked!

Leasing CHA land to the Chicago Fire is part of a longstanding plan to gentrify the city.


MAGA flip-flops

Men from Blago to Bolduc are trying to sing a new song.


Just like we told you

The Bears finally make their play for public money to build their private stadium.

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Listen to The Ben Joravsky Show Read More »

Where to find the print edition of the Chicago Reader every other week

Many Reader boxes including downtown and transit line locations will be restocked on the Wednesday following each issue date.

The next issue

The next print issue is the issue of November 24, the Nonprofits Issue. It will be distributed to locations starting on Wednesday, November 23, and continuing Thanksgiving Day, Thursday, November 24.

Distribution map

The Reader is published in print every other week and distributed free to the 1,100 locations on this map (which can also be opened in a separate window or tab). Copies are available free of charge—while supplies last.

Never miss a copy! Paid print subscriptions are available for 12 issues, 26 issues, and for 52 issues from the Reader Store.

Chicago Reader 2022 print issue dates

The Chicago Reader is published in print every other week. Issues are dated Thursday. Distribution usually happens Wednesday morning through Thursday night of the issue date. Upcoming print issue dates through December 2022 are:

11/24/2022
12/8/2022
12/22/2022

Download the full 2022 editorial calendar is here (PDF).

See our information page for advertising opportunities.

2023 print issue dates

The first print issue in 2023 will be published three weeks after the 12/22/2022 issue, the final issue of 2022. The print issue dates through June 2023 are:

1/12/2023
1/26/2023
2/9/2023
2/23/2023
3/9/2023
3/23/2023
4/6/2023
4/20/2023
5/4/2023
5/18/2023
6/1/2023
6/15/2023
6/29/2023

Related


[PRESS RELEASE] The Museum of Contemporary Art Presents: 50ish, The UnGala

benefitting The Reader Institute for Community Journalism, Publisher of the Chicago Reader


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Where to find the print edition of the Chicago Reader every other week Read More »

Listen to The Ben Joravsky ShowBen Joravskyon November 16, 2022 at 8:01 am

Reader senior writer Ben Joravsky riffs on the day’s stories with his celebrated humor, insight, and honesty, and interviews politicians, activists, journalists and other political know-it-alls. Presented by the Chicago Reader, the show is available by 4 p.m. Tuesdays through Fridays at chicagoreader.com/joravsky—or wherever you get your podcasts. Don’t miss Oh, What a Week!–the Friday feature in which Ben & producer Dennis (aka, Dr. D.) review the week’s top stories. Also, bonus interviews drop on Saturdays, Sundays, and Mondays. 

Chicago Reader podcasts are recorded on Shure microphones. Learn more at Shure.com.

With support from our sponsors

Chicago Reader senior writer Ben Joravsky discusses the day’s stories with his celebrated humor, insight, and honesty on The Ben Joravsky Show.


It worked!

Leasing CHA land to the Chicago Fire is part of a longstanding plan to gentrify the city.


MAGA flip-flops

Men from Blago to Bolduc are trying to sing a new song.


Just like we told you

The Bears finally make their play for public money to build their private stadium.

Read More

Listen to The Ben Joravsky ShowBen Joravskyon November 16, 2022 at 8:01 am Read More »

Many on house arrest bombarded with texts from sheriff’s contractorMatt Chapman and The TRiiBEon November 16, 2022 at 4:37 pm

This story was produced as a collaboration between The TRiiBE and the Reader.

Editor’s note: We have changed the names and other identifying information of some of the sources quoted in this story to protect their anonymity, as they are still awaiting trial.

While awaiting trial, Shane (a pseudonym) has worn an electronic ankle monitor and been confined to their home, a high-rise apartment they share with their elderly mother and two children, for over two years. During their confinement, they have been visited hundreds of times by sheriff’s deputies who were summoned by erroneous automatic alerts that accused Shane of leaving home without authorization.

Deputies came so often that Shane’s toddler began to think they were family friends. “He calls them his buddies because he’s so used to seeing them,” Shane said. But their oldest son understood who the deputies were. “And that’s why a lot of these children grow into men and they disrespect authority, or they feel like they hate the police because they see them doing things that are not conducted in a proper manner.”

The alerts that sent texts to Shane’s phone and deputies to their front door originated from Track Group, a subcontractor that operates ankle monitors used by the Cook County Sheriff’s Office (CCSO). Track Group sends alerts to Protocol, a call center that then sends the texts. Shane is one of hundreds of people who were similarly inundated with text alerts from Protocol while on CCSO’s pretrial home-monitoring program over an 18-month period, according to data newly obtained by The TRiiBE and the Reader.

As of press time, 2,017 people are wearing electronic ankle bracelets under CCSO’s pretrial house arrest program. They’re required to remain inside their home 24 hours a day, but can leave for court-approved “essential movement” to go to work or run errands. Sheriff Tom Dart has advocated for repealing the provisions pertaining to essential movement. According to a recent article by The Intercept, Dart has systematically limited people who use essential movement for work from also running errands. 

The alerts, which often summon sheriff’s deputies and carry an implicit threat of being taken to jail, can be disruptive and frightening. Many of the people who were texted repeatedly said in interviews they were inside their homes when the alerts occurred. 

Two people who spoke to The TRiiBE and the Reader said that sheriff’s deputies told them their electronic monitors showed them being miles away, even when the deputies were in their home with them at the time. 

“They called me and told me that I was in Delaware,” Shane said. “I was like, no, I’m home. I don’t have any family in Delaware. And to be honest, I have no clue where that is.’”

Another person said a deputy told them the electronic monitor showed they were in Lake Michigan in the middle of the winter. A lawyer said their client was told the same thing.

The texts were sent automatically. According to Shereen Mohammad, a communications specialist at CCSO, Protocol staff review alerts only after texts are sent. In a previous story, we reported that in 2021, 80 percent of alerts were found to be false, and spoke to several people on pretrial monitoring who received frequent alerts accusing them of going AWOL even though they were inside their homes. We also chronicled the tribulations of Jeremy “Mohawk” Johnson, who documented his two-year ordeal of repeated false electronic-monitor alerts while he awaited trial on charges stemming from a 2020 protest.

Since then, we have obtained data on hundreds of thousands of text messages sent to some 10,000 people who, like Shane, were in the home-monitoring program between January 1, 2020, and June 22, 2022. The data shows that Johnson’s experience was far from unique.

During that 18-month period, most people on electronic home monitoring got a text from Protocol about three times a month, on average. But a significant number of people were texted far more often. One thousand people on home monitoring were texted an average of three times a week. Thirty people received upwards of 20 texts per week. Twenty-two people got more than 1,000 texts, an average of two a day. 

Tracey Harkins, a criminal attorney who often represents defendants who are on home monitoring, said that attorneys have no choice but to advise their clients to call Protocol every time they receive a text, and to film themselves to prove they’re at home. She added that her clients have told her that the call center sometimes doesn’t pick up. “They call and the phones keep ringing and no one answers,” she said.

The Chicago Appleseed Center for Fair Courts reported a similar pattern in a September 2022 Electronic Monitoring Review. Organizations calling the Protocol center on behalf of their clients reported experiencing “no answer or hours of wait time.”

During the 18-month period we analyzed, Shane has been texted an average of six times a day. One of the alerts led to deputies arresting Shane. While attending school (with court approval), the electronic monitor had alerted, accusing her of leaving, a violation of the pretrial release conditions. After Shane’s lawyer presented proof that Shane never left the school, the State’s Attorney’s Office, which initially petitioned the court to hear the violation, dropped it. Two days later, the Sheriff released Shane from the jail.

Shane said they haven’t been able to take their toddler outside to socialize and play because of the terms of home monitoring. “[H]e hasn’t been around other children. He’s never seen outside. He’s never seen grass. He’s never seen snow. He’s never been to a park,” they said. “The only thing he had ever did up until now is go to the doctor. So now when he goes places, he’s confused because he’s not used to seeing it. 

“I’m not allowed to go to PTA meetings. I’m not allowed to go on field trips. I don’t go to report card pickup. I can’t do any of those things and I was a very active parent before I got on this house arrest,” Shane continued. “I feel like it has really affected my children more than it has affected me.”

Credit: Robin Carnilius for The TRiiBE

False alerts accusing people of absconding from home are just one of the reasons they’re texted by sheriff’s subcontractors; another reason is because their ankle bracelets are not getting a strong enough signal. When a person on home monitoring gets one of these texts, they have to step outside for five minutes so the bracelet can try to get a better signal.

During the 18-month period we analyzed, 234 people received an average of three low-signal texts a week telling them to go outside for five minutes; 37 people averaged more than ten a week. One person, Jackie (a pseudonym), was texted more than 800 times, and said they had to step outside due to signal issues more than 500 times over one year on home monitoring. Like others who received excessive false alarms, Jackie’s messages were often followed by the arrival of sheriff’s deputies, no matter the time of day or night, up to three times a week. 

“I was literally at my house,” Jackie said. “I just be sitting at my house. They do that constantly. I don’t think that [ankle monitor] even works, honestly.”

Thirty-five people were texted to step outside between 11 PM and 5 AM about twice a week, on average. Seven people were texted more than four nights a week.  

“They came early [in the] morning,” between 1 AM and 4 AM, Jackie said. “They sometimes come in the day, most of the time at night.” 

Leslie (a pseudonym) also got more than 800 low-signal texts while on home monitoring. “When they came to my house my daughter was asleep. They woke my daughter up. Do you know how much that hurts? It’s traumatizing,” Leslie said.  They added that sheriff’s deputies visited their home over 100 times between March 2020 and October 2021.

Once in December 2020, and again in May 2021, thousands of people were texted to step outside for five minutes as a result of what the CCSO called “brief technical issues.” 

An optional national standard for electronic monitoring devices that was released in 2016 by the National Institute of Justice (NIJ) requires these systems to be accurate within 30 meters (about 98 feet) at least 90 percent of the time to be certified as compliant.

While the NIJ certification is completely optional for both the device manufacturer and any law enforcement agency, CCSO’s device vendor, Track Group, still claims to be accurate within 50 feet when signal confidence is “high,” 100-140 feet when “medium,” and anything further away as “invalid.”

When asked about NIJ certification, CCSO referred us to the county’s chief procurement officer, whose office did not respond to requests for comment. 

The Appleseed report concluded that the CCSO’s home monitoring program “has the potential to violate people’s due process rights.” The report made three major recommendations: dramatically shrink the use of electronic monitoring in favor of less restrictive supervision ; taking control of the program out of the sheriff’s hands; and having judges weigh in on whether to jail people suspected of violating their release.

James Kilgore, a media fellow at MediaJustice and the author of Understanding E-Carceration, said the problem of false alarms reflects a popular mythology that surveillance tech is precise and accurate. 

“A lot of the information about false alarms shows us that these devices aren’t accurate, they’re not well-designed, well-made technology on their own terms, but they’re actually very dangerous to others who are victimized by its inaccuracies,” Kilgore said. “We need to make sure that we’re not using technology that’s not vetted in any proper way that’s disastrous for people. If we start scratching the surface of the tech, along with diving deeper into the complexities of incarceration, we’re seeing all the mythologies of punishment and the power of technology. That’s their bread and butter.”


A meeting of the Community Commission for Public Safety and Accountability drew a mix of Chicagoans, some hopeful, some skeptical.


Ankle-monitor alerts garner phone calls and visits from sheriffs officers—­but more than 80 percent are bogus, according to a University of Chicago analysis.


CPD has tried to turn rapper and comedian Mohawk Johnson into a cautionary example to social justice protesters. He has other plans.

Read More

Many on house arrest bombarded with texts from sheriff’s contractorMatt Chapman and The TRiiBEon November 16, 2022 at 4:37 pm Read More »

Where to find the print edition of the Chicago Reader every other weekChicago Readeron November 16, 2022 at 4:58 pm

Many Reader boxes including downtown and transit line locations will be restocked on the Wednesday following each issue date.

The next issue

The next print issue is the issue of November 24, the Nonprofits Issue. It will be distributed to locations starting on Wednesday, November 23, and continuing Thanksgiving Day, Thursday, November 24.

Distribution map

The Reader is published in print every other week and distributed free to the 1,100 locations on this map (which can also be opened in a separate window or tab). Copies are available free of charge—while supplies last.

Never miss a copy! Paid print subscriptions are available for 12 issues, 26 issues, and for 52 issues from the Reader Store.

Chicago Reader 2022 print issue dates

The Chicago Reader is published in print every other week. Issues are dated Thursday. Distribution usually happens Wednesday morning through Thursday night of the issue date. Upcoming print issue dates through December 2022 are:

11/24/2022
12/8/2022
12/22/2022

Download the full 2022 editorial calendar is here (PDF).

See our information page for advertising opportunities.

2023 print issue dates

The first print issue in 2023 will be published three weeks after the 12/22/2022 issue, the final issue of 2022. The print issue dates through June 2023 are:

1/12/2023
1/26/2023
2/9/2023
2/23/2023
3/9/2023
3/23/2023
4/6/2023
4/20/2023
5/4/2023
5/18/2023
6/1/2023
6/15/2023
6/29/2023

Related


[PRESS RELEASE] The Museum of Contemporary Art Presents: 50ish, The UnGala

benefitting The Reader Institute for Community Journalism, Publisher of the Chicago Reader


Download our social media toolkit!


Chicago Reader announces new hires

Culture editor Kerry Cardoza will focus on art and other topics; Chasity Cooper is brought on as newsletter associate

Read More

Where to find the print edition of the Chicago Reader every other weekChicago Readeron November 16, 2022 at 4:58 pm Read More »

Pianist Richard Gibbs pays tribute to Inez Andrews and Aretha FranklinAaron Cohenon November 16, 2022 at 5:14 pm

Pianist, organist, and bassist Richard Gibbs comes from a mighty gospel lineage, and he recently released his first album under his own name, Just for Me (the Sirens), though he’s been performing publicly for nearly five decades. The disc is a tribute to two incredible women who were close to him. One is his mother, Inez Andrews, who sang with the Caravans and became a widely acclaimed soloist. Andrews also wrote a version of the traditional spiritual “Mary Don’t You Weep” that influenced Aretha Franklin’s performance on the 1972 album Amazing Grace. Gibbs had his own connection to the Queen of Soul—he accompanied her for 20 years.

On Just for Me, Gibbs’s sparse arrangements and spirited delivery connect to gospel’s Chicago origins. He also passes on this legacy to his son, Richard Gibbs III, who plays bass and organ on one track. Gibbs is an inspiring composer too, and his song “Whisper a Prayer” feels of a piece with the album’s many gospel standards, most of them associated with Andrews or Franklin. 

Erwin Helfer and Lluis Coloma with Cliff Dubose, Richard Gibbs, and Bishop Dwayne MasonThese shows are billed as “blues, boogie, and gospel keyboard parties.” Sat 11/19, 7 and 9:30 PM, Old Town School of Folk Music, Szold Hall, 4545 N. Lincoln, $24, $22 members (early show sold out), all ages

Gibbs will perform this weekend as part of what’s billed as a “blues, boogie, and gospel keyboard party” at the Old Town School of Folk Music. He talked to me about the people and experiences that shaped his debut album, speaking from his home in Bronzeville, just a few blocks from where he grew up.

Aaron Cohen: What were the most important things you learned from your mother?

Richard Gibbs: One of the most important things I learned is what she went through as a young artist. When the Caravans were in the 1950s and traveling with Reverend C.L. Franklin and a young Ms. [Aretha] Franklin, the troubles they had with hotels and just going different places, dealing with segregation—that stuck out. I learned how they managed and maneuvered and slept in the car and did different things to continue to sing and make a living. Because for me, it wasn’t a real reality—I was born in 1962, and when I got of age things were a lot better. 

Another thing that sticks out is their lack of knowledge of the business of music. They wrote these great songs and would leave the business to the record publishers or different publishers. As I got older and learned things about the business, I’d ask mom, “Why are you doing that? You can do what they’re doing.”

Inez Andrews leads her group the Andrewettes, most likely in the mid-1960s.

The other thing is how when she became a solo artist, she would be in concerts with the Mighty Clouds of Joy and these male groups—or other entertainers with six or seven people in their groups—and she would do so well by herself. She was fearless. In terms of her voice, when she was a much younger singer, the things she would attempt were just way over-the-top. She had almost a six-octave range and would just jump up there and grab those notes like she was just clearing her throat. “OK, I’m going to sing a D-flat over a high C,” and it’s like, “What? Who does that?” If she felt it, she was able to articulate it.

Your father, Richard Gibbs, was also in the classic gospel group the Soul Stirrers. Do you have many memories of him?

My father passed when I was two, so my memories of him are very few. Martin Jacox, who sang with the Soul Stirrers, gave me a VHS of my dad from a show called TV Gospel Time. My dad was singing baritone, but what stood out was they didn’t have a drummer—they just had a bass and guitar—but my dad clapped so loud that he almost served as the drummer. I felt like his voice was like a chameleon. It didn’t stick out but held things together. He was just one of the best chameleon hold-it-together types in the back. 

The Soul Stirrers in 1963, with Richard Gibbs’s father in the middle of the backing trio at the start of the clip

What I may have taken from my dad is that chameleon aspect. If I’m playing bass, because I also play keyboards, I already know what a keyboard player wants the bass to do, because I know what I want my left hand to do. I think I’m a pretty good chameleon, because I have a way of fitting in and finding that sweet spot, that groove spot, and I try to bring whatever is necessary to whatever situation I’m in.

What drew you to the piano, and did your mother intend for you to become a musician?

Early on, my mom used to have rehearsals right at home, and so we had a piano there. So she had James Cleveland, Jessy Dixon, Marvin Yancy—all these great pianists would come over. My mom told me I used to play on the windowsill in my bedroom, kind of mimicking them. Mom would cook mac and cheese and all of this stuff that they liked. They would rehearse for a while, and then when they’d go to the kitchen to eat I’d get on the piano and mimic what they were doing. 

I don’t think at that point she was expecting me to be a musician. She had a friend named Chessie Manning—she approached my mom when I was seven and asked her if I could play for her church. I started playing at Nazarene Deliverance Church of God in Christ. My mom thought, “It’s cute, it’s cool, he’s making $25 a week,” and thought it was fine. 

Richard Gibbs accompanies his mother, Inez Andrews. This clip was posted in 2013, a year after her death.

Around 13, mom fired her accompanist, and the first concert I did with her, we went to New York. The popular kids’ clothes were Garanimals. She bought me a blue one and a red one. I had my cool outfit, and we flew to New York—that was my first flight, first time I ever just played with my mom, and there were a zillion people there. She used to have me stomp my feet to let her know where the one is. On Easter we played the Superdome. Imagine it filled to capacity, filled with people—that was unbelievable, to experience that kind of stuff. It was really great to touch these people, know these people—and they respected my mom. It was just amazing.

What about the bass?

Criss Johnson, who played guitar for my mom, was a left-handed guitar player. If I tell you he was amazing, please believe me. He’s still amazing to this day. He plays with Shirley Caesar now and is one of the best guitarists I’ve ever seen. What happened was—I used to enjoy the Jackson Five so much when they had the cartoon out, and I told my mom I wanted to get a guitar for me, drums for my sister, and how I wanted everything. That Christmas she bought my older brother a bass and me a bass. Honestly, I don’t think she knew the difference. So we had two basses in the house. So my whole group situation went out the window. 

But anyway, having the bass, I would mimic the Jackson Five. I was just a musical kid having fun, but once I had the feel for the bass—I didn’t know I had it upside down because Criss was so great, I would watch what he was doing and mimic what he did. I went to my mom’s recording sessions and there were two guys, [bassists] Larry Ball and Richard Evans, and those guys were phenomenal. Gene Barge was my mom’s producer, so he would bring in [guitarists] Phil Upchurch, Byron Gregory, Cash McCall—I was just around these guys, and I was always watching, always a sponge.

How did Aretha Franklin hiring you come about?

My work with Ms. Franklin began in late 1997. I did one gig with her in New York, and it was a gospel performance, so she was doing songs off of Amazing Grace. But the week prior to that I was in New Orleans with Bishop Paul Morton, and he was doing his first full gospel record. The following Saturday I was in Ms. Franklin’s living room, auditioning. 

I felt I was so prepared for it, because my mom wrote “Mary Don’t You Weep” on Amazing Grace. So when you write on a record that big, that’s played in your house forever. I got whuppings to that album. I did my homework to that album. I went to sleep to that album, I woke up to it, I knew everything there is to know about that album. 

So that was my audition when I started with Ms. Franklin. She would call out songs—“Mary Don’t You Weep,” “Amazing Grace”—she just went all over the album. The first half of the rehearsal, we made it through that with no problem. And then during the break she asked me, “Do you ever play secular?” I said, “No, not really.” But I added, “I think I could, though.” She just said, “Oh, OK.” 

So we got back in rehearsal, finished the rehearsal, and at the end she said, “Come back into the kitchen.” I went into her kitchen and she was like, “Here are your first 12 dates. This is what you’re going to make. And get two tuxedos.”

What was something that you saw in an Aretha Franklin concert that audiences did not see?

When I started up with her, we got up to 17 songs per concert with an intermission. We would have all of these songs prepared, and Ms. Franklin would be in the wings with our librarian, Willie Wilkerson. We would play the overture before she came out, and during the overture, if Willie came out and whispered into [musical director] H.B. Barnum’s ear, it was like [exasperated], “Oh boy.” 

She would say, “OK, I’m changing number three. I’m going to change five and put seven in the place of four.” So while we’re playing the overture and they’re saying, “Ladies and gentlemen, Ms. Aretha Franklin”—we had a songbook of over 300 songs in our piano book, drum book, every book—so we would play the overture and H.B. would say, “OK, three is out, change seven to four.” 

We’d be in the book, still playing, try to find the other songs, while going through the song you have up already. Unless she just made a change while she was already onstage—and said she was making a change—that would have been the only way the audience would know. But if she was in the wings and she sent Willie out, the audience had no clue what Willie was telling H.B. But H.B. would let us know while he was still conducting, and by the time we get to those songs, that music had better be on your instrument and ready to play.

Richard Gibbs accompanies Aretha Franklin on piano at the White House in 2015.

Another thing is, Ms. Franklin would go off script sometimes. She would be singing, and she might get to a spot that she really liked and repeat it. H.B. had a panic sign, and he just would wave the horns out and would pass it over to me. The rhythm section would roll with Ms. Franklin for a while, while she was doing what she was doing, and once she was getting ready to get back to the song, I’d tell H.B., “Bring them back in, measure 84.” H.B. would tell the horns “84,” and as we’d play up to it he’d count them in. It happened so much that it would be effortless. 

In all actuality, it should work. She’s the queen. She earned the right to do that and have people who can respond to what she was saying. And for me, it went all the way back to my mom. If my mom wanted to put a measure of two there, she didn’t know it was a measure of two—that’s what she felt like, and Mr. Barge made it work. With Ms. Franklin it was all about making it work.

You have such a strong traditional sound on Just for Me. How did you plan the recording?

I didn’t do too many bells and whistles. This being my first CD, I wanted to respect what was there. When you have strong singers like Ms. Franklin and my mom, to mimic them is a feat—they’re so musical off the cuff. I tried to just re-create the feeling of just how they sang the songs. I know my mom’s riffs, I know Ms. Franklin’s riffs. I was able to play them, but it was my heart’s desire that they speak as they sang them. I tried to make them speak and feel the same way as best I could without lyrics. I played it as if I was playing it if they were singing it. 

Richard Gibbs plays “The Healer” on his new solo album, Just for Me.

Setting up that foundation, it made it kind of easy to do the solo parts on top. On “What a Friend We Have in Jesus” I may have stepped out a little bit, but I tried to stay close to what they did already. I tried not to change what was there and make it pure, make it what people appreciated from them, and I hope I achieved that.

How would you assess the gospel scene in Chicago today?

The gospel scene today in Chicago is well. There are young guns out there now like Jason Tyson, Curtis Lindsey, the list goes on. They’re producing great music, and I’ve always noticed that a lot of the R&B artists, prominent artists, borrow from Chicago a lot. The young guys who are really out there doing it now, they respect what has went on before. They’ll call me for sessions all the time. I’m the 60-year-old guy with all these 40-year-olds. They have a lot of respect for people like myself and Darius Brooks. 

Most of these guys eat ivory for breakfast, they play so much piano. A lot of good musicians still come out of Chicago. They are still sowing, just like Marvin Yancy and Gene Barge sowed into me and hopefully I sowed into Jason. Gospel in Chicago is good.


Wednesday, November 30, 2022 at the Museum of Contemporary Art

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Pianist Richard Gibbs pays tribute to Inez Andrews and Aretha FranklinAaron Cohenon November 16, 2022 at 5:14 pm Read More »

Many on house arrest bombarded with texts from sheriff’s contractor

This story was produced as a collaboration between The TRiiBE and the Reader.

Editor’s note: We have changed the names and other identifying information of some of the sources quoted in this story to protect their anonymity, as they are still awaiting trial.

While awaiting trial, Shane (a pseudonym) has worn an electronic ankle monitor and been confined to their home, a high-rise apartment they share with their elderly mother and two children, for over two years. During their confinement, they have been visited hundreds of times by sheriff’s deputies who were summoned by erroneous automatic alerts that accused Shane of leaving home without authorization.

Deputies came so often that Shane’s toddler began to think they were family friends. “He calls them his buddies because he’s so used to seeing them,” Shane said. But their oldest son understood who the deputies were. “And that’s why a lot of these children grow into men and they disrespect authority, or they feel like they hate the police because they see them doing things that are not conducted in a proper manner.”

The alerts that sent texts to Shane’s phone and deputies to their front door originated from Track Group, a subcontractor that operates ankle monitors used by the Cook County Sheriff’s Office (CCSO). Track Group sends alerts to Protocol, a call center that then sends the texts. Shane is one of hundreds of people who were similarly inundated with text alerts from Protocol while on CCSO’s pretrial home-monitoring program over an 18-month period, according to data newly obtained by The TRiiBE and the Reader.

As of press time, 2,017 people are wearing electronic ankle bracelets under CCSO’s pretrial house arrest program. They’re required to remain inside their home 24 hours a day, but can leave for court-approved “essential movement” to go to work or run errands. Sheriff Tom Dart has advocated for repealing the provisions pertaining to essential movement. According to a recent article by The Intercept, Dart has systematically limited people who use essential movement for work from also running errands. 

The alerts, which often summon sheriff’s deputies and carry an implicit threat of being taken to jail, can be disruptive and frightening. Many of the people who were texted repeatedly said in interviews they were inside their homes when the alerts occurred. 

Two people who spoke to The TRiiBE and the Reader said that sheriff’s deputies told them their electronic monitors showed them being miles away, even when the deputies were in their home with them at the time. 

“They called me and told me that I was in Delaware,” Shane said. “I was like, no, I’m home. I don’t have any family in Delaware. And to be honest, I have no clue where that is.’”

Another person said a deputy told them the electronic monitor showed they were in Lake Michigan in the middle of the winter. A lawyer said their client was told the same thing.

The texts were sent automatically. According to Shereen Mohammad, a communications specialist at CCSO, Protocol staff review alerts only after texts are sent. In a previous story, we reported that in 2021, 80 percent of alerts were found to be false, and spoke to several people on pretrial monitoring who received frequent alerts accusing them of going AWOL even though they were inside their homes. We also chronicled the tribulations of Jeremy “Mohawk” Johnson, who documented his two-year ordeal of repeated false electronic-monitor alerts while he awaited trial on charges stemming from a 2020 protest.

Since then, we have obtained data on hundreds of thousands of text messages sent to some 10,000 people who, like Shane, were in the home-monitoring program between January 1, 2020, and June 22, 2022. The data shows that Johnson’s experience was far from unique.

During that 18-month period, most people on electronic home monitoring got a text from Protocol about three times a month, on average. But a significant number of people were texted far more often. One thousand people on home monitoring were texted an average of three times a week. Thirty people received upwards of 20 texts per week. Twenty-two people got more than 1,000 texts, an average of two a day. 

Tracey Harkins, a criminal attorney who often represents defendants who are on home monitoring, said that attorneys have no choice but to advise their clients to call Protocol every time they receive a text, and to film themselves to prove they’re at home. She added that her clients have told her that the call center sometimes doesn’t pick up. “They call and the phones keep ringing and no one answers,” she said.

The Chicago Appleseed Center for Fair Courts reported a similar pattern in a September 2022 Electronic Monitoring Review. Organizations calling the Protocol center on behalf of their clients reported experiencing “no answer or hours of wait time.”

During the 18-month period we analyzed, Shane has been texted an average of six times a day. One of the alerts led to deputies arresting Shane. While attending school (with court approval), the electronic monitor had alerted, accusing her of leaving, a violation of the pretrial release conditions. After Shane’s lawyer presented proof that Shane never left the school, the State’s Attorney’s Office, which initially petitioned the court to hear the violation, dropped it. Two days later, the Sheriff released Shane from the jail.

Shane said they haven’t been able to take their toddler outside to socialize and play because of the terms of home monitoring. “[H]e hasn’t been around other children. He’s never seen outside. He’s never seen grass. He’s never seen snow. He’s never been to a park,” they said. “The only thing he had ever did up until now is go to the doctor. So now when he goes places, he’s confused because he’s not used to seeing it. 

“I’m not allowed to go to PTA meetings. I’m not allowed to go on field trips. I don’t go to report card pickup. I can’t do any of those things and I was a very active parent before I got on this house arrest,” Shane continued. “I feel like it has really affected my children more than it has affected me.”

Credit: Robin Carnilius for The TRiiBE

False alerts accusing people of absconding from home are just one of the reasons they’re texted by sheriff’s subcontractors; another reason is because their ankle bracelets are not getting a strong enough signal. When a person on home monitoring gets one of these texts, they have to step outside for five minutes so the bracelet can try to get a better signal.

During the 18-month period we analyzed, 234 people received an average of three low-signal texts a week telling them to go outside for five minutes; 37 people averaged more than ten a week. One person, Jackie (a pseudonym), was texted more than 800 times, and said they had to step outside due to signal issues more than 500 times over one year on home monitoring. Like others who received excessive false alarms, Jackie’s messages were often followed by the arrival of sheriff’s deputies, no matter the time of day or night, up to three times a week. 

“I was literally at my house,” Jackie said. “I just be sitting at my house. They do that constantly. I don’t think that [ankle monitor] even works, honestly.”

Thirty-five people were texted to step outside between 11 PM and 5 AM about twice a week, on average. Seven people were texted more than four nights a week.  

“They came early [in the] morning,” between 1 AM and 4 AM, Jackie said. “They sometimes come in the day, most of the time at night.” 

Leslie (a pseudonym) also got more than 800 low-signal texts while on home monitoring. “When they came to my house my daughter was asleep. They woke my daughter up. Do you know how much that hurts? It’s traumatizing,” Leslie said.  They added that sheriff’s deputies visited their home over 100 times between March 2020 and October 2021.

Once in December 2020, and again in May 2021, thousands of people were texted to step outside for five minutes as a result of what the CCSO called “brief technical issues.” 

An optional national standard for electronic monitoring devices that was released in 2016 by the National Institute of Justice (NIJ) requires these systems to be accurate within 30 meters (about 98 feet) at least 90 percent of the time to be certified as compliant.

While the NIJ certification is completely optional for both the device manufacturer and any law enforcement agency, CCSO’s device vendor, Track Group, still claims to be accurate within 50 feet when signal confidence is “high,” 100-140 feet when “medium,” and anything further away as “invalid.”

When asked about NIJ certification, CCSO referred us to the county’s chief procurement officer, whose office did not respond to requests for comment. 

The Appleseed report concluded that the CCSO’s home monitoring program “has the potential to violate people’s due process rights.” The report made three major recommendations: dramatically shrink the use of electronic monitoring in favor of less restrictive supervision ; taking control of the program out of the sheriff’s hands; and having judges weigh in on whether to jail people suspected of violating their release.

James Kilgore, a media fellow at MediaJustice and the author of Understanding E-Carceration, said the problem of false alarms reflects a popular mythology that surveillance tech is precise and accurate. 

“A lot of the information about false alarms shows us that these devices aren’t accurate, they’re not well-designed, well-made technology on their own terms, but they’re actually very dangerous to others who are victimized by its inaccuracies,” Kilgore said. “We need to make sure that we’re not using technology that’s not vetted in any proper way that’s disastrous for people. If we start scratching the surface of the tech, along with diving deeper into the complexities of incarceration, we’re seeing all the mythologies of punishment and the power of technology. That’s their bread and butter.”


A meeting of the Community Commission for Public Safety and Accountability drew a mix of Chicagoans, some hopeful, some skeptical.


Ankle-monitor alerts garner phone calls and visits from sheriffs officers—­but more than 80 percent are bogus, according to a University of Chicago analysis.


CPD has tried to turn rapper and comedian Mohawk Johnson into a cautionary example to social justice protesters. He has other plans.

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Many on house arrest bombarded with texts from sheriff’s contractor Read More »

Chicago Bears RB Khalil Herbert going to IR means big opportunity for this rookieRyan Heckmanon November 16, 2022 at 4:00 pm

Finding the silver lining in bad news is something Chicago Bears fans are accustomed to. Living as gluttons for punishment has made some of us this way, and here we are again, having to deal with some bad news.

Second-year running back Khalil Herbert was placed on IR due to a hip injury, meaning he will miss at least a month.

But, there is hope. The Bears’ rushing attack has been tops in the league this year thanks to a three-headed monster featuring Herbert, David Montgomery and, of course, the breakout of Justin Fields.

All they need is for the “next man up” to step in and perform just like last year’s sixth-round rookie was able to do. Funny enough, the Bears’ next man up is also a sixth-round rookie from the 2022 class: Trestan Ebner.

With Khalil Herbert out for a while, the Chicago Bears could see Trestan Ebner step right in and succeed.

Not surprised to see this. Herbert went down awkwardly with a hip injury on his last kick return Sunday. Expect Trestan Ebner to get some of that load. Will be interesting to see if Velus Jones Jr. gets another shot at kick return duties. https://t.co/TpcQkd85Po

— Adam Hoge (@AdamHoge) November 15, 2022

Today’s NFL has proven one thing over the last few years: running backs had been over-valued and over-drafted. Seeing guys like Herbert, Elijah Mitchell and Dameon Pierce succeed in recent years proves that you don’t absolutely need to find a running back on Day 1 or Day 2 of the draft.

For that reason, the Bears may have struck gold again going with Ebner this year. The former Baylor Bears running back and return man likely locks in the number two role going forward, and has some similarities to Herbert which could help the offense not lose a step.

Ebner is actually two inches taller and a similar size, but runs even quicker than Herbert. If you thought Herbert had “the juice,” Ebner is actually faster, believe it or not. Ebner ran a 4.43 versus Herbert’s 4.5.

Ebner can be shifty in the open field, too, which gives the Bears a similar runner to Herbert, able to step in and fill that void.

Montgomery should still see the bulk of the carries, but Ebner’s skill set is going to come in nicely when filling Herbert’s shoes. Ebner is also a phenomenal pass catcher, and he averaged 11.9 yards per reception at Baylor on a total of 127 catches.

The Bears take on an Atlanta Falcons defense this weekend — a defense that gives up nearly 120 yards per game on the ground. Meanwhile, the Bears have averaged a ridiculous 201.7 yards per game rushing, which would be only the 11th time a team has averaged that number since 1980.

Assuming Luke Getsy stays committed — and he will — Ebner should see a good amount of touches; right around 10-14, most likely. Could we be getting ready to see another late-round pick flourish?

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Chicago Bears RB Khalil Herbert going to IR means big opportunity for this rookieRyan Heckmanon November 16, 2022 at 4:00 pm Read More »

Chicago White Sox Rumors: Sox in on trading for this catcherRyan Heckmanon November 16, 2022 at 4:30 pm

After a season that saw the Chicago White Sox finish at an even 81-81, it is very clear the team needs to improve in key areas this offseason.

Defensively, the White Sox struggled tremendously. The South Siders were also in the bottom half of the league in scoring, which would clearly lead many to believe that they are interested in upgrading several spots this offseason.

However, because of the desire to shed payroll this offseason, the White Sox may not actually look to spend a lot of money. Instead, the team has even been involved in some recent trade rumors — except the Sox would be the ones moving a big name or two, just to save some cash.

Back to the needs at hand, though. The Sox do have a need at catcher, and for the sake of a recent report, that’s where we’ll focus.

In order to fill that need, Bruce Levine writes that the Sox are apparently in on trying to trade for Oakland Athletics catcher Sean Murphy.

All Murphy ? All-MLB

Sean Murphy is an All-MLB nominee!

Vote for Murph: https://t.co/TOvW36grNU pic.twitter.com/lnClQTyvpH

— Oakland A’s (@Athletics) November 10, 2022

The Chicago White Sox have called about trading for Oakland Athletics catcher Sean Murphy.

Just recently, Murphy won an AL Gold Glove award for his play during the 2021 season. Last year, he was again a finalist for the award. Murphy is known for being legit behind the plate, and would give the White Sox a significant boost, defensively.

Not only is Murphy a fantastic defensive player, but he also posted his best overall hitting season this past season. In 2022, Murphy slashed .250/.332/.426 while posting 18 home runs — a career-best — and 66 RBI.

The Athletics are fairly deep at catcher, which is one of the main reasons why they could look to trade Murphy. They currently have prospect Shea Langeliers who could step in and take Murphy’s place right now, in addition to having selected catcher Daniel Susac at pick number 19 in this year’s MLB Draft.

Murphy could be one of the top trade targets this offseason, primarily because he is still just 28 years old and is under team control through the 2025 season. For a team like the White Sox who don’t want to go out of their way to spend, this is the likely avenue they will take in order to improve specific positions this offseason.

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Chicago White Sox Rumors: Sox in on trading for this catcherRyan Heckmanon November 16, 2022 at 4:30 pm Read More »

Modeling vulnerability

“If you are silent about your pain, they’ll kill you and say you enjoyed it.” —Zora Neale Hurston

This quote has been on my mind recently. It is in the epigraph of a recent read: Carmen Maria Machado’s memoir In the Dream House, a title which also appeared in the acknowledgments of the book at hand today. The recognition reads: “Thank you to Carmen Maria Machado for In the Dream House. Thank you for breaking silence, and allowing so many others to do the same.”

The book in question, When We Were Sisters by Fatimah Asghar, is the debut novel from Chicago’s beloved multi-hyphenate creative. The story follows a trio of orphaned sisters and is (mostly) narrated by the youngest, Kausar. When we meet her, immediately following the death of her only remaining parent, she is four years old and surrounded by a sea of wailing Aunties—grief vampires whose faces all “blend together, until they become a soup of Aunties.” When we leave her, she is 27 with distant lovers who “mess in [her] dreams into a soup of faces.” The story both begins and ends in the murky waters of the human condition. In the interim, her character never stops clawing for connection and self-discovery.

When We Were Sisters by Fatimah AsgharOne World, hardcover, 352 pp., $27 penguinrandomhouse.com 

The antagonist of this tale is Uncle (his name is censored throughout the book: henceforth referred to as Uncle) leading a double life in the wake of multiple failed business schemes and a marriage. He sees in the three sisters, the children of his own sister, an opportunity for extortion of government welfare support checks and spiritual advancement in his Muslim faith. With no intention of ever truly parenting them, he tricks them into living under his guardianship, promising his estranged wife “it’ll be like they never existed.” Although there are glimmers of his humanity throughout the story (perhaps only through the hopeful eye of the narrator), he is almost exclusively abusive and/or absent—a totem of toxic masculinity who keeps them locked away in squalid apartments throughout their entire childhoods.

Credit: Courtesy One World

As they are shuffled from one depressing apartment to the next, Uncle and other unsavory characters encroach upon the sisters’ spiritual, emotional, and physical well-being. The politics of space are beautifully explored: those who are gobbling up more (Uncle, random roommates he has saddled the girls with, and the girls’ romantic interests) contrast with the three shrinking, caged sisters. Throughout the novel—as the siblings are spoken over, ignored, abused, neglected, and coerced to lie to protect adults—they harrowingly adapt to each scenario by taking up less space at their own expense. Says Kausar of this tactic: “We’re all shrinking into ourselves. Practicing how small we can be…I can become the air. I can disappear entirely.” Kauser is also, throughout the story, a gender shape-shifter who identifies as both boy and girl, a maybe-girl, a not-girl, someone who can be “made into a girl” to satisfy the needs of another.

Parts of the narrative (lines of dialogue, details of an interaction, and, as with Uncle, names) are intentionally obscured with intense, black censorship boxes or entire pages or blank lines set off by parentheses. This could indicate silence, something thought but not spoken aloud, redacted information, or something too painful to be shared. This device was particularly breathtaking on two vertically-set pages with the opposing headings, “When adults speak to me,” and, “What the adults mean.” By gymnastically turning the book to and fro, reading from the left side diagram to the right (in brackets below), the reader can piece together the sing-song, dismissive platitudes adults offer to these children who are confused and grieving. These canned responses, repeated ad nauseam, include:

Your father was [at the wrong place] [at the wrong time].

At least he’s in a [better place] now. At least he’s no longer [hurting]. Finally, he is [at rest].

Credit: Erin Toale

Pages poetically laced with profanity tell a story of suffering without respite for the three siblings. The relationships and power dynamics between them ebb and flow, and interactions as they grow offer stark insight into the intimate ways that only sisters can both love and also hurt each other. A joyful, maternal moment with the eldest sister, Noreen, leaves Kauser reflecting “you’re held, you’re held, you’re held.” When Kausar’s long-simmering rage at the collective trauma and strained bonds between them finally overcomes her, she snaps at her middle sister, Aisha, “No one loves you. You’re the reason they’re gone,” realizing immediately that she has said the unsayable regarding their perpetual abandonment.

Asghar lyrically describes the ways unprocessed grief and trauma manifest in the three sisters: these moments are often where the novel’s fantastic or supernatural subtexts are explored. As a way to cope with the first in a string of disappointing living arrangements, they “once-upon-a-time” themselves into an imaginary better life. They conduct a midnight, candle-lit ceremony hoping to reincarnate their parents (accidentally leading to a brief connection with a set of surrogate parents). At times, emotions disfigure the trio and turn them into paranormal forms: brain-eating zombies, a fused and six-eyed monster body, with Kauser herself frequently embodying a vengeful, smoke-breathing scorpion. The metaphors Asghar employs to describe Kauser’s dissociative episodes, as well as her sexual and queer awakenings, are as gut-punch effective as they are numerous. There is also some timeline-jumping, narrator-switching, but I won’t say any more about that lest I give away one of my favorite aspects of the book. 

In exploring difficult topics and complex emotions (including shame, pain, and grief), this book thoughtfully calls attention to the lack of cultural representations of abuse and exploitation—especially those told from a marginalized point of view. In sharing this story—and by sitting in discomfort with the reader—Asghar models vulnerability in writing and calls for greater criticality of the stories we consume and the societal structures we support. It is important we pay attention to whose stories are being told, and to tell our own stories, lest “they kill us and say we enjoyed it.” As Uncle frequently threatens Kasour, a queer, Muslim American minor: “who are they going to believe? [me] or [you]?” 

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Wednesday, November 30, 2022 at the Museum of Contemporary Art

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